The Theatre in Nineteenth-Century Spain

The Theatre in Nineteenth-Century Spain

Author: David Thatcher Gies

Publisher: Cambridge University Press

Published: 1994-08-11

Total Pages: 408

ISBN-13: 0521380464

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This is the first comprehensive study of the theatre of nineteenth-century Spain, a most important genre which produced more than 10,000 plays during the course of the century. David Gies assesses this mass of material - much of it hitherto unknown - as text, spectacle, and social phenomenon. His book sheds light on political drama during Napoleonic times, the theatre of dictatorship (1820s), Romanticism, women dramatists, socialist drama, neo-Romantic drama, the relationship between parody and the dominant literary currents of the day, and the challenging work of Galdós. A chapter on the battle to create a National Theatre reveals the deep conflicts generated by the various interested factions in the middle of the century. This readable account will at last allow students and scholars properly to re-evaluate the canon of texts.


Book Synopsis The Theatre in Nineteenth-Century Spain by : David Thatcher Gies

Download or read book The Theatre in Nineteenth-Century Spain written by David Thatcher Gies and published by Cambridge University Press. This book was released on 1994-08-11 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first comprehensive study of the theatre of nineteenth-century Spain, a most important genre which produced more than 10,000 plays during the course of the century. David Gies assesses this mass of material - much of it hitherto unknown - as text, spectacle, and social phenomenon. His book sheds light on political drama during Napoleonic times, the theatre of dictatorship (1820s), Romanticism, women dramatists, socialist drama, neo-Romantic drama, the relationship between parody and the dominant literary currents of the day, and the challenging work of Galdós. A chapter on the battle to create a National Theatre reveals the deep conflicts generated by the various interested factions in the middle of the century. This readable account will at last allow students and scholars properly to re-evaluate the canon of texts.

Nineteen Cent Theat Spain:Bib

Nineteen Cent Theat Spain:Bib

Author: Margaret A. Rees

Publisher: Routledge

Published: 2002-02

Total Pages: 0

ISBN-13: 9780415239912

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First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.


Book Synopsis Nineteen Cent Theat Spain:Bib by : Margaret A. Rees

Download or read book Nineteen Cent Theat Spain:Bib written by Margaret A. Rees and published by Routledge. This book was released on 2002-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

The Nineteenth-Century Theatre in Spain

The Nineteenth-Century Theatre in Spain

Author: Margaret A Rees

Publisher: Routledge

Published: 2018-10-24

Total Pages: 238

ISBN-13: 1136369082

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First Published in 2002. The present volume forms part of a major Bibliography of the Hispanic Theatre, forthcoming in several volumes by different specialists. As such, it is one of the products of a still larger computer-assisted Project of Hispanic Research Bibliographies. The aim has been to give as wide a coverage to the area as possible, listing not only books and articles in periodicals but also data of a documentary character such as items on playbills and the local regulation of theatres. Annotation is confined to information, and critical appraisal is excluded.


Book Synopsis The Nineteenth-Century Theatre in Spain by : Margaret A Rees

Download or read book The Nineteenth-Century Theatre in Spain written by Margaret A Rees and published by Routledge. This book was released on 2018-10-24 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. The present volume forms part of a major Bibliography of the Hispanic Theatre, forthcoming in several volumes by different specialists. As such, it is one of the products of a still larger computer-assisted Project of Hispanic Research Bibliographies. The aim has been to give as wide a coverage to the area as possible, listing not only books and articles in periodicals but also data of a documentary character such as items on playbills and the local regulation of theatres. Annotation is confined to information, and critical appraisal is excluded.

Theatre and Politics in Nineteenth-Century Spain

Theatre and Politics in Nineteenth-Century Spain

Author: David Thatcher Gies

Publisher: Cambridge University Press

Published: 1988-02-26

Total Pages: 273

ISBN-13: 0521342937

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The Frenchman Juan de Grimaldi was instrumental in the development of the Spanish theatre in the 1820s and 30s, at a time when censorship, repression, and economic chaos had left it in a state of stagnation. As impresario and stage director, he trained actors in the new style of declamation, made physical changes in sets and lighting, translated recent French plays into Spanish, and encouraged the writing of original Spanish plays. His own magical comedy, La Pata de Cabra (1829), was outstandingly successful. Grimaldi was also a wealthy businessman and newspaper editor, and the patron of many important Spanish Romantic writers. He was active in politics, vigorously defending the moderate policies of the Queen Regent, María Cristina, and of Prime Minister Ramón de Nerváez. Even after his return to Paris, Grimaldi continued to work secretly as an agent of the Spanish government. Based on original archival materials, this is the first in-depth study of Grimaldi's involvement in the literary and political progress of nineteenth-century Spain.


