The Politics of Literary Prestige

The Politics of Literary Prestige

Author: Sarah E. L. Bowskill

Publisher:

Published: 2022

Total Pages: 240

ISBN-13: 9781501350801

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"Taking into account national and international politics and networks of prestige, The Politics of Literary Prestige analyses the relationship between literary prizes, politics and the reception of literature from Spanish America. Covering state-sponsored and publisher-run prizes and major awards such as the Biblioteca Breve Prize, credited with launching the 'boom' that marked worldwide interest in Spanish American literature in the late 1950s and 1960s, the Premio Cervantes, and the Nobel Prize, this book examines how prizes have shaped what we know about Spanish American literature. It untangles the inner workings of literary prizes in Spanish-speaking contexts, proposes the existence of a prizes network, and demonstrates that attitudes to cultural prizes are not universal but are culturally determined. Through specific examples, Sarah E.L. Bowskill introduces the different functions prizes serve at a national level and on the world stage. She draws attention to states that have tried to use prizes for political purposes and sheds light on how non-state-run prizes and their winners balance cultural and political agendas in an attempt to promote women's and indigenous rights. This book draws on a range of sources - including speeches and interviews by winning authors, judges' statements, documents that establish the prizes, their rules and regulations, and newspaper reports about prize-giving ceremonies, as well as textual analysis of the literature - to reveal the roles prizes have played in Spanish American politics as well as in the formation of the Spanish American cultural field."--


Book Synopsis The Politics of Literary Prestige by : Sarah E. L. Bowskill

Download or read book The Politics of Literary Prestige written by Sarah E. L. Bowskill and published by . This book was released on 2022 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Taking into account national and international politics and networks of prestige, The Politics of Literary Prestige analyses the relationship between literary prizes, politics and the reception of literature from Spanish America. Covering state-sponsored and publisher-run prizes and major awards such as the Biblioteca Breve Prize, credited with launching the 'boom' that marked worldwide interest in Spanish American literature in the late 1950s and 1960s, the Premio Cervantes, and the Nobel Prize, this book examines how prizes have shaped what we know about Spanish American literature. It untangles the inner workings of literary prizes in Spanish-speaking contexts, proposes the existence of a prizes network, and demonstrates that attitudes to cultural prizes are not universal but are culturally determined. Through specific examples, Sarah E.L. Bowskill introduces the different functions prizes serve at a national level and on the world stage. She draws attention to states that have tried to use prizes for political purposes and sheds light on how non-state-run prizes and their winners balance cultural and political agendas in an attempt to promote women's and indigenous rights. This book draws on a range of sources - including speeches and interviews by winning authors, judges' statements, documents that establish the prizes, their rules and regulations, and newspaper reports about prize-giving ceremonies, as well as textual analysis of the literature - to reveal the roles prizes have played in Spanish American politics as well as in the formation of the Spanish American cultural field."--

The Politics of Literary Prestige

The Politics of Literary Prestige

Author: Sarah E.L. Bowskill

Publisher: Bloomsbury Publishing USA

Published: 2022-04-07

Total Pages: 225

ISBN-13: 1501350781

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The Politics of Literary Prestige provides the first comprehensive study of prizes for Spanish American literature. Covering state-sponsored and publisher-run prizes including the Biblioteca Breve Prize – credited with launching the 'Boom' in Spanish American literature – the Premio Cervantes and the Nobel Prize for Literature, this book examines how prizes have underpinned different political agenda. As new political positions have emerged so have new awards and the role of the author in society has evolved. Prizes variously position the winners as public intellectual, spokesperson on the world stage or celebrity in the context of an increasingly globalized literature in Spanish. Drawing on a range of sources, Sarah E.L Bowskill analyses prizes from the perspective of different stakeholders including states, publishers, authors, judges and critics. In so doing, she untangles the inner workings of literary prizes in Spanish-speaking contexts, proposes the existence of a prizes network and demonstrates that attitudes to cultural prizes are not universal but are culturally determined.


