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The 16 essays collected here of two kinds: stylistic and historical inquiries, and studies of the original sources. The articles deal with the music and shed new light on the composer's life. Part 1 reconsiders Bach's historical position and assesses the cultural significance of his achievement; Parts 2, 3 and 4 draw upon the original sources to explore the compositional process, questions of authenticity and chronology, and controversial issues of performance practice.
Book Synopsis The Music of Johann Sebastian Bach by : Robert Lewis Marshall
Download or read book The Music of Johann Sebastian Bach written by Robert Lewis Marshall and published by New York : Schirmer Books. This book was released on 1989 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 16 essays collected here of two kinds: stylistic and historical inquiries, and studies of the original sources. The articles deal with the music and shed new light on the composer's life. Part 1 reconsiders Bach's historical position and assesses the cultural significance of his achievement; Parts 2, 3 and 4 draw upon the original sources to explore the compositional process, questions of authenticity and chronology, and controversial issues of performance practice.
Describes how Johann Sebastian Bach survived the sorrows of his childhood and composed the music the world has come to love.
Book Synopsis Sebastian by : Jeanette Winter
Download or read book Sebastian written by Jeanette Winter and published by Houghton Mifflin Harcourt. This book was released on 1999 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt: Describes how Johann Sebastian Bach survived the sorrows of his childhood and composed the music the world has come to love.
Shows the growth of an English village from a medieval clearing to the urban congestion of the present day as seen from the same viewpoint approximately every hundred years.
Book Synopsis Johann Sebastian Bach by : Philipp Spitta
Download or read book Johann Sebastian Bach written by Philipp Spitta and published by . This book was released on 1899 with total page 686 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shows the growth of an English village from a medieval clearing to the urban congestion of the present day as seen from the same viewpoint approximately every hundred years.
The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.
Book Synopsis The Keyboard Music of J.S. Bach by : David Schulenberg
Download or read book The Keyboard Music of J.S. Bach written by David Schulenberg and published by Routledge. This book was released on 2013-05-13 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.
For Johann Sebastian there was always music. His family had been musicians, or bachs as they were called in Germany, for 200 years. He always wanted to be a bach. As he grew, he saw patterns in everything. Patterns he would turn into melodies and song, eventually growing into one of the most important and celebrated musical composers of all time. This is the story of Johann Sebastian Bach.
Book Synopsis Becoming Bach by : Tom Leonard
Download or read book Becoming Bach written by Tom Leonard and published by Roaring Brook Press. This book was released on 2017-02-28 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt: For Johann Sebastian there was always music. His family had been musicians, or bachs as they were called in Germany, for 200 years. He always wanted to be a bach. As he grew, he saw patterns in everything. Patterns he would turn into melodies and song, eventually growing into one of the most important and celebrated musical composers of all time. This is the story of Johann Sebastian Bach.
Peter Williams approaches afresh the life and music of arguably the most studied of all composers, interpreting both Bach's life by deconstructing his original obituary in the light of more recent information and his music by evaluating his priorities and irrepressible creative energy. How, even though belonging to musical families on both his parents' sides, did he come to possess so bewitching a sense of rhythm and melody and a mastery of harmony that established nothing less than a norm in Western culture? In considering that the works of a composer are his biography, the book's title A Life in Music means both a life spent making music and one revealed in the music as we know it. A distinguished scholar and performer, Williams re-examines Bach's life as an orphan and family man, as an extraordinarily gifted composer and player and as an ambitious artist who never suffered fools gladly.
Book Synopsis J. S. Bach by : Peter Williams
Download or read book J. S. Bach written by Peter Williams and published by Cambridge University Press. This book was released on 2007-02-15 with total page 13 pages. Available in PDF, EPUB and Kindle. Book excerpt: Peter Williams approaches afresh the life and music of arguably the most studied of all composers, interpreting both Bach's life by deconstructing his original obituary in the light of more recent information and his music by evaluating his priorities and irrepressible creative energy. How, even though belonging to musical families on both his parents' sides, did he come to possess so bewitching a sense of rhythm and melody and a mastery of harmony that established nothing less than a norm in Western culture? In considering that the works of a composer are his biography, the book's title A Life in Music means both a life spent making music and one revealed in the music as we know it. A distinguished scholar and performer, Williams re-examines Bach's life as an orphan and family man, as an extraordinarily gifted composer and player and as an ambitious artist who never suffered fools gladly.
Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.