Book Synopsis Theatre and Politics in Nineteenth-Century Spain by : David Thatcher Gies

Download or read book Theatre and Politics in Nineteenth-Century Spain written by David Thatcher Gies and published by Cambridge University Press. This book was released on 1988-02-26 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Frenchman Juan de Grimaldi was instrumental in the development of the Spanish theatre in the 1820s and 30s, at a time when censorship, repression, and economic chaos had left it in a state of stagnation. As impresario and stage director, he trained actors in the new style of declamation, made physical changes in sets and lighting, translated recent French plays into Spanish, and encouraged the writing of original Spanish plays. His own magical comedy, La Pata de Cabra (1829), was outstandingly successful. Grimaldi was also a wealthy businessman and newspaper editor, and the patron of many important Spanish Romantic writers. He was active in politics, vigorously defending the moderate policies of the Queen Regent, María Cristina, and of Prime Minister Ramón de Nerváez. Even after his return to Paris, Grimaldi continued to work secretly as an agent of the Spanish government. Based on original archival materials, this is the first in-depth study of Grimaldi's involvement in the literary and political progress of nineteenth-century Spain.

Social Drama in Nineteenth-century Spain

Social Drama in Nineteenth-century Spain

Author: J. Hunter Peak

Publisher: Chapel Hill : Universiy of North Carolina

Published: 1964

Total Pages: 172

ISBN-13:

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This volume traces social drama in Spain from its beginnings in the works of Moratin, treats those continuing the Moratin tradition, and studies the social drama of Tamayo y Baus, Ayala, Eguilza, Echegaray, the minor playwrights, and Dicenta and Galdos.


Book Synopsis Social Drama in Nineteenth-century Spain by : J. Hunter Peak

Download or read book Social Drama in Nineteenth-century Spain written by J. Hunter Peak and published by Chapel Hill : Universiy of North Carolina. This book was released on 1964 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume traces social drama in Spain from its beginnings in the works of Moratin, treats those continuing the Moratin tradition, and studies the social drama of Tamayo y Baus, Ayala, Eguilza, Echegaray, the minor playwrights, and Dicenta and Galdos.

Theatre and Politics in Nineteenth-Century Spain

Theatre and Politics in Nineteenth-Century Spain

Author:

Publisher: Cambridge University Press

Published:

Total Pages: 4

ISBN-13:

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Download or read book Theatre and Politics in Nineteenth-Century Spain written by and published by Cambridge University Press. This book was released on with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:

A History of Theatre in Spain

A History of Theatre in Spain

Author: Maria M. Delgado

Publisher: Cambridge University Press

Published: 2015-07-09

Total Pages: 0

ISBN-13: 9781107533660

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Leading theater historians and practitioners map a theatrical history that moves from the religious tropes of Medieval Iberia to the postmodern practices of twenty-first-century Spain. Considering work across the different languages of Spain, from vernacular Latin to Catalan, Galician and Basque, this history engages with the work of actors and directors, designers and publishers, agents and impresarios, and architects and ensembles, in indicating the ways in which theater has both commented on and intervened in the major debates and issues of the day. Chapters consider paratheatrical activities and popular performance, such as the comedia de magia and flamenco, alongside the works of Spain's major dramatists, from Lope de Vega to Federico García Lorca. Featuring revealing interviews with actress Nuria Espert, director Lluís Pasqual and playwright Juan Mayorga, it positions Spanish theater within a paradigm that recognizes its links and intersections with wider European and Latin American practices.


Book Synopsis A History of Theatre in Spain by : Maria M. Delgado

Download or read book A History of Theatre in Spain written by Maria M. Delgado and published by Cambridge University Press. This book was released on 2015-07-09 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading theater historians and practitioners map a theatrical history that moves from the religious tropes of Medieval Iberia to the postmodern practices of twenty-first-century Spain. Considering work across the different languages of Spain, from vernacular Latin to Catalan, Galician and Basque, this history engages with the work of actors and directors, designers and publishers, agents and impresarios, and architects and ensembles, in indicating the ways in which theater has both commented on and intervened in the major debates and issues of the day. Chapters consider paratheatrical activities and popular performance, such as the comedia de magia and flamenco, alongside the works of Spain's major dramatists, from Lope de Vega to Federico García Lorca. Featuring revealing interviews with actress Nuria Espert, director Lluís Pasqual and playwright Juan Mayorga, it positions Spanish theater within a paradigm that recognizes its links and intersections with wider European and Latin American practices.

