The Israeli Defence Forces’ Representation in Israeli Cinema

The Israeli Defence Forces’ Representation in Israeli Cinema

Author: Fiammetta Martegani

Publisher: Cambridge Scholars Publishing

Published: 2017-06-23

Total Pages: 260

ISBN-13: 1443866962

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Of all the Biblical heroes, the character of King David is perhaps the most paradoxical and also the most difficult to grasp. He is the Biblical Man for all seasons: a warrior, a lover, a poet, a killer and a restorer. This elaborate and fascinating archetypal hero influenced and inspired the representation of the Israeli soldier in Israeli media, art and cinema, from the establishment of the State of Israel until the present day. This book investigates whether Israeli art and film now place a focus on soldiers not as fighters, but as victims and the relationship between David as an adult and the State of Israel half a century after its establishment. As in gender studies, it is only in the last twenty years that research on masculinities has become a prominent part of film studies. Although studies of men and masculinity have gained momentum, little has been published that focuses on the media and their relationship to men as men. In carrying out a study on the representation of the Israeli Defense Force in Israeli cinema, the matter of gender becomes fundamental, especially in relation to the Motherland of Israel: Eretz Israel, which is feminine by definition. Israeli films are also deeply concerned with territory and territoriality. As such, the book also carries out an ethnography of Israeli cinema, with a focus on the significant relationship between ‘gender and nation’ and ‘body and space’.


Book Synopsis The Israeli Defence Forces’ Representation in Israeli Cinema by : Fiammetta Martegani

Download or read book The Israeli Defence Forces’ Representation in Israeli Cinema written by Fiammetta Martegani and published by Cambridge Scholars Publishing. This book was released on 2017-06-23 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Of all the Biblical heroes, the character of King David is perhaps the most paradoxical and also the most difficult to grasp. He is the Biblical Man for all seasons: a warrior, a lover, a poet, a killer and a restorer. This elaborate and fascinating archetypal hero influenced and inspired the representation of the Israeli soldier in Israeli media, art and cinema, from the establishment of the State of Israel until the present day. This book investigates whether Israeli art and film now place a focus on soldiers not as fighters, but as victims and the relationship between David as an adult and the State of Israel half a century after its establishment. As in gender studies, it is only in the last twenty years that research on masculinities has become a prominent part of film studies. Although studies of men and masculinity have gained momentum, little has been published that focuses on the media and their relationship to men as men. In carrying out a study on the representation of the Israeli Defense Force in Israeli cinema, the matter of gender becomes fundamental, especially in relation to the Motherland of Israel: Eretz Israel, which is feminine by definition. Israeli films are also deeply concerned with territory and territoriality. As such, the book also carries out an ethnography of Israeli cinema, with a focus on the significant relationship between ‘gender and nation’ and ‘body and space’.

Israeli Cinema

Israeli Cinema

Author: Ella Shohat

Publisher:

Published: 1989

Total Pages: 328

ISBN-13:

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The author examines Israeli cinema as it relates to Israeli culture and politics


Book Synopsis Israeli Cinema by : Ella Shohat

Download or read book Israeli Cinema written by Ella Shohat and published by . This book was released on 1989 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author examines Israeli cinema as it relates to Israeli culture and politics

Israeli Cinema

Israeli Cinema

Author: Miri Talmon

Publisher: University of Texas Press

Published: 2011-07-01

Total Pages: 392

ISBN-13: 0292744781

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With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors' illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.


Book Synopsis Israeli Cinema by : Miri Talmon

Download or read book Israeli Cinema written by Miri Talmon and published by University of Texas Press. This book was released on 2011-07-01 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: With top billing at many film forums around the world, as well as a string of prestigious prizes, including consecutive nominations for the Best Foreign Film Oscar, Israeli films have become one of the most visible and promising cinemas in the first decade of the twenty-first century, an intriguing and vibrant site for the representation of Israeli realities. Yet two decades have passed since the last wide-ranging scholarly overview of Israeli cinema, creating a need for a new, state-of-the-art analysis of this exciting cinematic oeuvre. The first anthology of its kind in English, Israeli Cinema: Identities in Motion presents a collection of specially commissioned articles in which leading Israeli film scholars examine Israeli cinema as a prism that refracts collective Israeli identities through the medium and art of motion pictures. The contributors address several broad themes: the nation imagined on film; war, conflict, and trauma; gender, sexuality, and ethnicity; religion and Judaism; discourses of place in the age of globalism; filming the Palestinian Other; and new cinematic discourses. The authors' illuminating readings of Israeli films reveal that Israeli cinema offers rare visual and narrative insights into the complex national, social, and multicultural Israeli universe, transcending the partial and superficial images of this culture in world media.

An Army Like No Other

An Army Like No Other

Author: Haim Bresheeth-Zabner

Publisher: Verso Books

Published: 2020-08-25

Total Pages: 523

ISBN-13: 1788737857

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The Israeli army, officially named the Israel Defence Forces (IDF), was established in 1948 by David Ben-Gurion, Israel's first prime minister, who believed that 'the whole nation is the army'. In his mind, the IDF was to be an army like no other. It was the instrument that might transform a diverse population into a new people. Since the foundation of Israel, therefore, the IDF has been the largest, richest and most influential institution in Israel's Jewish society and is the nursery of its social, economic and political ruling class. In this fascinating history, Bresheeth charts the evolution of the IDF from the Nakba to wars in Egypt, Lebanon, Iraq and the continued assaults upon Gaza, and shows that the state of Israel has been formed out of its wars. He also gives an account of his own experiences as a young conscript during the 1967 war. He argues that the army is embedded in all aspects of daily life and identity. And that we should not merely see it as a fighting force enjoying an international reputation, but as the central ideological, political and financial institution of Israeli society. As a consequence, we have to reconsider our assumptions on what any kind of peace might look like.


Book Synopsis An Army Like No Other by : Haim Bresheeth-Zabner

Download or read book An Army Like No Other written by Haim Bresheeth-Zabner and published by Verso Books. This book was released on 2020-08-25 with total page 523 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Israeli army, officially named the Israel Defence Forces (IDF), was established in 1948 by David Ben-Gurion, Israel's first prime minister, who believed that 'the whole nation is the army'. In his mind, the IDF was to be an army like no other. It was the instrument that might transform a diverse population into a new people. Since the foundation of Israel, therefore, the IDF has been the largest, richest and most influential institution in Israel's Jewish society and is the nursery of its social, economic and political ruling class. In this fascinating history, Bresheeth charts the evolution of the IDF from the Nakba to wars in Egypt, Lebanon, Iraq and the continued assaults upon Gaza, and shows that the state of Israel has been formed out of its wars. He also gives an account of his own experiences as a young conscript during the 1967 war. He argues that the army is embedded in all aspects of daily life and identity. And that we should not merely see it as a fighting force enjoying an international reputation, but as the central ideological, political and financial institution of Israeli society. As a consequence, we have to reconsider our assumptions on what any kind of peace might look like.

The Military and Militarism in Israeli Society

The Military and Militarism in Israeli Society

Author: Edna Lomsky-Feder

Publisher: State University of New York Press

Published: 2012-02-01

Total Pages: 334

ISBN-13: 0791493415

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The Military and Militarism in Israeli Society systematically examines the cultural and social construction of 'things military' within Israel. Contributors from comparative literature, film studies, sociology, anthropology, geography, history, and cultural studies explore the arenas in which the centrality of military matters are produced and reproduced by the state and by other public bodies. Analysis is presented using three perspectives: the production and reproduction of collective representations; the dynamics of gender, voice, and resistance; and the construction of individual life-worlds.


Book Synopsis The Military and Militarism in Israeli Society by : Edna Lomsky-Feder

Download or read book The Military and Militarism in Israeli Society written by Edna Lomsky-Feder and published by State University of New York Press. This book was released on 2012-02-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Military and Militarism in Israeli Society systematically examines the cultural and social construction of 'things military' within Israel. Contributors from comparative literature, film studies, sociology, anthropology, geography, history, and cultural studies explore the arenas in which the centrality of military matters are produced and reproduced by the state and by other public bodies. Analysis is presented using three perspectives: the production and reproduction of collective representations; the dynamics of gender, voice, and resistance; and the construction of individual life-worlds.

An Army Like No Other

An Army Like No Other

Author: Haim Bresheeth-Zabner

Publisher: Verso Books

Published: 2020-08-25

Total Pages: 449

ISBN-13: 1788737849

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A history of the IDF that argues that Israel is a nation formed by its army. The Israeli army, officially named the Israel Defence Forces (IDF), was established in 1948 by David Ben-Gurion, Israel's first prime minister, who believed that 'the whole nation is the army'. In his mind, the IDF was to be an army like no other. It was the instrument that might transform a diverse population into a new people. Since the foundation of Israel, therefore, the IDF has been the largest, richest and most influential institution in Israel's Jewish society and is the nursery of its social, economic and political ruling class. In this fascinating history, Bresheeth charts the evolution of the IDF from the Nakba to the continued assaults upon Gaza, and shows that the state of Israel has been formed out of its wars. He also gives an account of his own experiences as a young conscript during the 1967 war. He argues that the army is embedded in all aspects of daily life and identity. And that we should not merely see it as a fighting force enjoying an international reputation, but as the central ideological, political and financial institution of Israeli society. As a consequence, we have to reconsider our assumptions on what any kind of peace might look like.


