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The Concept of Negritude in the Poetry of Leopold Sedar Senghor

Author: Sylvia Washington Ba

Publisher: Princeton University Press

Published: 2015-03-08

Total Pages: 317

ISBN-13: 1400867134

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Negritude has been defined by Léopold Sédar Senghor as "the sum of the cultural values of the black world as they are expressed in the life, the institutions, and the works of black men." Sylvia Washington Bâ analyzes Senghor's poetry to show how the concept of negritude infuses it at every level. A biographical sketch describes his childhood in Senegal, his distinguished academic career in France, and his election as President of Senegal. Themes of alienation and exile pervade Senghor's poetry, but it was by the opposition of his sensitivity and values to those of Europe that he was able to formulate his credo. Its key theme, and the supreme value of black African civilization, is the concept of life forces, which are not attributes or accidents of being, but the very essence of being. Life is an essentially dynamic mode of being for the black African, and it has been Senghor's achievement to communicate African intensity and vitality through his use of the nuances, subtleties, and sonorities of the French language. In the final chapter Sylvia Washington Bâ discusses the future of Senghor's belief that the black man's culture should be recognized as valid not simply as a matter of human justice, but because the values of negritude could be instrumental in the reintegration of positive values into western civilization and the reorientation of contemporary man toward life and love. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Book Synopsis The Concept of Negritude in the Poetry of Leopold Sedar Senghor by : Sylvia Washington Ba

Download or read book The Concept of Negritude in the Poetry of Leopold Sedar Senghor written by Sylvia Washington Ba and published by Princeton University Press. This book was released on 2015-03-08 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: Negritude has been defined by Léopold Sédar Senghor as "the sum of the cultural values of the black world as they are expressed in the life, the institutions, and the works of black men." Sylvia Washington Bâ analyzes Senghor's poetry to show how the concept of negritude infuses it at every level. A biographical sketch describes his childhood in Senegal, his distinguished academic career in France, and his election as President of Senegal. Themes of alienation and exile pervade Senghor's poetry, but it was by the opposition of his sensitivity and values to those of Europe that he was able to formulate his credo. Its key theme, and the supreme value of black African civilization, is the concept of life forces, which are not attributes or accidents of being, but the very essence of being. Life is an essentially dynamic mode of being for the black African, and it has been Senghor's achievement to communicate African intensity and vitality through his use of the nuances, subtleties, and sonorities of the French language. In the final chapter Sylvia Washington Bâ discusses the future of Senghor's belief that the black man's culture should be recognized as valid not simply as a matter of human justice, but because the values of negritude could be instrumental in the reintegration of positive values into western civilization and the reorientation of contemporary man toward life and love. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Negritude Poets

Author: Ellen Conroy Kennedy

Publisher:

Published: 1989

Total Pages: 284

ISBN-13: 9780938410720

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Book Synopsis The Negritude Poets by : Ellen Conroy Kennedy

Download or read book The Negritude Poets written by Ellen Conroy Kennedy and published by . This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Modernism and Negritude

Author: Albert James Arnold

Publisher:

Published: 1981

Total Pages: 344

ISBN-13:

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James Arnold here presents in its political and culture context the work of the greatest visionary poet writing in French since the Romantic period. Aimé Césaire's surrealism is seen as subverting, in the name of black experience, the very European high moderism he assimilated and employed. -- Amazon.com.

Book Synopsis Modernism and Negritude by : Albert James Arnold

Download or read book Modernism and Negritude written by Albert James Arnold and published by . This book was released on 1981 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Arnold here presents in its political and culture context the work of the greatest visionary poet writing in French since the Romantic period. Aimé Césaire's surrealism is seen as subverting, in the name of black experience, the very European high moderism he assimilated and employed. -- Amazon.com.

The Negritude Movement

Author: Reiland Rabaka

Publisher: Lexington Books

Published: 2015-05-20

Total Pages: 453

ISBN-13: 1498511368

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The Negritude Movement provides readers with not only an intellectual history of the Negritude Movement but also its prehistory (W.E.B. Du Bois, the New Negro Movement, and the Harlem Renaissance) and its posthistory (Frantz Fanon and the evolution of Fanonism). By viewing Negritude as an “insurgent idea” (to invoke this book’s intentionally incendiary subtitle), as opposed to merely a form of poetics and aesthetics, The Negritude Movement explores Negritude as a “traveling theory” (à la Edward Said’s concept) that consistently crisscrossed the Atlantic Ocean in the twentieth century: from Harlem to Haiti, Haiti to Paris, Paris to Martinique, Martinique to Senegal, and on and on ad infinitum. The Negritude Movement maps the movements of proto-Negritude concepts from Du Bois’s discourse in The Souls of Black Folk through to post-Negritude concepts in Fanon’s Black Skin, White Masks and The Wretched of the Earth. Utilizing Negritude as a conceptual framework to, on the one hand, explore the Africana intellectual tradition in the twentieth century, and, on the other hand, demonstrate discursive continuity between Du Bois and Fanon, as well as the Harlem Renaissance and Negritude Movement, The Negritude Movement ultimately accents what Negritude contributed to arguably its greatest intellectual heir, Frantz Fanon, and the development of his distinct critical theory, Fanonism. Rabaka argues that if Fanon and Fanonism remain relevant in the twenty-first century, then, to a certain extent, Negritude remains relevant in the twenty-first century.

