The Mother Figure in Emile Zola's Les Rougon-Macquart

The Mother Figure in Emile Zola's Les Rougon-Macquart

Author: Susie Hennessy

Publisher:

Published: 2006

Total Pages: 180

ISBN-13:

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This work deals with Zola's realistic depiction of the effects of class, environment and heredity on his fictional women and the children they rear, providing insight into the difficulties facing mothers in late nineteenth-century France. The study of maternal figures in Zola's Rougon-Macquart reveals the extent to which the author's explicit goal of depicting reality is often accompanied by narration that casts doubt upon maternal behavior.


Book Synopsis The Mother Figure in Emile Zola's Les Rougon-Macquart by : Susie Hennessy

Download or read book The Mother Figure in Emile Zola's Les Rougon-Macquart written by Susie Hennessy and published by . This book was released on 2006 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work deals with Zola's realistic depiction of the effects of class, environment and heredity on his fictional women and the children they rear, providing insight into the difficulties facing mothers in late nineteenth-century France. The study of maternal figures in Zola's Rougon-Macquart reveals the extent to which the author's explicit goal of depicting reality is often accompanied by narration that casts doubt upon maternal behavior.


Reconstructing Woman

Reconstructing Woman

Author: Dorothy Kelly

Publisher: Penn State Press

Published: 2015-08-26

Total Pages: 188

ISBN-13: 0271034963

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Reconstructing Woman explores a scenario common to the works of four major French novelists of the nineteenth century: Balzac, Flaubert, Zola, and Villiers. In the texts of each author, a “new Pygmalion” (as Balzac calls one of his characters) turns away from a real woman he has loved or desired and prefers instead his artificial re-creation of her. All four authors also portray the possibility that this simulacrum, which replaces the woman, could become real. The central chapters examine this plot and its meanings in multiple texts of each author (with the exception of the chapter on Villiers, in which only “L’Eve future” is considered). The premise is that this shared scenario stems from the discovery in the nineteenth century that humans are transformable. Because scientific innovations play a major part in this discovery, Dorothy Kelly reviews some of the contributing trends that attracted one or more of the authors: mesmerism, dissection, transformism, and evolution, new understandings of human reproduction, spontaneous generation, puericulture, the experimental method. These ideas and practices provided the novelists with a scientific context in which controlling, changing, and creating human bodies became imaginable. At the same time, these authors explore the ways in which not only bodies but also identity can be made. In close readings, Kelly shows how these narratives reveal that linguistic and coded social structures shape human identity. Furthermore, through the representation of the power of language to do that shaping, the authors envision that their own texts would perform that function. The symbol of the reconstruction of woman thus embodies the fantasy and desire that their novels could create or transform both reality and their readers in quite literal ways. Through literary analyses, we can deduce from the texts just why this artificial creation is a woman.


Book Synopsis Reconstructing Woman by : Dorothy Kelly

Download or read book Reconstructing Woman written by Dorothy Kelly and published by Penn State Press. This book was released on 2015-08-26 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reconstructing Woman explores a scenario common to the works of four major French novelists of the nineteenth century: Balzac, Flaubert, Zola, and Villiers. In the texts of each author, a “new Pygmalion” (as Balzac calls one of his characters) turns away from a real woman he has loved or desired and prefers instead his artificial re-creation of her. All four authors also portray the possibility that this simulacrum, which replaces the woman, could become real. The central chapters examine this plot and its meanings in multiple texts of each author (with the exception of the chapter on Villiers, in which only “L’Eve future” is considered). The premise is that this shared scenario stems from the discovery in the nineteenth century that humans are transformable. Because scientific innovations play a major part in this discovery, Dorothy Kelly reviews some of the contributing trends that attracted one or more of the authors: mesmerism, dissection, transformism, and evolution, new understandings of human reproduction, spontaneous generation, puericulture, the experimental method. These ideas and practices provided the novelists with a scientific context in which controlling, changing, and creating human bodies became imaginable. At the same time, these authors explore the ways in which not only bodies but also identity can be made. In close readings, Kelly shows how these narratives reveal that linguistic and coded social structures shape human identity. Furthermore, through the representation of the power of language to do that shaping, the authors envision that their own texts would perform that function. The symbol of the reconstruction of woman thus embodies the fantasy and desire that their novels could create or transform both reality and their readers in quite literal ways. Through literary analyses, we can deduce from the texts just why this artificial creation is a woman.


