The Matrophobic Gothic and Its Legacy

The Matrophobic Gothic and Its Legacy

Author: Deborah D. Rogers

Publisher: Peter Lang

Published: 2007

Total Pages: 182

ISBN-13: 9781433100451

DOWNLOAD EBOOK

Although in recent years maternity has become a contested site of political discourse, the matrophobia that characterizes many mother-daughter bonds has hardly been theorized. This book defines matrophobia as fear of mothers, as fear of becoming a mother, and as fear of identification with and separation from the maternal body. Deborah D. Rogers argues that matrophobia is the central metaphor for women's relationships with each other within a patriarchal culture. Analyzing different contexts in which matrophobia problematizes feminism, this book begins with matrophobic discourse in eighteenth-century England. Significantly, the self-sacrificing construction of motherhood emerges at the same time as the novel, a genre that develops as a locus for the radical displacement of matrophobia. Coining the term «Matrophobic Gothic» to describe works in which inadequately mothered heroines reconcile with maternal figures that the narrative has repressed, Rogers focuses on this phenomenon in the works of Ann Radcliffe and Jane Austen. Her consideration of matrophobia extends to early modern male-authored texts, including Samuel Richardson's representation of maternity and Sir Walter Scott's exploration of gender roles and identity. These issues continue unabated in televised serial drama. All told, this book powerfully argues for the necessity of confronting the matrophobia at the heart of feminism.


Book Synopsis The Matrophobic Gothic and Its Legacy by : Deborah D. Rogers

Download or read book The Matrophobic Gothic and Its Legacy written by Deborah D. Rogers and published by Peter Lang. This book was released on 2007 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although in recent years maternity has become a contested site of political discourse, the matrophobia that characterizes many mother-daughter bonds has hardly been theorized. This book defines matrophobia as fear of mothers, as fear of becoming a mother, and as fear of identification with and separation from the maternal body. Deborah D. Rogers argues that matrophobia is the central metaphor for women's relationships with each other within a patriarchal culture. Analyzing different contexts in which matrophobia problematizes feminism, this book begins with matrophobic discourse in eighteenth-century England. Significantly, the self-sacrificing construction of motherhood emerges at the same time as the novel, a genre that develops as a locus for the radical displacement of matrophobia. Coining the term «Matrophobic Gothic» to describe works in which inadequately mothered heroines reconcile with maternal figures that the narrative has repressed, Rogers focuses on this phenomenon in the works of Ann Radcliffe and Jane Austen. Her consideration of matrophobia extends to early modern male-authored texts, including Samuel Richardson's representation of maternity and Sir Walter Scott's exploration of gender roles and identity. These issues continue unabated in televised serial drama. All told, this book powerfully argues for the necessity of confronting the matrophobia at the heart of feminism.


Gothic Evolutions

Gothic Evolutions

Author: Corinna Wagner

Publisher: Broadview Press

Published: 2014-06-23

Total Pages: 626

ISBN-13: 177048423X

DOWNLOAD EBOOK

The texts in this unique collection range from the Gothic Revival of the late eighteenth century through to the late Victorian gothic, and from the poetry of Wordsworth and Coleridge to the short fiction of H.G. Wells and Henry James. Genres represented include medievalist poetry, psychological thrillers, dark political dystopias, sinister tales of social corruption, and popular ghost tales. In addition to a wide selection of classic and lesser-known texts from the eighteenth and nineteenth centuries, Gothic Evolutions includes key examples of the aesthetic, scientific, and cultural theory related to the Gothic, from John Locke and David Hume to Sigmund Freud and Julia Kristeva.


Book Synopsis Gothic Evolutions by : Corinna Wagner

Download or read book Gothic Evolutions written by Corinna Wagner and published by Broadview Press. This book was released on 2014-06-23 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: The texts in this unique collection range from the Gothic Revival of the late eighteenth century through to the late Victorian gothic, and from the poetry of Wordsworth and Coleridge to the short fiction of H.G. Wells and Henry James. Genres represented include medievalist poetry, psychological thrillers, dark political dystopias, sinister tales of social corruption, and popular ghost tales. In addition to a wide selection of classic and lesser-known texts from the eighteenth and nineteenth centuries, Gothic Evolutions includes key examples of the aesthetic, scientific, and cultural theory related to the Gothic, from John Locke and David Hume to Sigmund Freud and Julia Kristeva.


