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This book addresses the fundamental question of who Jesus was and is. It discusses questions raised by new approaches to Gospel research and questions the nature and value of New Testament research. Veselin argues that the proper function of biblical criticism is to build rather than destroy, to illuminate rather than obscure, and to give a better understanding of the Gospel. He pays particular attention to the incarnational approach, which presupposes historical inquiry and justifies historical research.
Book Synopsis The Gospel Image of Christ by : Veselin Kesich
Download or read book The Gospel Image of Christ written by Veselin Kesich and published by RSM Press. This book was released on 1992 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the fundamental question of who Jesus was and is. It discusses questions raised by new approaches to Gospel research and questions the nature and value of New Testament research. Veselin argues that the proper function of biblical criticism is to build rather than destroy, to illuminate rather than obscure, and to give a better understanding of the Gospel. He pays particular attention to the incarnational approach, which presupposes historical inquiry and justifies historical research.
The Image of Christ expresses the view that modern secular audiences can engage with the masterpieces of Christian art at an emotional as well as a purely aesthetic or historical level. This book aims to help the viewer understand these pictures by focusing attention on the purpose for which they were made, and explores what they might have meant to their original viewers. The authors trace how a recognizable image of Christ evolved, starting with the earliest symbols and metaphorical images such as the Sheperd, the Lamb and the Vine. They trace the emergence of a "true likeness," emphasizing the importance of the Veronica, the "miraculous portrait" said to have been imprinted on the cloth held out to Jesus on the way to Calvary. They describe how artists conveyed the paradox of Christ's dual nature—human and divine, weak and powerful, victim and victor—in portrayals of his infancy. They also show how images of Christ's suffering during the Passion were intended to convey a cosmic, not just a personal significance. Artists have attempted to put extremes of suffering and despair into an overal context of hope–a vein of hope that runs from the catacombs to Hiroshima and beyond. These are images that speak, even to those who do not hold Christian beliefs. Artists had to make it clear that in representing the life and death of Jesus they were offering a continuing truth; we the spectators have to become eyewitnesses to an event that matters to us now. As a result, the different moments and aspects of Christ's life become, in the hands of great artists, a reflection of all human experience. The Virgin nursing her son expresses the feelings of love every mother has for her child. Christ mocked in innocence beset by violence. Christ risen and appearing to Mary Magdalene is a universal reaffirmation that love cannot be destroyed by death. Beyond their obvious religious significance, these are paintings that have a universal meaning.
Book Synopsis The Image of Christ by : Gabriele Finaldi
Download or read book The Image of Christ written by Gabriele Finaldi and published by National Gallery Publications. This book was released on 2000 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Image of Christ expresses the view that modern secular audiences can engage with the masterpieces of Christian art at an emotional as well as a purely aesthetic or historical level. This book aims to help the viewer understand these pictures by focusing attention on the purpose for which they were made, and explores what they might have meant to their original viewers. The authors trace how a recognizable image of Christ evolved, starting with the earliest symbols and metaphorical images such as the Sheperd, the Lamb and the Vine. They trace the emergence of a "true likeness," emphasizing the importance of the Veronica, the "miraculous portrait" said to have been imprinted on the cloth held out to Jesus on the way to Calvary. They describe how artists conveyed the paradox of Christ's dual nature—human and divine, weak and powerful, victim and victor—in portrayals of his infancy. They also show how images of Christ's suffering during the Passion were intended to convey a cosmic, not just a personal significance. Artists have attempted to put extremes of suffering and despair into an overal context of hope–a vein of hope that runs from the catacombs to Hiroshima and beyond. These are images that speak, even to those who do not hold Christian beliefs. Artists had to make it clear that in representing the life and death of Jesus they were offering a continuing truth; we the spectators have to become eyewitnesses to an event that matters to us now. As a result, the different moments and aspects of Christ's life become, in the hands of great artists, a reflection of all human experience. The Virgin nursing her son expresses the feelings of love every mother has for her child. Christ mocked in innocence beset by violence. Christ risen and appearing to Mary Magdalene is a universal reaffirmation that love cannot be destroyed by death. Beyond their obvious religious significance, these are paintings that have a universal meaning.
Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliché, doctrine, or naïve apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.
Book Synopsis The Image of Christ in Russian Literature by : John Givens
Download or read book The Image of Christ in Russian Literature written by John Givens and published by Cornell University Press. This book was released on 2018-05-29 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vladimir Nabokov complained about the number of Dostoevsky's characters "sinning their way to Jesus." In truth, Christ is an elusive figure not only in Dostoevsky's novels, but in Russian literature as a whole. The rise of the historical critical method of biblical criticism in the nineteenth century and the growth of secularism it stimulated made an earnest affirmation of Jesus in literature highly problematic. If they affirmed Jesus too directly, writers paradoxically risked diminishing him, either by deploying faith explanations that no longer persuade in an age of skepticism or by reducing Christ to a mere argument in an ideological dispute. The writers at the heart of this study understood that to reimage Christ for their age, they had to make him known through indirect, even negative ways, lest what they say about him be mistaken for cliché, doctrine, or naïve apologetics. The Christology of Dostoevsky, Leo Tolstoy, Mikhail Bulgakov, and Boris Pasternak is thus apophatic because they deploy negative formulations (saying what God is not) in their writings about Jesus. Professions of atheism in Dostoevsky and Tolstoy's non-divine Jesus are but separate negative paths toward truer discernment of Christ. This first study in English of the image of Christ in Russian literature highlights the importance of apophaticism as a theological practice and a literary method in understanding the Russian Christ. It also emphasizes the importance of skepticism in Russian literary attitudes toward Jesus on the part of writers whose private crucibles of doubt produced some of the most provocative and enduring images of Christ in world literature. This important study will appeal to scholars and students of Orthodox Christianity and Russian literature, as well as educated general readers interested in religion and nineteenth-century Russian novels.
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
Book Synopsis What Did Jesus Look Like? by : Joan E. Taylor
Download or read book What Did Jesus Look Like? written by Joan E. Taylor and published by Bloomsbury Publishing. This book was released on 2018-02-08 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
In this text, Neil MacGregor engages with images of Christ wherever they may be found throughout the world. Through them he follows not only the life of Christ, but also the development of Christian culture since His birth.
Book Synopsis Seeing Salvation by : Neil MacGregor
Download or read book Seeing Salvation written by Neil MacGregor and published by . This book was released on 2000 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this text, Neil MacGregor engages with images of Christ wherever they may be found throughout the world. Through them he follows not only the life of Christ, but also the development of Christian culture since His birth.
Explores the origins and evolution of eleven visual iconic images still found in today's culture, including Jesus, the Coke bottle, and Einstein's famous equation, e equals mc squared.
Book Synopsis Christ to Coke by : Martin Kemp
Download or read book Christ to Coke written by Martin Kemp and published by Oxford University Press. This book was released on 2012 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the origins and evolution of eleven visual iconic images still found in today's culture, including Jesus, the Coke bottle, and Einstein's famous equation, e equals mc squared.
The Image of Christ in Modern Art explores the challenges, presented by the radical and rapid changes of artistic style in the 20th century, to artists who wished to relate to traditional Christian imagery. In this highly illustrated book, Richard Harries
Book Synopsis The Image of Christ in Modern Art by : Lord Richard Harries
Download or read book The Image of Christ in Modern Art written by Lord Richard Harries and published by Ashgate Publishing, Ltd.. This book was released on 2013-10-25 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Image of Christ in Modern Art explores the challenges, presented by the radical and rapid changes of artistic style in the 20th century, to artists who wished to relate to traditional Christian imagery. In this highly illustrated book, Richard Harries
People in India form images of Jesus Christ that link up with their own culture. Hindus have given Jesus a place among the teachers and gods of their own religion, seeing in his life something of the wisdom and mysticism that is so central to Hinduism. Christians in India also make use of the concepts provided by Hinduism when they wish to express the meaning of Christ. Thus, in any case, Jesus is--for Hindus and Christians--a guru, a teacher of wisdom who speaks with divine authority. But for many Hindu philosophers and Christian theologians there is much more that can be said about him within the Indian framework. He can be described as an avatara, a divine descent, or linked to the Brahman, the all-encompassing Reality. This study looks at both Hindu and Christian views of Christ, starting with that of the Hindu reformer Rammohan Roy at the beginning of the nineteenth century, as well as those of the first Christian theologians of India. The views of Mahatma Gandhi and the monks of the Ramakrishna Mission are discussed, and those of influential Christian schools such as the Ashram movement and dalit theology. Five intermezzos indicate how artists in India portray Jesus Christ.
Book Synopsis Jesus as Guru by : Jan Peter Schouten
Download or read book Jesus as Guru written by Jan Peter Schouten and published by Rodopi. This book was released on 2008 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: People in India form images of Jesus Christ that link up with their own culture. Hindus have given Jesus a place among the teachers and gods of their own religion, seeing in his life something of the wisdom and mysticism that is so central to Hinduism. Christians in India also make use of the concepts provided by Hinduism when they wish to express the meaning of Christ. Thus, in any case, Jesus is--for Hindus and Christians--a guru, a teacher of wisdom who speaks with divine authority. But for many Hindu philosophers and Christian theologians there is much more that can be said about him within the Indian framework. He can be described as an avatara, a divine descent, or linked to the Brahman, the all-encompassing Reality. This study looks at both Hindu and Christian views of Christ, starting with that of the Hindu reformer Rammohan Roy at the beginning of the nineteenth century, as well as those of the first Christian theologians of India. The views of Mahatma Gandhi and the monks of the Ramakrishna Mission are discussed, and those of influential Christian schools such as the Ashram movement and dalit theology. Five intermezzos indicate how artists in India portray Jesus Christ.
Good Shepherd. Branch. Bridegroom. Cornerstone. There are many images of Christ in Scripture. This ten session LifeGuide® Bible Study by Dale and Sandy Larsen examines the various pictures, names and images of Christ in Scripture, leading you to get to know Jesus in new and deeper ways.
Book Synopsis Images of Christ by : Dale Larsen
Download or read book Images of Christ written by Dale Larsen and published by InterVarsity Press. This book was released on 2012-09-27 with total page 61 pages. Available in PDF, EPUB and Kindle. Book excerpt: Good Shepherd. Branch. Bridegroom. Cornerstone. There are many images of Christ in Scripture. This ten session LifeGuide® Bible Study by Dale and Sandy Larsen examines the various pictures, names and images of Christ in Scripture, leading you to get to know Jesus in new and deeper ways.
Explores the dynamic nature of Christ worship in the U.S., addressing how his image has been visually remade to champion the causes of white supremacists and civil rights leaders alike, and why the idea of a white Christ has endured.
Book Synopsis The Color of Christ by : Edward J. Blum
Download or read book The Color of Christ written by Edward J. Blum and published by Univ of North Carolina Press. This book was released on 2012 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the dynamic nature of Christ worship in the U.S., addressing how his image has been visually remade to champion the causes of white supremacists and civil rights leaders alike, and why the idea of a white Christ has endured.