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Essay from the year 2022 in the subject Cultural Studies - GLBT / LGBTIQ, grade: 17,0, University of Luxembourg, language: English, abstract: This essay gives an overview of the impact of RuPaul on the art of the drag. Drag has always been an art form of the LGBTQ+ community. Nevertheless, the roots of the artwork arose in the 17th century during the Shakespearian period as male actors portrayed female characters in the theatre which implies that they also wore female clothes and make-up. Furthermore, drag shows had their origin during that period as well which emphasizes that this art form was always part of the society. However, since the 18th century drag became an art which fights for the equality of the LGBTQ+ community. During the 1920s Julian Eltinge became the first famous American drag artist with their variety show and the American society was tolerant towards their queer art. However, after the Second World War, and the sex crime fears in 1930, drag acts were frowned upon. Nevertheless, in 1970 drag emerged with the beginning of drag balls being organized. During those runway shows, experienced drag queens got the opportunity to take up upcoming drag artists and potentially give them a home which made them become drag mothers as well as the head of their own House.
Book Synopsis The impact of RuPaul on the art of the drag. A critical queer analysis on RuPaul’s empire and his TV show "RuPaul’s Drag Race" by : Cédric Becker
Download or read book The impact of RuPaul on the art of the drag. A critical queer analysis on RuPaul’s empire and his TV show "RuPaul’s Drag Race" written by Cédric Becker and published by GRIN Verlag. This book was released on 2022-10-21 with total page 14 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2022 in the subject Cultural Studies - GLBT / LGBTIQ, grade: 17,0, University of Luxembourg, language: English, abstract: This essay gives an overview of the impact of RuPaul on the art of the drag. Drag has always been an art form of the LGBTQ+ community. Nevertheless, the roots of the artwork arose in the 17th century during the Shakespearian period as male actors portrayed female characters in the theatre which implies that they also wore female clothes and make-up. Furthermore, drag shows had their origin during that period as well which emphasizes that this art form was always part of the society. However, since the 18th century drag became an art which fights for the equality of the LGBTQ+ community. During the 1920s Julian Eltinge became the first famous American drag artist with their variety show and the American society was tolerant towards their queer art. However, after the Second World War, and the sex crime fears in 1930, drag acts were frowned upon. Nevertheless, in 1970 drag emerged with the beginning of drag balls being organized. During those runway shows, experienced drag queens got the opportunity to take up upcoming drag artists and potentially give them a home which made them become drag mothers as well as the head of their own House.
This edited volume is an exploration of the social, cultural, political, and commercial implications of the trailblazing reality television series RuPaul's Drag Race. Going beyond mere analysis of the show itself, the contributors interrogate the ways RuPaul's Drag Race has affected queer representation in media, examining its audience, economics, branding, queer politics, and every point in between. Since its groundbreaking and subversive entry into the reality television complex in 2009, the show has had profound effects on drag and the cultures that surround it. Bringing together scholarship across disciplines--including cultural anthropology, media studies, linguistics, sociology, marketing, and theater and performance studies--the collection offers rich academic analysis of Ru Paul's Drag Race and its lasting influence on fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness.
Book Synopsis The Cultural Impact of Rupaul's Drag Race by : Cameron Crookston
Download or read book The Cultural Impact of Rupaul's Drag Race written by Cameron Crookston and published by Intellect (UK). This book was released on 2021 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edited volume is an exploration of the social, cultural, political, and commercial implications of the trailblazing reality television series RuPaul's Drag Race. Going beyond mere analysis of the show itself, the contributors interrogate the ways RuPaul's Drag Race has affected queer representation in media, examining its audience, economics, branding, queer politics, and every point in between. Since its groundbreaking and subversive entry into the reality television complex in 2009, the show has had profound effects on drag and the cultures that surround it. Bringing together scholarship across disciplines--including cultural anthropology, media studies, linguistics, sociology, marketing, and theater and performance studies--the collection offers rich academic analysis of Ru Paul's Drag Race and its lasting influence on fan cultures, queer representation, and the very fabric of drag as an art form in popular cultural consciousness.
