The Search for Meaning and Identity in American Modernism

The Search for Meaning and Identity in American Modernism

Author: Nicole Erdmann

Publisher: GRIN Verlag

Published: 2018-05-30

Total Pages: 20

ISBN-13: 3668713898

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Seminar paper from the year 2017 in the subject American Studies - Literature, grade: 1,7, University of Duisburg-Essen, language: English, abstract: This paper examines selected literature of the Modernist Era and the search for identity in and outside of the United States during this time. One of the characteristics of Modernism in America is the development of changing attitudes towards religion, and in particular Christianity, which was seen as the traditional religion that had, up until then, been a pillar of American beliefs. These changed attitudes ranged anywhere from questioning one’s religion or faith to having flat out aversions to even the idea of (any) God. (my emphasis) In the late 1800’s, under the influence of the idea of successful Manifest Destiny, and major advances in sciences and technology, people were generally high-spirited, grounded in their beliefs. They minded their own business, followed their goals and dreams. They witnessed, or even experienced abundance, and paid little attention to things that they felt did not concern them, including foreign affairs.


Book Synopsis The Search for Meaning and Identity in American Modernism by : Nicole Erdmann

Download or read book The Search for Meaning and Identity in American Modernism written by Nicole Erdmann and published by GRIN Verlag. This book was released on 2018-05-30 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2017 in the subject American Studies - Literature, grade: 1,7, University of Duisburg-Essen, language: English, abstract: This paper examines selected literature of the Modernist Era and the search for identity in and outside of the United States during this time. One of the characteristics of Modernism in America is the development of changing attitudes towards religion, and in particular Christianity, which was seen as the traditional religion that had, up until then, been a pillar of American beliefs. These changed attitudes ranged anywhere from questioning one’s religion or faith to having flat out aversions to even the idea of (any) God. (my emphasis) In the late 1800’s, under the influence of the idea of successful Manifest Destiny, and major advances in sciences and technology, people were generally high-spirited, grounded in their beliefs. They minded their own business, followed their goals and dreams. They witnessed, or even experienced abundance, and paid little attention to things that they felt did not concern them, including foreign affairs.

The Search for an American Indian Identity

The Search for an American Indian Identity

Author: Hazel W. Hertzberg

Publisher: Syracuse University Press

Published: 1971

Total Pages: 400

ISBN-13: 9780815600763

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During the twenties, the SAI declined and the direction of Pan-Indian efforts shifted. Pan-Indian fraternal movements arose that were more in keeping with the spirit of the times than was reformism. Based in towns and cities, the fraternal orders and social clubs provided a means for urban Indians to retain or regain an Indian identity. The Indian New Deal, which radically changed governmental policy, provided a new context for Pan-Indianism.The author examines briefly developments since 1934. Her concluding chapter places the various Pan-Indian movements in historical perspective.The research for this study included extensive use of a wide variety of primary sources—journals published by 1he Indian groups, collections of documents and letters, governmental records, and interviews with Indians, anthropologists, and government officials." -- Publisher.


Book Synopsis The Search for an American Indian Identity by : Hazel W. Hertzberg

Download or read book The Search for an American Indian Identity written by Hazel W. Hertzberg and published by Syracuse University Press. This book was released on 1971 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the twenties, the SAI declined and the direction of Pan-Indian efforts shifted. Pan-Indian fraternal movements arose that were more in keeping with the spirit of the times than was reformism. Based in towns and cities, the fraternal orders and social clubs provided a means for urban Indians to retain or regain an Indian identity. The Indian New Deal, which radically changed governmental policy, provided a new context for Pan-Indianism.The author examines briefly developments since 1934. Her concluding chapter places the various Pan-Indian movements in historical perspective.The research for this study included extensive use of a wide variety of primary sources—journals published by 1he Indian groups, collections of documents and letters, governmental records, and interviews with Indians, anthropologists, and government officials." -- Publisher.

