The Moderate Imagination

The Moderate Imagination

Author: Yoav Fromer

Publisher: University Press of Kansas

Published: 2020-05-07

Total Pages: 300

ISBN-13: 0700629521

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In the aftermath of Donald Trump’s victory in 2016, Americans finally faced a perplexing political reality: Democrats, purported champions of working people since the New Deal, had lost the white working-class voters of Middle America. For answers about how this could be, Yoav Fromer turns to an unlikely source: the fiction of John Updike. Though commonly viewed as an East Coast chronicler of suburban angst, the gifted writer (in fact a native of the quintessential Rust Belt state, Pennsylvania) was also an ardent man of ideas, political ideas—whose fiction, Fromer tells us, should be read not merely as a reflection of the postwar era but rather as a critical investigation into the liberal culture that helped define it. Several generations of Americans since the 1960s have increasingly felt “left behind.” In Updike’s early work, Fromer finds a fictional map of the failures of liberalism that might explain these grievances. The Moderate Imagination also taps previously unknown archival materials and unread works from his college years at Harvard to offer a clearer view of the author’s acute political thought and ideas. Updike’s prescient literary imagination, Fromer shows, sensed the disappointments and alienation of rural white working- and middle-class Americans decades before conservatives sought to exploit them. In his writing, he traced liberalism’s historic decline to its own philosophical contradictions rather than to only commonly cited external circumstances like the Vietnam War, racial strife, economic recession, and conservative backlash. A subtle reinterpretation of John Updike’s legacy, Fromer’s work complicates and enriches our understanding of one of the twentieth century’s great American writers—even as the book deftly demonstrates what literature can teach us about politics and history.


Book Synopsis The Moderate Imagination by : Yoav Fromer

Download or read book The Moderate Imagination written by Yoav Fromer and published by University Press of Kansas. This book was released on 2020-05-07 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the aftermath of Donald Trump’s victory in 2016, Americans finally faced a perplexing political reality: Democrats, purported champions of working people since the New Deal, had lost the white working-class voters of Middle America. For answers about how this could be, Yoav Fromer turns to an unlikely source: the fiction of John Updike. Though commonly viewed as an East Coast chronicler of suburban angst, the gifted writer (in fact a native of the quintessential Rust Belt state, Pennsylvania) was also an ardent man of ideas, political ideas—whose fiction, Fromer tells us, should be read not merely as a reflection of the postwar era but rather as a critical investigation into the liberal culture that helped define it. Several generations of Americans since the 1960s have increasingly felt “left behind.” In Updike’s early work, Fromer finds a fictional map of the failures of liberalism that might explain these grievances. The Moderate Imagination also taps previously unknown archival materials and unread works from his college years at Harvard to offer a clearer view of the author’s acute political thought and ideas. Updike’s prescient literary imagination, Fromer shows, sensed the disappointments and alienation of rural white working- and middle-class Americans decades before conservatives sought to exploit them. In his writing, he traced liberalism’s historic decline to its own philosophical contradictions rather than to only commonly cited external circumstances like the Vietnam War, racial strife, economic recession, and conservative backlash. A subtle reinterpretation of John Updike’s legacy, Fromer’s work complicates and enriches our understanding of one of the twentieth century’s great American writers—even as the book deftly demonstrates what literature can teach us about politics and history.


The Realistic Imagination

The Realistic Imagination

Author: George Levine

Publisher: University of Chicago Press

Published: 1981

Total Pages: 368

ISBN-13: 0226475514

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In The Realistic Imagination, George Levine argues that the Victorian realists and the later modernists were in fact doing similar things in their fiction: they were trying to use language to get beyond language. Levine sees the history of the nineteenth- and early twentieth-century novel as a continuing process in which each generation of writers struggled to escape the grip of convention and attempted to create new language to express their particular sense of reality. As these attempts hardened into new conventions, they generated new attempts to break free.


Book Synopsis The Realistic Imagination by : George Levine

Download or read book The Realistic Imagination written by George Levine and published by University of Chicago Press. This book was released on 1981 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Realistic Imagination, George Levine argues that the Victorian realists and the later modernists were in fact doing similar things in their fiction: they were trying to use language to get beyond language. Levine sees the history of the nineteenth- and early twentieth-century novel as a continuing process in which each generation of writers struggled to escape the grip of convention and attempted to create new language to express their particular sense of reality. As these attempts hardened into new conventions, they generated new attempts to break free.


Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper

Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper

Author: Alexandra Harris

Publisher: Thames & Hudson

Published: 2010-11-01

Total Pages: 459

ISBN-13: 0500778434

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Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.


Book Synopsis Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper by : Alexandra Harris

Download or read book Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper written by Alexandra Harris and published by Thames & Hudson. This book was released on 2010-11-01 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2010 Guardian First Book Award: a groundbreaking reassessment of English cultural life in the thirties and forties. In the 1930s and 1940s, while the battles for modern art and modern society were being fought in Paris and Spain, it seemed to some a betrayal that John Betjeman and John Piper were in love with a provincial world of old churches and tea shops. Alexandra Harris tells a different story: eclectically, passionately, wittily, urgently, English artists were exploring what it meant to be alive at that moment and in England. They showed that “the modern” need not be at war with the past: constructivists and conservatives could work together, and even the Bauhaus émigré László Moholy-Nagy was beguiled into taking photos for Betjeman’s nostalgic An Oxford University Chest. A rich network of personal and cultural encounters was the backdrop for a modern English renaissance. This great imaginative project was shared by writers, painters, gardeners, architects, critics, and composers. Piper abandoned purist abstracts to make collages on the blustery coast; Virginia Woolf wrote in her last novel about a village pageant on a showery summer day. Evelyn Waugh, Elizabeth Bowen, and the Sitwells are also part of the story, along with Bill Brandt and Graham Sutherland, Eric Ravilious and Cecil Beaton.


Theological Method and Imagination

Theological Method and Imagination

Author: Julian Hartt

Publisher: Wipf and Stock Publishers

Published: 2006-08-01

Total Pages: 308

ISBN-13: 1725217325

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What kind of reality can be perceived when the core problems of theology are freed from dependency upon highly technical and arcane ways of thinking and speaking? Writing with the logical clarity and critical acumen for which he is well-known in theological circles, Julian N. Hartt demonstrates the reality of theology's problems and shows how they can be perceived as part of a divine restiveness in living. Hartt finds the demands of revelation to be most profoundly registered upon the imagination--that power of the spirit by which the shape of things to come is grasped. Sensing a great hunger for fresh approaches to fundamental theological concerns, Hartt presents a boldly original scholarly work. In it the persistent theological puzzles about method are clarified, the elements of that method are described and major historical controversies about method are critiqued. Topics discussed include: beliefs and reasons, knowing and proving God, faith and hope, authority and scripture, revelation and historical evidence. A significant contribution to theology, this book shows that theological method entails describing the ways in which faith makes sense. Doing this, it speaks about incorrigible beliefs, those convictions so fundamental that without them the very sense of life and world would disappear. Sensing that society has begun to think of theological matters as mere inventions of theologians, Hartt seeks to return to those fundamental questions that are the concrete situation of the serious-minded Christian in the contemporary world.


Book Synopsis Theological Method and Imagination by : Julian Hartt

Download or read book Theological Method and Imagination written by Julian Hartt and published by Wipf and Stock Publishers. This book was released on 2006-08-01 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: What kind of reality can be perceived when the core problems of theology are freed from dependency upon highly technical and arcane ways of thinking and speaking? Writing with the logical clarity and critical acumen for which he is well-known in theological circles, Julian N. Hartt demonstrates the reality of theology's problems and shows how they can be perceived as part of a divine restiveness in living. Hartt finds the demands of revelation to be most profoundly registered upon the imagination--that power of the spirit by which the shape of things to come is grasped. Sensing a great hunger for fresh approaches to fundamental theological concerns, Hartt presents a boldly original scholarly work. In it the persistent theological puzzles about method are clarified, the elements of that method are described and major historical controversies about method are critiqued. Topics discussed include: beliefs and reasons, knowing and proving God, faith and hope, authority and scripture, revelation and historical evidence. A significant contribution to theology, this book shows that theological method entails describing the ways in which faith makes sense. Doing this, it speaks about incorrigible beliefs, those convictions so fundamental that without them the very sense of life and world would disappear. Sensing that society has begun to think of theological matters as mere inventions of theologians, Hartt seeks to return to those fundamental questions that are the concrete situation of the serious-minded Christian in the contemporary world.


