The Idea of the Novel in Europe, 1600–1800

The Idea of the Novel in Europe, 1600–1800

Author: Ioan Williams

Publisher: Springer

Published: 1979-05-24

Total Pages: 266

ISBN-13: 1349040819

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Book Synopsis The Idea of the Novel in Europe, 1600–1800 by : Ioan Williams

Download or read book The Idea of the Novel in Europe, 1600–1800 written by Ioan Williams and published by Springer. This book was released on 1979-05-24 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Idea of the Novel in Europe, 1600–1800

The Idea of the Novel in Europe, 1600–1800

Author: Ioan Williams

Publisher: Palgrave Macmillan

Published: 2014-01-14

Total Pages: 253

ISBN-13: 9781349040834

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Book Synopsis The Idea of the Novel in Europe, 1600–1800 by : Ioan Williams

Download or read book The Idea of the Novel in Europe, 1600–1800 written by Ioan Williams and published by Palgrave Macmillan. This book was released on 2014-01-14 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Idea of the Novel in Europe, 1600-1800

The Idea of the Novel in Europe, 1600-1800

Author: Ioan Williams

Publisher:

Published: 1979

Total Pages: 253

ISBN-13: 9780814791882

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Book Synopsis The Idea of the Novel in Europe, 1600-1800 by : Ioan Williams

Download or read book The Idea of the Novel in Europe, 1600-1800 written by Ioan Williams and published by . This book was released on 1979 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Novel: An Alternative History, 1600-1800

The Novel: An Alternative History, 1600-1800

Author: Steven Moore

Publisher: Bloomsbury Publishing USA

Published: 2013-08-29

Total Pages: 1025

ISBN-13: 1623565197

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Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).


Book Synopsis The Novel: An Alternative History, 1600-1800 by : Steven Moore

Download or read book The Novel: An Alternative History, 1600-1800 written by Steven Moore and published by Bloomsbury Publishing USA. This book was released on 2013-08-29 with total page 1025 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).


The English Novel, Vol I

The English Novel, Vol I

Author: Richard W. F. Kroll

Publisher: Routledge

Published: 2014-07-21

Total Pages: 317

ISBN-13: 1317896009

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The English Novel, Volume I:1700 to Fielding collects a series of previously-published essays on the early eighteenth-century novel in a single volume, reflecting the proliferation of theoretical approaches since the 1970s. The novel has been the object of some of the most exciting and important critical speculations, and the eighteenth-century novel has been at the centre of new approaches both to the novel and to the period between 1700 and 1750. Richard Kroll's introduction seeks to frame the contributions by reference to the most significant critical discussions. These include: the question of whether and how we can talk about the 'rise' of the novel; the vexed question of what might constitute a novel; the relationship between the novel and possibly competing genres such as history or the romance; the relationship between early male writers like Defoe and popular novels by women in the early eighteenth century; the general ideological role played by novels relative to eighteenth-century culture (are they means of ideological conscription or liberation?); poststructuralist analyses of identity and gender; and the emergence of sentimental and domestic codes after Richardson. Since the modern European novel is often thought to have been formed in this period, these debates have clear implications for students of the novel in general as well as for those interested in the early enlightenment. Headnotes place each essay within the map of these wider concerns, and the volume offers a useful further reading list. Taken as a whole, this collection encapsulates the state of criticism at the present moment.


Book Synopsis The English Novel, Vol I by : Richard W. F. Kroll

Download or read book The English Novel, Vol I written by Richard W. F. Kroll and published by Routledge. This book was released on 2014-07-21 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: The English Novel, Volume I:1700 to Fielding collects a series of previously-published essays on the early eighteenth-century novel in a single volume, reflecting the proliferation of theoretical approaches since the 1970s. The novel has been the object of some of the most exciting and important critical speculations, and the eighteenth-century novel has been at the centre of new approaches both to the novel and to the period between 1700 and 1750. Richard Kroll's introduction seeks to frame the contributions by reference to the most significant critical discussions. These include: the question of whether and how we can talk about the 'rise' of the novel; the vexed question of what might constitute a novel; the relationship between the novel and possibly competing genres such as history or the romance; the relationship between early male writers like Defoe and popular novels by women in the early eighteenth century; the general ideological role played by novels relative to eighteenth-century culture (are they means of ideological conscription or liberation?); poststructuralist analyses of identity and gender; and the emergence of sentimental and domestic codes after Richardson. Since the modern European novel is often thought to have been formed in this period, these debates have clear implications for students of the novel in general as well as for those interested in the early enlightenment. Headnotes place each essay within the map of these wider concerns, and the volume offers a useful further reading list. Taken as a whole, this collection encapsulates the state of criticism at the present moment.