Book Synopsis An Army Like No Other by : Haim Bresheeth-Zabner

Download or read book An Army Like No Other written by Haim Bresheeth-Zabner and published by Verso Books. This book was released on 2020-08-25 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of the IDF that argues that Israel is a nation formed by its army. The Israeli army, officially named the Israel Defence Forces (IDF), was established in 1948 by David Ben-Gurion, Israel's first prime minister, who believed that 'the whole nation is the army'. In his mind, the IDF was to be an army like no other. It was the instrument that might transform a diverse population into a new people. Since the foundation of Israel, therefore, the IDF has been the largest, richest and most influential institution in Israel's Jewish society and is the nursery of its social, economic and political ruling class. In this fascinating history, Bresheeth charts the evolution of the IDF from the Nakba to the continued assaults upon Gaza, and shows that the state of Israel has been formed out of its wars. He also gives an account of his own experiences as a young conscript during the 1967 war. He argues that the army is embedded in all aspects of daily life and identity. And that we should not merely see it as a fighting force enjoying an international reputation, but as the central ideological, political and financial institution of Israeli society. As a consequence, we have to reconsider our assumptions on what any kind of peace might look like.

Projecting the Nation

Projecting the Nation

Author: Eran Kaplan

Publisher: Rutgers University Press

Published: 2020-05-15

Total Pages: 216

ISBN-13: 1978813406

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Projecting the Nation: History and Ideology on the Israeli Screen is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat’s Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat’s book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.


Book Synopsis Projecting the Nation by : Eran Kaplan

Download or read book Projecting the Nation written by Eran Kaplan and published by Rutgers University Press. This book was released on 2020-05-15 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Projecting the Nation: History and Ideology on the Israeli Screen is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat’s Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat’s book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.

Warriors, Witches, Whores

Warriors, Witches, Whores

Author: Rachel S. Harris

Publisher: Wayne State University Press

Published: 2017-11-15

Total Pages: 384

ISBN-13: 0814339689

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Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues, particularly those which affect women. This section demonstrates how feminists use film (and work within the film industry) in order to women’s position in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have impacted the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera, in the stories they tell, and in the ways women are depicted on screen. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.


Book Synopsis Warriors, Witches, Whores by : Rachel S. Harris

Download or read book Warriors, Witches, Whores written by Rachel S. Harris and published by Wayne State University Press. This book was released on 2017-11-15 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Warriors, Witches, Whores: Women in Israeli Cinema is a feminist study of Israel’s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women’s marginalization within Israeli society. While no one can deny Israel’s Western women’s advancements, feminist filmmakers frequently turn to Israel’s less impressive underbelly as sources for their inspiration. Their films have focused on sexism, the negative impact of militarism on women’s experience, rape culture, prostitution, and sexual abuse. These films also tend to include subjects from society’s geographical periphery and social margins, such as female foreign workers, women, and refugees. Warriors, Witches, Whoresis divided into three major sections and each considers a different form of feminist engagement. The first part explores films that situate women in traditionally male spheres of militarism, considering the impact of interjecting women within hegemonic spaces or reconceptualizing them in feminist ways. The second part recovers the narratives of women’s experience that were previously marginalized or silenced, thereby creating a distinct female space that offers new kinds of storytelling and cinematic aesthetics that reflect feminist expressions of identity. The third part offers examples of feminist activism that reach beyond the boundaries of the film to comment on social issues, particularly those which affect women. This section demonstrates how feminists use film (and work within the film industry) in order to women’s position in society. While there are thematic overlaps between the chapters, each section marks structural differences in the modes of feminist response. Warriors, Witches, Whores considers the ways social and political power have impacted the representation of women and looks to how feminist filmmakers have fought against these inequities behind the camera, in the stories they tell, and in the ways women are depicted on screen. Students and scholars of film, gender, or cultural studies will appreciate this approachable monograph.

Soldiers, Rebels, and Drifters

Soldiers, Rebels, and Drifters

Author: Nir Cohen

Publisher: Wayne State University Press

Published: 2011-10-15

Total Pages: 264

ISBN-13: 0814337090

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A cultural history of gay filmmaking in Israel that explores its role in the rise of gay consciousness over the past three decades.


Book Synopsis Soldiers, Rebels, and Drifters by : Nir Cohen

Download or read book Soldiers, Rebels, and Drifters written by Nir Cohen and published by Wayne State University Press. This book was released on 2011-10-15 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: A cultural history of gay filmmaking in Israel that explores its role in the rise of gay consciousness over the past three decades.

Israeli Cinema

Israeli Cinema

Author: Ella Shohat

Publisher: I.B. Tauris

Published: 2010-07-30

Total Pages: 392

ISBN-13: 9781845113131

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Covers up to 1986.


Book Synopsis Israeli Cinema by : Ella Shohat

Download or read book Israeli Cinema written by Ella Shohat and published by I.B. Tauris. This book was released on 2010-07-30 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: Covers up to 1986.