French XX Bibliography

French XX Bibliography

Author: William J. Thompson

Publisher: Associated University Presse

Published: 2008-08

Total Pages: 520

ISBN-13: 9781575911250

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This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.


Book Synopsis French XX Bibliography by : William J. Thompson

Download or read book French XX Bibliography written by William J. Thompson and published by Associated University Presse. This book was released on 2008-08 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt: This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.


Situating the Feminist Gaze and Spectatorship in Postwar Cinema

Situating the Feminist Gaze and Spectatorship in Postwar Cinema

Author: Marcelline Block

Publisher: Cambridge Scholars Publishing

Published: 2009-01-14

Total Pages: 410

ISBN-13: 1443804398

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Marcelline Block’s Situating the Feminist Gaze and Spectatorship in Postwar Cinema breaks new ground in exploring feminist film theory. It is a wide-ranging collection (re)visiting important theoretical questions as well as offering close analyses of films produced in the United States, France, England, Belgium, and Russia. This anthology investigates exciting areas of research for critical inquiry into film and gender studies as well as feminist, queer, and postfeminist theories, and treats film texts from Marguerite Duras to 21st century horror films; from Agnès Varda’s 2007 installation at the Panthéon to the post-Soviet Russian filmmakers Aleksei Balabanov and Valerii Todorovskii; from Quentin Tarantino’s Death Proof to Sofia Coppola’s postfeminist trilogy; from Chantal Akerman’s “transhistorical, transgressive and transgendered gaze” to the “quantum gaze” in Steven Spielberg’s Jurassic Park; from Hitchcock’s “good-looking blondes” to the career-woman-in-peril thriller, among others. According to the semiotician Marshall Blonsky of the New School University in New York, “given the breadth of the editor’s choices, this volume makes a splendid contribution to feminist and cinematic fields, as well as cultural and media studies, postmodernism, and postfeminism. It lends readers ‘new eyes’ to view canonical and other film texts.” David Sterritt, chairman of the National Society of Film Critics, states that this anthology “should be required reading for students and scholars, among other readers interested in the interaction of cinema with contemporary culture.” Situating the Feminist Gaze and Spectatorship is prefaced by Jean-Michel Rabaté’s brilliant essay, “Mulvey was the First…”


Book Synopsis Situating the Feminist Gaze and Spectatorship in Postwar Cinema by : Marcelline Block

Download or read book Situating the Feminist Gaze and Spectatorship in Postwar Cinema written by Marcelline Block and published by Cambridge Scholars Publishing. This book was released on 2009-01-14 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Marcelline Block’s Situating the Feminist Gaze and Spectatorship in Postwar Cinema breaks new ground in exploring feminist film theory. It is a wide-ranging collection (re)visiting important theoretical questions as well as offering close analyses of films produced in the United States, France, England, Belgium, and Russia. This anthology investigates exciting areas of research for critical inquiry into film and gender studies as well as feminist, queer, and postfeminist theories, and treats film texts from Marguerite Duras to 21st century horror films; from Agnès Varda’s 2007 installation at the Panthéon to the post-Soviet Russian filmmakers Aleksei Balabanov and Valerii Todorovskii; from Quentin Tarantino’s Death Proof to Sofia Coppola’s postfeminist trilogy; from Chantal Akerman’s “transhistorical, transgressive and transgendered gaze” to the “quantum gaze” in Steven Spielberg’s Jurassic Park; from Hitchcock’s “good-looking blondes” to the career-woman-in-peril thriller, among others. According to the semiotician Marshall Blonsky of the New School University in New York, “given the breadth of the editor’s choices, this volume makes a splendid contribution to feminist and cinematic fields, as well as cultural and media studies, postmodernism, and postfeminism. It lends readers ‘new eyes’ to view canonical and other film texts.” David Sterritt, chairman of the National Society of Film Critics, states that this anthology “should be required reading for students and scholars, among other readers interested in the interaction of cinema with contemporary culture.” Situating the Feminist Gaze and Spectatorship is prefaced by Jean-Michel Rabaté’s brilliant essay, “Mulvey was the First…”