Seventeenth-century Fiction

Seventeenth-century Fiction

Author: Jacqueline L. Glomski

Publisher: Oxford University Press

Published: 2016

Total Pages: 238

ISBN-13: 0198737262

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A multi-authored study of the emergence and transmission of fictional writing in in Europe in the 17th century, with the aim of improving understanding of the origins of the novel.


Book Synopsis Seventeenth-century Fiction by : Jacqueline L. Glomski

Download or read book Seventeenth-century Fiction written by Jacqueline L. Glomski and published by Oxford University Press. This book was released on 2016 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: A multi-authored study of the emergence and transmission of fictional writing in in Europe in the 17th century, with the aim of improving understanding of the origins of the novel.


The Narrative Shape of Truth

The Narrative Shape of Truth

Author: Ilya Kliger

Publisher: Penn State Press

Published: 2011-04-11

Total Pages: 257

ISBN-13: 0271078162

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Its champions—and its detractors—have often understood the novel as the genre par excellence of truthlessness. The Narrative Shape of Truth counters this widely accepted view. It argues instead that the novel has found new, historically specific configurations of truth and narrative. The nineteenth-century novel, in particular, can be understood as responding to the emerging tendency to view truth as inseparable from, rather than opposed to, time. Ilya Kliger offers a nonreductive way of reading the histories of philosophy and the novel side by side. He identifies the crucial moment in the epistemological history of narrative when, at the end of the eighteenth century, a new structural affiliation between truth and time emerged. This book examines novels by four authors—Balzac, Stendhal, Dostoevsky, and Tolstoy—as well as the writings of leading European intellectuals and philosophers. Kliger argues that the “realist” novel can be conceived as prompting us (and giving us the means) to think of truth differently, as immanent in a temporal shape rather than transcendent in a principle, a fact, or a higher order.


Book Synopsis The Narrative Shape of Truth by : Ilya Kliger

Download or read book The Narrative Shape of Truth written by Ilya Kliger and published by Penn State Press. This book was released on 2011-04-11 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Its champions—and its detractors—have often understood the novel as the genre par excellence of truthlessness. The Narrative Shape of Truth counters this widely accepted view. It argues instead that the novel has found new, historically specific configurations of truth and narrative. The nineteenth-century novel, in particular, can be understood as responding to the emerging tendency to view truth as inseparable from, rather than opposed to, time. Ilya Kliger offers a nonreductive way of reading the histories of philosophy and the novel side by side. He identifies the crucial moment in the epistemological history of narrative when, at the end of the eighteenth century, a new structural affiliation between truth and time emerged. This book examines novels by four authors—Balzac, Stendhal, Dostoevsky, and Tolstoy—as well as the writings of leading European intellectuals and philosophers. Kliger argues that the “realist” novel can be conceived as prompting us (and giving us the means) to think of truth differently, as immanent in a temporal shape rather than transcendent in a principle, a fact, or a higher order.


A History of European Literature

A History of European Literature

Author: Walter Cohen

Publisher: Oxford University Press

Published: 2017-01-19

Total Pages: 560

ISBN-13: 0191078913

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Walter Cohen argues that the history of European literature and each of its standard periods can be illuminated by comparative consideration of the different literary languages within Europe and by the ties of European literature to world literature. World literature is marked by recurrent, systematic features, outcomes of the way that language and literature are at once the products of major change and its agents. Cohen tracks these features from ancient times to the present, distinguishing five main overlapping stages. Within that framework, he shows that European literatures ongoing internal and external relationships are most visible at the level of form rather than of thematic statement or mimetic representation. European literature emerges from world literature before the birth of Europe — during antiquity, whose Classical languages are the heirs to the complex heritage of Afro-Eurasia. This legacy is later transmitted by Latin to the various vernaculars. The uniqueness of the process lies in the gradual displacement of the learned language by the vernacular, long dominated by Romance literatures. That development subsequently informs the second crucial differentiating dimension of European literature: the multicontinental expansion of its languages and characteristic genres, especially the novel, beginning in the Renaissance. This expansion ultimately results in the reintegration of European literature into world literature and thus in the creation of todays global literary system. The distinctiveness of European literature is to be found in these interrelated trajectories.


