The Other American Moderns

The Other American Moderns

Author: ShiPu Wang

Publisher: Penn State Press

Published: 2017-09-05

Total Pages: 198

ISBN-13: 0271080728

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In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.


Book Synopsis The Other American Moderns by : ShiPu Wang

Download or read book The Other American Moderns written by ShiPu Wang and published by Penn State Press. This book was released on 2017-09-05 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.

American Moderns

American Moderns

Author: Christine Stansell

Publisher: Princeton University Press

Published: 2010

Total Pages: 437

ISBN-13: 0691142831

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In the early twentieth century, a brand of men and women moved to New York City. For them, the city's immigrant neighborhoods provided a place where the fancies and forms of a new America could be tested. This book tells the story of most famous of these neighborhoods, Greenwich Village, which became a symbol of social and intellectual freedom.


Book Synopsis American Moderns by : Christine Stansell

Download or read book American Moderns written by Christine Stansell and published by Princeton University Press. This book was released on 2010 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early twentieth century, a brand of men and women moved to New York City. For them, the city's immigrant neighborhoods provided a place where the fancies and forms of a new America could be tested. This book tells the story of most famous of these neighborhoods, Greenwich Village, which became a symbol of social and intellectual freedom.

American Modern

American Modern

Author: Thomas Obrien

Publisher: Abrams

Published: 2018-06-05

Total Pages: 254

ISBN-13: 1683354265

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“One of those designers whose interior and furniture designs look discovered, not created . . . both comfortable and exquisite, calm and eclectic.” —Apartment Therapy Designer and merchant, collector and tastemaker, Thomas O’Brien has made a career of translating cool notions of modernism into an easy and generous array of modern styles that anyone can attain. Now he introduces readers to a range of those styles—from casual to formal, vintage to urban—alongside stunning photography and charming design stories. O’Brien carefully describes the design process of his chosen projects, including a downtown New York City loft, a traditional Connecticut estate, and a converted schoolhouse in eastern Long Island. Each home explores a view on the modern design spectrum he has created, as well as the individual choices that make the design unique and its mix essentially American. He explains not only what was at work to create a given style, but how readers can import those practices to their own homes and personal design sensibilities. Important design principles such as architectural authenticity, color relationships, correctness of scale, and informed collecting are threaded through a practical narrative that reads like a master class in interior design. American Modern is an inspiring design volume that will redefine the way readers think about modern interiors. “O’Brien carefully describes the design process of his chosen projects. Beautiful imagery and a unique layout describe his approach to design in a new and innovative way.” —LIFEMSTYLE “It’s like getting a glimpse into the studio paintings of a great master . . . I especially love how all of his spaces feel so gender neutral, the perfect balance.” —Cottage Farm


Book Synopsis American Modern by : Thomas Obrien

Download or read book American Modern written by Thomas Obrien and published by Abrams. This book was released on 2018-06-05 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: “One of those designers whose interior and furniture designs look discovered, not created . . . both comfortable and exquisite, calm and eclectic.” —Apartment Therapy Designer and merchant, collector and tastemaker, Thomas O’Brien has made a career of translating cool notions of modernism into an easy and generous array of modern styles that anyone can attain. Now he introduces readers to a range of those styles—from casual to formal, vintage to urban—alongside stunning photography and charming design stories. O’Brien carefully describes the design process of his chosen projects, including a downtown New York City loft, a traditional Connecticut estate, and a converted schoolhouse in eastern Long Island. Each home explores a view on the modern design spectrum he has created, as well as the individual choices that make the design unique and its mix essentially American. He explains not only what was at work to create a given style, but how readers can import those practices to their own homes and personal design sensibilities. Important design principles such as architectural authenticity, color relationships, correctness of scale, and informed collecting are threaded through a practical narrative that reads like a master class in interior design. American Modern is an inspiring design volume that will redefine the way readers think about modern interiors. “O’Brien carefully describes the design process of his chosen projects. Beautiful imagery and a unique layout describe his approach to design in a new and innovative way.” —LIFEMSTYLE “It’s like getting a glimpse into the studio paintings of a great master . . . I especially love how all of his spaces feel so gender neutral, the perfect balance.” —Cottage Farm

American Moderns

American Moderns

Author: Christine Stansell

Publisher: Princeton University Press

Published: 2021-05-11

Total Pages: 437

ISBN-13: 1400833663

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In the early twentieth century, an exuberant brand of gifted men and women moved to New York City, not to get rich but to participate in a cultural revolution. For them, the city's immigrant neighborhoods--home to art, poetry, cafes, and cabarets in the European tradition--provided a place where the fancies and forms of a new America could be tested. Some called themselves Bohemians, some members of the avant-garde, but all took pleasure in the exotic, new, and forbidden. In American Moderns, Christine Stansell tells the story of the most famous of these neighborhoods, Greenwich Village, which--thanks to cultural icons such as Eugene O'Neill, Isadora Duncan, and Emma Goldman--became a symbol of social and intellectual freedom. Stansell eloquently explains how the mixing of old and new worlds, politics and art, and radicalism and commerce so characteristic of New York shaped the modern American urban scene. American Moderns is both an examination and a celebration of a way of life that's been nearly forgotten.