The New Woman Gothic

The New Woman Gothic

Author: Patricia Murphy

Publisher: University of Missouri Press

Published: 2017-07-31

Total Pages: 339

ISBN-13: 0826273548

DOWNLOAD EBOOK

Drawing from and reworking Gothic conventions, the New Woman version is marshaled during a tumultuous cultural moment of gender anxiety either to defend or revile the complex character. The controversial and compelling figure of the New Woman in fin de siècle Britishfiction has garnered extensive scholarly attention, but rarely has she been investigated through the lens of the Gothic. Part I, “The Blurred Boundary,” examines an obfuscated distinction between the New Woman and the prostitute, presented in a stunning breadth and array of writings. Part II, “Reconfigured Conventions,” probes four key aspects of the Gothic, each of which is reshaped to reflect the exigencies of the fin de siècle. In Part III, “Villainous Characters,” the bad father of Romantic fiction is bifurcated into the husband and the mother, both of whom cause great suffering to the protagonist.


Book Synopsis The New Woman Gothic by : Patricia Murphy

Download or read book The New Woman Gothic written by Patricia Murphy and published by University of Missouri Press. This book was released on 2017-07-31 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing from and reworking Gothic conventions, the New Woman version is marshaled during a tumultuous cultural moment of gender anxiety either to defend or revile the complex character. The controversial and compelling figure of the New Woman in fin de siècle Britishfiction has garnered extensive scholarly attention, but rarely has she been investigated through the lens of the Gothic. Part I, “The Blurred Boundary,” examines an obfuscated distinction between the New Woman and the prostitute, presented in a stunning breadth and array of writings. Part II, “Reconfigured Conventions,” probes four key aspects of the Gothic, each of which is reshaped to reflect the exigencies of the fin de siècle. In Part III, “Villainous Characters,” the bad father of Romantic fiction is bifurcated into the husband and the mother, both of whom cause great suffering to the protagonist.


Street Urchins, Sociopaths and Degenerates

Street Urchins, Sociopaths and Degenerates

Author: David Floyd

Publisher: University of Wales Press

Published: 2014-02-15

Total Pages: 240

ISBN-13: 1783160810

DOWNLOAD EBOOK

From the notable emergence of orphan figures in late eighteenth-century literature, through early- and middle-period Victorian fiction and, as this book argues, well into the fin de siècle, this potent literary type is remarkable for its consistent recurrence and its metamorphosis as a register of cultural conditions. The striking ubiquity of orphans in the literature of these periods encourages inquiry into their metaphoric implications and the manner in which they function as barometers of burgeoning social concerns. The overwhelming majority of criticism focusing on orphans centres particularly on the form as an early- to middle-century convention, primarily found in social and domestic works; in effect, the non-traditional, aberrant, at times Gothic orphan of the fin de siècle has been largely overlooked, if not denied outright. This oversight has given rise to the need for a study of this potent cultural figure as it pertains to preoccupations characteristic of more recent instances. This book examines the noticeable difference between orphans of genre fiction of the fin de siècle and their predecessors in works including first-wave Gothic and the majority of Victorian fiction, and the variance of their symbolic references and cultural implications.


Book Synopsis Street Urchins, Sociopaths and Degenerates by : David Floyd

Download or read book Street Urchins, Sociopaths and Degenerates written by David Floyd and published by University of Wales Press. This book was released on 2014-02-15 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the notable emergence of orphan figures in late eighteenth-century literature, through early- and middle-period Victorian fiction and, as this book argues, well into the fin de siècle, this potent literary type is remarkable for its consistent recurrence and its metamorphosis as a register of cultural conditions. The striking ubiquity of orphans in the literature of these periods encourages inquiry into their metaphoric implications and the manner in which they function as barometers of burgeoning social concerns. The overwhelming majority of criticism focusing on orphans centres particularly on the form as an early- to middle-century convention, primarily found in social and domestic works; in effect, the non-traditional, aberrant, at times Gothic orphan of the fin de siècle has been largely overlooked, if not denied outright. This oversight has given rise to the need for a study of this potent cultural figure as it pertains to preoccupations characteristic of more recent instances. This book examines the noticeable difference between orphans of genre fiction of the fin de siècle and their predecessors in works including first-wave Gothic and the majority of Victorian fiction, and the variance of their symbolic references and cultural implications.