Book Synopsis A History of European Literature by : Walter Cohen

Download or read book A History of European Literature written by Walter Cohen and published by Oxford University Press. This book was released on 2017-01-19 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Walter Cohen argues that the history of European literature and each of its standard periods can be illuminated by comparative consideration of the different literary languages within Europe and by the ties of European literature to world literature. World literature is marked by recurrent, systematic features, outcomes of the way that language and literature are at once the products of major change and its agents. Cohen tracks these features from ancient times to the present, distinguishing five main overlapping stages. Within that framework, he shows that European literatures ongoing internal and external relationships are most visible at the level of form rather than of thematic statement or mimetic representation. European literature emerges from world literature before the birth of Europe — during antiquity, whose Classical languages are the heirs to the complex heritage of Afro-Eurasia. This legacy is later transmitted by Latin to the various vernaculars. The uniqueness of the process lies in the gradual displacement of the learned language by the vernacular, long dominated by Romance literatures. That development subsequently informs the second crucial differentiating dimension of European literature: the multicontinental expansion of its languages and characteristic genres, especially the novel, beginning in the Renaissance. This expansion ultimately results in the reintegration of European literature into world literature and thus in the creation of todays global literary system. The distinctiveness of European literature is to be found in these interrelated trajectories.


The Cambridge Introduction to the Novel

The Cambridge Introduction to the Novel

Author: Marina MacKay

Publisher: Cambridge University Press

Published: 2010-11-25

Total Pages: 229

ISBN-13: 1139493574

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Beginning its life as the sensational entertainment of the eighteenth century, the novel has become the major literary genre of modern times. Drawing on hundreds of examples of famous novels from all over the world, Marina MacKay explores the essential aspects of the novel and its history: where novels came from and why we read them; how we think about their styles and techniques, their people, plots, places, and politics. Between the main chapters are longer readings of individual works, from Don Quixote to Midnight's Children. A glossary of key terms and a guide to further reading are included, making this an ideal accompaniment to introductory courses on the novel.


Book Synopsis The Cambridge Introduction to the Novel by : Marina MacKay

Download or read book The Cambridge Introduction to the Novel written by Marina MacKay and published by Cambridge University Press. This book was released on 2010-11-25 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning its life as the sensational entertainment of the eighteenth century, the novel has become the major literary genre of modern times. Drawing on hundreds of examples of famous novels from all over the world, Marina MacKay explores the essential aspects of the novel and its history: where novels came from and why we read them; how we think about their styles and techniques, their people, plots, places, and politics. Between the main chapters are longer readings of individual works, from Don Quixote to Midnight's Children. A glossary of key terms and a guide to further reading are included, making this an ideal accompaniment to introductory courses on the novel.


Novel Cleopatras

Novel Cleopatras

Author: Nicole Horejsi

Publisher: University of Toronto Press

Published: 2019-04-08

Total Pages: 291

ISBN-13: 1442667400

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Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic.


Book Synopsis Novel Cleopatras by : Nicole Horejsi

Download or read book Novel Cleopatras written by Nicole Horejsi and published by University of Toronto Press. This book was released on 2019-04-08 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Advocating a revised history of the eighteenth-century novel, Novel Cleopatras showcases the novel’s origins in ancient mythology, its relation to epic narrative, and its connection to neoclassical print culture. Novel Cleopatras also rewrites the essential role of women writers in history who were typically underestimated as active participants of neoclassical culture, often excluded from the same schools that taught their brothers Greek and Latin. However, as author Nicole Horejsi reveals, a number of exceptional middle-class women were actually serious students of the classics. In order to dismiss the idea that women were completely marginalized as neoclassical writers, Horejsi takes up the character of Dido from ancient Greek mythology and her real-life counterpart Cleopatra, the queen of Egypt. Together, the legendary Dido and historical Cleopatra serve as figures for the conflation of myth and history. Horejsi contends that turning to the doomed queens who haunted the Roman imagination enabled eighteenth-century novelists to seize the productive overlap among the categories of history, romance, the novel, and even the epic.