Music Theater and Popular Nationalism in Spain, 1880-1930

Music Theater and Popular Nationalism in Spain, 1880-1930

Author: Clinton D. Young

Publisher: LSU Press

Published: 2016-01-11

Total Pages: 306

ISBN-13: 0807161055

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From its earliest appearance in the mid-1600s, the lyric theater form of zarzuela captivated Spanish audiences with its witty writing and lively musical scores. Clinton D. Young’s Music Theater and Popular Nationalism in Spain, 1880–1930 persuasively links zarzuela’s celebration of Spanish history and culture to the development of concepts of nationalism and national identity at the dawn of the twentieth century. As a weak Spanish government focused its energy on preventing a recurrence of mid-nineteenth-century political upheavals, the project of articulating a national identity occurred at the popular level, particularly in cultural venues such as the theater. Zarzuela suited this aim well, depicting the lives of everyday citizens amid the rapidly changing norms brought about by industrialization and urbanization. It also integrated regional differences into a unified vision of Spanish national identity: a zarzuela performance set in Madrid could incorporate forms of music and folk dancing native to areas of the country as far distant as Andalucía and Catalonia. A true “music of the people” (música popular), zarzuela offered its audiences an image of what a more modern Spain might look like. Zarzuela alone could not create a unified concept of Spanish identity, particularly with competition from new forms of mass culture and the rise of the Primo de Rivera dictatorship in the 1920s. Yet, as this riveting study shows, it made an indelible contribution to popular culture and nationalism. Young’s history brings to life the stories, songs, and evolving contexts of a uniquely Spanish art form.


Book Synopsis Music Theater and Popular Nationalism in Spain, 1880-1930 by : Clinton D. Young

Download or read book Music Theater and Popular Nationalism in Spain, 1880-1930 written by Clinton D. Young and published by LSU Press. This book was released on 2016-01-11 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its earliest appearance in the mid-1600s, the lyric theater form of zarzuela captivated Spanish audiences with its witty writing and lively musical scores. Clinton D. Young’s Music Theater and Popular Nationalism in Spain, 1880–1930 persuasively links zarzuela’s celebration of Spanish history and culture to the development of concepts of nationalism and national identity at the dawn of the twentieth century. As a weak Spanish government focused its energy on preventing a recurrence of mid-nineteenth-century political upheavals, the project of articulating a national identity occurred at the popular level, particularly in cultural venues such as the theater. Zarzuela suited this aim well, depicting the lives of everyday citizens amid the rapidly changing norms brought about by industrialization and urbanization. It also integrated regional differences into a unified vision of Spanish national identity: a zarzuela performance set in Madrid could incorporate forms of music and folk dancing native to areas of the country as far distant as Andalucía and Catalonia. A true “music of the people” (música popular), zarzuela offered its audiences an image of what a more modern Spain might look like. Zarzuela alone could not create a unified concept of Spanish identity, particularly with competition from new forms of mass culture and the rise of the Primo de Rivera dictatorship in the 1920s. Yet, as this riveting study shows, it made an indelible contribution to popular culture and nationalism. Young’s history brings to life the stories, songs, and evolving contexts of a uniquely Spanish art form.

Remaking the Comedia

Remaking the Comedia

Author: Harley Erdman

Publisher: Boydell & Brewer Ltd

Published: 2015

Total Pages: 325

ISBN-13: 1855662922

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Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike. This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de García is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco García Vicente, Alejandro González Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de García, Felipe B. Pedraza Jiménez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey


Book Synopsis Remaking the Comedia by : Harley Erdman

Download or read book Remaking the Comedia written by Harley Erdman and published by Boydell & Brewer Ltd. This book was released on 2015 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike. This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de García is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco García Vicente, Alejandro González Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de García, Felipe B. Pedraza Jiménez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey

Copyright and Context

Copyright and Context

Author: Lisa Surwillo

Publisher:

Published: 2002

Total Pages: 622

ISBN-13:

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Book Synopsis Copyright and Context by : Lisa Surwillo

Download or read book Copyright and Context written by Lisa Surwillo and published by . This book was released on 2002 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt: