The Language Electroacoustic Music

The Language Electroacoustic Music

Author: Simon Emmerson

Publisher: Springer

Published: 1986-12-03

Total Pages: 229

ISBN-13: 1349184926

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Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.


Book Synopsis The Language Electroacoustic Music by : Simon Emmerson

Download or read book The Language Electroacoustic Music written by Simon Emmerson and published by Springer. This book was released on 1986-12-03 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.

The Art and Technique of Electroacoustic Music

The Art and Technique of Electroacoustic Music

Author: Peter Elsea

Publisher: A-R Editions, Inc.

Published: 2013-06-01

Total Pages: 539

ISBN-13: 0895797410

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Electroacoustic music is now in the mainstream of music, pervading all styles from the avant-garde to pop. Even classical works are routinely scored on a computer and a synthesized demo is a powerful tool for previewing a piece. The fundamental skills of electroacoustic composition are now as essential to a music student as ear training and counterpoint. The Art and Technique of Electroacoustic Music provides a detailed approach those fundamental skills. In this book Peter Elsea explores the topic from the fundamentals of acoustics through the basics of recording, composition with the tools of music concreté, and music production with MIDI instruments, softsynths and digital audio Workstations. Later sections of the book cover synthesis in depth and introduce high powered computer composition languages including Csound, ChucK, and Max/MSP. A final section presents the challenges and techniques of live performance. This book can be used as a text for undergraduate courses and also as a guide for self-learning.


Book Synopsis The Art and Technique of Electroacoustic Music by : Peter Elsea

Download or read book The Art and Technique of Electroacoustic Music written by Peter Elsea and published by A-R Editions, Inc.. This book was released on 2013-06-01 with total page 539 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electroacoustic music is now in the mainstream of music, pervading all styles from the avant-garde to pop. Even classical works are routinely scored on a computer and a synthesized demo is a powerful tool for previewing a piece. The fundamental skills of electroacoustic composition are now as essential to a music student as ear training and counterpoint. The Art and Technique of Electroacoustic Music provides a detailed approach those fundamental skills. In this book Peter Elsea explores the topic from the fundamentals of acoustics through the basics of recording, composition with the tools of music concreté, and music production with MIDI instruments, softsynths and digital audio Workstations. Later sections of the book cover synthesis in depth and introduce high powered computer composition languages including Csound, ChucK, and Max/MSP. A final section presents the challenges and techniques of live performance. This book can be used as a text for undergraduate courses and also as a guide for self-learning.

Electroacoustic Music

Electroacoustic Music

Author: Thomas Licata

Publisher: Bloomsbury Publishing USA

Published: 2002-09-30

Total Pages: 267

ISBN-13: 031307688X

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Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies—possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included here are discussions of such significant works as Karlheinz Stockhausen's Gesang der Jünglinge (1955/56), Iannis Xenakis' Diamorphoses (1957), and Jean-Claude Risset's Contours (1982). Overall, the collection aims to elucidate the sonic design of each of the electroacoustic music works under investigation, using its best examples as a lens through which to examine an unduly neglected genre. Demonstrating recent techniques in the analysis of electroacoustic music, the volume also considers various compositional approaches as well as computer applications that have become an irreplaceable tool in the composing of this music. So little has been written about this 20th-century art form that Electroacoustic Music: Analytical Perspectives is at once a fresh, bold step forward in musicology and analysis.


Book Synopsis Electroacoustic Music by : Thomas Licata

Download or read book Electroacoustic Music written by Thomas Licata and published by Bloomsbury Publishing USA. This book was released on 2002-09-30 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies—possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included here are discussions of such significant works as Karlheinz Stockhausen's Gesang der Jünglinge (1955/56), Iannis Xenakis' Diamorphoses (1957), and Jean-Claude Risset's Contours (1982). Overall, the collection aims to elucidate the sonic design of each of the electroacoustic music works under investigation, using its best examples as a lens through which to examine an unduly neglected genre. Demonstrating recent techniques in the analysis of electroacoustic music, the volume also considers various compositional approaches as well as computer applications that have become an irreplaceable tool in the composing of this music. So little has been written about this 20th-century art form that Electroacoustic Music: Analytical Perspectives is at once a fresh, bold step forward in musicology and analysis.

Living Electronic Music

Living Electronic Music

Author: Professor Simon Emmerson

Publisher: Ashgate Publishing, Ltd.

Published: 2013-01-28

Total Pages: 220

ISBN-13: 1409493717

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Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.


Book Synopsis Living Electronic Music by : Professor Simon Emmerson

Download or read book Living Electronic Music written by Professor Simon Emmerson and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials but others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.

An Introduction to the Creation of Electroacoustic Music

An Introduction to the Creation of Electroacoustic Music

Author: Samuel Pellman

Publisher: Cengage Learning

Published: 1994

Total Pages: 472

ISBN-13:

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This text aims to be accessible to students relatively inexperienced with electronic musical technology, while also sufficiently detailed for technical and musical achievement. Furthermore, it stresses the notion that, despite all the attention given to technique, the principal goal is musical expression.