Liberty of the Imagination

Liberty of the Imagination

Author: Edward Cahill

Publisher: University of Pennsylvania Press

Published: 2012-07-24

Total Pages: 326

ISBN-13: 0812206193

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In Liberty of the Imagination, Edward Cahill uncovers the surprisingly powerful impact of eighteenth-century theories of the imagination—philosophical ideas about aesthetic pleasure, taste, genius, the beautiful, and the sublime—on American writing from the Revolutionary era to the early nineteenth century. Far from being too busy with politics and commerce or too anxious about the morality of pleasure, American writers consistently turned to ideas of the imagination in order to comprehend natural and artistic objects, social formations, and political institutions. Cahill argues that conceptual tensions within aesthetic theory rendered it an evocative language for describing the challenges of American political liberty and confronting the many contradictions of nation formation. His analyses reveal the centrality of aesthetics to key political debates during the colonial crisis, the Revolution, Constitutional ratification, and the advent of Jeffersonian democracy. Exploring the relevance of aesthetic ideas to a range of literary genres—poetry, novels, political writing, natural history writing, and literary criticism—Cahill makes illuminating connections between intellectual and political history and the idiosyncratic formal tendencies of early national texts. In doing so, Liberty of the Imagination manifests the linguistic and intellectual richness of an underappreciated literary tradition and offers an original account of the continuity between Revolutionary writing and nineteenth-century literary romanticism.


Book Synopsis Liberty of the Imagination by : Edward Cahill

Download or read book Liberty of the Imagination written by Edward Cahill and published by University of Pennsylvania Press. This book was released on 2012-07-24 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Liberty of the Imagination, Edward Cahill uncovers the surprisingly powerful impact of eighteenth-century theories of the imagination—philosophical ideas about aesthetic pleasure, taste, genius, the beautiful, and the sublime—on American writing from the Revolutionary era to the early nineteenth century. Far from being too busy with politics and commerce or too anxious about the morality of pleasure, American writers consistently turned to ideas of the imagination in order to comprehend natural and artistic objects, social formations, and political institutions. Cahill argues that conceptual tensions within aesthetic theory rendered it an evocative language for describing the challenges of American political liberty and confronting the many contradictions of nation formation. His analyses reveal the centrality of aesthetics to key political debates during the colonial crisis, the Revolution, Constitutional ratification, and the advent of Jeffersonian democracy. Exploring the relevance of aesthetic ideas to a range of literary genres—poetry, novels, political writing, natural history writing, and literary criticism—Cahill makes illuminating connections between intellectual and political history and the idiosyncratic formal tendencies of early national texts. In doing so, Liberty of the Imagination manifests the linguistic and intellectual richness of an underappreciated literary tradition and offers an original account of the continuity between Revolutionary writing and nineteenth-century literary romanticism.


The Routledge Handbook of Philosophy of Imagination

The Routledge Handbook of Philosophy of Imagination

Author: Amy Kind

Publisher: Routledge

Published: 2016-01-22

Total Pages: 503

ISBN-13: 1317329457

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Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding Handbook contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy of imagination, including: Imagination in historical context: Aristotle, Descartes, Hume, Kant, Husserl, and Sartre What is imagination? The relation between imagination and mental imagery; imagination contrasted with perception, memory, and dreaming Imagination in aesthetics: imagination and our engagement with music, art, and fiction; the problems of fictional emotions and ‘imaginative resistance’ Imagination in philosophy of mind and cognitive science: imagination and creativity, the self, action, child development, and animal cognition Imagination in ethics and political philosophy, including the concept of 'moral imagination' and empathy Imagination in epistemology and philosophy of science, including learning, thought experiments, scientific modelling, and mathematics. The Routledge Handbook of Philosophy of Imagination is essential reading for students and researchers in philosophy of mind and psychology, aesthetics, and ethics. It will also be a valuable resource for those in related disciplines such as psychology and art.


Book Synopsis The Routledge Handbook of Philosophy of Imagination by : Amy Kind

Download or read book The Routledge Handbook of Philosophy of Imagination written by Amy Kind and published by Routledge. This book was released on 2016-01-22 with total page 503 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imagination occupies a central place in philosophy, going back to Aristotle. However, following a period of relative neglect there has been an explosion of interest in imagination in the past two decades as philosophers examine the role of imagination in debates about the mind and cognition, aesthetics and ethics, as well as epistemology, science and mathematics. This outstanding Handbook contains over thirty specially commissioned chapters by leading philosophers organised into six clear sections examining the most important aspects of the philosophy of imagination, including: Imagination in historical context: Aristotle, Descartes, Hume, Kant, Husserl, and Sartre What is imagination? The relation between imagination and mental imagery; imagination contrasted with perception, memory, and dreaming Imagination in aesthetics: imagination and our engagement with music, art, and fiction; the problems of fictional emotions and ‘imaginative resistance’ Imagination in philosophy of mind and cognitive science: imagination and creativity, the self, action, child development, and animal cognition Imagination in ethics and political philosophy, including the concept of 'moral imagination' and empathy Imagination in epistemology and philosophy of science, including learning, thought experiments, scientific modelling, and mathematics. The Routledge Handbook of Philosophy of Imagination is essential reading for students and researchers in philosophy of mind and psychology, aesthetics, and ethics. It will also be a valuable resource for those in related disciplines such as psychology and art.


