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How did educated 18th-century Russians view society? And how did they reconcile their professed ideals of equality with the monarchical political structures in which they lived? In this study, historian Elise Wirtschafter turns to literary plays to reconstruct the social thinking of the past and to discover how Russians of the Enlightenment understood themselves.
Book Synopsis The Play of Ideas in Russian Enlightenment Theater by : Elise Kimerling Wirtschafter
Download or read book The Play of Ideas in Russian Enlightenment Theater written by Elise Kimerling Wirtschafter and published by . This book was released on 2003 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did educated 18th-century Russians view society? And how did they reconcile their professed ideals of equality with the monarchical political structures in which they lived? In this study, historian Elise Wirtschafter turns to literary plays to reconstruct the social thinking of the past and to discover how Russians of the Enlightenment understood themselves.
What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
Book Synopsis Theatre and Identity in Imperial Russia by : Catherine A. Schuler
Download or read book Theatre and Identity in Imperial Russia written by Catherine A. Schuler and published by University of Iowa Press. This book was released on 2009-05-01 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: What role did the theatre—both institutionally and literally—play in Russia’s modernization? How did the comparatively harmonious relationship that developed among the state, the nobility, and the theatre in the eighteenth century transform into ideological warfare between the state and the intelligentsia in the nineteenth? How were the identities of the Russian people and the Russian soul configured and altered by actors in St. Petersburg and Moscow? Using the dramatic events of nineteenth-century Russian history as a backdrop, Catherine Schuler answers these questions by revealing the intricate links among national modernization, identity, and theatre. Schuler draws upon contemporary journals written and published by the educated nobility and the intelligentsia—who represented the intellectual, aesthetic, and cultural groups of the day—as well as upon the laws of the Russian empire and upon theatrical memoirs. With fascinating detail, she spotlights the ideologically charged binaries ascribed to prominent actors—authentic/performed, primitive/civilized, Russian/Western—that mirrored the volatility of national identity from the Napoleonic Wars through the reign of Alexander II. If the path traveled by Russian artists and audiences from the turn of the nineteenth century to the era of the Great Reforms reveals anything about Russian culture and society, it may be that there is nothing more difficult than being Russian in Russia. By exploring the ways in which theatrical administrators, playwrights, and actors responded to three tsars, two wars, and a major revolt, this carefully crafted book demonstrates the battle for the hearts and minds of the Russian people.
A definitive new history of Russia from early Rus' to the collapse of the Soviet Union
Book Synopsis The Cambridge History of Russia: Volume 2, Imperial Russia, 1689-1917 by : Maureen Perrie
Download or read book The Cambridge History of Russia: Volume 2, Imperial Russia, 1689-1917 written by Maureen Perrie and published by Cambridge University Press. This book was released on 2006-08-17 with total page 824 pages. Available in PDF, EPUB and Kindle. Book excerpt: A definitive new history of Russia from early Rus' to the collapse of the Soviet Union
This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Book Synopsis Historical Dictionary of Russian Theatre by : Laurence Senelick
Download or read book Historical Dictionary of Russian Theatre written by Laurence Senelick and published by Rowman & Littlefield. This book was released on 2015-08-13 with total page 693 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
Patrons of Enlightenment is the first English language study of the St. Petersburg Free Economic Study, one of the most prestigious and influential public associations in Imperial Russian history. Established in 1765 under the personal protection of Catherine the Great, its mission was to enlighten the villages and country estates of the Russian Empire by spreading the gospel of scientific agriculture to noble landowners and the peasants working their land. Emulating the patriotic associations of Western and Central Europe, it also sought to put the finishing touches on the cultural westernization of Russia initiated by the reforming tsar Peter the Great. Within the walls of its meeting house in St. Petersburg, it offered a neutral space where people of different rank, status, and lineage assembled to debate the great issues of the day, above all else the role of a privileged and enlightened nobility in a society anchored in serfdom. For its network of readers and correspondents in the provinces, it provided an opportunity to earn distinction on Russia's public stage through its voluminous publications and its flagship journal, the Transactions of the Free Economic Society. The Society provided the template for public activity and initiative in Imperial Russia, as hundreds of other organizations in the nineteenth century would emulate its example.