Book Synopsis An Introduction to the Creation of Electroacoustic Music by : Samuel Pellman

Download or read book An Introduction to the Creation of Electroacoustic Music written by Samuel Pellman and published by Cengage Learning. This book was released on 1994 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text aims to be accessible to students relatively inexperienced with electronic musical technology, while also sufficiently detailed for technical and musical achievement. Furthermore, it stresses the notion that, despite all the attention given to technique, the principal goal is musical expression.

Electroacoustic Music in East Asia

Electroacoustic Music in East Asia

Author: Marc Battier

Publisher: Routledge

Published: 2020-06-09

Total Pages: 174

ISBN-13: 1000458660

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This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.


Book Synopsis Electroacoustic Music in East Asia by : Marc Battier

Download or read book Electroacoustic Music in East Asia written by Marc Battier and published by Routledge. This book was released on 2020-06-09 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illuminates the development of electronic and computer music in East Asia, presented by authors from these countries and territories (China, Japan, Korea, and Taiwan). The scholars bring forward the cultural complexities and conflicts involved in their diverse encounters with new music technology and modern aesthetics. How electronic music attracted the interest of composers from East Asia is quite varied – while composers and artists in Japan delved into new sounds and music techniques and fostered electronic music quite early on; political, sociological, and artistic conditions pre-empted the adoption of electronic music techniques in China until the last two decades of the twentieth century. Korean and Taiwanese perspectives contribute to this rare opportunity to re-examine, under a radically different set of cultural preconditions, the sweeping musical transformation that similarly consumed the West. Special light is shed on prominent composers, such as Sukhi Kang, Toshiro Mayuzumi, Toru Takemitsu, and Xiaofu Zhang. Recent trends and new directions which are observed in these countries are also addressed, and the volume shows how the modern fusion of music and technology is triangulated by a depth of culture and other social forces. This book was originally published as a special issue of Contemporary Music Review.

Electronic Music

Electronic Music

Author: Nicholas Collins

Publisher: Cambridge University Press

Published: 2013-05-09

Total Pages: 241

ISBN-13: 1107010934

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This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.


Book Synopsis Electronic Music by : Nicholas Collins

Download or read book Electronic Music written by Nicholas Collins and published by Cambridge University Press. This book was released on 2013-05-09 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This accessible Introduction explores both mainstream and experimental electronic music and includes many suggestions for further reading and listening.

Introduction to Electro-acoustic Music

Introduction to Electro-acoustic Music

Author: Barry Schrader

Publisher:

Published: 1982

Total Pages: 246

ISBN-13:

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This book surveys the history, basic technology, and analysis of electro-acoustic music, along with interviews with important composers in the field.


Book Synopsis Introduction to Electro-acoustic Music by : Barry Schrader

Download or read book Introduction to Electro-acoustic Music written by Barry Schrader and published by . This book was released on 1982 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book surveys the history, basic technology, and analysis of electro-acoustic music, along with interviews with important composers in the field.

Expanding the Horizon of Electroacoustic Music Analysis

Expanding the Horizon of Electroacoustic Music Analysis

Author: Simon Emmerson

Publisher: Cambridge University Press

Published: 2016-04-07

Total Pages:

ISBN-13: 1316489833

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Innovations in music technology bring with them a new set of challenges for describing and understanding the electroacoustic repertoire. This edited collection presents a state-of-the-art overview of analysis methods for electroacoustic music in this rapidly developing field. The first part of the book explains the needs of differing electroacoustic genres and puts forward a template for the analysis of electroacoustic music. Part II discusses the latest ideas in the field and the challenges associated with new technologies, while Part III explores how analyses have harnessed the new forces of multimedia, and includes an introduction to new software programme EAnalysis, which was created by the editors as the result of an Arts and Humanities Research Council grant. The final part of the book demonstrates these new methods in action, with analyses of key electroacoustic works from a wide range of genres and sources.


Book Synopsis Expanding the Horizon of Electroacoustic Music Analysis by : Simon Emmerson

Download or read book Expanding the Horizon of Electroacoustic Music Analysis written by Simon Emmerson and published by Cambridge University Press. This book was released on 2016-04-07 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Innovations in music technology bring with them a new set of challenges for describing and understanding the electroacoustic repertoire. This edited collection presents a state-of-the-art overview of analysis methods for electroacoustic music in this rapidly developing field. The first part of the book explains the needs of differing electroacoustic genres and puts forward a template for the analysis of electroacoustic music. Part II discusses the latest ideas in the field and the challenges associated with new technologies, while Part III explores how analyses have harnessed the new forces of multimedia, and includes an introduction to new software programme EAnalysis, which was created by the editors as the result of an Arts and Humanities Research Council grant. The final part of the book demonstrates these new methods in action, with analyses of key electroacoustic works from a wide range of genres and sources.

Analytical Methods of Electroacoustic Music

Analytical Methods of Electroacoustic Music

Author: Mary Simoni

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9781138990425

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"Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: the applications of neumes, contemporary staff notation, sound orchestra and score files, time-domain representations, and spectrograms. Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music" --


Book Synopsis Analytical Methods of Electroacoustic Music by : Mary Simoni

Download or read book Analytical Methods of Electroacoustic Music written by Mary Simoni and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: the applications of neumes, contemporary staff notation, sound orchestra and score files, time-domain representations, and spectrograms. Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music" --