Beyond Black and White

Beyond Black and White

Author: Emily Moore Harrison

Publisher:

Published: 2017

Total Pages: 68

ISBN-13:

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Walter Benn Michaels’ Our America: Nativism, Modernism, and Pluralism highlights that the search for identity is a mutual project of both nativism and Modernism and reveals how relevant racial identity is in American Modernism. While this is an important relationship in American Modernism, I argue that many recent studies following Michaels’ legacy of scholarship on race and nativism in modern American literature reduce individual authors’ projects, too often interpreting them all to have similar anxieties and desires for American racial identity and citing the presence of racial tropes as evidence of the authors’ own social and political arguments. Michaels set a precedent of overlooking the aesthetic in critical examinations of racial identity in American modernist texts, but I argue that aesthetic spaces are often the spaces where authors work through issues of race and identity and that aesthetics are crucial to understanding identity formation in many American modernist novels. Modernism is a movement that explores the idea that identity is not one-dimensional or whole, and I wish to illustrate a more kaleidoscopic view of racial aesthetics in American Modernism, exploring the complexity and variations of race presented by a variety of authors. Various American authors come to both Modernism and race in different ways and have unique projects and perspectives about racial identity. I wish to broaden the scope of conversation surrounding American Modernism and race, and I hope to illuminate the significance of examining the various and unique aesthetic elements at play in individual works of modern American fiction. I will examine works by Willa Cather, F. Scott Fitzgerald, and Nella Larsen to argue that race and Modernism have a more complicated relationship than much scholarship acknowledges and that the nativist and racial language and themes presented by many American modernist writers can be read more richly according to the various narrative perspectives and projects of the writers using them.


Book Synopsis Beyond Black and White by : Emily Moore Harrison

Download or read book Beyond Black and White written by Emily Moore Harrison and published by . This book was released on 2017 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: Walter Benn Michaels’ Our America: Nativism, Modernism, and Pluralism highlights that the search for identity is a mutual project of both nativism and Modernism and reveals how relevant racial identity is in American Modernism. While this is an important relationship in American Modernism, I argue that many recent studies following Michaels’ legacy of scholarship on race and nativism in modern American literature reduce individual authors’ projects, too often interpreting them all to have similar anxieties and desires for American racial identity and citing the presence of racial tropes as evidence of the authors’ own social and political arguments. Michaels set a precedent of overlooking the aesthetic in critical examinations of racial identity in American modernist texts, but I argue that aesthetic spaces are often the spaces where authors work through issues of race and identity and that aesthetics are crucial to understanding identity formation in many American modernist novels. Modernism is a movement that explores the idea that identity is not one-dimensional or whole, and I wish to illustrate a more kaleidoscopic view of racial aesthetics in American Modernism, exploring the complexity and variations of race presented by a variety of authors. Various American authors come to both Modernism and race in different ways and have unique projects and perspectives about racial identity. I wish to broaden the scope of conversation surrounding American Modernism and race, and I hope to illuminate the significance of examining the various and unique aesthetic elements at play in individual works of modern American fiction. I will examine works by Willa Cather, F. Scott Fitzgerald, and Nella Larsen to argue that race and Modernism have a more complicated relationship than much scholarship acknowledges and that the nativist and racial language and themes presented by many American modernist writers can be read more richly according to the various narrative perspectives and projects of the writers using them.

American Modernism

American Modernism

Author: Catherine Morley

Publisher: Cambridge Scholars Publishing

Published: 2009

Total Pages: 0

ISBN-13: 9781443813570

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Encompassing writers from Edith Wharton, Ezra Pound and T.S. Eliot to Willa Cather, Theodore Dreiser and Gertrude Stein, American Modernism: Cultural Transactions is a comprehensive and informative companion to the field of American literary modernism. This groundbreaking new book explores the changing patterns of American literary culture in the early years of the 20th century, in the aftermath of the great American Renaissance, when the United States was well on its way to becoming the most economically powerful and culturally influential nation in the world. It brings together some of the most eminent British and European scholars to investigate how the United Statesâ (TM)s unique cultural position is in fact the by-product of a range of cultural transactions between the United States and Europe, between the visual and the literary arts, and between the economic and aesthetic worlds. And it presents a stunning re-examination of the social, cultural and artistic contours of American modernism, from the impact of a liberal Scottish speaker on T.S. Eliotâ (TM)s considerations of Shakespeare to the generic hybridity of Edith Whartonâ (TM)s writing, from the influence of Oscar Wilde on Hart Crane to the effect of Anglo-European experimentalism on Native American fiction â " and much more. Through close textual and archival analysis, backed up with compelling historical insights, these nine new essays explore the nature and limits of American modernism. They address such topical issues as geomodernism, transnationalism and the nature of American identity; they examine the ways writers embraced or rejected the emerging modern world; and they take a fresh look at American literature in the broad context of international modernism.


