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This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.
Book Synopsis The Invention of Dionysus by : James I. Porter
Download or read book The Invention of Dionysus written by James I. Porter and published by Stanford University Press. This book was released on 2000 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.
This book argues that The Birth of Tragedy, Nietzsche’s first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book’s elements are reminiscent of Nietzsche’s earlier revisions of philology and anticipate the later writings.
Book Synopsis The Invention of Dionysus by : James I. Porter
Download or read book The Invention of Dionysus written by James I. Porter and published by . This book was released on 2000 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that The Birth of Tragedy, Nietzsche’s first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book’s elements are reminiscent of Nietzsche’s earlier revisions of philology and anticipate the later writings.
What is the nature of theatre's uneasy alliance with literature? Should theatre be viewed as a preliterate, ritualistic phenomenon that can only be compromised by writing? Or should theatre be grouped with other literary arts as essentially'textual,'with even physical performance subsumed under the aegis of textuality? Jennifer Wise, a theatre historian and drama theorist who is also an actor, director, and designer, responds with a challenging and convincing reconstruction of the historical context from which Western theatre first emerged. Wise believes that a comparison of the performance style of oral epic with that of drama as it emerged in sixth-century Greece shows the extent to which theatre was influenced by literate activities relatively new to the ancient world. These activities, foreign to Homer yet familiar to Aeschylus and his contemporaries, included the use of the alphabet, the teaching of texts in schools, the public inscription of laws, the sending and receiving of letters, the exchange of city coinage, and the making of lists. Having changed the way cultural material was processed and transmitted, the technology of writing also led to innovations in the way stories were told, and Wise contends that theatre was the result. However, the art of drama appeared in ancient Greece not only as a beneficiary of literacy but also in defiance of any tendency to see textuality as an end in itself.
Book Synopsis Dionysus Writes by : Jennifer Wise
Download or read book Dionysus Writes written by Jennifer Wise and published by Cornell University Press. This book was released on 2019-05-15 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the nature of theatre's uneasy alliance with literature? Should theatre be viewed as a preliterate, ritualistic phenomenon that can only be compromised by writing? Or should theatre be grouped with other literary arts as essentially'textual,'with even physical performance subsumed under the aegis of textuality? Jennifer Wise, a theatre historian and drama theorist who is also an actor, director, and designer, responds with a challenging and convincing reconstruction of the historical context from which Western theatre first emerged. Wise believes that a comparison of the performance style of oral epic with that of drama as it emerged in sixth-century Greece shows the extent to which theatre was influenced by literate activities relatively new to the ancient world. These activities, foreign to Homer yet familiar to Aeschylus and his contemporaries, included the use of the alphabet, the teaching of texts in schools, the public inscription of laws, the sending and receiving of letters, the exchange of city coinage, and the making of lists. Having changed the way cultural material was processed and transmitted, the technology of writing also led to innovations in the way stories were told, and Wise contends that theatre was the result. However, the art of drama appeared in ancient Greece not only as a beneficiary of literacy but also in defiance of any tendency to see textuality as an end in itself.
Drawing on Nietzsche's prolific early notebooks and correspondence, this book challenges the polarized picture of Nietzsche as a philosopher who abandoned classical philology. By showing how frequently the "later" Nietzsche appears in the early writings, the author hopes to provoke reflection on the adequacy of the developmental logic that has been a controlling factor in Nietzsche's reception.
Book Synopsis Nietzsche and the Philology of the Future by : James I. Porter
Download or read book Nietzsche and the Philology of the Future written by James I. Porter and published by Stanford University Press. This book was released on 2000 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on Nietzsche's prolific early notebooks and correspondence, this book challenges the polarized picture of Nietzsche as a philosopher who abandoned classical philology. By showing how frequently the "later" Nietzsche appears in the early writings, the author hopes to provoke reflection on the adequacy of the developmental logic that has been a controlling factor in Nietzsche's reception.
Book Synopsis The Complete Works of Friedrich Nietzsche by : Friedrich Wilhelm Nietzsche
Download or read book The Complete Works of Friedrich Nietzsche written by Friedrich Wilhelm Nietzsche and published by . This book was released on 1911 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Nietzsche: Disciple of Dionysus by : Rose Pfeffer
Download or read book Nietzsche: Disciple of Dionysus written by Rose Pfeffer and published by Bucknell University Press. This book was released on 1972 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Dionysus, the Greek god of wine, was a figure of many different personalities. Was he the mellow, smiling youth who gaily spread his gift of wine all over the world . . . or was he the fierce warrior who subjugated entire nations to his unbending will? Even his gift of wine reflected his dual nature. Wine could make people feel happy and good about themselves. Yet it could also turn them into mindless beasts who acted without thought or reason. The only god with a mortal mother, hated by Hera and driven mad by her, Dionysus figures in some of the most well-known tales of all time, such as the story of King Midas. His influence is vast and his importance to modern cultures remains strong, even while some of the other Olympians have faded into the pages of history. Dionysus has survived for thousands of years. He will likely survive for thousands of years to come.
Book Synopsis Dionysus by : Russell Roberts
Download or read book Dionysus written by Russell Roberts and published by Mitchell Lane Publishers, Inc.. This book was released on 2008-06 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dionysus, the Greek god of wine, was a figure of many different personalities. Was he the mellow, smiling youth who gaily spread his gift of wine all over the world . . . or was he the fierce warrior who subjugated entire nations to his unbending will? Even his gift of wine reflected his dual nature. Wine could make people feel happy and good about themselves. Yet it could also turn them into mindless beasts who acted without thought or reason. The only god with a mortal mother, hated by Hera and driven mad by her, Dionysus figures in some of the most well-known tales of all time, such as the story of King Midas. His influence is vast and his importance to modern cultures remains strong, even while some of the other Olympians have faded into the pages of history. Dionysus has survived for thousands of years. He will likely survive for thousands of years to come.
Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. “While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming.” This is the Dionysian vision of the world.
Book Synopsis The Dionysian Vision of the World by : Friedrich Nietzsche
Download or read book The Dionysian Vision of the World written by Friedrich Nietzsche and published by U of Minnesota Press. This book was released on 2015-11-01 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. “While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming.” This is the Dionysian vision of the world.
Explores how, after Nietzsche, Dionysus and the ancient Greeks would never be the same again.
Book Synopsis Dionysus after Nietzsche by : Adam Lecznar
Download or read book Dionysus after Nietzsche written by Adam Lecznar and published by Cambridge University Press. This book was released on 2020-04-16 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores how, after Nietzsche, Dionysus and the ancient Greeks would never be the same again.
These critically diverse and innovative essays are aimed at restoring the social context of ancient Greek drama. Theatrical productions, which included music and dancing, were civic events in honor of the god Dionysos and were attended by a politically stratified community, whose delegates handled all details from the seating arrangements to the qualifications of choral competitors. The growing complexity of these performances may have provoked the Athenian saying "nothing to do with Dionysos" implying that theater had lost its exclusive focus on its patron. This collection considers how individual plays and groups of dramas pertained to the concerns of the body politic and how these issues were presented in the convention of the stage and as centerpieces of civic ceremonies. The contributors, in addition to the editors, include Simon Goldhill, Jeffrey Henderson, David Konstan, Franois Lissarrague, Oddone Longo, Nicole Loraux, Josiah Ober, Ruth Padel, James Redfield, Niall W. Slater, Barry Strauss, and Jesper Svenbro.
Book Synopsis Nothing to Do with Dionysos? by : John J. Winkler
Download or read book Nothing to Do with Dionysos? written by John J. Winkler and published by Princeton University Press. This book was released on 2020-07-21 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: These critically diverse and innovative essays are aimed at restoring the social context of ancient Greek drama. Theatrical productions, which included music and dancing, were civic events in honor of the god Dionysos and were attended by a politically stratified community, whose delegates handled all details from the seating arrangements to the qualifications of choral competitors. The growing complexity of these performances may have provoked the Athenian saying "nothing to do with Dionysos" implying that theater had lost its exclusive focus on its patron. This collection considers how individual plays and groups of dramas pertained to the concerns of the body politic and how these issues were presented in the convention of the stage and as centerpieces of civic ceremonies. The contributors, in addition to the editors, include Simon Goldhill, Jeffrey Henderson, David Konstan, Franois Lissarrague, Oddone Longo, Nicole Loraux, Josiah Ober, Ruth Padel, James Redfield, Niall W. Slater, Barry Strauss, and Jesper Svenbro.