A Research Guide to Gothic Literature in English

A Research Guide to Gothic Literature in English

Author: Sherri L. Brown

Publisher: Rowman & Littlefield

Published: 2018-03-15

Total Pages: 253

ISBN-13: 1442277483

DOWNLOAD EBOOK

The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.


Book Synopsis A Research Guide to Gothic Literature in English by : Sherri L. Brown

Download or read book A Research Guide to Gothic Literature in English written by Sherri L. Brown and published by Rowman & Littlefield. This book was released on 2018-03-15 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.


Gothic Animals

Gothic Animals

Author: Ruth Heholt

Publisher: Springer Nature

Published: 2019-12-10

Total Pages: 317

ISBN-13: 3030345408

DOWNLOAD EBOOK

This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality. Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory. After the dissemination of Darwin’s theories of evolution, nineteenth-century fiction quickly picked up on the idea of the ‘animal within’. Here, the fear explored was of an unruly, defiant, degenerate and entirely amoral animality lying (mostly) dormant within all of us. However, non-humans and humans have other sorts of encounters, too, and even before Darwin, humans have often had an uneasy relationship with animals, which, as Donna Haraway puts it, have a way of ‘looking back’ at us. In this book, the focus is not on the ‘animal within’ but rather on the animal ‘with-out’: other and entirely incomprehensible.


Book Synopsis Gothic Animals by : Ruth Heholt

Download or read book Gothic Animals written by Ruth Heholt and published by Springer Nature. This book was released on 2019-12-10 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book begins with the assumption that the presence of non-human creatures causes an always-already uncanny rift in human assumptions about reality. Exploring the dark side of animal nature and the ‘otherness’ of animals as viewed by humans, and employing cutting-edge theory on non-human animals, eco-criticism, literary and cultural theory, this book takes the Gothic genre into new territory. After the dissemination of Darwin’s theories of evolution, nineteenth-century fiction quickly picked up on the idea of the ‘animal within’. Here, the fear explored was of an unruly, defiant, degenerate and entirely amoral animality lying (mostly) dormant within all of us. However, non-humans and humans have other sorts of encounters, too, and even before Darwin, humans have often had an uneasy relationship with animals, which, as Donna Haraway puts it, have a way of ‘looking back’ at us. In this book, the focus is not on the ‘animal within’ but rather on the animal ‘with-out’: other and entirely incomprehensible.


Roman Catholicism in Fantastic Film

Roman Catholicism in Fantastic Film

Author: Regina Hansen

Publisher: McFarland

Published: 2011-08-31

Total Pages: 306

ISBN-13: 0786487240

DOWNLOAD EBOOK

The intersection of religious practice and theatricality has long been a subject of interest to scholars. This collection of twenty-two critical essays addresses the relationship between Roman Catholicism and films of the fantastic, which includes the genres of fantasy, horror, science fiction and the supernatural. The collection covers a range of North American and European films from Dracula and other vampire movies to Miracle at Fatima, The Exorcist, Danny Boyle's Millions, The Others, Maurice Pialat's Sous le Soleil de Satan, the movies of Terry Gilliam and George Romero's zombie series. Collectively, these essays reveal the durability and thematic versality of what the authors term the "Catholic fantastic."


Book Synopsis Roman Catholicism in Fantastic Film by : Regina Hansen

Download or read book Roman Catholicism in Fantastic Film written by Regina Hansen and published by McFarland. This book was released on 2011-08-31 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: The intersection of religious practice and theatricality has long been a subject of interest to scholars. This collection of twenty-two critical essays addresses the relationship between Roman Catholicism and films of the fantastic, which includes the genres of fantasy, horror, science fiction and the supernatural. The collection covers a range of North American and European films from Dracula and other vampire movies to Miracle at Fatima, The Exorcist, Danny Boyle's Millions, The Others, Maurice Pialat's Sous le Soleil de Satan, the movies of Terry Gilliam and George Romero's zombie series. Collectively, these essays reveal the durability and thematic versality of what the authors term the "Catholic fantastic."