Book Synopsis American Modernism by : Catherine Morley

Download or read book American Modernism written by Catherine Morley and published by Cambridge Scholars Publishing. This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Encompassing writers from Edith Wharton, Ezra Pound and T.S. Eliot to Willa Cather, Theodore Dreiser and Gertrude Stein, American Modernism: Cultural Transactions is a comprehensive and informative companion to the field of American literary modernism. This groundbreaking new book explores the changing patterns of American literary culture in the early years of the 20th century, in the aftermath of the great American Renaissance, when the United States was well on its way to becoming the most economically powerful and culturally influential nation in the world. It brings together some of the most eminent British and European scholars to investigate how the United Statesâ (TM)s unique cultural position is in fact the by-product of a range of cultural transactions between the United States and Europe, between the visual and the literary arts, and between the economic and aesthetic worlds. And it presents a stunning re-examination of the social, cultural and artistic contours of American modernism, from the impact of a liberal Scottish speaker on T.S. Eliotâ (TM)s considerations of Shakespeare to the generic hybridity of Edith Whartonâ (TM)s writing, from the influence of Oscar Wilde on Hart Crane to the effect of Anglo-European experimentalism on Native American fiction â " and much more. Through close textual and archival analysis, backed up with compelling historical insights, these nine new essays explore the nature and limits of American modernism. They address such topical issues as geomodernism, transnationalism and the nature of American identity; they examine the ways writers embraced or rejected the emerging modern world; and they take a fresh look at American literature in the broad context of international modernism.

Finding Meaning

Finding Meaning

Author: Ofra Mayseless

Publisher: Oxford University Press

Published: 2021-09-17

Total Pages: 481

ISBN-13: 0190910372

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From its trendy urban centers to its ancient deserts, Israel's history is based on the rich heritage of traditions and contradictions. It is known as a start-up nation, with hospitable and warm interpersonal relationships, and a steady high-ranked happiness level. Yet, its deep political disparities and past traumas ripple beneath the surface of its culture, with unyielding existential threats looming from its neighbors and from within its borders. The turbulent Israeli settingcharacterized by salient existential threats, issues of identity and dialectic world viewsserve as a magnifying glass for unravelling a variety of significant ways through which the human fundamental motivation to find meaning in life is manifested. Finding Meaning incorporates a conceptual framework for examining the post-modern, sociocultural Israeli scene that facilitates and triggers the search for meaning among its citizens. Combining theory, data, and illustrative case studies, this book unravels a variety of significant and fundamental manifestations of a quest for meaning under existentialist duress, carefully navigating the cultural context of post-modernist Israel. Written by experts in these areas, this book offers new insights into this quest by suggesting a new construct that weaves together the personal and cultural environment, highlights several key processes and dimensions that appear to characterize this search, and offers broad perspectives that contribute to the research at these intersections. Finding Meaning is a pioneering book with an insightful, innovative, and hopeful lens for academic, scholarly, and some lay readers interested in meaning and contemporary Israeli society.


Book Synopsis Finding Meaning by : Ofra Mayseless

Download or read book Finding Meaning written by Ofra Mayseless and published by Oxford University Press. This book was released on 2021-09-17 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its trendy urban centers to its ancient deserts, Israel's history is based on the rich heritage of traditions and contradictions. It is known as a start-up nation, with hospitable and warm interpersonal relationships, and a steady high-ranked happiness level. Yet, its deep political disparities and past traumas ripple beneath the surface of its culture, with unyielding existential threats looming from its neighbors and from within its borders. The turbulent Israeli settingcharacterized by salient existential threats, issues of identity and dialectic world viewsserve as a magnifying glass for unravelling a variety of significant ways through which the human fundamental motivation to find meaning in life is manifested. Finding Meaning incorporates a conceptual framework for examining the post-modern, sociocultural Israeli scene that facilitates and triggers the search for meaning among its citizens. Combining theory, data, and illustrative case studies, this book unravels a variety of significant and fundamental manifestations of a quest for meaning under existentialist duress, carefully navigating the cultural context of post-modernist Israel. Written by experts in these areas, this book offers new insights into this quest by suggesting a new construct that weaves together the personal and cultural environment, highlights several key processes and dimensions that appear to characterize this search, and offers broad perspectives that contribute to the research at these intersections. Finding Meaning is a pioneering book with an insightful, innovative, and hopeful lens for academic, scholarly, and some lay readers interested in meaning and contemporary Israeli society.

