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This is a brief analysis of a painting by an Italian Jesuit artist in the Manchu court of the 18th century. Considered by some as the last official Jesuit in China, this artist spent over 50 years of his life in the Qing Dynasty court.
Book Synopsis The Greatest Manchu Painting by : Dale A. Johnson
Download or read book The Greatest Manchu Painting written by Dale A. Johnson and published by Lulu.com. This book was released on 2013-10-14 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a brief analysis of a painting by an Italian Jesuit artist in the Manchu court of the 18th century. Considered by some as the last official Jesuit in China, this artist spent over 50 years of his life in the Qing Dynasty court.
This comprehensive overview of painting in China s last dynasty, the Qing (1644 1911), fills a need in the field of East Asian art history and will be welcomed by students and collectors. Claudia Brown provides a thorough chronological account of painting in the Qing period, from the tumultuous Ming Qing transition to the end of imperial rule, while examining major influences along the way. Among topics explored are the relationship between painting and mapmaking, the role of patrons and collectors, printmaking and publishing, religious themes, and Western influences. Great Qing is innovative in providing many fine examples of Qing painting in American museums, works from all regions of China, and paintings by women.--Amazon.com.
Book Synopsis Great Qing by : Claudia Brown
Download or read book Great Qing written by Claudia Brown and published by China Program Books (Hardcover. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive overview of painting in China s last dynasty, the Qing (1644 1911), fills a need in the field of East Asian art history and will be welcomed by students and collectors. Claudia Brown provides a thorough chronological account of painting in the Qing period, from the tumultuous Ming Qing transition to the end of imperial rule, while examining major influences along the way. Among topics explored are the relationship between painting and mapmaking, the role of patrons and collectors, printmaking and publishing, religious themes, and Western influences. Great Qing is innovative in providing many fine examples of Qing painting in American museums, works from all regions of China, and paintings by women.--Amazon.com.
This is the first book that portrays the middle Qing painting. Examples of the works by 62 artists are illustrated in this volume.
Book Synopsis Chinese Paintings of the Middle Qing Dynasty by : Jung Ying Tsao
Download or read book Chinese Paintings of the Middle Qing Dynasty written by Jung Ying Tsao and published by . This book was released on 1987 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book that portrays the middle Qing painting. Examples of the works by 62 artists are illustrated in this volume.
"Wang Hui, the most celebrated painter of late-seventeenth-century China, played a key role both in reinvigorating past traditions of landscape painting and in establishing the stylistic foundations for the imperially sponsored art of the Qing court. Drawing upon his protean talent and immense ambition, Wang developed an all-embracing synthesis of historical landscape styles that constituted one of the greatest artistic innovations of late imperial China." "This comprehensive study of the painter, the first published in English, features three essays that together consider his life and career, his artistic achievements, and his masterwork - the series of twelve monumental scrolls depicting the Kangxi emperor's Southern Inspection Tour of 1689. The first essay, by Wen C. Fong, closely examines Wang Hui's genius for "repossessing the past," his ability to engage in an inventive dialogue with previous masters and to absorb their stylistic personae while making works that were distinctly his own. Chin-Sung Chang next traces the entire trajectory of Wang's development as an artist, from his precocious youth in the village of Yushan, through growing local and national fame - first as a copyist, then as the creator of groundbreaking panoramic landscapes - to the ultimate confirmation of his stature with the commission to direct the Southern Inspection Tour project. Focusing on this extraordinary eight-year-long effort, Maxwell K. Hearn's essay discusses the contemporary sources for the scrolls, the working methods of Wang and his assistants (comparing drafts with finished versions), and the artistic innovations reflected in these imposing works, the extant examples of which measure more than two feet high and from forty-six to eighty-six feet long." "This publication accompanies the exhibition "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)," held at The Metropolitan Museum of Art, New York, from September 9, 2008, through January 4, 2009."--BOOK JACKET.
