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These two volumes of writings represent Johnson's experiences as one of black America's premier civil rights statesmen, and leader, participant, and historian of the Black Literary Movement of the 1920s.
Book Synopsis The Selected Writings of James Weldon Johnson: Social, political, and literary essays by : James Weldon Johnson
Download or read book The Selected Writings of James Weldon Johnson: Social, political, and literary essays written by James Weldon Johnson and published by Oxford University Press, USA. This book was released on 1995 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes of writings represent Johnson's experiences as one of black America's premier civil rights statesmen, and leader, participant, and historian of the Black Literary Movement of the 1920s.
“A canonical collection, splendidly and sensitively edited by Rudolph Byrd.” –Henry Louis Gates, Jr. One of the leading voices of the Harlem Resaissance and a crucial literary figure of his time, James Weldon Johnson was also an editor, songwriter, founding member and leader of the NAACP, and the first African American to hold a diplomatic post as consul to Venezuela and Nicaragua. This comprehensive volume of Johnson’s works includes the seminal novel Autobiography of an Ex-Colored Man, poems from God’s Trombones, essays on cultural and political topics, selections from Johnson’s autobiography, Along This Way, and two previously unpublished short plays: Do You Believe in Ghosts? and The Engineer. Featuring a chronology, bibliography, and a Foreword by acclaimed author Charles Johnson, this Modern Library edition showcases the tremendous range of James Weldon Johnson’s writings and their considerable influence on American civic and cultural life. “This collection of poetry, fiction, criticism, autobiography, political writing and two unpublished plays by James Weldon Johnson (1871-1938) spans 60 years of pure triumph over adversity. [….Johnson’s] nobility, his inspiration shine forth from these pages, setting moral and artistic standards.” —Los Angeles Times
Book Synopsis The Essential Writings of James Weldon Johnson by : James Weldon Johnson
Download or read book The Essential Writings of James Weldon Johnson written by James Weldon Johnson and published by Modern Library. This book was released on 2011-06-22 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A canonical collection, splendidly and sensitively edited by Rudolph Byrd.” –Henry Louis Gates, Jr. One of the leading voices of the Harlem Resaissance and a crucial literary figure of his time, James Weldon Johnson was also an editor, songwriter, founding member and leader of the NAACP, and the first African American to hold a diplomatic post as consul to Venezuela and Nicaragua. This comprehensive volume of Johnson’s works includes the seminal novel Autobiography of an Ex-Colored Man, poems from God’s Trombones, essays on cultural and political topics, selections from Johnson’s autobiography, Along This Way, and two previously unpublished short plays: Do You Believe in Ghosts? and The Engineer. Featuring a chronology, bibliography, and a Foreword by acclaimed author Charles Johnson, this Modern Library edition showcases the tremendous range of James Weldon Johnson’s writings and their considerable influence on American civic and cultural life. “This collection of poetry, fiction, criticism, autobiography, political writing and two unpublished plays by James Weldon Johnson (1871-1938) spans 60 years of pure triumph over adversity. [….Johnson’s] nobility, his inspiration shine forth from these pages, setting moral and artistic standards.” —Los Angeles Times
These two volumes of writings represent Johnson's experiences as one of black America's premier civil rights statesmen, and leader, participant, and historian of the Black Literary Movement in the 1920s
Book Synopsis The Selected Writings of James Weldon Johnson: The New York Age editorials (1914-1923) by : James Weldon Johnson
Download or read book The Selected Writings of James Weldon Johnson: The New York Age editorials (1914-1923) written by James Weldon Johnson and published by Oxford University Press, USA. This book was released on 1995 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes of writings represent Johnson's experiences as one of black America's premier civil rights statesmen, and leader, participant, and historian of the Black Literary Movement in the 1920s
African-American authors have consistently explored the political dimensions of literature and its ability to affect social change. African-American literature has also provided an essential framework for shaping cultural identity and solidarity. From the early slave narratives to the folklore and dialect verse of the Harlem Renaissance to the modern novels of today
Book Synopsis African-American Writers by : Philip Bader
Download or read book African-American Writers written by Philip Bader and published by Infobase Publishing. This book was released on 2014-05-14 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: African-American authors have consistently explored the political dimensions of literature and its ability to affect social change. African-American literature has also provided an essential framework for shaping cultural identity and solidarity. From the early slave narratives to the folklore and dialect verse of the Harlem Renaissance to the modern novels of today
