The Necessity of Sculpture

The Necessity of Sculpture

Author: Eric Gibson

Publisher: Encounter Books

Published: 2020-04-07

Total Pages: 163

ISBN-13: 1641771097

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The Necessity of Sculpture brings together a selection of articles on sculpture and sculptors from Eric Gibson’s nearly four-decade career as an art critic. It covers subjects as diverse as Mesopotamian cylinder seals, war memorials, and the art of the American West; stylistic periods such as the Hellenistic in Ancient Greece and Kamakura in medieval Japan; Michelangelo, Gian Lorenzo Bernini, Augustus Saint-Gaudens, and other historical figures; modernists like Auguste Rodin, Pablo Picasso, and Alberto Giacometti; and contemporary artists including Richard Serra, Rachel Whiteread, and Jeff Koons. Organized chronologically by artist and period, this collection is as much a synoptic history of sculpture as it is an art chronicle. At the same time, it is an illuminating introduction to the subject for anyone coming to it for the first time.


Book Synopsis The Necessity of Sculpture by : Eric Gibson

Download or read book The Necessity of Sculpture written by Eric Gibson and published by Encounter Books. This book was released on 2020-04-07 with total page 163 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Necessity of Sculpture brings together a selection of articles on sculpture and sculptors from Eric Gibson’s nearly four-decade career as an art critic. It covers subjects as diverse as Mesopotamian cylinder seals, war memorials, and the art of the American West; stylistic periods such as the Hellenistic in Ancient Greece and Kamakura in medieval Japan; Michelangelo, Gian Lorenzo Bernini, Augustus Saint-Gaudens, and other historical figures; modernists like Auguste Rodin, Pablo Picasso, and Alberto Giacometti; and contemporary artists including Richard Serra, Rachel Whiteread, and Jeff Koons. Organized chronologically by artist and period, this collection is as much a synoptic history of sculpture as it is an art chronicle. At the same time, it is an illuminating introduction to the subject for anyone coming to it for the first time.


The Necessity of Art

The Necessity of Art

Author: Ernst Fischer

Publisher: Verso Books

Published: 2020-05-05

Total Pages: 293

ISBN-13: 1789600995

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"Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it."-Ernst Fischer Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art's importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about. With his emphasis on the individual's need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.


Book Synopsis The Necessity of Art by : Ernst Fischer

Download or read book The Necessity of Art written by Ernst Fischer and published by Verso Books. This book was released on 2020-05-05 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Art is necessary in order that man should be able to recognize and change the world. But art is also necessary by virtue of the magic inherent in it."-Ernst Fischer Reissued with an introduction by John Berger, The Necessity of Art is a beautifully written meditation on art's importance in viewing the world in which we live. In this wide-ranging and erudite exploration of literary and fine art, Fischer looks at the relationship between the creative imagination and social reality, arguing that truthful art must both reflect existence in all its flaws and imperfections, and help show how change and improvement might be brought about. With his emphasis on the individual's need to engage with society, his rejection of rampant consumerism and hypertechnology, and his indomitable optimism, this radical, affirmative and humane vision of the artistic endeavor remains as timely today as when it was first published sixty years ago.


The Necessity of Theater

The Necessity of Theater

Author: Paul Woodruff

Publisher: Oxford University Press

Published: 2008-04-30

Total Pages: 272

ISBN-13: 9780199715756

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What is unique and essential about theater? What separates it from other arts? Do we need "theater" in some fundamental way? The art of theater, as Paul Woodruff says in this elegant and unique book, is as necessary - and as powerful - as language itself. Defining theater broadly, including sporting events and social rituals, he treats traditional theater as only one possibility in an art that - at its most powerful - can change lives and (as some peoples believe) bring a divine presence to earth. The Necessity of Theater analyzes the unique power of theater by separating it into the twin arts of watching and being watched, practiced together in harmony by watchers and the watched. Whereas performers practice the art of being watched - making their actions worth watching, and paying attention to action, choice, plot, character, mimesis, and the sacredness of performance space - audiences practice the art of watching: paying close attention. A good audience is emotionally engaged as spectators; their engagement takes a form of empathy that can lead to a special kind of human wisdom. As Plato implied, theater cannot teach us transcendent truths, but it can teach us about ourselves. Characteristically thoughtful, probing, and original, Paul Woodruff makes the case for theater as a unique form of expression connected to our most human instincts. The Necessity of Theater should appeal to anyone seriously interested or involved in theater or performance more broadly.


