The Palgrave Encyclopedia of American Horror Film Shorts

The Palgrave Encyclopedia of American Horror Film Shorts

Author: Gary D. Rhodes

Publisher: Springer Nature

Published: 2022-07-26

Total Pages: 718

ISBN-13: 3030975649

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The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.


Book Synopsis The Palgrave Encyclopedia of American Horror Film Shorts by : Gary D. Rhodes

Download or read book The Palgrave Encyclopedia of American Horror Film Shorts written by Gary D. Rhodes and published by Springer Nature. This book was released on 2022-07-26 with total page 718 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.


The Palgrave Encyclopedia of American Horror Film Shorts

The Palgrave Encyclopedia of American Horror Film Shorts

Author: Gary D. Rhodes

Publisher:

Published: 2022

Total Pages: 0

ISBN-13: 9783030975654

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The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and - where possible - production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends. Gary D. Rhodes is Professor of Media at Oklahoma Baptist University, USA. He is the author of numerous books on the cinema, such as The Birth of the American Horror Film (2018), as well as the filmmaker of documentaries, such as Lugosi: Hollywood's Dracula (1997). David J. Hogan worked for thirty years in Chicago book and magazine publishing as an executive editor and division publisher. He is the author of ten books about various aspects of film, scores of magazine pieces, and essays appearing in numerous cinema monographs. .


Book Synopsis The Palgrave Encyclopedia of American Horror Film Shorts by : Gary D. Rhodes

Download or read book The Palgrave Encyclopedia of American Horror Film Shorts written by Gary D. Rhodes and published by . This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and - where possible - production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends. Gary D. Rhodes is Professor of Media at Oklahoma Baptist University, USA. He is the author of numerous books on the cinema, such as The Birth of the American Horror Film (2018), as well as the filmmaker of documentaries, such as Lugosi: Hollywood's Dracula (1997). David J. Hogan worked for thirty years in Chicago book and magazine publishing as an executive editor and division publisher. He is the author of ten books about various aspects of film, scores of magazine pieces, and essays appearing in numerous cinema monographs. .


The Palgrave Handbook of the Vampire

The Palgrave Handbook of the Vampire

Author: Simon Bacon

Publisher: Springer Nature

Published:

Total Pages: 1746

ISBN-13: 3031362535

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Book Synopsis The Palgrave Handbook of the Vampire by : Simon Bacon

Download or read book The Palgrave Handbook of the Vampire written by Simon Bacon and published by Springer Nature. This book was released on with total page 1746 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Post-9/11 Horror in American Cinema

Post-9/11 Horror in American Cinema

Author: Kevin J. Wetmore, Jr.

Publisher: Bloomsbury Publishing USA

Published: 2012-03-22

Total Pages: 242

ISBN-13: 1441103961

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The horror film is meant to end in hope: Regan McNeil can be exorcized. A hydrophobic Roy Scheider can blow up a shark. Buffy can and will slay vampires. Heroic human qualities like love, bravery, resourcefulness, and intelligence will eventually defeat the monster. But, after the 9/11, American horror became much more bleak, with many films ending with the deaths of the entire main cast. Post-9/11 Horror in American Cinema illustrates how contemporary horror films explore visceral and emotional reactions to the attacks and how they underpin audiences' ongoing fears about their safety. It examines how scary movies have changed as a result of 9/11 and, conversely, how horror films construct and give meaning to the event in a way that other genres do not. Considering films such as Quarantine, Cloverfield, Hostel and the Saw series, Wetmore examines the transformations in horror cinema since 9/11 and considers not merely how the tropes have changed, but how our understanding of horror itself has changed.


Book Synopsis Post-9/11 Horror in American Cinema by : Kevin J. Wetmore, Jr.