Book Synopsis Patrons of Enlightenment by : Colum Leckey
Download or read book Patrons of Enlightenment written by Colum Leckey and published by University of Delaware. This book was released on 2011-08-16 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Patrons of Enlightenment is the first English language study of the St. Petersburg Free Economic Study, one of the most prestigious and influential public associations in Imperial Russian history. Established in 1765 under the personal protection of Catherine the Great, its mission was to enlighten the villages and country estates of the Russian Empire by spreading the gospel of scientific agriculture to noble landowners and the peasants working their land. Emulating the patriotic associations of Western and Central Europe, it also sought to put the finishing touches on the cultural westernization of Russia initiated by the reforming tsar Peter the Great. Within the walls of its meeting house in St. Petersburg, it offered a neutral space where people of different rank, status, and lineage assembled to debate the great issues of the day, above all else the role of a privileged and enlightened nobility in a society anchored in serfdom. For its network of readers and correspondents in the provinces, it provided an opportunity to earn distinction on Russia's public stage through its voluminous publications and its flagship journal, the Transactions of the Free Economic Society. The Society provided the template for public activity and initiative in Imperial Russia, as hundreds of other organizations in the nineteenth century would emulate its example.
War and Enlightenment in Russia explores how members of the military during the reign of Catherine II reconciled Enlightenment ideas about the equality and moral worth of all humans with the Russian reality based on serfdom, a world governed by autocracy, absolute respect for authority, and subordination to seniority. While there is a sizable literature about the impact of the Enlightenment on government, economy, manners, and literature in Russia, no analytical framework that outlines its impact on the military exists. Eugene Miakinkov’s research addresses this gap and challenges the assumption that the military was an unadaptable and vertical institution. Using archival sources, military manuals, essays, memoirs, and letters, the author demonstrates how the Russian militaires philosophes operationalized the Enlightenment by turning thought into reality.
Book Synopsis War and Enlightenment in Russia by : Eugene Miakinkov
Download or read book War and Enlightenment in Russia written by Eugene Miakinkov and published by University of Toronto Press. This book was released on 2020-07-09 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: War and Enlightenment in Russia explores how members of the military during the reign of Catherine II reconciled Enlightenment ideas about the equality and moral worth of all humans with the Russian reality based on serfdom, a world governed by autocracy, absolute respect for authority, and subordination to seniority. While there is a sizable literature about the impact of the Enlightenment on government, economy, manners, and literature in Russia, no analytical framework that outlines its impact on the military exists. Eugene Miakinkov’s research addresses this gap and challenges the assumption that the military was an unadaptable and vertical institution. Using archival sources, military manuals, essays, memoirs, and letters, the author demonstrates how the Russian militaires philosophes operationalized the Enlightenment by turning thought into reality.
This valuable study explores the Russian Enlightenment with reference to the religious Enlightenment of the mid to late eighteenth century. Grounded in close reading of the sermons and devotional writings of Platon (Levshin), Court preacher and Metropolitan of Moscow, the book examines the blending of European ideas into the teachings of Russian Orthodoxy. Highlighting the interplay between Enlightenment thought and Orthodox enlightenment, Elise Wirtschafter addresses key questions of concern to religious Enlighteners across Europe: humanity's relationship to God and creation, the distinction between learning and enlightenment, the role of Christian love in authority relationships, the meaning of free will in a universe governed by Divine Providence, and the unity of church, monarchy, and civil society. Countering scholarship that depicts an Orthodox religious culture under assault from European modernity and Petrine absolutism, Wirtschafter emphasizes the ability of Russia's educated churchmen to assimilate and transform Enlightenment ideas. The intellectual and spiritual vitality of eighteenth-century Orthodoxy helps to explain how Russian policymakers and intellectuals met the challenge of European power while simultaneously coming to terms with the broad cultural appeal of the Enlightenment's universalistic human rights agenda. Religion and Enlightenment in Catherinian Russia defines the Russian Enlightenment as a response to the allure of European modernity, as an instrument of social control, and as the moral voice of an emergent independent society. Because Russia's enlightened intellectuals focused on the moral perfectibility of the individual human being, rather than social and political change, the originality of the Russian Enlightenment has gone unrecognized. This study corrects images of a superficial Enlightenment and crisis-ridden religious culture, arguing that in order to understand the humanistic sensibility and emphasis on individual dignity that permeate Russian intellectual history, and the history of the educated classes more broadly, it is necessary to bring Orthodox teachings into the discussion of Enlightenment thought. The result is a book that explains the distinctive origins of modern Russian culture while also allowing scholars to situate the Russian Enlightenment in European and global history.
Book Synopsis Religion and Enlightenment in Catherinian Russia by : Elise Kimerling Wirtschafter
Download or read book Religion and Enlightenment in Catherinian Russia written by Elise Kimerling Wirtschafter and published by Northern Illinois University Press. This book was released on 2013-03-15 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: This valuable study explores the Russian Enlightenment with reference to the religious Enlightenment of the mid to late eighteenth century. Grounded in close reading of the sermons and devotional writings of Platon (Levshin), Court preacher and Metropolitan of Moscow, the book examines the blending of European ideas into the teachings of Russian Orthodoxy. Highlighting the interplay between Enlightenment thought and Orthodox enlightenment, Elise Wirtschafter addresses key questions of concern to religious Enlighteners across Europe: humanity's relationship to God and creation, the distinction between learning and enlightenment, the role of Christian love in authority relationships, the meaning of free will in a universe governed by Divine Providence, and the unity of church, monarchy, and civil society. Countering scholarship that depicts an Orthodox religious culture under assault from European modernity and Petrine absolutism, Wirtschafter emphasizes the ability of Russia's educated churchmen to assimilate and transform Enlightenment ideas. The intellectual and spiritual vitality of eighteenth-century Orthodoxy helps to explain how Russian policymakers and intellectuals met the challenge of European power while simultaneously coming to terms with the broad cultural appeal of the Enlightenment's universalistic human rights agenda. Religion and Enlightenment in Catherinian Russia defines the Russian Enlightenment as a response to the allure of European modernity, as an instrument of social control, and as the moral voice of an emergent independent society. Because Russia's enlightened intellectuals focused on the moral perfectibility of the individual human being, rather than social and political change, the originality of the Russian Enlightenment has gone unrecognized. This study corrects images of a superficial Enlightenment and crisis-ridden religious culture, arguing that in order to understand the humanistic sensibility and emphasis on individual dignity that permeate Russian intellectual history, and the history of the educated classes more broadly, it is necessary to bring Orthodox teachings into the discussion of Enlightenment thought. The result is a book that explains the distinctive origins of modern Russian culture while also allowing scholars to situate the Russian Enlightenment in European and global history.
Sweeping across more than two centuries, this compelling book introduces readers to some of the major themes in Imperial Russia. In a set of engaging essays, the contributors present richly human stories of individual and group experiences, as well as of key events in Russian history. We see the effects of reforms; the consequences of an economy and society built on serfdom; as well as the development of a civil society, the "woman question," urbanization, secularization, and modernity. As this book vividly shows, individuals, groups, and events raised out of obscurity remind us of the messiness of everyday life; of people's dreams, frustrations, and transformations; as well as of their sense of self and the community around them.