Between 1891 and 1920 more than 18 million immigrants entered the United States. While many Americans responded to this influx by proposing immigration restriction or large-scale "Americanization" campaigns, a few others, figures such as Jane Addams and John Dewey, adopted the image of the melting pot to oppose such measures. These Progressives imagined assimilation as a multidirectional process, in which both native-born and immigrants contributed their cultural gifts to a communal fund. Melting-Pot Modernism reveals the richly aesthetic nature of assimilation at the turn of the twentieth century, focusing on questions of the individual's relation to culture, the protection of vulnerable populations, the sharing of cultural heritages, and the far-reaching effects of free-market thinking. By tracing the melting-pot impulse toward merging and cross-fertilization through the writings of Henry James, James Weldon Johnson, Willa Cather, and Gertrude Stein, as well as through the autobiography, sociology, and social commentary of their era, Sarah Wilson makes a new connection between the ideological ferment of the Progressive era and the literary experimentation of modernism. Wilson puts literary analysis at the service of intellectual history, showing that literary modes of thought and expression both shaped and were shaped by debates over cultural assimilation. Exploring the depth and nuance of an earlier moment's commitment to cultural inclusiveness, Melting-Pot Modernism gives new meaning to American struggles to imaginatively encompass difference—and to the central place of literary interpretation in understanding such struggles.
Book Synopsis Melting-Pot Modernism by : Sarah Wilson
Download or read book Melting-Pot Modernism written by Sarah Wilson and published by Cornell University Press. This book was released on 2011-03-15 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1891 and 1920 more than 18 million immigrants entered the United States. While many Americans responded to this influx by proposing immigration restriction or large-scale "Americanization" campaigns, a few others, figures such as Jane Addams and John Dewey, adopted the image of the melting pot to oppose such measures. These Progressives imagined assimilation as a multidirectional process, in which both native-born and immigrants contributed their cultural gifts to a communal fund. Melting-Pot Modernism reveals the richly aesthetic nature of assimilation at the turn of the twentieth century, focusing on questions of the individual's relation to culture, the protection of vulnerable populations, the sharing of cultural heritages, and the far-reaching effects of free-market thinking. By tracing the melting-pot impulse toward merging and cross-fertilization through the writings of Henry James, James Weldon Johnson, Willa Cather, and Gertrude Stein, as well as through the autobiography, sociology, and social commentary of their era, Sarah Wilson makes a new connection between the ideological ferment of the Progressive era and the literary experimentation of modernism. Wilson puts literary analysis at the service of intellectual history, showing that literary modes of thought and expression both shaped and were shaped by debates over cultural assimilation. Exploring the depth and nuance of an earlier moment's commitment to cultural inclusiveness, Melting-Pot Modernism gives new meaning to American struggles to imaginatively encompass difference—and to the central place of literary interpretation in understanding such struggles.
ASALH 2023 Book Prize Finalist Reveals how disability and disablement have shaped Black social life in America Through both law and custom, the color line has cast Black people as innately disabled and thus unfit for freedom, incapable of self-governance, and contagious within the national body politic. Disabilities of the Color Line maintains that the Black literary tradition historically has inverted this casting by exposing the disablement of racism without disclaiming disability. In place of a triumphalist narrative of overcoming where both disability and disablement alike are shunned, Dennis Tyler argues that Black authors and activists have consistently avowed what he calls the disabilities of the color line: the historical and ongoing anti-Black systems of division that maim, immobilize, and stigmatize Black people. In doing so, Tyler reveals how Black writers and activists such as David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley have engaged in a politics and aesthetics of redress: modes of resistance that, in the pursuit of racial and disability justice, acknowledged the disabling violence perpetrated by anti-Black regimes in order to conceive or engender dynamic new worlds that account for people of all abilities. While some writers have affirmed disability to capture how their bodies, minds, and health have been made vulnerable to harm and impairment by the state and its citizens, others’ assertion of disability symbolizes a sense of community as well as a willingness to imagine and create a world distinct from the dominant social order.