The French Colonial Imagination

The French Colonial Imagination

Author: Nicola Frith

Publisher: Lexington Books

Published: 2014-04-24

Total Pages: 228

ISBN-13: 0739180010

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The Indian uprisings (1857–58) against British rule in India represent an iconic period within the history of anti-colonial resistance. Numerous works have considered these historical events from British and Indian perspectives, but none have yet questioned how they were viewed by Britain’s foremost colonial rival in India, the French. The French Colonial Imagination examines how the potential for Britain to lose its most lucrative colony at the hands its own colonial “subjects” allowed French writers to envisage a world freed from British dominance. The uprisings offered the attractive possibility that France could undergo a colonial revival in the wake of British defeat, thereby reversing the devastating losses inflicted upon France’s former empire at the end of the Napoleonic Wars. Notable among these losses was Britain’s decision (in the Treaty of 1814) to permanently reduce France’s presence in India to five small trading posts scattered around the periphery of British territory. The extent to which to the French colonial imagination of the nineteenth century was shaped by the memories of such defeats forms a primary concern of this monograph. This investigation into French responses to the Indian uprisings reveals that French colonial discourse was determined as much by its visions of the colonized “other,” as by the dominance of their British rivals. Drawing from journalistic, historical, political, and fictional texts written during Louis Napoleon’s Second Empire (1852–70) and in the early years of the Third Republic (1870–1944), The French Colonial Imagination shows how the uprisings gave French writers the opportunity to speak out against the rapacity of British colonialism and its treatment of colonized Indians, while simultaneously constructing a competing colonial discourse that would justify further expansion in North Africa and South East Asia. Standing at a crossroads between the “loss” of Ancien Régime’s empireand the Third Republic’s ideological investment in overseas expansion, this understudied period of colonial history reveals the centrality of loss, fracture, and political emasculation as core preoccupations haunting the French colonial discourse in its quest to regain cultural and ideological ascendancy over its greatest political enemy.


Book Synopsis The French Colonial Imagination by : Nicola Frith

Download or read book The French Colonial Imagination written by Nicola Frith and published by Lexington Books. This book was released on 2014-04-24 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Indian uprisings (1857–58) against British rule in India represent an iconic period within the history of anti-colonial resistance. Numerous works have considered these historical events from British and Indian perspectives, but none have yet questioned how they were viewed by Britain’s foremost colonial rival in India, the French. The French Colonial Imagination examines how the potential for Britain to lose its most lucrative colony at the hands its own colonial “subjects” allowed French writers to envisage a world freed from British dominance. The uprisings offered the attractive possibility that France could undergo a colonial revival in the wake of British defeat, thereby reversing the devastating losses inflicted upon France’s former empire at the end of the Napoleonic Wars. Notable among these losses was Britain’s decision (in the Treaty of 1814) to permanently reduce France’s presence in India to five small trading posts scattered around the periphery of British territory. The extent to which to the French colonial imagination of the nineteenth century was shaped by the memories of such defeats forms a primary concern of this monograph. This investigation into French responses to the Indian uprisings reveals that French colonial discourse was determined as much by its visions of the colonized “other,” as by the dominance of their British rivals. Drawing from journalistic, historical, political, and fictional texts written during Louis Napoleon’s Second Empire (1852–70) and in the early years of the Third Republic (1870–1944), The French Colonial Imagination shows how the uprisings gave French writers the opportunity to speak out against the rapacity of British colonialism and its treatment of colonized Indians, while simultaneously constructing a competing colonial discourse that would justify further expansion in North Africa and South East Asia. Standing at a crossroads between the “loss” of Ancien Régime’s empireand the Third Republic’s ideological investment in overseas expansion, this understudied period of colonial history reveals the centrality of loss, fracture, and political emasculation as core preoccupations haunting the French colonial discourse in its quest to regain cultural and ideological ascendancy over its greatest political enemy.