Book Synopsis The Negritude Movement by : Reiland Rabaka

Download or read book The Negritude Movement written by Reiland Rabaka and published by Lexington Books. This book was released on 2015-05-20 with total page 453 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Negritude Movement provides readers with not only an intellectual history of the Negritude Movement but also its prehistory (W.E.B. Du Bois, the New Negro Movement, and the Harlem Renaissance) and its posthistory (Frantz Fanon and the evolution of Fanonism). By viewing Negritude as an “insurgent idea” (to invoke this book’s intentionally incendiary subtitle), as opposed to merely a form of poetics and aesthetics, The Negritude Movement explores Negritude as a “traveling theory” (à la Edward Said’s concept) that consistently crisscrossed the Atlantic Ocean in the twentieth century: from Harlem to Haiti, Haiti to Paris, Paris to Martinique, Martinique to Senegal, and on and on ad infinitum. The Negritude Movement maps the movements of proto-Negritude concepts from Du Bois’s discourse in The Souls of Black Folk through to post-Negritude concepts in Fanon’s Black Skin, White Masks and The Wretched of the Earth. Utilizing Negritude as a conceptual framework to, on the one hand, explore the Africana intellectual tradition in the twentieth century, and, on the other hand, demonstrate discursive continuity between Du Bois and Fanon, as well as the Harlem Renaissance and Negritude Movement, The Negritude Movement ultimately accents what Negritude contributed to arguably its greatest intellectual heir, Frantz Fanon, and the development of his distinct critical theory, Fanonism. Rabaka argues that if Fanon and Fanonism remain relevant in the twenty-first century, then, to a certain extent, Negritude remains relevant in the twenty-first century.

Lyric and Dramatic Poetry, 1946-82

Author: Aimé Césaire

Publisher: University of Virginia Press

Published: 1990

Total Pages: 296

ISBN-13: 9780813912448

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over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.

Book Synopsis Lyric and Dramatic Poetry, 1946-82 by : Aimé Césaire

Download or read book Lyric and Dramatic Poetry, 1946-82 written by Aimé Césaire and published by University of Virginia Press. This book was released on 1990 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: over emergent literature and will show him to be a major figure in the conflict between tradition and contemporary cultural identity.

Voices of Negritude in Modernist Print

Author: Carrie Noland

Publisher: Columbia University Press

Published: 2015-04-28

Total Pages: 345

ISBN-13: 0231538642

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Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized—performed, reiterated, and created anew—by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal—and not merely thematic—elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person.

Book Synopsis Voices of Negritude in Modernist Print by : Carrie Noland

Download or read book Voices of Negritude in Modernist Print written by Carrie Noland and published by Columbia University Press. This book was released on 2015-04-28 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carrie Noland approaches Negritude as an experimental, text-based poetic movement developed by diasporic authors of African descent through the means of modernist print culture. Engaging primarily the works of Aimé Césaire and Léon-Gontran Damas, Noland shows how the demands of print culture alter the personal voice of each author, transforming an empirical subjectivity into a hybrid, textual entity that she names, after Theodor Adorno, an "aesthetic subjectivity." This aesthetic subjectivity, transmitted by the words on the page, must be actualized—performed, reiterated, and created anew—by each reader, at each occasion of reading. Lyric writing and lyric reading therefore attenuate the link between author and phenomenalized voice. Yet the Negritude poem insists upon its connection to lived experience even as it emphasizes its printed form. Ironically, a purely formalist reading would have to ignore the ways formal—and not merely thematic—elements point toward the poem's own conditions of emergence. Blending archival research on the historical context of Negritude with theories of the lyric "voice," Noland argues that Negritude poems present a challenge to both form-based (deconstructive) theories and identity-based theories of poetic representation. Through close readings, she reveals that the racialization of the author places pressure on a lyric regime of interpretation, obliging us to reconceptualize the relation of author to text in poetries of the first person.

The Negritude Poets

Author: Ellen Conroy Kennedy

Publisher: New York : Viking Press

Published: 1975

Total Pages: 332

ISBN-13:

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Colonized black people the world over have long had to express themselves in the tongue of the colonizer. In the case of the French language, the influence stretched from the Caribbean to the Indian Ocean, with its obvious center situated in Africa. The present volume, which is the fruit of over a decade's dedicated effort, gathers together, in English translation, twenty-seven poets, associated with that cultural and intellectual movement which since the close of World War II has come to be known as "negritude". The term "negritude" was coined by Aimé Césaire in his long poem "Notes on a Return to the Native Land", which was published in France in 1944 ... While the present volume, for historical and cultural reasons, has a special significance, it also is, and should be taken as, an anthology of poetry. (Book jacket).