Book Synopsis Polish Style in the Music of Johann Sebastian Bach by : Szymon Paczkowski
Download or read book Polish Style in the Music of Johann Sebastian Bach written by Szymon Paczkowski and published by Rowman & Littlefield. This book was released on 2017-03-21 with total page 419 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now appearing in an English translation, this book by Szymon Paczkowski is the first in-depth exploration of the Polish style in the music of Johann Sebastian Bach. Bach spent almost thirty years living and working in Leipzig in Saxony, a country ruled by Friedrich August I and his son Friedrich August II, who were also kings of Poland (as August II and August III). This period of close Polish-Saxon relations left a significant imprint on Bach’s music. Paczkowski’s meticulous account of this complex political and cultural dynamic sheds new light on many of Bach’s familiar pieces. The book explores the semantic and rhetorical functions that undergird the symbolism of the Polish style in Baroque music. It demonstrates how the notion of a Polish style in music was developed in German music theory, and conjectures that Bach’s successful application for the title of Court Composer at the court of the Elector of Saxony and King of Poland would induce the composer to deliberately use elements of the Polish style. This comprehensive study of the way Bach used the Polish style in his music moves beyond technical analysis to place the pieces within the context of Baroque customs and discourse. This ambitious and inspiring study is an original contribution to the scholarly conversation concerning Bach’s music, focusing on the symbolism of the polonaise, the most popular and recognizable Polish dance in 18th-century Saxony. In Saxony at this time the polonaise was associated with the ceremonies of the royal-electoral court in Dresden, and Saxon musicians regarded it as a musical symbol of royalty. Paczkowski explores this symbolism of the Polish royal dance in Bach’s instrumental music and, which is also to be found to an even greater extent, in his vocal works. The Polish Style in the Music of Johann Sebastian Bach provides wide-ranging interpretations based on a careful analysis of the sources explored within historical and theological context. The book is a valuable source for both teaching and further research, and will find readers not only among musicologists, but also historians, art historians, and readers in cultural studies. All lovers of Bach’s music will appreciate this lucid and intriguing study.
This diversified collection guides students to develop stylistic performances of Bach's keyboard works. Among the 27 selections are numerous menuets, "short" preludes and suite movements. The introductory material contains an excellent discussion of ornamentation, rhythm, articulation, tempo and dynamics in the keyboard music of this master composer.
Book Synopsis J. S. Bach, An Introduction to His Keyboard Music by : Johann Sebastian Bach
Download or read book J. S. Bach, An Introduction to His Keyboard Music written by Johann Sebastian Bach and published by Alfred Music. This book was released on 2005-05-03 with total page 66 pages. Available in PDF, EPUB and Kindle. Book excerpt: This diversified collection guides students to develop stylistic performances of Bach's keyboard works. Among the 27 selections are numerous menuets, "short" preludes and suite movements. The introductory material contains an excellent discussion of ornamentation, rhythm, articulation, tempo and dynamics in the keyboard music of this master composer.
Book Synopsis Johann Sebastian Bach by : Martin Geck
Download or read book Johann Sebastian Bach written by Martin Geck and published by Houghton Mifflin Harcourt. This book was released on 2006 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
A unique study of dance forms and rhythms in the Baroque composer’s repertoire. Stylized dance music and music based on dance rhythms pervade Bach’s compositions. Although the music of this very special genre has long been a part of every serious musician’s repertoire, little has been written about it. The original edition of this book addressed works that bore the names of dances—a considerable corpus. In this expanded version of their practical and insightful study, Meredith Little and Natalie Jenne apply the same principles to the study of a great number of Bach’s works that use identifiable dance rhythms but do not bear dance-specific titles. Part I describes French dance practices in the cities and courts most familiar to Bach. The terminology and analytical tools necessary for discussing dance music of Bach’s time are laid out. Part II presents the dance forms that Bach used, annotating all of his named dances. Little and Jenne draw on choreographies, harmony, theorists’ writings, and the music of many seventeenth- and eighteenth-century composers in order to arrive at a model for each dance type. Additionally, in Appendix A all of Bach’s named dances are listed in convenient tabular form; included are the BWV number for each piece, the date of composition, the larger work in which it appears, the instrumentation, and the meter. Appendix B supplies the same data for pieces recognizable as dance types but not named as such. More than ever, this book will stimulate both the musical scholar and the performer with a new perspective at the rhythmic workings of Bach’s remarkable repertoire of dance-based music.
Book Synopsis Dance and the Music of J. S. Bach by : Meredith Little
Download or read book Dance and the Music of J. S. Bach written by Meredith Little and published by Indiana University Press. This book was released on 2009-01-27 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique study of dance forms and rhythms in the Baroque composer’s repertoire. Stylized dance music and music based on dance rhythms pervade Bach’s compositions. Although the music of this very special genre has long been a part of every serious musician’s repertoire, little has been written about it. The original edition of this book addressed works that bore the names of dances—a considerable corpus. In this expanded version of their practical and insightful study, Meredith Little and Natalie Jenne apply the same principles to the study of a great number of Bach’s works that use identifiable dance rhythms but do not bear dance-specific titles. Part I describes French dance practices in the cities and courts most familiar to Bach. The terminology and analytical tools necessary for discussing dance music of Bach’s time are laid out. Part II presents the dance forms that Bach used, annotating all of his named dances. Little and Jenne draw on choreographies, harmony, theorists’ writings, and the music of many seventeenth- and eighteenth-century composers in order to arrive at a model for each dance type. Additionally, in Appendix A all of Bach’s named dances are listed in convenient tabular form; included are the BWV number for each piece, the date of composition, the larger work in which it appears, the instrumentation, and the meter. Appendix B supplies the same data for pieces recognizable as dance types but not named as such. More than ever, this book will stimulate both the musical scholar and the performer with a new perspective at the rhythmic workings of Bach’s remarkable repertoire of dance-based music.