Book Synopsis American Moderns by : Christine Stansell

Download or read book American Moderns written by Christine Stansell and published by Princeton University Press. This book was released on 2021-05-11 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early twentieth century, an exuberant brand of gifted men and women moved to New York City, not to get rich but to participate in a cultural revolution. For them, the city's immigrant neighborhoods--home to art, poetry, cafes, and cabarets in the European tradition--provided a place where the fancies and forms of a new America could be tested. Some called themselves Bohemians, some members of the avant-garde, but all took pleasure in the exotic, new, and forbidden. In American Moderns, Christine Stansell tells the story of the most famous of these neighborhoods, Greenwich Village, which--thanks to cultural icons such as Eugene O'Neill, Isadora Duncan, and Emma Goldman--became a symbol of social and intellectual freedom. Stansell eloquently explains how the mixing of old and new worlds, politics and art, and radicalism and commerce so characteristic of New York shaped the modern American urban scene. American Moderns is both an examination and a celebration of a way of life that's been nearly forgotten.

The Moderns

The Moderns

Author: Steven Heller

Publisher: Abrams

Published: 2017-09-19

Total Pages: 256

ISBN-13: 168335012X

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In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.


Book Synopsis The Moderns by : Steven Heller

Download or read book The Moderns written by Steven Heller and published by Abrams. This book was released on 2017-09-19 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.

Villa America

Villa America

Author: Elizabeth Armstrong

Publisher:

Published: 2005

Total Pages: 160

ISBN-13:

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Essays by Elizabeth Armstrong, Kristin Chambers, Aimee Chang, Rita Gonzalez, Glen Helfand, Michael Ned Holte, Karen Moss and Jan Tumlir. Foreword by Dennis Szakacs.


Book Synopsis Villa America by : Elizabeth Armstrong

Download or read book Villa America written by Elizabeth Armstrong and published by . This book was released on 2005 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by Elizabeth Armstrong, Kristin Chambers, Aimee Chang, Rita Gonzalez, Glen Helfand, Michael Ned Holte, Karen Moss and Jan Tumlir. Foreword by Dennis Szakacs.

American Modern: Hopper to O'Keeffe

American Modern: Hopper to O'Keeffe

Author: Esther Adler

Publisher: The Museum of Modern Art

Published: 2013-08-11

Total Pages: 145

ISBN-13: 087070852X

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The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.


Book Synopsis American Modern: Hopper to O'Keeffe by : Esther Adler

Download or read book American Modern: Hopper to O'Keeffe written by Esther Adler and published by The Museum of Modern Art. This book was released on 2013-08-11 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.

American Moderns, 1910-1960

American Moderns, 1910-1960

Author: Karen A. Sherry

Publisher: Pomegranate

Published: 2012

Total Pages: 128

ISBN-13: 9780764962653

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During the five decades between 1910 and 1960, American society underwent tumultuous and far-reaching transformations. As the United States emerged as an international power of economic, industrial, and military might, Americans also witnessed two world wars and the Great Depression. Urbanization and new technologies altered all aspects of modern life, and an increasingly diverse population clamored for the opportunities promised by the American dream. In response to these dramatic changes, many American artists rejected or reformulated artistic traditions and sought new ways to portray contemporary life. Published in conjunction with a traveling exhibition of works from the world-renowned collection of the Brooklyn Museum, American Moderns, 1910 1960: From O'Keeffe to Rockwell explores the myriad ways in which American artists engaged modernity. Featured are 53 paintings and 4 sculptures, ranging widely in subject matter and style, by such artists as Marsden Hartley, Stuart Davis, Arthur Dove, and Max Weber, leaders of American modernism; Precisionists George Ault and Francis Criss; Social Realists Reginald Marsh and Raphael Soyer; and the folk-art icon Grandma Moses. The book's introduction sets the stage for six thematic sections, each with an introductory essay Cubist Experiments, The Still Life Revisited, Nature Essentialized, Modern Structures, Engaging Characters, and Americana tracing the period's dominant artistic developments. Interpretive text for each object and reproductions of comparative works provide further insight into how these artists shaped modern art.