Book Synopsis The Politics of Literary Prestige by : Sarah E.L. Bowskill

Download or read book The Politics of Literary Prestige written by Sarah E.L. Bowskill and published by Bloomsbury Publishing USA. This book was released on 2022-04-07 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Politics of Literary Prestige provides the first comprehensive study of prizes for Spanish American literature. Covering state-sponsored and publisher-run prizes including the Biblioteca Breve Prize – credited with launching the 'Boom' in Spanish American literature – the Premio Cervantes and the Nobel Prize for Literature, this book examines how prizes have underpinned different political agenda. As new political positions have emerged so have new awards and the role of the author in society has evolved. Prizes variously position the winners as public intellectual, spokesperson on the world stage or celebrity in the context of an increasingly globalized literature in Spanish. Drawing on a range of sources, Sarah E.L Bowskill analyses prizes from the perspective of different stakeholders including states, publishers, authors, judges and critics. In so doing, she untangles the inner workings of literary prizes in Spanish-speaking contexts, proposes the existence of a prizes network and demonstrates that attitudes to cultural prizes are not universal but are culturally determined.

The Economy of Prestige

The Economy of Prestige

Author: James F. English

Publisher: Harvard University Press

Published: 2008-12-15

Total Pages: 444

ISBN-13: 9780674018846

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This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. Such prizes and the competitions they crown are almost as old as the arts themselves, but their number and power--and their consequences for society and culture at large--have expanded to an unprecedented degree in our day. In a wide-ranging overview of this phenomenon, James F. English documents the dramatic rise of the awards industry and its complex role within what he describes as an economy of cultural prestige. Observing that cultural prizes in their modern form originate at the turn of the twentieth century with the institutional convergence of art and competitive spectator sports, English argues that they have in recent decades undergone an important shift--a more genuine and far-reaching globalization than what has occurred in the economy of material goods. Focusing on the cultural prize in its contemporary form, his book addresses itself broadly to the economic dimensions of culture, to the rules or logic of exchange in the market for what has come to be called "cultural capital." In the wild proliferation of prizes, English finds a key to transformations in the cultural field as a whole. And in the specific workings of prizes, their elaborate mechanics of nomination and election, presentation and acceptance, sponsorship, publicity, and scandal, he uncovers evidence of the new arrangements and relationships that have refigured that field.


Book Synopsis The Economy of Prestige by : James F. English

Download or read book The Economy of Prestige written by James F. English and published by Harvard University Press. This book was released on 2008-12-15 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. Such prizes and the competitions they crown are almost as old as the arts themselves, but their number and power--and their consequences for society and culture at large--have expanded to an unprecedented degree in our day. In a wide-ranging overview of this phenomenon, James F. English documents the dramatic rise of the awards industry and its complex role within what he describes as an economy of cultural prestige. Observing that cultural prizes in their modern form originate at the turn of the twentieth century with the institutional convergence of art and competitive spectator sports, English argues that they have in recent decades undergone an important shift--a more genuine and far-reaching globalization than what has occurred in the economy of material goods. Focusing on the cultural prize in its contemporary form, his book addresses itself broadly to the economic dimensions of culture, to the rules or logic of exchange in the market for what has come to be called "cultural capital." In the wild proliferation of prizes, English finds a key to transformations in the cultural field as a whole. And in the specific workings of prizes, their elaborate mechanics of nomination and election, presentation and acceptance, sponsorship, publicity, and scandal, he uncovers evidence of the new arrangements and relationships that have refigured that field.

