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A translation of Volume I of a major work by one of the leading music theorists of the century.
Book Synopsis The Masterwork in Music: Volume 1, 1925 by : Heinrich Schenker
Download or read book The Masterwork in Music: Volume 1, 1925 written by Heinrich Schenker and published by CUP Archive. This book was released on 1994-11-24 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt: A translation of Volume I of a major work by one of the leading music theorists of the century.
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Book Synopsis The Masterwork in Music: Volume I, 1925 by : Heinrich Schenker
Download or read book The Masterwork in Music: Volume I, 1925 written by Heinrich Schenker and published by Courier Corporation. This book was released on 2014-11-19 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Book Synopsis The Masterwork in Music: Volume I, 1925 by : Heinrich Schenker
Download or read book The Masterwork in Music: Volume I, 1925 written by Heinrich Schenker and published by Courier Corporation. This book was released on 2014-10-13 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.
Book Synopsis The Masterwork in Music: Volume 1, 1925 by : Heinrich Schenker
Download or read book The Masterwork in Music: Volume 1, 1925 written by Heinrich Schenker and published by Cambridge University Press. This book was released on 1994-11-24 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.
Book Synopsis The Masterwork in Music by : Heinrich Schenker
Download or read book The Masterwork in Music written by Heinrich Schenker and published by CUP Archive. This book was released on 1996 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.
Book Synopsis The Masterwork in Music: 1925 by : Heinrich Schenker
Download or read book The Masterwork in Music: 1925 written by Heinrich Schenker and published by . This book was released on 1994 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.
Heinrich Schenker is regarded as one of the leading music theorists of the twentieth century. The Masterwork in Music was written in three volumes between 1925 and 1930 and is distinguished from earlier writings by its depth of vision, demonstrated here both graphically and verbally. Although the concept of structural hierarchy is already present in Der Tonwille (1921-4), the idea of a network of layers becomes particularly prominent in Das Meisterwerk. This volume contains a major essay on Mozart's Symphony No. 40 in G minor and other studies of Bach keyboard and solo cello works, Haydn and Reger, as well as theoretical writings on sonata form and fugue and Schenkerian theory. These essays are translated by a team of specialists with ample editoral annotations including comparisons with earlier and later writings.
Book Synopsis Schenker: The Masterwork in Music: by : Heinrich Schenker
Download or read book Schenker: The Masterwork in Music: written by Heinrich Schenker and published by Cambridge University Press. This book was released on 1996-04-04 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heinrich Schenker is regarded as one of the leading music theorists of the twentieth century. The Masterwork in Music was written in three volumes between 1925 and 1930 and is distinguished from earlier writings by its depth of vision, demonstrated here both graphically and verbally. Although the concept of structural hierarchy is already present in Der Tonwille (1921-4), the idea of a network of layers becomes particularly prominent in Das Meisterwerk. This volume contains a major essay on Mozart's Symphony No. 40 in G minor and other studies of Bach keyboard and solo cello works, Haydn and Reger, as well as theoretical writings on sonata form and fugue and Schenkerian theory. These essays are translated by a team of specialists with ample editoral annotations including comparisons with earlier and later writings.
A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.
Book Synopsis Musical Form in the Age of Beethoven by : Adolf Bernhard Marx
Download or read book Musical Form in the Age of Beethoven written by Adolf Bernhard Marx and published by Cambridge University Press. This book was released on 1997-12-04 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.
This book offers a theory of Romantic song by re-evaluating Schumann's Dichterliebe of 1840, one of the most enigmatic works of the repertoire. It investigates the poetics of Early Romanticism in order to understand the mysterious magnetism and singular imaginative energy that imbues Schumann's musical language. The Romantics rejected the ideal of a coherent and organic whole and cherished the suggestive openness of the Romantic fragment, the disconcerting tone of Romantic irony and the endlessness of Romantic reflection - thereby realizing an aesthetic of fragmentation. Close readings of many songs from Dichterliebe show the singer's intense involvement with the piano's voice, suggesting a 'split Self' and the presence of the 'Other'. Seeing Schumann as the 'second poet of the poem' - here of Heine's famous Lyrisches Intermezzo - this book considers essential issues of musico-poetic intertextuality, introducing into musicology a hermeneutic that seeks to synthesize philosophical, literary-critical, music-analytical and psycho-analytical modes of thought.
Book Synopsis Schumann's Dichterliebe and Early Romantic Poetics by : Beate Julia Perrey
Download or read book Schumann's Dichterliebe and Early Romantic Poetics written by Beate Julia Perrey and published by Cambridge University Press. This book was released on 2002 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a theory of Romantic song by re-evaluating Schumann's Dichterliebe of 1840, one of the most enigmatic works of the repertoire. It investigates the poetics of Early Romanticism in order to understand the mysterious magnetism and singular imaginative energy that imbues Schumann's musical language. The Romantics rejected the ideal of a coherent and organic whole and cherished the suggestive openness of the Romantic fragment, the disconcerting tone of Romantic irony and the endlessness of Romantic reflection - thereby realizing an aesthetic of fragmentation. Close readings of many songs from Dichterliebe show the singer's intense involvement with the piano's voice, suggesting a 'split Self' and the presence of the 'Other'. Seeing Schumann as the 'second poet of the poem' - here of Heine's famous Lyrisches Intermezzo - this book considers essential issues of musico-poetic intertextuality, introducing into musicology a hermeneutic that seeks to synthesize philosophical, literary-critical, music-analytical and psycho-analytical modes of thought.
Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
Book Synopsis Music, Encounter, Togetherness by : Nicholas Cook
Download or read book Music, Encounter, Togetherness written by Nicholas Cook and published by Oxford University Press. This book was released on 2024 with total page 569 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