Book Synopsis American Moderns, 1910-1960 by : Karen A. Sherry

Download or read book American Moderns, 1910-1960 written by Karen A. Sherry and published by Pomegranate. This book was released on 2012 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the five decades between 1910 and 1960, American society underwent tumultuous and far-reaching transformations. As the United States emerged as an international power of economic, industrial, and military might, Americans also witnessed two world wars and the Great Depression. Urbanization and new technologies altered all aspects of modern life, and an increasingly diverse population clamored for the opportunities promised by the American dream. In response to these dramatic changes, many American artists rejected or reformulated artistic traditions and sought new ways to portray contemporary life. Published in conjunction with a traveling exhibition of works from the world-renowned collection of the Brooklyn Museum, American Moderns, 1910 1960: From O'Keeffe to Rockwell explores the myriad ways in which American artists engaged modernity. Featured are 53 paintings and 4 sculptures, ranging widely in subject matter and style, by such artists as Marsden Hartley, Stuart Davis, Arthur Dove, and Max Weber, leaders of American modernism; Precisionists George Ault and Francis Criss; Social Realists Reginald Marsh and Raphael Soyer; and the folk-art icon Grandma Moses. The book's introduction sets the stage for six thematic sections, each with an introductory essay Cubist Experiments, The Still Life Revisited, Nature Essentialized, Modern Structures, Engaging Characters, and Americana tracing the period's dominant artistic developments. Interpretive text for each object and reproductions of comparative works provide further insight into how these artists shaped modern art.

Modern Bodies

Modern Bodies

Author: Julia L. Foulkes

Publisher: Univ of North Carolina Press

Published: 2003-11-03

Total Pages: 272

ISBN-13: 9780807862025

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In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.


Book Synopsis Modern Bodies by : Julia L. Foulkes

Download or read book Modern Bodies written by Julia L. Foulkes and published by Univ of North Carolina Press. This book was released on 2003-11-03 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.

American Universities and the Birth of Modern Mormonism, 1867–1940

American Universities and the Birth of Modern Mormonism, 1867–1940

Author: Thomas W. Simpson

Publisher: UNC Press Books

Published: 2016-08-26

Total Pages: 247

ISBN-13: 1469628643

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In the closing decades of the nineteenth century, college-age Latter-day Saints began undertaking a remarkable intellectual pilgrimage to the nation's elite universities, including Harvard, Columbia, Michigan, Chicago, and Stanford. Thomas W. Simpson chronicles the academic migration of hundreds of LDS students from the 1860s through the late 1930s, when church authority J. Reuben Clark Jr., himself a product of the Columbia University Law School, gave a reactionary speech about young Mormons' search for intellectual cultivation. Clark's leadership helped to set conservative parameters that in large part came to characterize Mormon intellectual life. At the outset, Mormon women and men were purposefully dispatched to such universities to "gather the world's knowledge to Zion." Simpson, drawing on unpublished diaries, among other materials, shows how LDS students commonly described American universities as egalitarian spaces that fostered a personally transformative sense of freedom to explore provisional reconciliations of Mormon and American identities and religious and scientific perspectives. On campus, Simpson argues, Mormon separatism died and a new, modern Mormonism was born: a Mormonism at home in the United States but at odds with itself. Fierce battles among Mormon scholars and church leaders ensued over scientific thought, progressivism, and the historicity of Mormonism's sacred past. The scars and controversy, Simpson concludes, linger.


Book Synopsis American Universities and the Birth of Modern Mormonism, 1867–1940 by : Thomas W. Simpson

Download or read book American Universities and the Birth of Modern Mormonism, 1867–1940 written by Thomas W. Simpson and published by UNC Press Books. This book was released on 2016-08-26 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the closing decades of the nineteenth century, college-age Latter-day Saints began undertaking a remarkable intellectual pilgrimage to the nation's elite universities, including Harvard, Columbia, Michigan, Chicago, and Stanford. Thomas W. Simpson chronicles the academic migration of hundreds of LDS students from the 1860s through the late 1930s, when church authority J. Reuben Clark Jr., himself a product of the Columbia University Law School, gave a reactionary speech about young Mormons' search for intellectual cultivation. Clark's leadership helped to set conservative parameters that in large part came to characterize Mormon intellectual life. At the outset, Mormon women and men were purposefully dispatched to such universities to "gather the world's knowledge to Zion." Simpson, drawing on unpublished diaries, among other materials, shows how LDS students commonly described American universities as egalitarian spaces that fostered a personally transformative sense of freedom to explore provisional reconciliations of Mormon and American identities and religious and scientific perspectives. On campus, Simpson argues, Mormon separatism died and a new, modern Mormonism was born: a Mormonism at home in the United States but at odds with itself. Fierce battles among Mormon scholars and church leaders ensued over scientific thought, progressivism, and the historicity of Mormonism's sacred past. The scars and controversy, Simpson concludes, linger.