The Prestige of Violence

The Prestige of Violence

Author: Sally Bachner

Publisher: University of Georgia Press

Published: 2011

Total Pages: 184

ISBN-13: 0820338893

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In The Prestige of Violence Sally Bachner argues that, starting in the 1960s, American fiction laid claim to the status of serious literature by placing violence at the heart of its mission and then insisting that this violence could not be represented. Bachner demonstrates how many of the most influential novels of this period are united by the dramatic opposition they draw between a debased and untrustworthy conventional language, on the one hand, and a violence that appears to be prelinguistic and unquestionable, on the other. Genocide, terrorism, war, torture, slavery, rape, and murder are major themes, yet the writers insist that such events are unspeakable. Bachner takes issue with the claim made within trauma studies that history is the site of violent trauma inaccessible to ordinary representation. Instead, she argues, both trauma studies and the fiction to which it responds institutionalize an inability to address violence. Examining such works as Vladimir Nabokov's Pale Fire, Thomas Pynchon's The Crying of Lot 49, Norman Mailer's Armies of the Night, Margaret Atwood's Surfacing, and Philip Roth's The Plot Against America, Bachner locates the postwar prestige of violence in the disjunction between the privileged security of wealthier Americans and the violence perpetrated by the United States abroad. The literary investment in unspeakable and often immaterial violence emerges in Bachner's readings as a complex and ideologically varied literary solution to the political geography of violence in our time.


Book Synopsis The Prestige of Violence by : Sally Bachner

Download or read book The Prestige of Violence written by Sally Bachner and published by University of Georgia Press. This book was released on 2011 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Prestige of Violence Sally Bachner argues that, starting in the 1960s, American fiction laid claim to the status of serious literature by placing violence at the heart of its mission and then insisting that this violence could not be represented. Bachner demonstrates how many of the most influential novels of this period are united by the dramatic opposition they draw between a debased and untrustworthy conventional language, on the one hand, and a violence that appears to be prelinguistic and unquestionable, on the other. Genocide, terrorism, war, torture, slavery, rape, and murder are major themes, yet the writers insist that such events are unspeakable. Bachner takes issue with the claim made within trauma studies that history is the site of violent trauma inaccessible to ordinary representation. Instead, she argues, both trauma studies and the fiction to which it responds institutionalize an inability to address violence. Examining such works as Vladimir Nabokov's Pale Fire, Thomas Pynchon's The Crying of Lot 49, Norman Mailer's Armies of the Night, Margaret Atwood's Surfacing, and Philip Roth's The Plot Against America, Bachner locates the postwar prestige of violence in the disjunction between the privileged security of wealthier Americans and the violence perpetrated by the United States abroad. The literary investment in unspeakable and often immaterial violence emerges in Bachner's readings as a complex and ideologically varied literary solution to the political geography of violence in our time.

Why Literary Periods Mattered

Why Literary Periods Mattered

Author: Ted Underwood

Publisher: Stanford University Press

Published: 2013-07-24

Total Pages: 210

ISBN-13: 0804788448

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In the mid-nineteenth century, the study of English literature began to be divided into courses that surveyed discrete "periods." Since that time, scholars' definitions of literature and their rationales for teaching it have changed radically. But the periodized structure of the curriculum has remained oddly unshaken, as if the exercise of contrasting one literary period with another has an importance that transcends the content of any individual course. Why Literary Periods Mattered explains how historical contrast became central to literary study, and why it remained institutionally central in spite of critical controversy about literature itself. Organizing literary history around contrast rather than causal continuity helped literature departments separate themselves from departments of history. But critics' long reliance on a rhetoric of contrasted movements and fateful turns has produced important blind spots in the discipline. In the twenty-first century, Underwood argues, literary study may need digital technology in particular to develop new methods of reasoning about gradual, continuous change.


Book Synopsis Why Literary Periods Mattered by : Ted Underwood

Download or read book Why Literary Periods Mattered written by Ted Underwood and published by Stanford University Press. This book was released on 2013-07-24 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the mid-nineteenth century, the study of English literature began to be divided into courses that surveyed discrete "periods." Since that time, scholars' definitions of literature and their rationales for teaching it have changed radically. But the periodized structure of the curriculum has remained oddly unshaken, as if the exercise of contrasting one literary period with another has an importance that transcends the content of any individual course. Why Literary Periods Mattered explains how historical contrast became central to literary study, and why it remained institutionally central in spite of critical controversy about literature itself. Organizing literary history around contrast rather than causal continuity helped literature departments separate themselves from departments of history. But critics' long reliance on a rhetoric of contrasted movements and fateful turns has produced important blind spots in the discipline. In the twenty-first century, Underwood argues, literary study may need digital technology in particular to develop new methods of reasoning about gradual, continuous change.

