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The Natyasastra. Ascribed to Bharata Muni. Volume 1 (Chapters I-XXVII).
Book Synopsis The Natyasastra by : Manomohan Chosh
Download or read book The Natyasastra written by Manomohan Chosh and published by Рипол Классик. This book was released on with total page 649 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Natyasastra. Ascribed to Bharata Muni. Volume 1 (Chapters I-XXVII).
Download or read book The Nāṭyaśāstra written by Bharata Muni and published by . This book was released on 1984 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classical work in Indic dramaturgy.
The theory of rasa enunciated by Bharata has stimulated both creativity and critical discouirse in the Indian arts for nearly 2000 years. The text of the Natyasastra is as relevant to literature, poetry and drama as it is to architecture, sculpture, painting, music and dance. Its comprehensive treatment of artistic experience, expression and communication, content and form emerges from an integral vision which flowers as a many-branched tree of all Indian arts.
Book Synopsis Bharata, the Nāṭyaśāstra by : Kapila Vatsyayan
Download or read book Bharata, the Nāṭyaśāstra written by Kapila Vatsyayan and published by . This book was released on 2001-01-01 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: The theory of rasa enunciated by Bharata has stimulated both creativity and critical discouirse in the Indian arts for nearly 2000 years. The text of the Natyasastra is as relevant to literature, poetry and drama as it is to architecture, sculpture, painting, music and dance. Its comprehensive treatment of artistic experience, expression and communication, content and form emerges from an integral vision which flowers as a many-branched tree of all Indian arts.
The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
Book Synopsis The Natyasastra and the Body in Performance by : Sreenath Nair
Download or read book The Natyasastra and the Body in Performance written by Sreenath Nair and published by McFarland. This book was released on 2014-12-24 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
Book Synopsis The Natyasastra A Treatise on Hindu Dramaturgy and Histrionies Ascriben to Bharata-Muxi by : Manomohan Chosh
Download or read book The Natyasastra A Treatise on Hindu Dramaturgy and Histrionies Ascriben to Bharata-Muxi written by Manomohan Chosh and published by Рипол Классик. This book was released on with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Daśa-rúpa written by Dhanañjaya and published by . This book was released on 1865 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Studies in the Natyasastra attempts to present all aspects of the performance of Sanskrit Drama of the classical period. For this, the material available in the Natyasastra and other works on dramaturgy, sculptural evidence and the traditions of classical-dance-drama styles in the various parts of the country are made use of. The book will, in fact, be of great use to the scholar inteested in the technique of the production of Sanskrit plays.
Book Synopsis Studies in the Nāṭyaśāstra by : Ganesh Hari Tarlekar
Download or read book Studies in the Nāṭyaśāstra written by Ganesh Hari Tarlekar and published by Motilal Banarsidass Publ.. This book was released on 1991 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studies in the Natyasastra attempts to present all aspects of the performance of Sanskrit Drama of the classical period. For this, the material available in the Natyasastra and other works on dramaturgy, sculptural evidence and the traditions of classical-dance-drama styles in the various parts of the country are made use of. The book will, in fact, be of great use to the scholar inteested in the technique of the production of Sanskrit plays.
Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.
Book Synopsis Karnataka's Rich Heritage – Temple Sculptures & Dancing Apsaras by : Lalit Chugh
Download or read book Karnataka's Rich Heritage – Temple Sculptures & Dancing Apsaras written by Lalit Chugh and published by Notion Press. This book was released on 2017-05-23 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nataraja, the dancing Siva sculpture, is perhaps the most well-known among all Hindu sculptures, and rightly so. It has evoked highly advanced discussions among scientists, philosophers, performing artists, art critics, art collectors, historians, archaeologists and mythologists. The Nataraja sculpture also occupies a pride of a place at CERN, the European Centre for Research in Particle Physics in Geneva. Siva, according to Hindu Mythology, was the very first dancer in the world. All dramaturgy and dance traditions emerge from Siva’s cosmic dance. Tandu, Siva’s disciple narrated the description of Siva’s dance to Bharata Muni and he is believed to have compiled the Natyasastra, the world’s first treatise on dramaturgy, dance and other performing arts. Scholars believe that the Natyasastra was written over a long period of time between the 2nd century BCE and 2nd century CE with contributions from various sages, with its foundation having been laid by Bharata Muni. Convergence between Hindu mythology, Natyasastra and Silpasastra was the natural outcome. Karnataka, and its temple architecture tradition, played a pioneering role in giving an artistic form to this convergence in its temple sculptures. Though this trend may have started earlier during 2nd and 3rd century CE, it started to take the center stage from the times of the Badami Chalukyas. Passing through various refinements between 5th and 10th centuries, it reached its peak with the Hoysala art. This book traces the history of temple sculpture evolution and development through the centuries by referring to the existing sculptural forms and the canonical literature that developed over time.
Provides information on the history and present practice of theater in the world.
Book Synopsis The Cambridge Guide to Theatre by : Martin Banham
Download or read book The Cambridge Guide to Theatre written by Martin Banham and published by Cambridge University Press. This book was released on 1995-09-21 with total page 1268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides information on the history and present practice of theater in the world.
From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.
Book Synopsis A Rasa Reader by : Sheldon Pollock
Download or read book A Rasa Reader written by Sheldon Pollock and published by Columbia University Press. This book was released on 2016-04-26 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.