Book Synopsis The Necessity of Theater by : Paul Woodruff

Download or read book The Necessity of Theater written by Paul Woodruff and published by Oxford University Press. This book was released on 2008-04-30 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is unique and essential about theater? What separates it from other arts? Do we need "theater" in some fundamental way? The art of theater, as Paul Woodruff says in this elegant and unique book, is as necessary - and as powerful - as language itself. Defining theater broadly, including sporting events and social rituals, he treats traditional theater as only one possibility in an art that - at its most powerful - can change lives and (as some peoples believe) bring a divine presence to earth. The Necessity of Theater analyzes the unique power of theater by separating it into the twin arts of watching and being watched, practiced together in harmony by watchers and the watched. Whereas performers practice the art of being watched - making their actions worth watching, and paying attention to action, choice, plot, character, mimesis, and the sacredness of performance space - audiences practice the art of watching: paying close attention. A good audience is emotionally engaged as spectators; their engagement takes a form of empathy that can lead to a special kind of human wisdom. As Plato implied, theater cannot teach us transcendent truths, but it can teach us about ourselves. Characteristically thoughtful, probing, and original, Paul Woodruff makes the case for theater as a unique form of expression connected to our most human instincts. The Necessity of Theater should appeal to anyone seriously interested or involved in theater or performance more broadly.


On the Necessity of Gardening

On the Necessity of Gardening

Author: Laurie Cluitmans

Publisher:

Published: 2021-11-30

Total Pages: 240

ISBN-13: 9789493246003

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On the Necessity of Gardening tells the story of the garden as a rich source of inspiration. Over the centuries, artists, writers, poets and thinkers have each described, depicted and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems. In the eighteenth century this image tilted: the garden became a symbol of worldly power and politics. The Anthropocene, the era in which man completely dominates nature with disastrous consequences, is forcing us to radically rethink the role we have given nature in recent decades. There is a renewed interest in the theme of the garden among contemporary makers. It is not a romantic desire that drives them, but rather a call for a new awareness of our relationship with the earth. Through many different essays and an extensive abecedarium, On the Necessity of Gardening reflects on the garden as a metaphor for society.00Exhibition: Centraal Museum, Utrecht, The Netherlands (11.09.2021 ? 09.01.2022).


Book Synopsis On the Necessity of Gardening by : Laurie Cluitmans

Download or read book On the Necessity of Gardening written by Laurie Cluitmans and published by . This book was released on 2021-11-30 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: On the Necessity of Gardening tells the story of the garden as a rich source of inspiration. Over the centuries, artists, writers, poets and thinkers have each described, depicted and designed the garden in different ways. In medieval art, the garden was a reflection of paradise, a place of harmony and fertility, shielded from worldly problems. In the eighteenth century this image tilted: the garden became a symbol of worldly power and politics. The Anthropocene, the era in which man completely dominates nature with disastrous consequences, is forcing us to radically rethink the role we have given nature in recent decades. There is a renewed interest in the theme of the garden among contemporary makers. It is not a romantic desire that drives them, but rather a call for a new awareness of our relationship with the earth. Through many different essays and an extensive abecedarium, On the Necessity of Gardening reflects on the garden as a metaphor for society.00Exhibition: Centraal Museum, Utrecht, The Netherlands (11.09.2021 ? 09.01.2022).


The Necessity of Art

The Necessity of Art

Author: Arthur Clutton-Brock

Publisher:

Published: 1924

Total Pages: 200

ISBN-13:

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There is in the world to-day a conviction of sin about art. People realize more every year that the badness of our architecture, decoration, music, drama, which has been our legacy from the immediate past, is an offense against the highest that is in us; they are discarding both the bleak indifference of our puritan tradition and the decadent hedonism which was a reaction against it : everywhere in all the arts there is improvement a return to sincerity, simplicity, beauty; and the improvement is due to the growing conviction of the high seriousness of art. We are less tempted to regard the arts because of their delightfulness as a mere pastime; we are discovering that in them we touch the eternal world that art is in fact religious. The object of art is not to give pleasure, as our fathers assumed, but to express the highest spiritual realities. Art is not only delightful : it is necessary.


Book Synopsis The Necessity of Art by : Arthur Clutton-Brock

Download or read book The Necessity of Art written by Arthur Clutton-Brock and published by . This book was released on 1924 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: There is in the world to-day a conviction of sin about art. People realize more every year that the badness of our architecture, decoration, music, drama, which has been our legacy from the immediate past, is an offense against the highest that is in us; they are discarding both the bleak indifference of our puritan tradition and the decadent hedonism which was a reaction against it : everywhere in all the arts there is improvement a return to sincerity, simplicity, beauty; and the improvement is due to the growing conviction of the high seriousness of art. We are less tempted to regard the arts because of their delightfulness as a mere pastime; we are discovering that in them we touch the eternal world that art is in fact religious. The object of art is not to give pleasure, as our fathers assumed, but to express the highest spiritual realities. Art is not only delightful : it is necessary.


Sculpting in Time

Sculpting in Time

Author: Andrey Tarkovsky

Publisher: University of Texas Press

Published: 1989-04

Total Pages: 260

ISBN-13: 9780292776241

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A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity


Book Synopsis Sculpting in Time by : Andrey Tarkovsky

Download or read book Sculpting in Time written by Andrey Tarkovsky and published by University of Texas Press. This book was released on 1989-04 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity


Part Object Part Sculpture

Part Object Part Sculpture

Author: Helen Anne Molesworth

Publisher: Penn State University Press

Published: 2005

Total Pages: 294

ISBN-13:

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'Part Object Part Sculpture' maps a genealogy of postwar sculpture that challenges the Minimalist/Post-Minimalist sequence maintained in most accounts of the period.


Book Synopsis Part Object Part Sculpture by : Helen Anne Molesworth

Download or read book Part Object Part Sculpture written by Helen Anne Molesworth and published by Penn State University Press. This book was released on 2005 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Part Object Part Sculpture' maps a genealogy of postwar sculpture that challenges the Minimalist/Post-Minimalist sequence maintained in most accounts of the period.


Why Only Art Can Save Us

Why Only Art Can Save Us

Author: Santiago Zabala

Publisher: Columbia University Press

Published: 2017-09-05

Total Pages: 218

ISBN-13: 0231544960

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The state of emergency, according to thinkers such as Carl Schmidt, Walter Benjamin, and Giorgio Agamben, is at the heart of any theory of politics. But today the problem is not the crises that we do confront, which are often used by governments to legitimize themselves, but the ones that political realism stops us from recognizing as emergencies, from widespread surveillance to climate change to the systemic shocks of neoliberalism. We need a way of disrupting the existing order that can energize radical democratic action rather than reinforcing the status quo. In this provocative book, Santiago Zabala declares that in an age where the greatest emergency is the absence of emergency, only contemporary art’s capacity to alter reality can save us. Why Only Art Can Save Us advances a new aesthetics centered on the nature of the emergency that characterizes the twenty-first century. Zabala draws on Martin Heidegger’s distinction between works of art that rescue us from emergency and those that are rescuers into emergency. The former are a means of cultural politics, conservers of the status quo that conceal emergencies; the latter are disruptive events that thrust us into emergencies. Building on Arthur Danto, Jacques Rancière, and Gianni Vattimo, who made aesthetics more responsive to contemporary art, Zabala argues that works of art are not simply a means of elevating consumerism or contemplating beauty but are points of departure to change the world. Radical artists create works that disclose and demand active intervention in ongoing crises. Interpreting works of art that aim to propel us into absent emergencies, Zabala shows how art’s ability to create new realities is fundamental to the politics of radical democracy in the state of emergency that is the present.


Book Synopsis Why Only Art Can Save Us by : Santiago Zabala

Download or read book Why Only Art Can Save Us written by Santiago Zabala and published by Columbia University Press. This book was released on 2017-09-05 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: The state of emergency, according to thinkers such as Carl Schmidt, Walter Benjamin, and Giorgio Agamben, is at the heart of any theory of politics. But today the problem is not the crises that we do confront, which are often used by governments to legitimize themselves, but the ones that political realism stops us from recognizing as emergencies, from widespread surveillance to climate change to the systemic shocks of neoliberalism. We need a way of disrupting the existing order that can energize radical democratic action rather than reinforcing the status quo. In this provocative book, Santiago Zabala declares that in an age where the greatest emergency is the absence of emergency, only contemporary art’s capacity to alter reality can save us. Why Only Art Can Save Us advances a new aesthetics centered on the nature of the emergency that characterizes the twenty-first century. Zabala draws on Martin Heidegger’s distinction between works of art that rescue us from emergency and those that are rescuers into emergency. The former are a means of cultural politics, conservers of the status quo that conceal emergencies; the latter are disruptive events that thrust us into emergencies. Building on Arthur Danto, Jacques Rancière, and Gianni Vattimo, who made aesthetics more responsive to contemporary art, Zabala argues that works of art are not simply a means of elevating consumerism or contemplating beauty but are points of departure to change the world. Radical artists create works that disclose and demand active intervention in ongoing crises. Interpreting works of art that aim to propel us into absent emergencies, Zabala shows how art’s ability to create new realities is fundamental to the politics of radical democracy in the state of emergency that is the present.


A History of Art History

A History of Art History

Author: Christopher S. Wood

Publisher: Princeton University Press

Published: 2021-03-02

Total Pages: 472

ISBN-13: 0691204764

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"In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket


Book Synopsis A History of Art History by : Christopher S. Wood

Download or read book A History of Art History written by Christopher S. Wood and published by Princeton University Press. This book was released on 2021-03-02 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline. The book shows that the pioneering chroniclers of the Italian Renaissance--Lorenzo Ghiberti and Giorgio Vasari--measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however--Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich--struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline. Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history."--from book jacket


The Whole Picture

The Whole Picture

Author: Alice Procter

Publisher: Cassell

Published: 2020-03-19

Total Pages: 288

ISBN-13: 1788402219

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"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.


Book Synopsis The Whole Picture by : Alice Procter

Download or read book The Whole Picture written by Alice Procter and published by Cassell. This book was released on 2020-03-19 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.