Book Synopsis Landscapes Clear and Radiant by : Wen Fong
Download or read book Landscapes Clear and Radiant written by Wen Fong and published by Metropolitan Museum of Art. This book was released on 2008 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Wang Hui, the most celebrated painter of late-seventeenth-century China, played a key role both in reinvigorating past traditions of landscape painting and in establishing the stylistic foundations for the imperially sponsored art of the Qing court. Drawing upon his protean talent and immense ambition, Wang developed an all-embracing synthesis of historical landscape styles that constituted one of the greatest artistic innovations of late imperial China." "This comprehensive study of the painter, the first published in English, features three essays that together consider his life and career, his artistic achievements, and his masterwork - the series of twelve monumental scrolls depicting the Kangxi emperor's Southern Inspection Tour of 1689. The first essay, by Wen C. Fong, closely examines Wang Hui's genius for "repossessing the past," his ability to engage in an inventive dialogue with previous masters and to absorb their stylistic personae while making works that were distinctly his own. Chin-Sung Chang next traces the entire trajectory of Wang's development as an artist, from his precocious youth in the village of Yushan, through growing local and national fame - first as a copyist, then as the creator of groundbreaking panoramic landscapes - to the ultimate confirmation of his stature with the commission to direct the Southern Inspection Tour project. Focusing on this extraordinary eight-year-long effort, Maxwell K. Hearn's essay discusses the contemporary sources for the scrolls, the working methods of Wang and his assistants (comparing drafts with finished versions), and the artistic innovations reflected in these imposing works, the extant examples of which measure more than two feet high and from forty-six to eighty-six feet long." "This publication accompanies the exhibition "Landscapes Clear and Radiant: The Art of Wang Hui (1632-1717)," held at The Metropolitan Museum of Art, New York, from September 9, 2008, through January 4, 2009."--BOOK JACKET.
Book Synopsis Writings and Paintings of Masters of the Manchu Dynasty by : Torajino Naito
Download or read book Writings and Paintings of Masters of the Manchu Dynasty written by Torajino Naito and published by . This book was released on 1926 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Art of the Manchus by : Everson Museum of Art
Download or read book The Art of the Manchus written by Everson Museum of Art and published by . This book was released on 1959* with total page 35 pages. Available in PDF, EPUB and Kindle. Book excerpt:
In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China�s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of �scenic illusion paintings� (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong�s world. For more information: http://arthistorypi.org/books/imperial-illusions
Book Synopsis Imperial Illusions by : Kristina Kleutghen
Download or read book Imperial Illusions written by Kristina Kleutghen and published by University of Washington Press. This book was released on 2015-06-17 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China�s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of �scenic illusion paintings� (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong�s world. For more information: http://arthistorypi.org/books/imperial-illusions
Catalogue of the the first exhibition in the United States of important Chinese paintings from the Palace Museum, Beijing. It consists of 76 paintings of which 55 are hanging scrolls, 16 are handscrolls, and 5 are albums; 33 paintings belong to the Ming dynasty and 43 of the Qing dynasty. Each painting is described in detail by Howard Rogers, with an essay by Sherman E. Lee and a foreword by Richard Barnhart.
Book Synopsis Masterworks of Ming and Qing Painting from the Forbidden City by : Howard Rogers
Download or read book Masterworks of Ming and Qing Painting from the Forbidden City written by Howard Rogers and published by International Arts. This book was released on 1988 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue of the the first exhibition in the United States of important Chinese paintings from the Palace Museum, Beijing. It consists of 76 paintings of which 55 are hanging scrolls, 16 are handscrolls, and 5 are albums; 33 paintings belong to the Ming dynasty and 43 of the Qing dynasty. Each painting is described in detail by Howard Rogers, with an essay by Sherman E. Lee and a foreword by Richard Barnhart.
