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Book Synopsis The Gubbio Studiolo and Its Conservation: Italian Renaissance intarsia and the conservation of the Gubbio studiolo by : Olga Raggio
Download or read book The Gubbio Studiolo and Its Conservation: Italian Renaissance intarsia and the conservation of the Gubbio studiolo written by Olga Raggio and published by Metropolitan Museum of Art. This book was released on 1999 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Gubbio Studiolo and Its Conservation: Federico da Montefeltro's palace at Gubbio and its studiolo by : Olga Raggio
Download or read book The Gubbio Studiolo and Its Conservation: Federico da Montefeltro's palace at Gubbio and its studiolo written by Olga Raggio and published by Metropolitan Museum of Art New York. This book was released on 1999 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Federico Da Montefeltro's Palace at Gubbio and Its Studiolo by : Olga Raggio
Download or read book Federico Da Montefeltro's Palace at Gubbio and Its Studiolo written by Olga Raggio and published by . This book was released on 1999 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This ... publication is an in-depth presentation of the Gubbio studiolo, the masterpiece of Italian Renaissance woodwork that was reinstalled in The Metropolitan Museum of Art in 1996. This small private study, about sixteen by twelve feet, is valued not only for the beauty of its perspectival inlay—a tour de force of illusionism—but also for its profound historical associations.
Book Synopsis Federico Da Montefeltro's Palace at Gubbio and Its Studiolo by : Olga Raggio
Download or read book Federico Da Montefeltro's Palace at Gubbio and Its Studiolo written by Olga Raggio and published by . This book was released on 1999 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ... publication is an in-depth presentation of the Gubbio studiolo, the masterpiece of Italian Renaissance woodwork that was reinstalled in The Metropolitan Museum of Art in 1996. This small private study, about sixteen by twelve feet, is valued not only for the beauty of its perspectival inlay—a tour de force of illusionism—but also for its profound historical associations.
The Gubbio studiolo, a small private study that is a masterpiece of Italian Renaissance intarsia, was reinstalled in The Metropolitan Museum of Art in 1996. It is valued not only for its perspectival inlay - a tour de force of illusionism - but also for its rich historical associations and beauty. Made for Federico da Montefeltro, a fifteenth-century condottiere, the studiolo has intarsia panels that display a dazzling array of the accoutrements of the duke’s life. This treasure trove is rendered with the most admirable understanding of the laws of perspective. The objects depicted and the shadows that give them such volume are composed of thousands of pieces and slivers of different varieties of wood, each set with uncanny accuracy. This book presents an in-depth discussion of this famous work of art. In the first of the two volumes, Olga Raggio focuses on Gubbio’s political history and architectural and urban development, the achievements of da Montefeltro and his role in the creation of the studiolo, and the history of the studiolo, and Martin Kemp examines the Gubbio perspectival system. In the second volume, Antoine M. Wilmering discusses the conservation of the Gubbio studiolo and the history, materials, and techniques of intarsia work.
Book Synopsis The Gubbio Studiolo and Its Conservation by : Olga Raggio
Download or read book The Gubbio Studiolo and Its Conservation written by Olga Raggio and published by Metropolitan Museum of Art. This book was released on 2000-08-01 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Gubbio studiolo, a small private study that is a masterpiece of Italian Renaissance intarsia, was reinstalled in The Metropolitan Museum of Art in 1996. It is valued not only for its perspectival inlay - a tour de force of illusionism - but also for its rich historical associations and beauty. Made for Federico da Montefeltro, a fifteenth-century condottiere, the studiolo has intarsia panels that display a dazzling array of the accoutrements of the duke’s life. This treasure trove is rendered with the most admirable understanding of the laws of perspective. The objects depicted and the shadows that give them such volume are composed of thousands of pieces and slivers of different varieties of wood, each set with uncanny accuracy. This book presents an in-depth discussion of this famous work of art. In the first of the two volumes, Olga Raggio focuses on Gubbio’s political history and architectural and urban development, the achievements of da Montefeltro and his role in the creation of the studiolo, and the history of the studiolo, and Martin Kemp examines the Gubbio perspectival system. In the second volume, Antoine M. Wilmering discusses the conservation of the Gubbio studiolo and the history, materials, and techniques of intarsia work.
Book Synopsis The Studiolo from the Palace of Federico Da Montefeltro at Gubbio by :
Download or read book The Studiolo from the Palace of Federico Da Montefeltro at Gubbio written by and published by . This book was released on 2009 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW
Book Synopsis The Fifteenth Century XIX by : Linda Clark
Download or read book The Fifteenth Century XIX written by Linda Clark and published by Boydell & Brewer. This book was released on 2022-09-27 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW
This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
Book Synopsis The Structural Conservation of Panel Paintings by : Kathleen Dardes
Download or read book The Structural Conservation of Panel Paintings written by Kathleen Dardes and published by Getty Publications. This book was released on 1998-10-29 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.