Rebecca West's Subversive Use of Hybrid Genres

Rebecca West's Subversive Use of Hybrid Genres

Author: Laura Cowan

Publisher: Bloomsbury Publishing

Published: 2015-05-21

Total Pages: 176

ISBN-13: 1441117393

DOWNLOAD EBOOK

Bringing new insights from genre theory to bear on the work of the journalist and novelist Rebecca West, this study explores how West's use of and combinations of multiple genres (often in single works) was informed and furthered by her subversive feminist goals. Rebecca West's Subversive Use of Hybrid Genres analyzes West's sense of genres as dynamic and strategic processes with transgressive political ends rather than as fixed and reified taxonomies, a radical new approach at the time that is now mirrored in much contemporary theory. Surveying her oeuvre from this point of view, the book goes on to examine systematically West's writing from 1911-1941, including her early journalism and criticism, such novels as The Return of the Soldier and her controversial multi-genre epic Black Lamb and Grey Falcon.


Book Synopsis Rebecca West's Subversive Use of Hybrid Genres by : Laura Cowan

Download or read book Rebecca West's Subversive Use of Hybrid Genres written by Laura Cowan and published by Bloomsbury Publishing. This book was released on 2015-05-21 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing new insights from genre theory to bear on the work of the journalist and novelist Rebecca West, this study explores how West's use of and combinations of multiple genres (often in single works) was informed and furthered by her subversive feminist goals. Rebecca West's Subversive Use of Hybrid Genres analyzes West's sense of genres as dynamic and strategic processes with transgressive political ends rather than as fixed and reified taxonomies, a radical new approach at the time that is now mirrored in much contemporary theory. Surveying her oeuvre from this point of view, the book goes on to examine systematically West's writing from 1911-1941, including her early journalism and criticism, such novels as The Return of the Soldier and her controversial multi-genre epic Black Lamb and Grey Falcon.


Gendering Walter Scott

Gendering Walter Scott

Author: C.M. Jackson-Houlston

Publisher: Taylor & Francis

Published: 2017-04-21

Total Pages: 270

ISBN-13: 131712958X

DOWNLOAD EBOOK

Employing gender as a unifying critical focus, Caroline Jackson-Houlston draws on the full range of Walter Scott’s novels to propose new links between Scott and Romantic-era authors such as Sophia Lee, Jane Porter, Jane Austen, Sydney Owenson, Elizabeth Hands, Thomas Love Peacock, and Robert Bage. In Scott, Jackson-Houlston suggests, sex and violence are united in a central feature of the genre of romance, the trope of raptus—the actual or threatened kidnapping of a woman and her subjection to physical or psychic violence. Though largely favouring the Romantic-period drive towards delicacy of subject-matter and expression, Scott also exhibited a residual sympathy for frankness and openness resisted by his publishers, especially towards the end of his career, when he increasingly used the freedoms inherent in romance as a mode of narrative to explore and critique gender assumptions. Thus, while Scott’s novels inherit a tradition of chivalric protectiveness towards women, they both exploit and challenge the assumption that a woman is always essentially definable as a potential sexual victim. Moreover, he consistently condemns the aggressive male violence characteristic of older models of the hero, in favour of restraint and domesticity that are not exclusively feminine, but compatible with the Scottish Enlightenment assumptions of his upbringing. A high proportion of Scott’s female characters are consistently more rational than their male counterparts, illustrating how he plays conflicting concepts of sexual difference off against one another. Jackson-Houlston illuminates Scott’s ambivalent reliance on the attractions of sex and violence, demonstrating how they enable the interrogation of gender convention throughout his fiction.