From the tenth century to the end of the Manchu Ch'ing dynasty early in this century, the dominant concern of the Chinese painter has been the natural world of landscape, trees and rocks, birds and animals, flowers and bamboo--"the myriad phenomena occasioned by consciousness," in the words of the eleventh-century art historian Kuo Jo-hs�. The older figure and narrative traditions remain vital for a time, during the period of the Sung (960-1279) and Y�an (1279-1368) dynasties, then rapidly declined, becoming the concern only of journeymen artisans and court chroniclers. It is this watershed of Chinese art from the tenth through the fourteenth centuries, when the new art of landscape painting and bird and flower painting was born and the ancient traditions had their final flowering, that provides the historical context for this book. No attempt has been made, however, to provide a full historical background for the works discussed. A selection of some of the finest Sung and Y�an paintings from the collection of Wang Chi-ch'ien provides the only focus. These works have been grouped by subject matter and period, described and analyzed, and allowed to form their own network of relationships. Inevitably, there are imbalances and gaps. It is remarkable, nonetheless, that so complete a survey of Sung and Y�an painting can be written based on the collection of one connoisseur-collector. Few great museums outside of China could offer so rich and complete a selection. (This title was originally published in 1982/83.)
Book Synopsis Along the Border of Heaven by : Richard Barnhart
Download or read book Along the Border of Heaven written by Richard Barnhart and published by Metropolitan Museum of Art New York. This book was released on 2012-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the tenth century to the end of the Manchu Ch'ing dynasty early in this century, the dominant concern of the Chinese painter has been the natural world of landscape, trees and rocks, birds and animals, flowers and bamboo--"the myriad phenomena occasioned by consciousness," in the words of the eleventh-century art historian Kuo Jo-hs�. The older figure and narrative traditions remain vital for a time, during the period of the Sung (960-1279) and Y�an (1279-1368) dynasties, then rapidly declined, becoming the concern only of journeymen artisans and court chroniclers. It is this watershed of Chinese art from the tenth through the fourteenth centuries, when the new art of landscape painting and bird and flower painting was born and the ancient traditions had their final flowering, that provides the historical context for this book. No attempt has been made, however, to provide a full historical background for the works discussed. A selection of some of the finest Sung and Y�an paintings from the collection of Wang Chi-ch'ien provides the only focus. These works have been grouped by subject matter and period, described and analyzed, and allowed to form their own network of relationships. Inevitably, there are imbalances and gaps. It is remarkable, nonetheless, that so complete a survey of Sung and Y�an painting can be written based on the collection of one connoisseur-collector. Few great museums outside of China could offer so rich and complete a selection. (This title was originally published in 1982/83.)
Luo Ping (1733-1799), known as the youngest of the Eight Eccentrics of Yangzhou and a follower of Jin Nong (1687-1763), was one of the most versatile and compelling artists of his time. While his work covers all major painting subjects and exhibits great stylistic and conceptual variety, his personality appears equally multifaceted. Contemporaries and later critics characterized him variously as a cultural arriviste, a Confucian scholar of great moral dignity, a Buddhist monk, a loving and devout husband, an - eccentric with strong leanings toward the supernatural, and even an anti-Manchu dissident. Structured as a comprehensive and largely chronological account of the artist's life and his interactions with patrons of different geo-cultural environs, namely Yangzhou and Beijing, this study attempts to identify the factors that contributed to the unfolding of the master's artistic voice. It includes an extensive examination of Luo's personal, literary, and artistic engagement with Buddhism, which constituted a significant but hitherto obscure facet of his life and work."
Book Synopsis Luo Ping by : Kim Karlsson
Download or read book Luo Ping written by Kim Karlsson and published by Peter Lang Publishing. This book was released on 2004 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Luo Ping (1733-1799), known as the youngest of the Eight Eccentrics of Yangzhou and a follower of Jin Nong (1687-1763), was one of the most versatile and compelling artists of his time. While his work covers all major painting subjects and exhibits great stylistic and conceptual variety, his personality appears equally multifaceted. Contemporaries and later critics characterized him variously as a cultural arriviste, a Confucian scholar of great moral dignity, a Buddhist monk, a loving and devout husband, an - eccentric with strong leanings toward the supernatural, and even an anti-Manchu dissident. Structured as a comprehensive and largely chronological account of the artist's life and his interactions with patrons of different geo-cultural environs, namely Yangzhou and Beijing, this study attempts to identify the factors that contributed to the unfolding of the master's artistic voice. It includes an extensive examination of Luo's personal, literary, and artistic engagement with Buddhism, which constituted a significant but hitherto obscure facet of his life and work."
