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The present volume, devoted solely to the composer's operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau's operas.
Book Synopsis The Operas of Rameau by : Graham Sadler
Download or read book The Operas of Rameau written by Graham Sadler and published by Routledge. This book was released on 2021-01-04 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: The present volume, devoted solely to the composer's operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau's operas.
In recent years, interest in Rameau’s operas has grown enormously. These works are no longer regarded as peripheral by performers and audiences but are increasingly staged in the world’s major opera houses and festivals, while the production of first-rate recordings on CD and DVD continues to flourish. Such welcome developments have gone hand in hand with an upsurge in research on Rameau and his period. The present volume, devoted solely to the composer’s operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau’s operas. The individual essays are informed by a variety of disciplines or sub-disciplines including literature, archival studies, musical analysis, gender studies, ballet and choreography, dramaturgy and staging. The contents are addressed to a wide readership, including not only scholars but also practical musicians, stage directors, dancers and choreographers.
Book Synopsis The Operas of Rameau by : Graham Sadler
Download or read book The Operas of Rameau written by Graham Sadler and published by Routledge. This book was released on 2021-09-09 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, interest in Rameau’s operas has grown enormously. These works are no longer regarded as peripheral by performers and audiences but are increasingly staged in the world’s major opera houses and festivals, while the production of first-rate recordings on CD and DVD continues to flourish. Such welcome developments have gone hand in hand with an upsurge in research on Rameau and his period. The present volume, devoted solely to the composer’s operas, reflects this scholarly activity. It brings together a substantial group of essays by an international team of scholars on a wide range of aspects of Rameau’s operas. The individual essays are informed by a variety of disciplines or sub-disciplines including literature, archival studies, musical analysis, gender studies, ballet and choreography, dramaturgy and staging. The contents are addressed to a wide readership, including not only scholars but also practical musicians, stage directors, dancers and choreographers.
One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Book Synopsis Monstrous Opera by : Charles Dill
Download or read book Monstrous Opera written by Charles Dill and published by Princeton University Press. This book was released on 2014-07-14 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the foremost composers of the French Baroque operatic tradition, Rameau is often cited for his struggle to steer lyric tragedy away from its strict Lullian form, inspired by spoken tragedy, and toward a more expressive musical style. In this fresh exploration of Rameau's compositional aesthetic, Charles Dill depicts a much more complicated figure: one obsessed with tradition, music theory, his own creative instincts, and the public's expectations of his music. Dill examines the ways Rameau mediated among these often competing values and how he interacted with his critics and with the public. The result is a sophisticated rethinking of Rameau as a musical innovator. In his compositions, Rameau tried to highlight music's potential for dramatic meanings. But his listeners, who understood lyric tragedy to be a poetic rather than musical genre, were generally frustrated by these attempts. In fact, some described Rameau's music as monstrous--using an image of deformity to represent the failure of reason and communication. Dill shows how Rameau answered his critics with rational, theoretical arguments about the role of music in lyric tragedy. At the same time, however, the composer sought to placate his audiences by substantially revising his musical texts in later performances, sometimes abandoning his most creative ideas. Monstrous Opera illuminates the complexity of Rameau's vision, revealing not only the tensions within the music but also the conflicting desires that drove the man--himself caricatured by his contemporaries as a monster. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
"Definitive full-scale biography and critical study of great 18th-century composer Jean-Philippe Rameau (1683-1764). Full chapter treatments of great operas and ballets as well as his chamber music, cantatas and motets, and minor works. Rameau's life and musical times, acoustic and harmonic theories, link to Lully, influence on Gluck and other interesting topics are also included. Numerous useful appendixes, indexes and an extensive bibliography. Over 300 musical examples"--Provided by publisher.
Book Synopsis Jean-Philippe Rameau by : Cuthbert Girdlestone
Download or read book Jean-Philippe Rameau written by Cuthbert Girdlestone and published by Courier Corporation. This book was released on 2014-01-01 with total page 676 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Definitive full-scale biography and critical study of great 18th-century composer Jean-Philippe Rameau (1683-1764). Full chapter treatments of great operas and ballets as well as his chamber music, cantatas and motets, and minor works. Rameau's life and musical times, acoustic and harmonic theories, link to Lully, influence on Gluck and other interesting topics are also included. Numerous useful appendixes, indexes and an extensive bibliography. Over 300 musical examples"--Provided by publisher.