Download or read book Post-9/11 Horror in American Cinema written by Kevin J. Wetmore, Jr. and published by Bloomsbury Publishing USA. This book was released on 2012-03-22 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: The horror film is meant to end in hope: Regan McNeil can be exorcized. A hydrophobic Roy Scheider can blow up a shark. Buffy can and will slay vampires. Heroic human qualities like love, bravery, resourcefulness, and intelligence will eventually defeat the monster. But, after the 9/11, American horror became much more bleak, with many films ending with the deaths of the entire main cast. Post-9/11 Horror in American Cinema illustrates how contemporary horror films explore visceral and emotional reactions to the attacks and how they underpin audiences' ongoing fears about their safety. It examines how scary movies have changed as a result of 9/11 and, conversely, how horror films construct and give meaning to the event in a way that other genres do not. Considering films such as Quarantine, Cloverfield, Hostel and the Saw series, Wetmore examines the transformations in horror cinema since 9/11 and considers not merely how the tropes have changed, but how our understanding of horror itself has changed.


American Horrors

American Horrors

Author: Gregory Albert Waller

Publisher: University of Illinois Press

Published: 1987

Total Pages: 252

ISBN-13: 9780252014482

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Since the release of Rosemary's Baby in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods---from close textual readings and structuralist genre criticism to psychoanalytical, feminist, and ideological analyses---the authors examine individual films, directors, and subgenres. In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (Night of the Living Dead, The Exorcist, and Halloween) and particularly problematic films (Don't Look Now and Eyes of Laura Mars) with discussions of such central thematic preoccupations as the genre's representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal. In addition, American Horrors includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.


Book Synopsis American Horrors by : Gregory Albert Waller

Download or read book American Horrors written by Gregory Albert Waller and published by University of Illinois Press. This book was released on 1987 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the release of Rosemary's Baby in 1968, the American horror film has become one of the most diverse, commercially successful, widely discussed, and culturally significant film genres. Drawing on a wide range of critical methods---from close textual readings and structuralist genre criticism to psychoanalytical, feminist, and ideological analyses---the authors examine individual films, directors, and subgenres. In this collection of twelve essays, Gregory Waller balances detailed studies of both popular films (Night of the Living Dead, The Exorcist, and Halloween) and particularly problematic films (Don't Look Now and Eyes of Laura Mars) with discussions of such central thematic preoccupations as the genre's representation of violence and female victims, its reflexivity and playfulness, and its ongoing redefinition of the monstrous and the normal. In addition, American Horrors includes a filmography of movies and telefilms and an annotated bibliography of books and articles about horror since 1968.


The American Horror Film

The American Horror Film

Author: Reynold Humphries

Publisher:

Published: 2002

Total Pages: 216

ISBN-13: 9781474469418

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An overview of the horror movie genre, this book moves from Dracula in 1931 to contemporary films, and treats recurring characters and themes, as well as key directors.


Book Synopsis The American Horror Film by : Reynold Humphries

Download or read book The American Horror Film written by Reynold Humphries and published by . This book was released on 2002 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: An overview of the horror movie genre, this book moves from Dracula in 1931 to contemporary films, and treats recurring characters and themes, as well as key directors.


The Monster Always Returns

The Monster Always Returns

Author: Christian Knöppler

Publisher: transcript Verlag

Published: 2017-02-28

Total Pages: 263

ISBN-13: 3839437350

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The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this study Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.


Book Synopsis The Monster Always Returns by : Christian Knöppler

Download or read book The Monster Always Returns written by Christian Knöppler and published by transcript Verlag. This book was released on 2017-02-28 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this study Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.


The Turn to Gruesomeness in American Horror Films, 1931äóñ1936

The Turn to Gruesomeness in American Horror Films, 1931äóñ1936

Author: Jon Towlson

Publisher: McFarland

Published: 2016-09-16

Total Pages: 240

ISBN-13: 1476626391

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Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and “sex pictures,” horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen “gruesomeness,” studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 “happy ending” horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.


Book Synopsis The Turn to Gruesomeness in American Horror Films, 1931äóñ1936 by : Jon Towlson

Download or read book The Turn to Gruesomeness in American Horror Films, 1931äóñ1936 written by Jon Towlson and published by McFarland. This book was released on 2016-09-16 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in the home video/DVD era. Along with gangster movies and “sex pictures,” horror films drew audiences during the Great Depression with sensational content. Exploiting a loophole in the Hays Code, which made no provision for on-screen “gruesomeness,” studios produced remarkably explicit films that were recut when the Code was more rigidly enforced from 1934. This led to a modern misperception that classic horror was intended to be safe and reassuring to audiences. The author examines the 1931 to 1936 “happy ending” horror in relation to industry practices and censorship. Early works like Murders in the Rue Morgue (1932) and The Raven (1935) may be more akin to The Texas Chain Saw Massacre (1974) and Hostel (2005) than many critics believe.