Our America

Our America

Author: Walter Benn Michaels

Publisher: Duke University Press

Published: 1995

Total Pages: 220

ISBN-13: 9780822320647

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Arguing that the contemporary commitment to the importance of cultural identity has renovated rather than replaced an earlier commitment to racial identity, Walter Benn Michaels asserts that the idea of culture, far from constituting a challenge to racism, is actually a form of racism. Our America offers both a provocative reinterpretation of the role of identity in modernism and a sustained critique of the role of identity in postmodernism. "We have a great desire to be supremely American," Calvin Coolidge wrote in 1924. That desire, Michaels tells us, is at the very heart of American modernism, giving form and substance to a cultural movement that would in turn redefine America's cultural and collective identity--ultimately along racial lines. A provocative reinterpretation of American modernism, Our America also offers a new way of understanding current debates over the meaning of race, identity, multiculturalism, and pluralism. Michaels contends that the aesthetic movement of modernism and the social movement of nativism came together in the 1920s in their commitment to resolve the meaning of identity--linguistic, national, cultural, and racial. Just as the Johnson Immigration Act of 1924, which excluded aliens, and the Indian Citizenship Act of the same year, which honored the truly native, reconceptualized national identity, so the major texts of American writers such as Cather, Faulkner, Hurston, and Williams reinvented identity as an object of pathos--something that can be lost or found, defended or betrayed. Our America is both a history and a critique of this invention, tracing its development from the white supremacism of the Progressive period through the cultural pluralism of the Twenties. Michaels's sustained rereading of the texts of the period--the canonical, the popular, and the less familiar--exposes recurring concerns such as the reconception of the image of the Indian as a symbol of racial purity and national origins, the relation between World War I and race, contradictory appeals to the family as a model for the nation, and anxieties about reproduction that subliminally tie whiteness and national identity to incest, sterility, and impotence.


Book Synopsis Our America by : Walter Benn Michaels

Download or read book Our America written by Walter Benn Michaels and published by Duke University Press. This book was released on 1995 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Arguing that the contemporary commitment to the importance of cultural identity has renovated rather than replaced an earlier commitment to racial identity, Walter Benn Michaels asserts that the idea of culture, far from constituting a challenge to racism, is actually a form of racism. Our America offers both a provocative reinterpretation of the role of identity in modernism and a sustained critique of the role of identity in postmodernism. "We have a great desire to be supremely American," Calvin Coolidge wrote in 1924. That desire, Michaels tells us, is at the very heart of American modernism, giving form and substance to a cultural movement that would in turn redefine America's cultural and collective identity--ultimately along racial lines. A provocative reinterpretation of American modernism, Our America also offers a new way of understanding current debates over the meaning of race, identity, multiculturalism, and pluralism. Michaels contends that the aesthetic movement of modernism and the social movement of nativism came together in the 1920s in their commitment to resolve the meaning of identity--linguistic, national, cultural, and racial. Just as the Johnson Immigration Act of 1924, which excluded aliens, and the Indian Citizenship Act of the same year, which honored the truly native, reconceptualized national identity, so the major texts of American writers such as Cather, Faulkner, Hurston, and Williams reinvented identity as an object of pathos--something that can be lost or found, defended or betrayed. Our America is both a history and a critique of this invention, tracing its development from the white supremacism of the Progressive period through the cultural pluralism of the Twenties. Michaels's sustained rereading of the texts of the period--the canonical, the popular, and the less familiar--exposes recurring concerns such as the reconception of the image of the Indian as a symbol of racial purity and national origins, the relation between World War I and race, contradictory appeals to the family as a model for the nation, and anxieties about reproduction that subliminally tie whiteness and national identity to incest, sterility, and impotence.

Freaks in Late Modernist American Culture

Freaks in Late Modernist American Culture

Author: Nancy Bombaci

Publisher: Peter Lang

Published: 2006

Total Pages: 188

ISBN-13: 9780820478326

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Freaks in Late Modernist American Culture explores the emergence of what Nancy Bombaci terms «late modernist freakish aesthetics» - a creative fusion of «high» and «low» themes and forms in relation to distorted bodies. Literary and cinematic texts about «freaks» by Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers subvert and reinvent modern progress narratives in order to challenge high modernist literary and social ideologies. These works are marked by an acceptance of the disteleology, anarchy, and degeneration that racist discourses of the late nineteenth and early twentieth centuries associated with racial and ethnic outsiders, particularly Jews. In a period of American culture beset with increasing pressures for social and political conformity and with the threat of fascism from Europe, these late modernist narratives about «freaks» defy oppressive norms and values as they search for an anarchic and transformational creativity.