The Economy of Prestige

The Economy of Prestige

Author: James F. English

Publisher: Harvard University Press

Published: 2008-12-15

Total Pages: 444

ISBN-13: 0674263316

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This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. Such prizes and the competitions they crown are almost as old as the arts themselves, but their number and power--and their consequences for society and culture at large--have expanded to an unprecedented degree in our day. In a wide-ranging overview of this phenomenon, James F. English documents the dramatic rise of the awards industry and its complex role within what he describes as an economy of cultural prestige. Observing that cultural prizes in their modern form originate at the turn of the twentieth century with the institutional convergence of art and competitive spectator sports, English argues that they have in recent decades undergone an important shift--a more genuine and far-reaching globalization than what has occurred in the economy of material goods. Focusing on the cultural prize in its contemporary form, his book addresses itself broadly to the economic dimensions of culture, to the rules or logic of exchange in the market for what has come to be called "cultural capital." In the wild proliferation of prizes, English finds a key to transformations in the cultural field as a whole. And in the specific workings of prizes, their elaborate mechanics of nomination and election, presentation and acceptance, sponsorship, publicity, and scandal, he uncovers evidence of the new arrangements and relationships that have refigured that field.


Book Synopsis The Economy of Prestige by : James F. English

Download or read book The Economy of Prestige written by James F. English and published by Harvard University Press. This book was released on 2008-12-15 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a book about one of the great untold stories of modern cultural life: the remarkable ascendancy of prizes in literature and the arts. Such prizes and the competitions they crown are almost as old as the arts themselves, but their number and power--and their consequences for society and culture at large--have expanded to an unprecedented degree in our day. In a wide-ranging overview of this phenomenon, James F. English documents the dramatic rise of the awards industry and its complex role within what he describes as an economy of cultural prestige. Observing that cultural prizes in their modern form originate at the turn of the twentieth century with the institutional convergence of art and competitive spectator sports, English argues that they have in recent decades undergone an important shift--a more genuine and far-reaching globalization than what has occurred in the economy of material goods. Focusing on the cultural prize in its contemporary form, his book addresses itself broadly to the economic dimensions of culture, to the rules or logic of exchange in the market for what has come to be called "cultural capital." In the wild proliferation of prizes, English finds a key to transformations in the cultural field as a whole. And in the specific workings of prizes, their elaborate mechanics of nomination and election, presentation and acceptance, sponsorship, publicity, and scandal, he uncovers evidence of the new arrangements and relationships that have refigured that field.

Globalectics

Globalectics

Author: Ngũgĩ wa Thiong'o

Publisher: Columbia University Press

Published: 2012-01-31

Total Pages: 121

ISBN-13: 0231530757

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A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika Ndeenda (I Will Marry When I Want), produced in Nairobi, sharply criticized the injustices of Kenyan society and unequivocally championed the causes of ordinary citizens. Following his release, Ngugi decided to write only in his native Gikuyu, communicating with Kenyans in one of the many languages of their daily lives, and today he is known as one of the most outspoken intellectuals working in postcolonial theory and the global postcolonial movement. In this volume, Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to "decolonize the mind." Ngugi confronts the politics of language in African writing; the problem of linguistic imperialism and literature's ability to resist it; the difficult balance between orality, or "orature," and writing, or "literature"; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon. Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose.


Book Synopsis Globalectics by : Ngũgĩ wa Thiong'o

Download or read book Globalectics written by Ngũgĩ wa Thiong'o and published by Columbia University Press. This book was released on 2012-01-31 with total page 121 pages. Available in PDF, EPUB and Kindle. Book excerpt: A masterful writer working in many genres, Ngugi wa Thiong'o entered the East African literary scene in 1962 with the performance of his first major play, The Black Hermit, at the National Theatre in Uganda. In 1977 he was imprisoned after his most controversial work, Ngaahika Ndeenda (I Will Marry When I Want), produced in Nairobi, sharply criticized the injustices of Kenyan society and unequivocally championed the causes of ordinary citizens. Following his release, Ngugi decided to write only in his native Gikuyu, communicating with Kenyans in one of the many languages of their daily lives, and today he is known as one of the most outspoken intellectuals working in postcolonial theory and the global postcolonial movement. In this volume, Ngugi wa Thiong'o summarizes and develops a cross-section of the issues he has grappled with in his work, which deploys a strategy of imagery, language, folklore, and character to "decolonize the mind." Ngugi confronts the politics of language in African writing; the problem of linguistic imperialism and literature's ability to resist it; the difficult balance between orality, or "orature," and writing, or "literature"; the tension between national and world literature; and the role of the literary curriculum in both reaffirming and undermining the dominance of the Western canon. Throughout, he engages a range of philosophers and theorists writing on power and postcolonial creativity, including Hegel, Marx, Lévi-Strauss, and Aimé Césaire. Yet his explorations remain grounded in his own experiences with literature (and orature) and reworks the difficult dialectics of theory into richly evocative prose.