Lássommoir

Lássommoir

Author: Émile Zola

Publisher:

Published: 1882

Total Pages: 418

ISBN-13:

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Book Synopsis Lássommoir by : Émile Zola

Download or read book Lássommoir written by Émile Zola and published by . This book was released on 1882 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Aimer et mourir

Aimer et mourir

Author: Eilene Hoft-March

Publisher: Cambridge Scholars Publishing

Published: 2009-01-23

Total Pages: 330

ISBN-13: 1443804576

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Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.


Book Synopsis Aimer et mourir by : Eilene Hoft-March

Download or read book Aimer et mourir written by Eilene Hoft-March and published by Cambridge Scholars Publishing. This book was released on 2009-01-23 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aimer et Mourir offers a wide-ranging selection of essays that collectively address how, from the Middle Ages to the present, the notions of love and death get inextricably associated with the narratives that are women’s lives. Some of the essays tackle male writers’ representations that link women and, in particular, women’s sexuality, with death, resulting in the figures of the femme fatale, the woman in parturition, and the desiring vampire. A number of essays reiterate that women’s hyper-sexualized bodies have been used as a social construct and a psychological screen upon which to project a fear of death. The challenges to this pat reduction of “woman’s” domain come from the mostly women writers represented here—and they span from Marguerite de Navarre to Amélie Nothomb. These women writers rework the old formulae, giving us instead death-defying memories of love, love regenerative of language (as of bodies), love forcing the frontiers of death, or love creatively redefined within the parameters of death. Nor are these new narratives imagined as belonging to women alone but rather as attesting to a richer, more varied, and greatly sensitized human experience.


French XX Bibliography, Issue #62

French XX Bibliography, Issue #62

Author: Sheri Dion

Publisher: Susquehanna University Press

Published: 2011-09

Total Pages: 249

ISBN-13: 1575911507

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Book Synopsis French XX Bibliography, Issue #62 by : Sheri Dion

Download or read book French XX Bibliography, Issue #62 written by Sheri Dion and published by Susquehanna University Press. This book was released on 2011-09 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Complete Rougon-Macquart Cycle (All 20 Unabridged Novels in one volume)

The Complete Rougon-Macquart Cycle (All 20 Unabridged Novels in one volume)

Author: Émile Zola

Publisher: DigiCat

Published: 2023-11-13

Total Pages: 8434

ISBN-13:

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This carefully crafted ebook: "The Rougon-Macquart Cycle: Complete Collection - ALL 20 Novels In One Volume" is formatted for your eReader with a functional and detailed table of contents. Les Rougon-Macquart is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled "Natural and social history of a family under the Second Empire", it follows the life of one family during the Second French Empire (1852–1870). In this tremendous work Zola first and foremost examines the impact of social environment on men and women, by varying the social, economic, political and professional milieu in which each novel takes place. It provides us with a close look at everyday life, gives us a deep insight into important social changes and it shows us the true people's history of the Second Empire. Table of Contents: The Fortune of the Rougons (La Fortune des Rougon) The Kill (La Curée) The Belly of Paris (Le Ventre de Paris) The Conquest of Plassans (La Conquête de Plassans) The Sin of Father Mouret (La Faute de l'Abbé Mouret) His Excellency Eugène Rougon (Son Excellence Eugène Rougon) The Drinking Den (L'Assommoir) One Page of Love (Une Page d'amour) Nana Piping Hot (Pot-Bouille) The Ladies' Paradise (Au Bonheur des Dames) The Joy of Life (La Joie de vivre) Germinal The Masterpiece (L'Œuvre) The Earth (La Terre) The Dream (Le Rêve) The Beast in Man (La Bête humaine) Money (L'Argent) The Downfall (La Débâcle) Doctor Pascal (Le Docteur Pascal) Émile Zola (1840-1902), French novelist, critic, and political activist who was the most prominent French novelist of the late 19th century. He was noted for his theories of naturalism, which underlie his monumental 20-novel series Les Rougon-Macquart, and for his intervention in the Dreyfus Affair through his famous open letter, "J'accuse."


Book Synopsis The Complete Rougon-Macquart Cycle (All 20 Unabridged Novels in one volume) by : Émile Zola

Download or read book The Complete Rougon-Macquart Cycle (All 20 Unabridged Novels in one volume) written by Émile Zola and published by DigiCat. This book was released on 2023-11-13 with total page 8434 pages. Available in PDF, EPUB and Kindle. Book excerpt: This carefully crafted ebook: "The Rougon-Macquart Cycle: Complete Collection - ALL 20 Novels In One Volume" is formatted for your eReader with a functional and detailed table of contents. Les Rougon-Macquart is the collective title given to a cycle of twenty novels by French writer Émile Zola. Subtitled "Natural and social history of a family under the Second Empire", it follows the life of one family during the Second French Empire (1852–1870). In this tremendous work Zola first and foremost examines the impact of social environment on men and women, by varying the social, economic, political and professional milieu in which each novel takes place. It provides us with a close look at everyday life, gives us a deep insight into important social changes and it shows us the true people's history of the Second Empire. Table of Contents: The Fortune of the Rougons (La Fortune des Rougon) The Kill (La Curée) The Belly of Paris (Le Ventre de Paris) The Conquest of Plassans (La Conquête de Plassans) The Sin of Father Mouret (La Faute de l'Abbé Mouret) His Excellency Eugène Rougon (Son Excellence Eugène Rougon) The Drinking Den (L'Assommoir) One Page of Love (Une Page d'amour) Nana Piping Hot (Pot-Bouille) The Ladies' Paradise (Au Bonheur des Dames) The Joy of Life (La Joie de vivre) Germinal The Masterpiece (L'Œuvre) The Earth (La Terre) The Dream (Le Rêve) The Beast in Man (La Bête humaine) Money (L'Argent) The Downfall (La Débâcle) Doctor Pascal (Le Docteur Pascal) Émile Zola (1840-1902), French novelist, critic, and political activist who was the most prominent French novelist of the late 19th century. He was noted for his theories of naturalism, which underlie his monumental 20-novel series Les Rougon-Macquart, and for his intervention in the Dreyfus Affair through his famous open letter, "J'accuse."


Women in French Studies

Women in French Studies

Author:

Publisher:

Published: 2008

Total Pages: 644

ISBN-13:

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Book Synopsis Women in French Studies by :

Download or read book Women in French Studies written by and published by . This book was released on 2008 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Nana

Nana

Author: Emile Zola

Publisher: Courier Corporation

Published: 2012-09-21

Total Pages: 354

ISBN-13: 0486114805

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French realism's immortal siren crawled from the gutter to the heights of society, devouring men and squandering fortunes along the way. Zola's 1880s classic is among the first modern novels.


Book Synopsis Nana by : Emile Zola

Download or read book Nana written by Emile Zola and published by Courier Corporation. This book was released on 2012-09-21 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: French realism's immortal siren crawled from the gutter to the heights of society, devouring men and squandering fortunes along the way. Zola's 1880s classic is among the first modern novels.