Book Synopsis Freaks in Late Modernist American Culture by : Nancy Bombaci

Download or read book Freaks in Late Modernist American Culture written by Nancy Bombaci and published by Peter Lang. This book was released on 2006 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Freaks in Late Modernist American Culture explores the emergence of what Nancy Bombaci terms «late modernist freakish aesthetics» - a creative fusion of «high» and «low» themes and forms in relation to distorted bodies. Literary and cinematic texts about «freaks» by Nathanael West, Djuna Barnes, Tod Browning, and Carson McCullers subvert and reinvent modern progress narratives in order to challenge high modernist literary and social ideologies. These works are marked by an acceptance of the disteleology, anarchy, and degeneration that racist discourses of the late nineteenth and early twentieth centuries associated with racial and ethnic outsiders, particularly Jews. In a period of American culture beset with increasing pressures for social and political conformity and with the threat of fascism from Europe, these late modernist narratives about «freaks» defy oppressive norms and values as they search for an anarchic and transformational creativity.

Memory and Identity in Modern and Postmodern American Literature

Memory and Identity in Modern and Postmodern American Literature

Author: Lovorka Gruic Grmusa

Publisher: Springer Nature

Published: 2022-09-16

Total Pages: 202

ISBN-13: 9811950253

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This book discusses how American literary modernism and postmodernism interconnect memory and identity and if, and how, the intertwining of memory and identity has been related to the dominant socio-cultural trends in the United States or the specific historical contexts in the world. The book’s opening chapter is the interrogation of the narrator’s memories of Jay Gatsby and his life in F. Scott Fitzgerald’s The Great Gatsby. The second chapter shows how in William Faulkner’s Light in August memory impacts the search for identities in the storylines of the characters. The third chapter discusses the correlation between memory, self, and culture in Tennessee Williams’s A Streetcar Named Desire. Discussing Robert Coover’s Gerald’s Party, the fourth chapter reveals that memory and identity are contextualized and that cognitive processes, including memory, are grounded in the body’s interaction with the environment, featuring dehumanized characters, whose identities appear as role-plays. The subsequent chapter is the analysis of how Jonathan Safran Foer’s Everything Is Illuminated deals with the heritage of Holocaust memories and postmemories. The last chapter focuses on Thomas Pynchon’s Against the Day, the reconstructive nature of memory, and the politics and production of identity in Southeastern Europe.


Book Synopsis Memory and Identity in Modern and Postmodern American Literature by : Lovorka Gruic Grmusa

Download or read book Memory and Identity in Modern and Postmodern American Literature written by Lovorka Gruic Grmusa and published by Springer Nature. This book was released on 2022-09-16 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses how American literary modernism and postmodernism interconnect memory and identity and if, and how, the intertwining of memory and identity has been related to the dominant socio-cultural trends in the United States or the specific historical contexts in the world. The book’s opening chapter is the interrogation of the narrator’s memories of Jay Gatsby and his life in F. Scott Fitzgerald’s The Great Gatsby. The second chapter shows how in William Faulkner’s Light in August memory impacts the search for identities in the storylines of the characters. The third chapter discusses the correlation between memory, self, and culture in Tennessee Williams’s A Streetcar Named Desire. Discussing Robert Coover’s Gerald’s Party, the fourth chapter reveals that memory and identity are contextualized and that cognitive processes, including memory, are grounded in the body’s interaction with the environment, featuring dehumanized characters, whose identities appear as role-plays. The subsequent chapter is the analysis of how Jonathan Safran Foer’s Everything Is Illuminated deals with the heritage of Holocaust memories and postmemories. The last chapter focuses on Thomas Pynchon’s Against the Day, the reconstructive nature of memory, and the politics and production of identity in Southeastern Europe.

Dictionary Of Modern American Philosophers

Dictionary Of Modern American Philosophers

Author: John R. Shook

Publisher: Bloomsbury Publishing

Published: 2005-05-15

Total Pages: 2000

ISBN-13: 1847144705

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The Dictionary of Modern American Philosophers includes both academic and non-academic philosophers, and a large number of female and minority thinkers whose work has been neglected. It includes those intellectuals involved in the development of psychology, pedagogy, sociology, anthropology, education, theology, political science, and several other fields, before these disciplines came to be considered distinct from philosophy in the late nineteenth century. Each entry contains a short biography of the writer, an exposition and analysis of his or her doctrines and ideas, a bibliography of writings, and suggestions for further reading. While all the major post-Civil War philosophers are present, the most valuable feature of this dictionary is its coverage of a huge range of less well-known writers, including hundreds of presently obscure thinkers. In many cases, the Dictionary of Modern American Philosophers offers the first scholarly treatment of the life and work of certain writers. This book will be an indispensable reference work for scholars working on almost any aspect of modern American thought.