This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul's Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of "America's Next Drag Superstar." Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul's Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. While most scholars analyze RuPaul's Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. Incorporating primarily content analysis methods, the first two chapters study the integral role that Camp plays on RuPaul's Drag Race, as a form of queer social memory and a set of economic strategies. Chapter One analyzes how Drag Race uses encoded Camp references to activate audiences' memories and confer queer cultural status onto the referenced materials. Chapter Two investigates how the show uses Camp to build a Drag Race-based economy, through a process that I call Camp Capitalism. Incorporating primarily ethnographic methods, the latter two chapters study how RuPaul's expanding Drag Race economy impacts fan consumers and drag artists. Chapter Three draws upon participant observation data from three years of RuPaul's DragCon, in order to analyze how Camp Capitalism operates in RuPaul's expanding economy. Chapter Four presents interviews with three Los Angeles-based drag queens, who identify tangible impacts that Drag Race has on their lives and communities. Through this interdisciplinary study, I demonstrate how Camp theory and ethnographic methods provide invaluable research tools for reading RuPaul's Drag Race.
Book Synopsis Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire by : Carl Schottmiller
Download or read book Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire written by Carl Schottmiller and published by . This book was released on 2017 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul's Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of "America's Next Drag Superstar." Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul's Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. While most scholars analyze RuPaul's Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. Incorporating primarily content analysis methods, the first two chapters study the integral role that Camp plays on RuPaul's Drag Race, as a form of queer social memory and a set of economic strategies. Chapter One analyzes how Drag Race uses encoded Camp references to activate audiences' memories and confer queer cultural status onto the referenced materials. Chapter Two investigates how the show uses Camp to build a Drag Race-based economy, through a process that I call Camp Capitalism. Incorporating primarily ethnographic methods, the latter two chapters study how RuPaul's expanding Drag Race economy impacts fan consumers and drag artists. Chapter Three draws upon participant observation data from three years of RuPaul's DragCon, in order to analyze how Camp Capitalism operates in RuPaul's expanding economy. Chapter Four presents interviews with three Los Angeles-based drag queens, who identify tangible impacts that Drag Race has on their lives and communities. Through this interdisciplinary study, I demonstrate how Camp theory and ethnographic methods provide invaluable research tools for reading RuPaul's Drag Race.
This book identifies and analyzes the ways in which RuPaul’s Drag Race has reshaped the visibility of drag culture in the US and internationally, as well as how the program has changed understandings of reality TV. This edited volume illustrates how drag has become a significant aspect of LGBTQ experience and identity globally through RuPaul’s Drag Race, and how the show has reformed a media landscape in which competition and reality itself are understood as given. Taking on lenses addressing race, ethnicity, geographical origin, cultural identity, physicality and body image, and participation in drag culture across the globe, this volume offers critical, non-traditional, and first-hand perspectives on drag culture.
Book Synopsis RuPaul’s Drag Race and the Shifting Visibility of Drag Culture by : Niall Brennan
Download or read book RuPaul’s Drag Race and the Shifting Visibility of Drag Culture written by Niall Brennan and published by Springer. This book was released on 2017-08-25 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book identifies and analyzes the ways in which RuPaul’s Drag Race has reshaped the visibility of drag culture in the US and internationally, as well as how the program has changed understandings of reality TV. This edited volume illustrates how drag has become a significant aspect of LGBTQ experience and identity globally through RuPaul’s Drag Race, and how the show has reformed a media landscape in which competition and reality itself are understood as given. Taking on lenses addressing race, ethnicity, geographical origin, cultural identity, physicality and body image, and participation in drag culture across the globe, this volume offers critical, non-traditional, and first-hand perspectives on drag culture.
Start your engines--for the fun, controversy and life lessons of RuPaul's Drag Race and its spinoff, RuPaul's DragU. This international collection of original essays critically examines the shows' representation of drag within the contexts of the reality TV genre and LGBTQ issues. Contributors focus on the structure of the two programs, the subversive nature of drag itself, the treatment of trans contestants, the issues of race, the language and the shows' handling of LGBTQ political issues. A comprehensive discussion is provided of the shows' premise, the host and the contestants through six seasons of Drag Race and the three seasons of DragU.
