ebooks, audiobooks, and more for reads
Download The Rhetoric Of Poetry In The Renaissance And Seventeenth Century full books in PDF, epub, and Kindle. Read online The Rhetoric Of Poetry In The Renaissance And Seventeenth Century ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Download or read book The Rhetoric of Poetry in the Renaissance and Seventeenth Century written by John Porter Houston and published by . This book was released on 1980 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Marijke Spies
Publisher: Amsterdam University Press
Published: 1999
Total Pages: 178
ISBN-13: 9789053564004
DOWNLOAD EBOOKThe Netherlandish rhetoricians of the sixteenth century have, in the course of the last decades, shed their image of third-rate poets who, lacking all sense of true beauty, were capable only of pompous verbosity and a shallow manipulation of form. The new scholarly assessment has also shed light on the role they played in the cultural and literary life of their time, and it now appears that many of their dramas are well worth staging. Once the sixteenth century was freed from the stigma of being the "preparatory phase" for the Golden Age, the way was clear for thorough studies of the literature produced during the most turbulent period in the history of the Low Countries. This volume contains essays which deal with works written not only in Dutch, but also in French and in New Latin, with topics ranging from the effects of poetic principles on literary practice to the use of poetry as a means for improving society and developing the individual. The unifying thread in these studies is the pivotal importance of rhetoric in all forms of literary expression.
Download or read book Rhetoric, Rhetoricians, and Poets written by Marijke Spies and published by Amsterdam University Press. This book was released on 1999 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Netherlandish rhetoricians of the sixteenth century have, in the course of the last decades, shed their image of third-rate poets who, lacking all sense of true beauty, were capable only of pompous verbosity and a shallow manipulation of form. The new scholarly assessment has also shed light on the role they played in the cultural and literary life of their time, and it now appears that many of their dramas are well worth staging. Once the sixteenth century was freed from the stigma of being the "preparatory phase" for the Golden Age, the way was clear for thorough studies of the literature produced during the most turbulent period in the history of the Low Countries. This volume contains essays which deal with works written not only in Dutch, but also in French and in New Latin, with topics ranging from the effects of poetic principles on literary practice to the use of poetry as a means for improving society and developing the individual. The unifying thread in these studies is the pivotal importance of rhetoric in all forms of literary expression.
Author: James Biester
Publisher: Cornell University Press
Published: 2019-05-15
Total Pages: 241
ISBN-13: 1501741276
DOWNLOAD EBOOKJames Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style—metaphysical wit and strong lines—as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.
Download or read book Lyric Wonder written by James Biester and published by Cornell University Press. This book was released on 2019-05-15 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style—metaphysical wit and strong lines—as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.
Download or read book Rhetoric and Poetry in the Renaissance; written by Donald Lemen Clark and published by . This book was released on 1922 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Author: Donald Lemen Clark
Publisher: Theclassics.Us
Published: 2013-09
Total Pages: 46
ISBN-13: 9781230384757
DOWNLOAD EBOOKThis historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ...method of characterization, fixed as the law of decorum, flourished throughout the sixteenth and seventeenth centuries. In England from Whetstone on it was 0 made much of. Thus a rhetorical tradition of classical pedagogy, derived ultimately from Aristotle, and a poetical tradition of later classical drama, derived from Horace, coincide in the English renaissance. In The Epistle Dedicatory to the Shepheards Calender (1579), for instance, E. K. praises Spenser for "his dewe observing of decorum everye where, in personages, in seasons, in matter, in speach." 18 The archaisms are defended in the first place, indeed, because they are appropriate to rustic speakers, but in the second because Cicero says that ancient words make the style seem grave and reverend. Further praise E. K. grants the author because he avoids loose sentence structure and affects the oratorical period. "Now, for the knitting of sentences, whych they call the ioynts and members thereof, and for all the compasse of the speach, it is round without roughness."1 The "ioynts and members" are the cola and commas of the oratorical prose rhythm. Stanyhurst in the Dedication to his translation of Virgil (1582), like E. K., is concerned with style rather than matter, and of course primarily with 16 P. 187. 17 G. S. Gordon, "Theophrastus" in Eng. Lit. and the Classics, p. 49-86. 18 Smith, I, 128 19 Ibid., 130-131. the revival of classical meters, a subject already so thoroughly investigated that it need not be gone into here.20 Stanyhurst's praise of Virgil is largely concerned with formal and rhetorical excellences. Our Virgil dooth laboure, in telling as yt were a Cantorburye tale, too ferret owt the secretes of Nature, with woordes so fitlye coucht, wyth verses so smoothlye...
Download or read book Rhetoric and Poetry in the Renaissance; a Study of Rhetorical Terms in English Renaissance Literary Criticism written by Donald Lemen Clark and published by Theclassics.Us. This book was released on 2013-09 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt: This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1922 edition. Excerpt: ...method of characterization, fixed as the law of decorum, flourished throughout the sixteenth and seventeenth centuries. In England from Whetstone on it was 0 made much of. Thus a rhetorical tradition of classical pedagogy, derived ultimately from Aristotle, and a poetical tradition of later classical drama, derived from Horace, coincide in the English renaissance. In The Epistle Dedicatory to the Shepheards Calender (1579), for instance, E. K. praises Spenser for "his dewe observing of decorum everye where, in personages, in seasons, in matter, in speach." 18 The archaisms are defended in the first place, indeed, because they are appropriate to rustic speakers, but in the second because Cicero says that ancient words make the style seem grave and reverend. Further praise E. K. grants the author because he avoids loose sentence structure and affects the oratorical period. "Now, for the knitting of sentences, whych they call the ioynts and members thereof, and for all the compasse of the speach, it is round without roughness."1 The "ioynts and members" are the cola and commas of the oratorical prose rhythm. Stanyhurst in the Dedication to his translation of Virgil (1582), like E. K., is concerned with style rather than matter, and of course primarily with 16 P. 187. 17 G. S. Gordon, "Theophrastus" in Eng. Lit. and the Classics, p. 49-86. 18 Smith, I, 128 19 Ibid., 130-131. the revival of classical meters, a subject already so thoroughly investigated that it need not be gone into here.20 Stanyhurst's praise of Virgil is largely concerned with formal and rhetorical excellences. Our Virgil dooth laboure, in telling as yt were a Cantorburye tale, too ferret owt the secretes of Nature, with woordes so fitlye coucht, wyth verses so smoothlye...