The Saturday Review of Politics, Literature, Science and Art

The Saturday Review of Politics, Literature, Science and Art

Author:

Publisher:

Published: 1856

Total Pages: 480

ISBN-13:

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Book Synopsis The Saturday Review of Politics, Literature, Science and Art by :

Download or read book The Saturday Review of Politics, Literature, Science and Art written by and published by . This book was released on 1856 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Prestige, Manipulation, and Coercion

Prestige, Manipulation, and Coercion

Author: Joseph Torigian

Publisher: Yale University Press

Published: 2022-05-10

Total Pages: 313

ISBN-13: 0300254237

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How succession in authoritarian regimes was less a competition of visions for the future and more a settling of scores "Joseph Torigian's stellar research and personal interviews have produced a brilliant, meticulous study. It fundamentally undermines what political scientists have presumed to be the way Chinese Communist and Soviet politics operate."--Dorothy J. Solinger, University of California, Irvine The political successions in the Soviet Union and China after Stalin and Mao, respectively, are often explained as triumphs of inner‑party democracy, leading to a victory of "reformers" over "conservatives" or "radicals." In traditional thinking, Leninist institutions provide competitors a mechanism for debating policy and making promises, stipulate rules for leadership selection, and prevent the military and secret police from playing a coercive role. Here, Joseph Torigian argues that the post-cult of personality power struggles in history's two greatest Leninist regimes were instead shaped by the politics of personal prestige, historical antagonisms, backhanded political maneuvering, and violence. Mining newly discovered material from Russia and China, Torigian challenges the established historiography and suggests a new way of thinking about the nature of power in authoritarian regimes.


Book Synopsis Prestige, Manipulation, and Coercion by : Joseph Torigian

Download or read book Prestige, Manipulation, and Coercion written by Joseph Torigian and published by Yale University Press. This book was released on 2022-05-10 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: How succession in authoritarian regimes was less a competition of visions for the future and more a settling of scores "Joseph Torigian's stellar research and personal interviews have produced a brilliant, meticulous study. It fundamentally undermines what political scientists have presumed to be the way Chinese Communist and Soviet politics operate."--Dorothy J. Solinger, University of California, Irvine The political successions in the Soviet Union and China after Stalin and Mao, respectively, are often explained as triumphs of inner‑party democracy, leading to a victory of "reformers" over "conservatives" or "radicals." In traditional thinking, Leninist institutions provide competitors a mechanism for debating policy and making promises, stipulate rules for leadership selection, and prevent the military and secret police from playing a coercive role. Here, Joseph Torigian argues that the post-cult of personality power struggles in history's two greatest Leninist regimes were instead shaped by the politics of personal prestige, historical antagonisms, backhanded political maneuvering, and violence. Mining newly discovered material from Russia and China, Torigian challenges the established historiography and suggests a new way of thinking about the nature of power in authoritarian regimes.

Postwar American Fiction and the Rise of Modern Conservatism

Postwar American Fiction and the Rise of Modern Conservatism

Author: Bryan M. Santin

Publisher: Cambridge University Press

Published: 2021-03-11

Total Pages: 307

ISBN-13: 1108974236

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Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.


Book Synopsis Postwar American Fiction and the Rise of Modern Conservatism by : Bryan M. Santin

Download or read book Postwar American Fiction and the Rise of Modern Conservatism written by Bryan M. Santin and published by Cambridge University Press. This book was released on 2021-03-11 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.