Book Synopsis The Operas of Rameau by : Virgil Claxton Self
Download or read book The Operas of Rameau written by Virgil Claxton Self and published by . This book was released on 1956 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Definitive biography and critical study of the great 18th-century composer features full-chapter treatments of Rameau's operas and ballets as well as his chamber music, cantatas and motets, and minor works.
Book Synopsis Jean-Philippe Rameau by : Cuthbert Girdlestone
Download or read book Jean-Philippe Rameau written by Cuthbert Girdlestone and published by Courier Corporation. This book was released on 2014-01-05 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: Definitive biography and critical study of the great 18th-century composer features full-chapter treatments of Rameau's operas and ballets as well as his chamber music, cantatas and motets, and minor works.
During the eighteenth century, the French court made yearly trips to the chateau of Fontainebleau during the autumn months, partaking of the abundant hunting in the surrounding area, and enjoying evenings of operas and plays presented by the leading performers from Paris. Jean-Philippe Rameau (1683- 1764), the leading French composer of the period, was asked to present 5 new operas at the chateau in 1753 and 1754. Only one of these works was ever published and three of the five were never heard in Paris. Consequently, these works have remained little known. This book presents Rameau's works first heard at Fontainebleau in the context of their compositional and performance histories, a context which is rich in court intrigues and social change. This study is the first published work to investigate these operas in detail, Rameau's relationship to the court and the public opera house of Paris is reevaluated, and the richness of Rameau's musical imagination is revealed in works from his maturity.
Book Synopsis Fontainebleau Operas for the Court of Louis XV of France by Jean-Philippe Rameau (1683-1764) by : Paul Francis Rice
Download or read book Fontainebleau Operas for the Court of Louis XV of France by Jean-Philippe Rameau (1683-1764) written by Paul Francis Rice and published by Edwin Mellen Press. This book was released on 2004 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the eighteenth century, the French court made yearly trips to the chateau of Fontainebleau during the autumn months, partaking of the abundant hunting in the surrounding area, and enjoying evenings of operas and plays presented by the leading performers from Paris. Jean-Philippe Rameau (1683- 1764), the leading French composer of the period, was asked to present 5 new operas at the chateau in 1753 and 1754. Only one of these works was ever published and three of the five were never heard in Paris. Consequently, these works have remained little known. This book presents Rameau's works first heard at Fontainebleau in the context of their compositional and performance histories, a context which is rich in court intrigues and social change. This study is the first published work to investigate these operas in detail, Rameau's relationship to the court and the public opera house of Paris is reevaluated, and the richness of Rameau's musical imagination is revealed in works from his maturity.
From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an often entertaining insight into Lully’s once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English. Readers will find this new, updated edition easier to use with its revised and expanded translations, supplementary explanatory content and new illustrations.
Book Synopsis French Baroque Opera: A Reader by : Caroline Wood
Download or read book French Baroque Opera: A Reader written by Caroline Wood and published by Routledge. This book was released on 2017-07-14 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the outset, French opera generated an enormous diversity of literature, familiarity with which greatly enhances our understanding of this unique art form. Yet relatively little of that literature is available in English, despite an upsurge of interest in the Lully-Rameau period during the past two decades. This book presents a wide-ranging and informative picture of the organization and evolution of French Baroque opera, its aims and aspirations, its strengths and weaknesses. Drawing on official documents, theoretical writings, letters, diaries, dictionary entries, contemporary reviews and commentaries, it provides an often entertaining insight into Lully’s once-proud Royal Academy of Music and the colourful characters who surrounded it. The translated passages are set in context, and readers are directed to further scholarly and critical writings in English. Readers will find this new, updated edition easier to use with its revised and expanded translations, supplementary explanatory content and new illustrations.