Book Synopsis Gendering Walter Scott by : C.M. Jackson-Houlston

Download or read book Gendering Walter Scott written by C.M. Jackson-Houlston and published by Taylor & Francis. This book was released on 2017-04-21 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employing gender as a unifying critical focus, Caroline Jackson-Houlston draws on the full range of Walter Scott’s novels to propose new links between Scott and Romantic-era authors such as Sophia Lee, Jane Porter, Jane Austen, Sydney Owenson, Elizabeth Hands, Thomas Love Peacock, and Robert Bage. In Scott, Jackson-Houlston suggests, sex and violence are united in a central feature of the genre of romance, the trope of raptus—the actual or threatened kidnapping of a woman and her subjection to physical or psychic violence. Though largely favouring the Romantic-period drive towards delicacy of subject-matter and expression, Scott also exhibited a residual sympathy for frankness and openness resisted by his publishers, especially towards the end of his career, when he increasingly used the freedoms inherent in romance as a mode of narrative to explore and critique gender assumptions. Thus, while Scott’s novels inherit a tradition of chivalric protectiveness towards women, they both exploit and challenge the assumption that a woman is always essentially definable as a potential sexual victim. Moreover, he consistently condemns the aggressive male violence characteristic of older models of the hero, in favour of restraint and domesticity that are not exclusively feminine, but compatible with the Scottish Enlightenment assumptions of his upbringing. A high proportion of Scott’s female characters are consistently more rational than their male counterparts, illustrating how he plays conflicting concepts of sexual difference off against one another. Jackson-Houlston illuminates Scott’s ambivalent reliance on the attractions of sex and violence, demonstrating how they enable the interrogation of gender convention throughout his fiction.


Under the Veil

Under the Veil

Author: Katherine M. Quinsey

Publisher: Cambridge Scholars Publishing

Published: 2012-04-25

Total Pages: 240

ISBN-13: 1443839353

DOWNLOAD EBOOK

For women in early modern Europe, the Reformation and the Enlightenment entailed both new freedom and new restrictions. In response to an ideology that immured the female mind and spirit inside the body, women found in religion a hope for individual freedom, a sense of self-identity, and a justification for gender equality. Under the Veil: Feminism and Spirituality in Post-Reformation Europe invokes the veil’s dual significance, as the marker of the religious woman, and as the metaphoric veil separating female interior life from its public construction. This collection of nine essays focuses specifically on the direct links between emergent feminism and religious faith as experienced through wide cultural, geographic, and confessional differences, united by themes of female subjectivity, selfhood, autonomy, and community. The essays range in topic and scope from the early seventeenth to the early nineteenth centuries, across Europe, Britain, and North America, through a wide range of experiences and written accounts – its subjects are Philadelphian visionaries and Quaker missionaries, Iroquois leaders and early Canadian nuns, Islamic societies and European female travellers, French mystics and educators, and British writers and intellectuals. These accounts reveal how women across a wide spectrum of formal beliefs and cultural backgrounds found in religion a way to negotiate the restrictions of their outward lives, and a radical source of personal and collective independence and value.


Book Synopsis Under the Veil by : Katherine M. Quinsey

Download or read book Under the Veil written by Katherine M. Quinsey and published by Cambridge Scholars Publishing. This book was released on 2012-04-25 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: For women in early modern Europe, the Reformation and the Enlightenment entailed both new freedom and new restrictions. In response to an ideology that immured the female mind and spirit inside the body, women found in religion a hope for individual freedom, a sense of self-identity, and a justification for gender equality. Under the Veil: Feminism and Spirituality in Post-Reformation Europe invokes the veil’s dual significance, as the marker of the religious woman, and as the metaphoric veil separating female interior life from its public construction. This collection of nine essays focuses specifically on the direct links between emergent feminism and religious faith as experienced through wide cultural, geographic, and confessional differences, united by themes of female subjectivity, selfhood, autonomy, and community. The essays range in topic and scope from the early seventeenth to the early nineteenth centuries, across Europe, Britain, and North America, through a wide range of experiences and written accounts – its subjects are Philadelphian visionaries and Quaker missionaries, Iroquois leaders and early Canadian nuns, Islamic societies and European female travellers, French mystics and educators, and British writers and intellectuals. These accounts reveal how women across a wide spectrum of formal beliefs and cultural backgrounds found in religion a way to negotiate the restrictions of their outward lives, and a radical source of personal and collective independence and value.