During the early modern period there was a natural correspondence between how artists might benefit from the knowledge of mathematics and how mathematicians might explore, through advances in the study of visual culture, new areas of enquiry that would uncover the mysteries of the visible world. This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective but also examine how mathematics enriched aesthetic theory and the human mind. The contributors explore the portrayal of mathematical activity and mathematicians as well as their ideas and instruments, how artists displayed their mathematical skills and the choices visual artists made between geometry and arithmetic, as well as Euclid’s impact on drawing, artistic practice and theory. These chapters cover a broad geographical area that includes Italy, Switzerland, Germany, the Netherlands, France and England. The artists, philosophers and mathematicians whose work is discussed include Leon Battista Alberti, Nicholas Cusanus, Marsilio Ficino, Francesco di Giorgio, Leonardo da Vinci and Andrea del Verrocchio, as well as Michelangelo, Galileo, Piero della Francesca, Girard Desargues, William Hogarth, Albrecht Dürer, Luca Pacioli and Raphael.
Book Synopsis Visual Culture and Mathematics in the Early Modern Period by : Ingrid Alexander-Skipnes
Download or read book Visual Culture and Mathematics in the Early Modern Period written by Ingrid Alexander-Skipnes and published by Routledge. This book was released on 2017-01-06 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the early modern period there was a natural correspondence between how artists might benefit from the knowledge of mathematics and how mathematicians might explore, through advances in the study of visual culture, new areas of enquiry that would uncover the mysteries of the visible world. This volume makes its contribution by offering new interdisciplinary approaches that not only investigate perspective but also examine how mathematics enriched aesthetic theory and the human mind. The contributors explore the portrayal of mathematical activity and mathematicians as well as their ideas and instruments, how artists displayed their mathematical skills and the choices visual artists made between geometry and arithmetic, as well as Euclid’s impact on drawing, artistic practice and theory. These chapters cover a broad geographical area that includes Italy, Switzerland, Germany, the Netherlands, France and England. The artists, philosophers and mathematicians whose work is discussed include Leon Battista Alberti, Nicholas Cusanus, Marsilio Ficino, Francesco di Giorgio, Leonardo da Vinci and Andrea del Verrocchio, as well as Michelangelo, Galileo, Piero della Francesca, Girard Desargues, William Hogarth, Albrecht Dürer, Luca Pacioli and Raphael.
The Italian Renaissance has come to occupy an almost mythical place in the popular imagination. The outsized reputations of the best-known figures from the period—Michelangelo, Niccolo Machiavelli, Lorenzo the Magnificent, Pope Julius II, Isabella d'Este, and so many others—engender a kind of wonder. How could so many geniuses or exceptional characters be produced by one small territory near the extreme south of Europe at a moment when much of the rest of the continent still labored under the restrictions of the Middle Ages? How did so many of the driving principles behind Western civilization emerge during this period—and how were they defined and developed? And why is it that geniuses such as Leonardo, Raphael, Petrarch, Brunelleschi, Bramante, and Palladio all sustain their towering authority to this day? To answer these questions, Kenneth Bartlett delves into the lives and works of the artists, patrons, and intellectuals—the privileged, educated, influential elites—who created a rarefied world of power, money, and sophisticated talent in which individual curiosity and skill were prized above all else. The result is a dynamic, highly readable, copiously illustrated history of the Renaissance in Italy—and of the artists that gave birth to some of the most enduring ideas and artifacts of Western civilization.
Book Synopsis The Renaissance in Italy by : Kenneth Bartlett
Download or read book The Renaissance in Italy written by Kenneth Bartlett and published by Hackett Publishing. This book was released on 2019-11-15 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Italian Renaissance has come to occupy an almost mythical place in the popular imagination. The outsized reputations of the best-known figures from the period—Michelangelo, Niccolo Machiavelli, Lorenzo the Magnificent, Pope Julius II, Isabella d'Este, and so many others—engender a kind of wonder. How could so many geniuses or exceptional characters be produced by one small territory near the extreme south of Europe at a moment when much of the rest of the continent still labored under the restrictions of the Middle Ages? How did so many of the driving principles behind Western civilization emerge during this period—and how were they defined and developed? And why is it that geniuses such as Leonardo, Raphael, Petrarch, Brunelleschi, Bramante, and Palladio all sustain their towering authority to this day? To answer these questions, Kenneth Bartlett delves into the lives and works of the artists, patrons, and intellectuals—the privileged, educated, influential elites—who created a rarefied world of power, money, and sophisticated talent in which individual curiosity and skill were prized above all else. The result is a dynamic, highly readable, copiously illustrated history of the Renaissance in Italy—and of the artists that gave birth to some of the most enduring ideas and artifacts of Western civilization.