Book Synopsis Disabilities of the Color Line by : Dennis Tyler
Download or read book Disabilities of the Color Line written by Dennis Tyler and published by NYU Press. This book was released on 2022-02-15 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: ASALH 2023 Book Prize Finalist Reveals how disability and disablement have shaped Black social life in America Through both law and custom, the color line has cast Black people as innately disabled and thus unfit for freedom, incapable of self-governance, and contagious within the national body politic. Disabilities of the Color Line maintains that the Black literary tradition historically has inverted this casting by exposing the disablement of racism without disclaiming disability. In place of a triumphalist narrative of overcoming where both disability and disablement alike are shunned, Dennis Tyler argues that Black authors and activists have consistently avowed what he calls the disabilities of the color line: the historical and ongoing anti-Black systems of division that maim, immobilize, and stigmatize Black people. In doing so, Tyler reveals how Black writers and activists such as David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley have engaged in a politics and aesthetics of redress: modes of resistance that, in the pursuit of racial and disability justice, acknowledged the disabling violence perpetrated by anti-Black regimes in order to conceive or engender dynamic new worlds that account for people of all abilities. While some writers have affirmed disability to capture how their bodies, minds, and health have been made vulnerable to harm and impairment by the state and its citizens, others’ assertion of disability symbolizes a sense of community as well as a willingness to imagine and create a world distinct from the dominant social order.
After the Civil War, Emancipation purportedly brought physical freedom to African Americans. As the nineteenth century drew to a close, blacks continued to experience inequality in all phases of American life—social, cultural, political, and economic. In pursuit of equality, African American movements interpreted folklore to reveal in their rhetoric the soul of a race and a path toward civilization. This book provides a comprehensive chronicle of these competing initiatives and their reception starting with the folklore society organized by Hampton Institute in 1893 and continuing through the early 1940s with the American Negro Academy, Fisk University graduates, William Hannibal Thomas, the National Association for the Advancement of Colored People, the Urban League, the Friends of Negro Freedom, the Universal Negro Improvement Association, and blacks associated with the Communist Party USA. Disavowing a culture of fear, money, guns, and death, black folklorists in these movements exposed a racial inner life ranging from loving, loyal, and happy to imitative, tragic, spiritual, emotional, and creative. Each characterization of the race justified a distinct path and possible contributions to civilization. If unable to know their past, members of the movements and other folklorists were fearful that African Americans would be an anomaly among humanity.
Book Synopsis Black Folklorists in Pursuit of Equality by : Ronald LaMarr Sharps
Download or read book Black Folklorists in Pursuit of Equality written by Ronald LaMarr Sharps and published by Rowman & Littlefield. This book was released on 2023-06-16 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: After the Civil War, Emancipation purportedly brought physical freedom to African Americans. As the nineteenth century drew to a close, blacks continued to experience inequality in all phases of American life—social, cultural, political, and economic. In pursuit of equality, African American movements interpreted folklore to reveal in their rhetoric the soul of a race and a path toward civilization. This book provides a comprehensive chronicle of these competing initiatives and their reception starting with the folklore society organized by Hampton Institute in 1893 and continuing through the early 1940s with the American Negro Academy, Fisk University graduates, William Hannibal Thomas, the National Association for the Advancement of Colored People, the Urban League, the Friends of Negro Freedom, the Universal Negro Improvement Association, and blacks associated with the Communist Party USA. Disavowing a culture of fear, money, guns, and death, black folklorists in these movements exposed a racial inner life ranging from loving, loyal, and happy to imitative, tragic, spiritual, emotional, and creative. Each characterization of the race justified a distinct path and possible contributions to civilization. If unable to know their past, members of the movements and other folklorists were fearful that African Americans would be an anomaly among humanity.
The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition. Known only as the “Ex-Colored Man,” the protagonist in Johnson’s novel is forced to choose between celebrating his African American heritage or “passing” as an average white man in a post-Reconstruction America that is rapidly changing. This Norton Critical Edition is based on the 1912 text. It is accompanied by a detailed introduction, explanatory footnotes, and a note on the text. The appendices that follow the novel include materials available in no other edition: manuscript drafts of the final chapters, including the original lynching scene (chapter 10, ca. 1910) and the original ending (chapter 11, ca. 1908). An unusually rich selection of “Backgrounds and Sources” focuses on Johnson’s life; the autobiographical inspirations for The Autobiography of an Ex-Colored Man; the cultural history of the era in which Johnson lived and wrote; the noteworthy reception history for the 1912, 1927, and 1948 editions; and related writings by Johnson. In addition to Johnson, contributors include Eugene Levy, W. E. B. Du Bois, Carl Van Vechten, Blanche W. Knopf, and Victor Weybright among others. The four critical essays and interpretations in this volume speak to The Autobiography of an Ex-Colored Man’s major themes, among them irony, authorship, passing, and parody. Assessments are provided by Robert B. Stepto, M. Giulia Fabi, Siobhan B. Somerville, and Christina L. Ruotolo. A chronology of Johnson’s life and work and a selected bibliography are also included, as well as six images.