Author: Brian Vickers
Publisher: SIU Press
Published: 1989
Total Pages: 204
ISBN-13: 9780809314966
DOWNLOAD EBOOKBack in print after 17 years, this is a concise history of rhetoric as it relates to structure, genre, and style, with special reference to English literature and literary criticism from Ancient Greece to the end of the 18th century. The core of the book is a quite original argument that the figures of rhetoric were not mere mechanical devices, were not, as many believed, a "nuisance, a quite sterile appendage to rhetoric to which (unaccountably) teachers, pupils, and writers all over the world devoted much labor for over 2,000 years." Rather, Vickers demonstrates, rhetoric was a stylized representation of language and human feelings. Vickers supplements his argument through analyses of the rhetorical and emotional structure of four Renaissance poems. He also defines 16 of the most common figures of rhetoric, citing examples from the classics, the Bible, and major English poets from Chaucer to Pope.
Download or read book Classical Rhetoric in English Poetry written by Brian Vickers and published by SIU Press. This book was released on 1989 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Back in print after 17 years, this is a concise history of rhetoric as it relates to structure, genre, and style, with special reference to English literature and literary criticism from Ancient Greece to the end of the 18th century. The core of the book is a quite original argument that the figures of rhetoric were not mere mechanical devices, were not, as many believed, a "nuisance, a quite sterile appendage to rhetoric to which (unaccountably) teachers, pupils, and writers all over the world devoted much labor for over 2,000 years." Rather, Vickers demonstrates, rhetoric was a stylized representation of language and human feelings. Vickers supplements his argument through analyses of the rhetorical and emotional structure of four Renaissance poems. He also defines 16 of the most common figures of rhetoric, citing examples from the classics, the Bible, and major English poets from Chaucer to Pope.
Author: David Burchell
Publisher: Routledge
Published: 2017-03-02
Total Pages: 248
ISBN-13: 1351901788
DOWNLOAD EBOOKThese essays throw new light on the complex relations between science, literature and rhetoric as avenues to discovery in the seventeenth and eighteenth centuries. Scholars from a variety of disciplinary backgrounds examine the agency of early modern poets, playwrights, essayists, philosophers, natural philosophers and artists in remaking their culture and reforming ideas about human understanding. Analyzing the ways in which the works of such diverse writers as Shakespeare, Bacon, Hobbes, Milton, Cavendish, Boyle, Pope and Behn related to contemporary epistemological debates, these essays move us toward a better understanding of interactions between the sciences and the humanities during a seminal phase in the emergence of modern Western thought.
Download or read book Science, Literature and Rhetoric in Early Modern England written by David Burchell and published by Routledge. This book was released on 2017-03-02 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: These essays throw new light on the complex relations between science, literature and rhetoric as avenues to discovery in the seventeenth and eighteenth centuries. Scholars from a variety of disciplinary backgrounds examine the agency of early modern poets, playwrights, essayists, philosophers, natural philosophers and artists in remaking their culture and reforming ideas about human understanding. Analyzing the ways in which the works of such diverse writers as Shakespeare, Bacon, Hobbes, Milton, Cavendish, Boyle, Pope and Behn related to contemporary epistemological debates, these essays move us toward a better understanding of interactions between the sciences and the humanities during a seminal phase in the emergence of modern Western thought.
Author: Donald Lemen Clark
Publisher: Prabhat Prakashan
Published: 2021-01-01
Total Pages: 547
ISBN-13:
DOWNLOAD EBOOKRhetoric and poetry in the renaissance; a study of rhetorical terms in English renaissance literary criticism, by Donald Lemen Clark
Download or read book Rhetoric and Poetry in the Renaissance written by Donald Lemen Clark and published by Prabhat Prakashan. This book was released on 2021-01-01 with total page 547 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rhetoric and poetry in the renaissance; a study of rhetorical terms in English renaissance literary criticism, by Donald Lemen Clark
Author: Heinrich F Plett
Publisher: BRILL
Published: 2023-08-14
Total Pages: 536
ISBN-13: 9004617183
DOWNLOAD EBOOKThis comprehensive bibliography lists some 500 source texts published in the British Isles or abroad from 1479 to 1660 and more than 2,000 works of secondary literature from 1900 to the present.
Download or read book English Renaissance Rhetoric and Poetics written by Heinrich F Plett and published by BRILL. This book was released on 2023-08-14 with total page 536 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive bibliography lists some 500 source texts published in the British Isles or abroad from 1479 to 1660 and more than 2,000 works of secondary literature from 1900 to the present.
Download or read book Rhetoric and Poetry in the Renaissance written by Donald Lemen Clark and published by . This book was released on 1922 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