Book Synopsis Dictionary Of Modern American Philosophers by : John R. Shook

Download or read book Dictionary Of Modern American Philosophers written by John R. Shook and published by Bloomsbury Publishing. This book was released on 2005-05-15 with total page 2000 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Dictionary of Modern American Philosophers includes both academic and non-academic philosophers, and a large number of female and minority thinkers whose work has been neglected. It includes those intellectuals involved in the development of psychology, pedagogy, sociology, anthropology, education, theology, political science, and several other fields, before these disciplines came to be considered distinct from philosophy in the late nineteenth century. Each entry contains a short biography of the writer, an exposition and analysis of his or her doctrines and ideas, a bibliography of writings, and suggestions for further reading. While all the major post-Civil War philosophers are present, the most valuable feature of this dictionary is its coverage of a huge range of less well-known writers, including hundreds of presently obscure thinkers. In many cases, the Dictionary of Modern American Philosophers offers the first scholarly treatment of the life and work of certain writers. This book will be an indispensable reference work for scholars working on almost any aspect of modern American thought.

To be Or Not to be - The Question of Identity in Selected Postmodern American Short Stories

To be Or Not to be - The Question of Identity in Selected Postmodern American Short Stories

Author: Lars Berghaus

Publisher: GRIN Verlag

Published: 2007-09

Total Pages: 45

ISBN-13: 3638794849

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Seminar paper from the year 2001 in the subject American Studies - Literature, grade: 2,0, University of Cologne, course: Postmodern American short stories, 5 Literaturquellen entries in the bibliography, language: English, abstract: In his famous soliloquy of Act III, Scene 1, of William Shakespeare's Hamlet, Hamlet, prince of Denmark, reveals his inner struggles and his search for identity and meaning. Confronted with and utterly disturbed by family and political problems concerning the crown of Denmark, questions, believes, social conventions and personal convictions are pressing hard on him and leave him searching for meaning and identity, trying to find for the right way through and the right way out. To be, or not to be, that is the question - whether 'tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles,". (III,1) The question of "to be or not to be", which is in essence the question of identity, is a widely discussed and fundamental theme of life, a topic many authors have written about and many producers have made the central theme of Hollywood movies. The purpose of this essay is to discuss question of identity in postmodern American short stories. It will include a presentation of postmodernism in its contrast to modernism. Three short stories from different American authors will be discussed in regard to conflicts and development of identity: "Lost in the funhouse" by John Barth, "Saint Marie" taken from Louise Erdrichs "Love medicine" and "A Wife's Story" by Bharati Mukherjee. Special attention will be paid to the story of initiation.


Book Synopsis To be Or Not to be - The Question of Identity in Selected Postmodern American Short Stories by : Lars Berghaus

Download or read book To be Or Not to be - The Question of Identity in Selected Postmodern American Short Stories written by Lars Berghaus and published by GRIN Verlag. This book was released on 2007-09 with total page 45 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2001 in the subject American Studies - Literature, grade: 2,0, University of Cologne, course: Postmodern American short stories, 5 Literaturquellen entries in the bibliography, language: English, abstract: In his famous soliloquy of Act III, Scene 1, of William Shakespeare's Hamlet, Hamlet, prince of Denmark, reveals his inner struggles and his search for identity and meaning. Confronted with and utterly disturbed by family and political problems concerning the crown of Denmark, questions, believes, social conventions and personal convictions are pressing hard on him and leave him searching for meaning and identity, trying to find for the right way through and the right way out. To be, or not to be, that is the question - whether 'tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles,". (III,1) The question of "to be or not to be", which is in essence the question of identity, is a widely discussed and fundamental theme of life, a topic many authors have written about and many producers have made the central theme of Hollywood movies. The purpose of this essay is to discuss question of identity in postmodern American short stories. It will include a presentation of postmodernism in its contrast to modernism. Three short stories from different American authors will be discussed in regard to conflicts and development of identity: "Lost in the funhouse" by John Barth, "Saint Marie" taken from Louise Erdrichs "Love medicine" and "A Wife's Story" by Bharati Mukherjee. Special attention will be paid to the story of initiation.