Book Synopsis The Autobiography of an Ex-Colored Man (International Student Edition) (Norton Critical Editions) by : James Weldon Johnson
Download or read book The Autobiography of an Ex-Colored Man (International Student Edition) (Norton Critical Editions) written by James Weldon Johnson and published by W. W. Norton & Company. This book was released on 2016-04-04 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Norton Critical Edition of this influential Harlem Renaissance novel includes related materials available in no other edition. Known only as the “Ex-Colored Man,” the protagonist in Johnson’s novel is forced to choose between celebrating his African American heritage or “passing” as an average white man in a post-Reconstruction America that is rapidly changing. This Norton Critical Edition is based on the 1912 text. It is accompanied by a detailed introduction, explanatory footnotes, and a note on the text. The appendices that follow the novel include materials available in no other edition: manuscript drafts of the final chapters, including the original lynching scene (chapter 10, ca. 1910) and the original ending (chapter 11, ca. 1908). An unusually rich selection of “Backgrounds and Sources” focuses on Johnson’s life; the autobiographical inspirations for The Autobiography of an Ex-Colored Man; the cultural history of the era in which Johnson lived and wrote; the noteworthy reception history for the 1912, 1927, and 1948 editions; and related writings by Johnson. In addition to Johnson, contributors include Eugene Levy, W. E. B. Du Bois, Carl Van Vechten, Blanche W. Knopf, and Victor Weybright among others. The four critical essays and interpretations in this volume speak to The Autobiography of an Ex-Colored Man’s major themes, among them irony, authorship, passing, and parody. Assessments are provided by Robert B. Stepto, M. Giulia Fabi, Siobhan B. Somerville, and Christina L. Ruotolo. A chronology of Johnson’s life and work and a selected bibliography are also included, as well as six images.
This book shows how African American literature emerged as a world-recognized literature: less as the product of a seamless tradition of writers signifying upon their ancestors and more the product of three generations of ambitious, competitive individuals aiming to be the first great African American writer. It charts a canon of fictional landmarks, beginning with The House Behind the Cedars and culminating in the National Book Award-Winner Invisible Man, and tells the compelling stories of the careers of key African American writers, including Charles Chesnutt, James Weldon Johnson, Jean Toomer, Zora Neale Hurston, Richard Wright, and Ralph Ellison. These writers worked within the white-dominated, commercial, Eurocentric literary field to put African American literature on the world literary map, while struggling to transcend the cultural expectations attached to their position as 'Negro authors'. Literary Ambition and the African American Novel tells as much about the novels that these writers could not publish as it does about their major achievements.
Book Synopsis Literary Ambition and the African American Novel by : Michael Nowlin
Download or read book Literary Ambition and the African American Novel written by Michael Nowlin and published by Cambridge University Press. This book was released on 2019-11-07 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book shows how African American literature emerged as a world-recognized literature: less as the product of a seamless tradition of writers signifying upon their ancestors and more the product of three generations of ambitious, competitive individuals aiming to be the first great African American writer. It charts a canon of fictional landmarks, beginning with The House Behind the Cedars and culminating in the National Book Award-Winner Invisible Man, and tells the compelling stories of the careers of key African American writers, including Charles Chesnutt, James Weldon Johnson, Jean Toomer, Zora Neale Hurston, Richard Wright, and Ralph Ellison. These writers worked within the white-dominated, commercial, Eurocentric literary field to put African American literature on the world literary map, while struggling to transcend the cultural expectations attached to their position as 'Negro authors'. Literary Ambition and the African American Novel tells as much about the novels that these writers could not publish as it does about their major achievements.
During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture. Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism.
Book Synopsis Artistic Ambassadors by : Brian Russell Roberts
Download or read book Artistic Ambassadors written by Brian Russell Roberts and published by University of Virginia Press. This book was released on 2013 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture. Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism.