Book Synopsis The Human Tradition in Imperial Russia by : Christine D. Worobec
Download or read book The Human Tradition in Imperial Russia written by Christine D. Worobec and published by Rowman & Littlefield. This book was released on 2009 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sweeping across more than two centuries, this compelling book introduces readers to some of the major themes in Imperial Russia. In a set of engaging essays, the contributors present richly human stories of individual and group experiences, as well as of key events in Russian history. We see the effects of reforms; the consequences of an economy and society built on serfdom; as well as the development of a civil society, the "woman question," urbanization, secularization, and modernity. As this book vividly shows, individuals, groups, and events raised out of obscurity remind us of the messiness of everyday life; of people's dreams, frustrations, and transformations; as well as of their sense of self and the community around them.
This collection of essays expands the focus of Enlightenment studies to include countries outside the core nations of France, Germany and Britain. Notions of sociability and cosmopolitanism are explored as ways in which people sought to improve society.
Book Synopsis Sociability and Cosmopolitanism by : David Burrow
Download or read book Sociability and Cosmopolitanism written by David Burrow and published by Routledge. This book was released on 2015-10-06 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays expands the focus of Enlightenment studies to include countries outside the core nations of France, Germany and Britain. Notions of sociability and cosmopolitanism are explored as ways in which people sought to improve society.
The period covered by this volume in the Cultural History of Tragedy set is bookended by two shockingly similar historical events: the beheading of a king, Charles I of England in 1649 and Louis XIV of France in 1793. The period between these two dates saw enormous political, social and economic changes that altered European society's cultural life. Tragedy, which had dominated the European stage at the beginning of this period, gradually saw itself replaced by new literary forms, culminating in the gradual decline of theatrical tragedy from the heights it had reached in the 1660s. The dominance of France's military and cultural prestige during this period is reflected in the important, almost exclusive, space dedicated in this volume to the French stage. This book covers the tragedies of France's two greatest playwrights - Pierre Corneille (1606-84) and Jean Racine (1639-99) - which would dominate not only the French stage but, through translations and adaptations, became the model of tragic theater across Europe, finding imitators in England (Dryden), Italy (Alfieri) and as far afield as Russia. This dominance continued well into the 18th century with the triumph of Voltaire's tragedies. This volume also examines how the writings of Diderot and Lessing changed the direction of theatre and how after the Revolution, in the writings of Goethe, Shiller, Hegel, tragedy and the tragic were reimagined and became the sign of European modernity. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
Book Synopsis A Cultural History of Tragedy in the Age of Enlightenment by : Mitchell Greenberg
Download or read book A Cultural History of Tragedy in the Age of Enlightenment written by Mitchell Greenberg and published by Bloomsbury Publishing. This book was released on 2021-05-20 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The period covered by this volume in the Cultural History of Tragedy set is bookended by two shockingly similar historical events: the beheading of a king, Charles I of England in 1649 and Louis XIV of France in 1793. The period between these two dates saw enormous political, social and economic changes that altered European society's cultural life. Tragedy, which had dominated the European stage at the beginning of this period, gradually saw itself replaced by new literary forms, culminating in the gradual decline of theatrical tragedy from the heights it had reached in the 1660s. The dominance of France's military and cultural prestige during this period is reflected in the important, almost exclusive, space dedicated in this volume to the French stage. This book covers the tragedies of France's two greatest playwrights - Pierre Corneille (1606-84) and Jean Racine (1639-99) - which would dominate not only the French stage but, through translations and adaptations, became the model of tragic theater across Europe, finding imitators in England (Dryden), Italy (Alfieri) and as far afield as Russia. This dominance continued well into the 18th century with the triumph of Voltaire's tragedies. This volume also examines how the writings of Diderot and Lessing changed the direction of theatre and how after the Revolution, in the writings of Goethe, Shiller, Hegel, tragedy and the tragic were reimagined and became the sign of European modernity. Each chapter takes a different theme as its focus: forms and media; sites of performance and circulation; communities of production and consumption; philosophy and social theory; religion, ritual and myth; politics of city and nation; society and family, and gender and sexuality.