The Birth of the American Horror Film

The Birth of the American Horror Film

Author: Gary Don Rhodes

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9781474430869

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Explains how the American horror movie came into existence. Although early cinema has long been a key area of research in film studies, the origin and development of the horror film has been a neglected subject for what is arguably one of the world's most popular film genres. Using thousands of primary sources and long-unseen illustrations, 'The Birth of the American Horror Film' examines a history that begins in colonial Salem, taking an interdisciplinary approach to explore the influence of horror-themed literature, theatre and visual culture in America, and how that context established an amorphous structural foundation for films produced between 1895 and 1915. Exhaustively researched, bridging scholarship on Horror Studies and Early Cinema, 'The Birth of the American Horror Film' is the first major study dedicated to this vital but often overlooked subject. Suitable for use on courses focusing on Film History, Genre and Horror.


Book Synopsis The Birth of the American Horror Film by : Gary Don Rhodes

Download or read book The Birth of the American Horror Film written by Gary Don Rhodes and published by . This book was released on 2018 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explains how the American horror movie came into existence. Although early cinema has long been a key area of research in film studies, the origin and development of the horror film has been a neglected subject for what is arguably one of the world's most popular film genres. Using thousands of primary sources and long-unseen illustrations, 'The Birth of the American Horror Film' examines a history that begins in colonial Salem, taking an interdisciplinary approach to explore the influence of horror-themed literature, theatre and visual culture in America, and how that context established an amorphous structural foundation for films produced between 1895 and 1915. Exhaustively researched, bridging scholarship on Horror Studies and Early Cinema, 'The Birth of the American Horror Film' is the first major study dedicated to this vital but often overlooked subject. Suitable for use on courses focusing on Film History, Genre and Horror.


Hearths of Darkness

Hearths of Darkness

Author: Tony Williams

Publisher: Univ. Press of Mississippi

Published: 2014-11-27

Total Pages: 368

ISBN-13: 1626743517

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Hearths of Darkness: The Family in the American Horror Film traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and short-lived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It’s Alive, God Told Me To, Carrie, The Exorcist, Exorcist 2, The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s. After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.


Book Synopsis Hearths of Darkness by : Tony Williams

Download or read book Hearths of Darkness written by Tony Williams and published by Univ. Press of Mississippi. This book was released on 2014-11-27 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hearths of Darkness: The Family in the American Horror Film traces the origins of the 1970s family horror subgenre to certain aspects of American culture and classical Hollywood cinema. Far from being an ephemeral and short-lived genre, horror actually relates to many facets of American history from its beginnings to the present day. Individual chapters examine aspects of the genre, its roots in the Universal horror films of the 1930s, the Val Lewton RKO unit of the 1940s, and the crucial role of Alfred Hitchcock as the father of the modern American horror film. Subsequent chapters investigate the key works of the 1970s by directors such as Larry Cohen, George A. Romero, Brian De Palma, Wes Craven, and Tobe Hooper, revealing the distinctive nature of films such as Bone, It’s Alive, God Told Me To, Carrie, The Exorcist, Exorcist 2, The Texas Chainsaw Massacre, as well as the contributions of such writers as Stephen King. Williams also studies the slasher films of the 1980s and 1990s, such as the Friday the 13th series, Halloween, the remake of The Texas Chainsaw Massacre, and Nightmare on Elm Street, exploring their failure to improve on the radical achievements of the films of the 1970s. After covering some post-1970s films, such as The Shining, the book concludes with a new postscript examining neglected films of the twentieth and early twenty-first century. Despite the overall decline in the American horror film, Williams determines that, far from being dead, the family horror film is still with us. Elements of family horror even appear in modern television series such as The Sopranos. This updated edition also includes a new introduction.