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 26. Chapters: Acante et Cephise, Anacreon (1754), Anacreon (1757), Castor et Pollux, Daphnis et Egle, Dardanus (opera), Hippolyte et Aricie, Io (opera), La guirlande, La naissance d'Osiris, La princesse de Navarre, Les Boreades, Les fetes d'Hebe, Les fetes de l'Hymen et de l'Amour, Les fetes de Polymnie, Les fetes de Ramire, Les Indes galantes, Les Paladins, Les sibarites, Les surprises de l'Amour, Le temple de la Gloire, List of operas by Rameau, Lost operas by Jean-Philippe Rameau, Nais, Nelee et Myrthis, Pigmalion (opera), Platee, The Enchanted Island (opera), Zais, Zephire, Zoroastre. Excerpt: See also: Les surprises de l'Amour is an opera-ballet in two entrees (three or four in later versions) and a prologue by the French composer Jean-Philippe Rameau. It was first performed in Versailles on 27 November 1748. The opera is set to a libretto by Gentil-Bernard. According to the usage of the time, it was originally just billed as a "ballet" and was only later classified by scholars as an opera-ballet, although its content might more precisely ascribe it to the ballet heroique genre. The work was commissioned by Madame de Pompadour to celebrate the Treaty of Aix-la-Chapelle and premiered at the third-season opening of her Theatre des Petits Appartements for the inauguration of the Theatre's new venue upon the Grand Escalier des Ambassadeurs (Ambassadors' Grand Staircase) in the Palace of Versailles, starring Madame De Pompadour herself in two of the original soprano roles, Urania and Venus. In its first form, the work was composed of an allegorical prologue relating to the Treaty of Aix-la-Chapelle, "Le retour d'Astree," and of two entrees, "La lyre enchantee" and "Adonis." Les surprises de l'amour was the first opera specially written for the Theatre des Petits Appartements and was also the...
Book Synopsis Operas by Jean-Philippe Rameau by : Source Wikipedia
Download or read book Operas by Jean-Philippe Rameau written by Source Wikipedia and published by University-Press.org. This book was released on 2013-09 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 26. Chapters: Acante et Cephise, Anacreon (1754), Anacreon (1757), Castor et Pollux, Daphnis et Egle, Dardanus (opera), Hippolyte et Aricie, Io (opera), La guirlande, La naissance d'Osiris, La princesse de Navarre, Les Boreades, Les fetes d'Hebe, Les fetes de l'Hymen et de l'Amour, Les fetes de Polymnie, Les fetes de Ramire, Les Indes galantes, Les Paladins, Les sibarites, Les surprises de l'Amour, Le temple de la Gloire, List of operas by Rameau, Lost operas by Jean-Philippe Rameau, Nais, Nelee et Myrthis, Pigmalion (opera), Platee, The Enchanted Island (opera), Zais, Zephire, Zoroastre. Excerpt: See also: Les surprises de l'Amour is an opera-ballet in two entrees (three or four in later versions) and a prologue by the French composer Jean-Philippe Rameau. It was first performed in Versailles on 27 November 1748. The opera is set to a libretto by Gentil-Bernard. According to the usage of the time, it was originally just billed as a "ballet" and was only later classified by scholars as an opera-ballet, although its content might more precisely ascribe it to the ballet heroique genre. The work was commissioned by Madame de Pompadour to celebrate the Treaty of Aix-la-Chapelle and premiered at the third-season opening of her Theatre des Petits Appartements for the inauguration of the Theatre's new venue upon the Grand Escalier des Ambassadeurs (Ambassadors' Grand Staircase) in the Palace of Versailles, starring Madame De Pompadour herself in two of the original soprano roles, Urania and Venus. In its first form, the work was composed of an allegorical prologue relating to the Treaty of Aix-la-Chapelle, "Le retour d'Astree," and of two entrees, "La lyre enchantee" and "Adonis." Les surprises de l'amour was the first opera specially written for the Theatre des Petits Appartements and was also the...
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Book Synopsis Dance and Drama in French Baroque Opera by : Rebecca Harris-Warrick
Download or read book Dance and Drama in French Baroque Opera written by Rebecca Harris-Warrick and published by Cambridge University Press. This book was released on 2016-10-27 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