Book Synopsis The Makeup of RuPaul's Drag Race by : Jim Daems
Download or read book The Makeup of RuPaul's Drag Race written by Jim Daems and published by McFarland. This book was released on 2014-10-13 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Start your engines--for the fun, controversy and life lessons of RuPaul's Drag Race and its spinoff, RuPaul's DragU. This international collection of original essays critically examines the shows' representation of drag within the contexts of the reality TV genre and LGBTQ issues. Contributors focus on the structure of the two programs, the subversive nature of drag itself, the treatment of trans contestants, the issues of race, the language and the shows' handling of LGBTQ political issues. A comprehensive discussion is provided of the shows' premise, the host and the contestants through six seasons of Drag Race and the three seasons of DragU.
Pencils down--graphite and eyebrow--and eyes to front of the room for this one-of-a-kind lesson. Since debuting over a decade ago, the world of RuPaul's Drag Race has steadily collected both popular and academic interests. This collection of original essays presents insightful analyses and a range of critical perspectives on Drag Race from across the globe. Topics covered include language and linguistics, cultural appropriation, racism, health, wealth, the realities of reality television, digital drag and naked bodies. Though varied in topical focus, each essay centers public pedagogy to examine what and how Drag Race teaches its audience. The goal of this book is to frame Drag Race as a classroom, one that is helpful for both teachers and students alike. With an academic-yet-accessible tone and an interdisciplinary approach, essays celebrate and examine the show and its spin-offs from the earliest seasons to the very start of the coronavirus pandemic in 2020.
Book Synopsis RuPedagogies of Realness by : Lindsay Bryde
Download or read book RuPedagogies of Realness written by Lindsay Bryde and published by McFarland. This book was released on 2022-01-31 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pencils down--graphite and eyebrow--and eyes to front of the room for this one-of-a-kind lesson. Since debuting over a decade ago, the world of RuPaul's Drag Race has steadily collected both popular and academic interests. This collection of original essays presents insightful analyses and a range of critical perspectives on Drag Race from across the globe. Topics covered include language and linguistics, cultural appropriation, racism, health, wealth, the realities of reality television, digital drag and naked bodies. Though varied in topical focus, each essay centers public pedagogy to examine what and how Drag Race teaches its audience. The goal of this book is to frame Drag Race as a classroom, one that is helpful for both teachers and students alike. With an academic-yet-accessible tone and an interdisciplinary approach, essays celebrate and examine the show and its spin-offs from the earliest seasons to the very start of the coronavirus pandemic in 2020.
This book explores the connections between drag stardom and contemporary sexual and cultural politics in the RuPaul’s Drag Race franchise. With Drag Race alumni achieving fame in fields such as music, fashion, theatre and beyond, this edited collection interrogates the relationships between gender, sexuality, performance, identity and celebrity culture that lie at the very heart of the show. RuPaul’s Drag Race has recently completed its 15th season after having won 26 Emmys. The show is a popular culture phenomenon, broadcasting drag into the homes of middle America, spawning spin off shows and an ever-expanding international franchise. Its success has made global stars of its host, guest judges and contestants alike. This edited collection explores the connections between drag stardom and contemporary sexual and cultural politics that RuPaul’s Drag Race stages and dramatizes. Alumni of Drag Race have gone on to become globally famous. Adore Delano and Sharon Needles have launched music careers. Violet Chachki is the first drag model to become the face of Bettie Page Lingerie whilst Jinkx Monsoon has achieved success as a Broadway star. In 2017 RuPaul was named as one of Time Magazine’s 100 Most Influential People. Above everything else RuPaul’s Drag Race is a show about celebrating the glamour, artifice and the labour of fame. Whilst Drag Race has already attracted scholarly attention (Brennan & Gudelunas eds. 2017) the relationships between gender, sexuality, performance, identity and celebrity culture that lie at the heart of its dynamic and appeal remain to be explored. RuPaul’s Drag Race and the Cultural Politics of Fame will be a key resource for academics, researchers, and advanced students of Media and Cultural Studies, Gender Studies, Performing Arts, Media and Film Studies, Communication Studies and Sociology. The chapters included in this book were originally published as a special issue of Celebrity Studies.
Book Synopsis RuPaul’s Drag Race and the Cultural Politics of Fame by : John Mercer
Download or read book RuPaul’s Drag Race and the Cultural Politics of Fame written by John Mercer and published by Taylor & Francis. This book was released on 2023-10-10 with total page 129 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the connections between drag stardom and contemporary sexual and cultural politics in the RuPaul’s Drag Race franchise. With Drag Race alumni achieving fame in fields such as music, fashion, theatre and beyond, this edited collection interrogates the relationships between gender, sexuality, performance, identity and celebrity culture that lie at the very heart of the show. RuPaul’s Drag Race has recently completed its 15th season after having won 26 Emmys. The show is a popular culture phenomenon, broadcasting drag into the homes of middle America, spawning spin off shows and an ever-expanding international franchise. Its success has made global stars of its host, guest judges and contestants alike. This edited collection explores the connections between drag stardom and contemporary sexual and cultural politics that RuPaul’s Drag Race stages and dramatizes. Alumni of Drag Race have gone on to become globally famous. Adore Delano and Sharon Needles have launched music careers. Violet Chachki is the first drag model to become the face of Bettie Page Lingerie whilst Jinkx Monsoon has achieved success as a Broadway star. In 2017 RuPaul was named as one of Time Magazine’s 100 Most Influential People. Above everything else RuPaul’s Drag Race is a show about celebrating the glamour, artifice and the labour of fame. Whilst Drag Race has already attracted scholarly attention (Brennan & Gudelunas eds. 2017) the relationships between gender, sexuality, performance, identity and celebrity culture that lie at the heart of its dynamic and appeal remain to be explored. RuPaul’s Drag Race and the Cultural Politics of Fame will be a key resource for academics, researchers, and advanced students of Media and Cultural Studies, Gender Studies, Performing Arts, Media and Film Studies, Communication Studies and Sociology. The chapters included in this book were originally published as a special issue of Celebrity Studies.
Since its inception, RuPaul'sDragRace (DragRace) (2009-) has pitted drag queens against each other in a series of challenges testing acting, singing, and sewing skills. Drag Race continues to become more profitable and successful by the year and arguably shapes cultural ideas of queer performances in manifold ways. This project investigates the impacts of exploitative labour practices that emerge from the show, the commodification of drag when represented on screen, and how the show influences drag and queer performances off-screen. Through systemic content analysis, interviews, and observations, this thesis investigates the impact of the show and the evolution of Drag Race as a corporate empire. Aided by literature on television, labour, representation, and commodification, this project analyzes how Drag Race's particular distortion of reality, undertaken as a generic norm of reality TV, not only commodifies and corporatizes drag for the benefit of the producers of the show, but also does a disservice to the art form and impacts upon the lives of the types of queer performers the show purports to capture.
Book Synopsis 'Tens, Tens, Tens Across the Board' by : Max Mehran
Download or read book 'Tens, Tens, Tens Across the Board' written by Max Mehran and published by . This book was released on 2020 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since its inception, RuPaul'sDragRace (DragRace) (2009-) has pitted drag queens against each other in a series of challenges testing acting, singing, and sewing skills. Drag Race continues to become more profitable and successful by the year and arguably shapes cultural ideas of queer performances in manifold ways. This project investigates the impacts of exploitative labour practices that emerge from the show, the commodification of drag when represented on screen, and how the show influences drag and queer performances off-screen. Through systemic content analysis, interviews, and observations, this thesis investigates the impact of the show and the evolution of Drag Race as a corporate empire. Aided by literature on television, labour, representation, and commodification, this project analyzes how Drag Race's particular distortion of reality, undertaken as a generic norm of reality TV, not only commodifies and corporatizes drag for the benefit of the producers of the show, but also does a disservice to the art form and impacts upon the lives of the types of queer performers the show purports to capture.
As RuPaul has said, this is the Golden Age of Drag—and that’s chiefly the achievement of RuPaul’s Drag Rac,/i>e, which in its eleventh year is more popular than ever, and has now become fully mainstream in its appeal. The show has an irresistible allure for folks of all persuasions and proclivities. Yet serious or philosophical discussion of its exponential success has been rare. Now at last we have RuPaul’s Drag Race and Philosophy, shining the light on all dimensions of this amazing phenomenon: theories of gender construction and identity, interpretations of RuPaul’s famous quotes and phrases, the paradoxes of reality shows, the phenomenology of the drag queen, and how the fake becomes the truly authentic. Among the thought-provoking issues examined in this path-breaking and innovative volume: ● What Should a Queen Do? Marta Sznajder looks at RuPaul’s Drag Race from the perspective of rationality. Where contestants have to eliminate each other, the prisoner’s dilemma and other well-known situations emerge. ● Reading Is Fundamental! Lucy McAdams analyzes two different, important speech acts that regularly appear on Drag Race—reading and throwing shade. ● The Values of Drag Race. Guilel Treiber observes two competing sets of values being presented in Drag Race. The more openly advertised “charisma, uniqueness, nerve, and talent,” advancing the skills of every single contender, are opposed by the fading set of “acceptance, support, solidarity, and empowerment,” which has historically been the cornerstone of the LGBTI+ community. ● The Importance of Being Fabulous. Holly Onclin challenges the preconceived notion that drag queens are mainly about female impersonation and instead proposes to understand drag queens as impersonators of celebrity. ● RuPaul Is a Better Warhol. Megan Volpert compares RuPaul and Andy Warhol in their shared pursuit of realness. ● Is Reading Someone to Filth Allowed? Rutger Birnie asks whether there are ethical restrictions on reading someone, since reads are ultimately insults and could cause harm. ● Serving Realness? Dawn Gilpin and Peter Nagy approach the concept of realness in Drag Race, to discuss the differences between realness, authenticity and the nature of being. ● Death Becomes Her. Hendrik Kempt explores the topic of death both in philosophy and in Drag Race, starting from the claim that “Philosophy is training for death.” ● We’re All Born Naked. Oliver Norman follows up on Ru’s mantra, “We are all born naked and the rest is drag.” ● Fire Werk with Me. Carolina Are looks into the fan-subcultures of Drag Race and Twin Peaks, which have come together to form a unique sub-subculture, in which members of both fan-subcultures create memes and idiosyncrasies. ● Towards a Healthier Subjectivity? Ben Glaister looks at the way Drag Race contestants adopt their drag personae almost as second selves, without finding themselves violating their other self. ● RuPaul versus Zarathustra. Julie and Alice van der Wielen ask the question, Who would win an intellectual lip-sync battle—RuPaul or Nietzsche’s Zarathustra? ● Playing with Glitter? Fernando Pagnoni and pals explore the game and play elements of Drag Race. ● The Origins of Self-Love. Anna Fennell expounds upon RuPaul’s question, “If you can’t love yourself, how in the hell you gonna love somebody else?” ● The Sublime. Sandra Ryan thinks about Kant’s concept of the sublime and explores how we find its applications in Drag Race. ● You Want to Be Anonymous? You Better Work! Alice Fox watches Drag Race through the lens of criminal law and the problem of decreasing anonymity through ubiquitous data surveillance. Drag Race can teach us how to create misleading patterns of online behavior and public presentation to render the blackbox persona useless. ● Drag and Vulnerability. Anneliese Cooper contrasts Drag Race’s demand for vulnerability and perceived authenticity with the inherent inauthenticity of creating a new persona.
Book Synopsis RuPaul's Drag Race and Philosophy by : Hendrik Kempt
Download or read book RuPaul's Drag Race and Philosophy written by Hendrik Kempt and published by Open Court Publishing. This book was released on 2019-12-03 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: As RuPaul has said, this is the Golden Age of Drag—and that’s chiefly the achievement of RuPaul’s Drag Rac,/i>e, which in its eleventh year is more popular than ever, and has now become fully mainstream in its appeal. The show has an irresistible allure for folks of all persuasions and proclivities. Yet serious or philosophical discussion of its exponential success has been rare. Now at last we have RuPaul’s Drag Race and Philosophy, shining the light on all dimensions of this amazing phenomenon: theories of gender construction and identity, interpretations of RuPaul’s famous quotes and phrases, the paradoxes of reality shows, the phenomenology of the drag queen, and how the fake becomes the truly authentic. Among the thought-provoking issues examined in this path-breaking and innovative volume: ● What Should a Queen Do? Marta Sznajder looks at RuPaul’s Drag Race from the perspective of rationality. Where contestants have to eliminate each other, the prisoner’s dilemma and other well-known situations emerge. ● Reading Is Fundamental! Lucy McAdams analyzes two different, important speech acts that regularly appear on Drag Race—reading and throwing shade. ● The Values of Drag Race. Guilel Treiber observes two competing sets of values being presented in Drag Race. The more openly advertised “charisma, uniqueness, nerve, and talent,” advancing the skills of every single contender, are opposed by the fading set of “acceptance, support, solidarity, and empowerment,” which has historically been the cornerstone of the LGBTI+ community. ● The Importance of Being Fabulous. Holly Onclin challenges the preconceived notion that drag queens are mainly about female impersonation and instead proposes to understand drag queens as impersonators of celebrity. ● RuPaul Is a Better Warhol. Megan Volpert compares RuPaul and Andy Warhol in their shared pursuit of realness. ● Is Reading Someone to Filth Allowed? Rutger Birnie asks whether there are ethical restrictions on reading someone, since reads are ultimately insults and could cause harm. ● Serving Realness? Dawn Gilpin and Peter Nagy approach the concept of realness in Drag Race, to discuss the differences between realness, authenticity and the nature of being. ● Death Becomes Her. Hendrik Kempt explores the topic of death both in philosophy and in Drag Race, starting from the claim that “Philosophy is training for death.” ● We’re All Born Naked. Oliver Norman follows up on Ru’s mantra, “We are all born naked and the rest is drag.” ● Fire Werk with Me. Carolina Are looks into the fan-subcultures of Drag Race and Twin Peaks, which have come together to form a unique sub-subculture, in which members of both fan-subcultures create memes and idiosyncrasies. ● Towards a Healthier Subjectivity? Ben Glaister looks at the way Drag Race contestants adopt their drag personae almost as second selves, without finding themselves violating their other self. ● RuPaul versus Zarathustra. Julie and Alice van der Wielen ask the question, Who would win an intellectual lip-sync battle—RuPaul or Nietzsche’s Zarathustra? ● Playing with Glitter? Fernando Pagnoni and pals explore the game and play elements of Drag Race. ● The Origins of Self-Love. Anna Fennell expounds upon RuPaul’s question, “If you can’t love yourself, how in the hell you gonna love somebody else?” ● The Sublime. Sandra Ryan thinks about Kant’s concept of the sublime and explores how we find its applications in Drag Race. ● You Want to Be Anonymous? You Better Work! Alice Fox watches Drag Race through the lens of criminal law and the problem of decreasing anonymity through ubiquitous data surveillance. Drag Race can teach us how to create misleading patterns of online behavior and public presentation to render the blackbox persona useless. ● Drag and Vulnerability. Anneliese Cooper contrasts Drag Race’s demand for vulnerability and perceived authenticity with the inherent inauthenticity of creating a new persona.
This book examines queer characters in popular American television, demonstrating how entertainment can educate audiences about LGBT identities and social issues like homophobia and transphobia. Through case studies of musical soap operas (Glee and Empire), reality shows (RuPaul’s Drag Race, The Prancing Elites Project and I Am Cait) and “quality” dramas (Looking, Transparent and Sense8), it argues that entertainment elements such as music, humour, storytelling and melodrama function as pedagogical tools, inviting viewers to empathise with and understand queer characters. Each chapter focuses on a particular programme, looking at what it teaches—its representation of queerness—and how it teaches this—its pedagogy. Situating the programmes in their broader historical context, this study also shows how these televisual texts exemplify a specific moment in American television.
Book Synopsis The Pedagogy of Queer TV by : Ava Laure Parsemain
Download or read book The Pedagogy of Queer TV written by Ava Laure Parsemain and published by Springer. This book was released on 2019-04-03 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines queer characters in popular American television, demonstrating how entertainment can educate audiences about LGBT identities and social issues like homophobia and transphobia. Through case studies of musical soap operas (Glee and Empire), reality shows (RuPaul’s Drag Race, The Prancing Elites Project and I Am Cait) and “quality” dramas (Looking, Transparent and Sense8), it argues that entertainment elements such as music, humour, storytelling and melodrama function as pedagogical tools, inviting viewers to empathise with and understand queer characters. Each chapter focuses on a particular programme, looking at what it teaches—its representation of queerness—and how it teaches this—its pedagogy. Situating the programmes in their broader historical context, this study also shows how these televisual texts exemplify a specific moment in American television.
