ebooks, audiobooks, and more for reads
Download The Philosophy Of Sound And History Of Music full books in PDF, epub, and Kindle. Read online The Philosophy Of Sound And History Of Music ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author: William Mullinger Higgins
Publisher:
Published: 1838
Total Pages: 276
ISBN-13:
DOWNLOAD EBOOKDownload or read book The Philosophy of Sound, and History of Music written by William Mullinger Higgins and published by . This book was released on 1838 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: William Mullinger Higgins
Publisher:
Published: 2019
Total Pages:
ISBN-13: 9780243644803
DOWNLOAD EBOOKDownload or read book Philosophy of Sound, and History of Music written by William Mullinger Higgins and published by . This book was released on 2019 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: W. Mullinger Higgins
Publisher: Literary Licensing, LLC
Published: 2014-03
Total Pages: 264
ISBN-13: 9781497835085
DOWNLOAD EBOOKThis Is A New Release Of The Original 1838 Edition.
Download or read book The Philosophy of Sound and History of Music written by W. Mullinger Higgins and published by Literary Licensing, LLC. This book was released on 2014-03 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Is A New Release Of The Original 1838 Edition.
Author: William Mullinger Higgins
Publisher: Wentworth Press
Published: 2016-08-28
Total Pages: 272
ISBN-13: 9781372512858
DOWNLOAD EBOOKThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book PHILOSOPHY OF SOUND & HIST OF written by William Mullinger Higgins and published by Wentworth Press. This book was released on 2016-08-28 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: John Dack
Publisher: Cambridge Scholars Publishing
Published: 2020-11-12
Total Pages: 235
ISBN-13: 1527562042
DOWNLOAD EBOOKThis volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both practitioners and theoreticians who work in areas where innovative synergies between sound art and music can be identified. Although practice and theory are inseparable, discourses surrounding practice are elusive but informative, and, as such, are given particular recognition and exploration in this volume. Taken as a whole, the book provides a snapshot of contemporary research across a range of sound art and music disciplines, showcasing the variety, scope and scale of this exciting, if bewildering, area of study.
Download or read book Sound Art and Music written by John Dack and published by Cambridge Scholars Publishing. This book was released on 2020-11-12 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the mutually beneficial, but occasionally uneasy, relationship between sound art and music. It reveals how practices and theories associated with these art forms frequently result in corroboration, and contains chapters from both practitioners and theoreticians who work in areas where innovative synergies between sound art and music can be identified. Although practice and theory are inseparable, discourses surrounding practice are elusive but informative, and, as such, are given particular recognition and exploration in this volume. Taken as a whole, the book provides a snapshot of contemporary research across a range of sound art and music disciplines, showcasing the variety, scope and scale of this exciting, if bewildering, area of study.
Download or read book The Philosophy of Sound and History of Music written by and published by . This book was released on 2020-03-14 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: William Mullinger Higgins
Publisher:
Published: 1838
Total Pages: 276
ISBN-13:
DOWNLOAD EBOOKDownload or read book The Philosophy of Sound, and History of Music written by William Mullinger Higgins and published by . This book was released on 1838 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: William Mullinger HIGGINS
Publisher:
Published: 1838
Total Pages: 280
ISBN-13:
DOWNLOAD EBOOKDownload or read book The Philosophy of Sound and Musical Composition written by William Mullinger HIGGINS and published by . This book was released on 1838 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Jing Wang
Publisher: Bloomsbury Publishing USA
Published: 2021-01-14
Total Pages: 247
ISBN-13: 1501333496
DOWNLOAD EBOOKFrom the late 1990s until today, China's sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham's statement that “Chinese acoustics is acoustics of qi.” and expands existing conceptualization of sound art and contemporary music at large.
Download or read book Half Sound, Half Philosophy written by Jing Wang and published by Bloomsbury Publishing USA. This book was released on 2021-01-14 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the late 1990s until today, China's sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham's statement that “Chinese acoustics is acoustics of qi.” and expands existing conceptualization of sound art and contemporary music at large.
Author: Jost Hermand
Publisher: Univ of Wisconsin Press
Published: 2006-11-01
Total Pages: 277
ISBN-13: 029921933X
DOWNLOAD EBOOKThe rich conceptual and experiential relays between music and philosophy—echoes of what Theodor W. Adorno once called Klangfiguren, or "sound figures"—resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. The contributors examine the texts of such highly influential writers and thinkers as Schelling, Schopenhauer, Nietzsche, Bloch, Mann, Adorno, and Lukács in relation to individual composers including Beethoven, Wagner, Schönberg, and Eisler. Their explorations of the complexities that arise in conceptualizing music as a mode of representation and philosophy as a mode of aesthetic practice thematize the ways in which the fields of music and philosophy are altered when either attempts to express itself in terms defined by the other. Contributors: Albrecht Betz, Lydia Goehr, Beatrice Hanssen, Jost Hermand, David Farrell Krell, Ludger Lütkehaus, Margaret Moore, Rebekah Pryor Paré, Gerhard Richter, Hans Rudolf Vaget, Samuel Weber
Download or read book Sound Figures of Modernity written by Jost Hermand and published by Univ of Wisconsin Press. This book was released on 2006-11-01 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: The rich conceptual and experiential relays between music and philosophy—echoes of what Theodor W. Adorno once called Klangfiguren, or "sound figures"—resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. The contributors examine the texts of such highly influential writers and thinkers as Schelling, Schopenhauer, Nietzsche, Bloch, Mann, Adorno, and Lukács in relation to individual composers including Beethoven, Wagner, Schönberg, and Eisler. Their explorations of the complexities that arise in conceptualizing music as a mode of representation and philosophy as a mode of aesthetic practice thematize the ways in which the fields of music and philosophy are altered when either attempts to express itself in terms defined by the other. Contributors: Albrecht Betz, Lydia Goehr, Beatrice Hanssen, Jost Hermand, David Farrell Krell, Ludger Lütkehaus, Margaret Moore, Rebekah Pryor Paré, Gerhard Richter, Hans Rudolf Vaget, Samuel Weber