The Documentary Imagination in Twentieth-Century French Literature

The Documentary Imagination in Twentieth-Century French Literature

Author: Alison James

Publisher: Oxford University Press

Published: 2020-09-03

Total Pages: 240

ISBN-13: 0192603493

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The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.


Book Synopsis The Documentary Imagination in Twentieth-Century French Literature by : Alison James

Download or read book The Documentary Imagination in Twentieth-Century French Literature written by Alison James and published by Oxford University Press. This book was released on 2020-09-03 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Documentary Imagination in Twentieth-Century French Literature identifies a documentary impulse in French literature that emerges at the end of the nineteenth century and culminates in a proliferation of factual writings in the twenty-first. Focusing on the period bookended by these two moments, it highlights the enduring concern with factual reference in texts that engage either with current events or the historical archive. Specifically, it considers a set of ideas and practices centered on the conceptualization and use of documents. In doing so, it contests the widespread narrative that twentieth-century French literature abandons the realist enterprise, and argues that writers instead renegotiate the realist legacy outside, or at the margins of, the fictional space of the novel. Analyzing works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, the book defines a specific documentary mode of literary representation that records, assembles, and investigates material traces of reality. The document is a textual, visual, or material piece of evidence repurposed through its visual insertion, textual transcription, or description within a literary work. It is a fact, but it also becomes a figure, standing for literature's confrontation with the real. The documentary imagination involves a fantasy of direct access to a reality that speaks for itself. At the same time, it gives rise to concrete textual practices that open up new directions for literature, by interrogating the construction and interpretation of facts.


Black Religion and the Imagination of Matter in the Atlantic World

Black Religion and the Imagination of Matter in the Atlantic World

Author: J. Noel

Publisher: Springer

Published: 2009-04-27

Total Pages: 231

ISBN-13: 0230620817

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This book situates the study of Black Religion within the modern temporal and historical structures in the Atlantic World. It describes how black people and Black Religion made a phenomenological appearance in modernity simultaneously and were signified in the identity formation of whites and their religion.


Book Synopsis Black Religion and the Imagination of Matter in the Atlantic World by : J. Noel

Download or read book Black Religion and the Imagination of Matter in the Atlantic World written by J. Noel and published by Springer. This book was released on 2009-04-27 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book situates the study of Black Religion within the modern temporal and historical structures in the Atlantic World. It describes how black people and Black Religion made a phenomenological appearance in modernity simultaneously and were signified in the identity formation of whites and their religion.


The Prison and the American Imagination

The Prison and the American Imagination

Author: Caleb Smith

Publisher: Yale University Press

Published: 2009-09-22

Total Pages: 269

ISBN-13: 0300156308

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How did a nation so famously associated with freedom become internationally identified with imprisonment? After the scandals of Abu Ghraib and Guantanamo Bay, and in the midst of a dramatically escalating prison population, the question is particularly urgent. In this timely, provocative study, Caleb Smith argues that the dehumanization inherent in captivity has always been at the heart of American civil society. Exploring legal, political, and literary texts--including the works of Dickinson, Melville, and Emerson--Smith shows how alienation and self-reliance, social death and spiritual rebirth, torture and penitence came together in the prison, a scene for the portrayal of both gothic nightmares and romantic dreams. Demonstrating how the cellular soul has endured since the antebellum age, The Prison and the American Imagination offers a passionate and haunting critique of the very idea of solitude in American life.


Book Synopsis The Prison and the American Imagination by : Caleb Smith

Download or read book The Prison and the American Imagination written by Caleb Smith and published by Yale University Press. This book was released on 2009-09-22 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did a nation so famously associated with freedom become internationally identified with imprisonment? After the scandals of Abu Ghraib and Guantanamo Bay, and in the midst of a dramatically escalating prison population, the question is particularly urgent. In this timely, provocative study, Caleb Smith argues that the dehumanization inherent in captivity has always been at the heart of American civil society. Exploring legal, political, and literary texts--including the works of Dickinson, Melville, and Emerson--Smith shows how alienation and self-reliance, social death and spiritual rebirth, torture and penitence came together in the prison, a scene for the portrayal of both gothic nightmares and romantic dreams. Demonstrating how the cellular soul has endured since the antebellum age, The Prison and the American Imagination offers a passionate and haunting critique of the very idea of solitude in American life.