Book Synopsis The Negritude Poets by : Ellen Conroy Kennedy

Download or read book The Negritude Poets written by Ellen Conroy Kennedy and published by New York : Viking Press. This book was released on 1975 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Colonized black people the world over have long had to express themselves in the tongue of the colonizer. In the case of the French language, the influence stretched from the Caribbean to the Indian Ocean, with its obvious center situated in Africa. The present volume, which is the fruit of over a decade's dedicated effort, gathers together, in English translation, twenty-seven poets, associated with that cultural and intellectual movement which since the close of World War II has come to be known as "negritude". The term "negritude" was coined by Aimé Césaire in his long poem "Notes on a Return to the Native Land", which was published in France in 1944 ... While the present volume, for historical and cultural reasons, has a special significance, it also is, and should be taken as, an anthology of poetry. (Book jacket).

Negritude Women

Author: T. Denean Sharpley-Whiting

Publisher: U of Minnesota Press

Published: 2002

Total Pages: 186

ISBN-13: 9780816636808

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The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aime Cesaire, Leopold Sedar Senghor, and Leon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard. Through such disparate tactics as Lacascade's use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Cesaire's revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude -- black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa -- Sharpley-Whiting provides the movement's first genuinely inclusive history.

Book Synopsis Negritude Women by : T. Denean Sharpley-Whiting

Download or read book Negritude Women written by T. Denean Sharpley-Whiting and published by U of Minnesota Press. This book was released on 2002 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Negritude movement, which signaled the awakening of a pan-African consciousness among black French intellectuals, has been understood almost exclusively in terms of the contributions of its male founders: Aime Cesaire, Leopold Sedar Senghor, and Leon G. Damas. This masculine genealogy has completely overshadowed the central role played by French-speaking black women in its creation and evolution. In Negritude Women, T. Denean Sharpley-Whiting offers a long-overdue corrective, revealing the contributions made by four women -- Suzanne Lacascade, Jane and Paulette Nardal, and Suzanne Roussy-Cesaire -- who were not merely integral to the success of the movement, but often in its vanguard. Through such disparate tactics as Lacascade's use of Creole expressions in her French prose writings, the literary salon and journal founded by the Martinique-born Nardal sisters, and Roussy-Cesaire's revolutionary blend of surrealism and Negritude in the pages of Tropiques, the journal she founded with her husband, these four remarkable women made vital contributions. In exploring their influence on the development of themes central to Negritude -- black humanism, the affirmation of black peoples and their cultures, and the rehabilitation of Africa -- Sharpley-Whiting provides the movement's first genuinely inclusive history.

Return to my Native Land

Author: Aime Cesaire

Publisher: Archipelago

Published: 2014-06-03

Total Pages: 90

ISBN-13: 193574495X

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A work of immense cultural significance and beauty, this long poem became an anthem for the African diaspora and the birth of the Negritude movement. With unusual juxtapositions of object and metaphor, a bouquet of language-play, and deeply resonant rhythms, Césaire considered this work a "break into the forbidden," at once a cry of rebellion and a celebration of black identity. More praise: "The greatest living poet in the French language."--American Book Review "Martinique poet Aime Cesaire is one of the few pure surrealists alive today. By this I mean that his work has never compromised its wild universe of double meanings, stretched syntax, and unexpected imagery. This long poem was written at the end of World War II and became an anthem for many blacks around the world. Eshleman and Smith have revised their original 1983 translations and given it additional power by presenting Cesaire's unique voice as testament to a world reduced in size by catastrophic events." --Bloomsbury Review "Through his universal call for the respect of human dignity, consciousness and responsibility, he will remain a symbol of hope for all oppressed peoples." --Nicolas Sarkozy "Evocative and thoughtful, touching on human aspiration far beyond the scale of its specific concerns with Cesaire's native land - Martinique." --The Times

Book Synopsis Return to my Native Land by : Aime Cesaire

Download or read book Return to my Native Land written by Aime Cesaire and published by Archipelago. This book was released on 2014-06-03 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: A work of immense cultural significance and beauty, this long poem became an anthem for the African diaspora and the birth of the Negritude movement. With unusual juxtapositions of object and metaphor, a bouquet of language-play, and deeply resonant rhythms, Césaire considered this work a "break into the forbidden," at once a cry of rebellion and a celebration of black identity. More praise: "The greatest living poet in the French language."--American Book Review "Martinique poet Aime Cesaire is one of the few pure surrealists alive today. By this I mean that his work has never compromised its wild universe of double meanings, stretched syntax, and unexpected imagery. This long poem was written at the end of World War II and became an anthem for many blacks around the world. Eshleman and Smith have revised their original 1983 translations and given it additional power by presenting Cesaire's unique voice as testament to a world reduced in size by catastrophic events." --Bloomsbury Review "Through his universal call for the respect of human dignity, consciousness and responsibility, he will remain a symbol of hope for all oppressed peoples." --Nicolas Sarkozy "Evocative and thoughtful, touching on human aspiration far beyond the scale of its specific concerns with Cesaire's native land - Martinique." --The Times