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These two volumes of writings represent Johnson's experiences as one of black America's premier civil rights statesmen, and leader, participant, and historian of the Black Literary Movement in the 1920s
Book Synopsis The Selected Writings of James Weldon Johnson: The New York Age editorials (1914-1923) by : James Weldon Johnson
Download or read book The Selected Writings of James Weldon Johnson: The New York Age editorials (1914-1923) written by James Weldon Johnson and published by Oxford University Press, USA. This book was released on 1995 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes of writings represent Johnson's experiences as one of black America's premier civil rights statesmen, and leader, participant, and historian of the Black Literary Movement in the 1920s
These two volumes of writings represent Johnson's experiences as one of black America's premier civil rights statesmen, and leader, participant, and historian of the Black Literary Movement of the 1920s.
Book Synopsis The Selected Writings of James Weldon Johnson: Social, political, and literary essays by : James Weldon Johnson
Download or read book The Selected Writings of James Weldon Johnson: Social, political, and literary essays written by James Weldon Johnson and published by Oxford University Press, USA. This book was released on 1995 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: These two volumes of writings represent Johnson's experiences as one of black America's premier civil rights statesmen, and leader, participant, and historian of the Black Literary Movement of the 1920s.
The essays in Modernism and Mourning examine the work of mourning in modernist literature, or more precisely, its propensity for resisting this work. Drawing from recent developments in the theory and cultural history of mourning, its contributors explore the various ways in which modernist writers repudiate Freud's famous injunction to mourners to work through their grief, endorsing instead a resistant, or melancholic mourning that shapes both their themes and their radical experiments with form. The emerging picture of the pervasive influence of melancholic mourning in modernist literature casts new light on longstanding critical arguments, especially those about the politics of modernism. It also makes clear the pertinence of this literature to the present day, in which the catastrophic losses of 9/11, of retaliatory war, of racially motivated genocide, of the AIDS epidemic, have made the work of mourning a subject of widespread interest and debate. Patricia Rae is Head of the Department of English at Queen's University.
Book Synopsis Modernism and Mourning by : Patricia Rae
Download or read book Modernism and Mourning written by Patricia Rae and published by Bucknell University Press. This book was released on 2007 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in Modernism and Mourning examine the work of mourning in modernist literature, or more precisely, its propensity for resisting this work. Drawing from recent developments in the theory and cultural history of mourning, its contributors explore the various ways in which modernist writers repudiate Freud's famous injunction to mourners to work through their grief, endorsing instead a resistant, or melancholic mourning that shapes both their themes and their radical experiments with form. The emerging picture of the pervasive influence of melancholic mourning in modernist literature casts new light on longstanding critical arguments, especially those about the politics of modernism. It also makes clear the pertinence of this literature to the present day, in which the catastrophic losses of 9/11, of retaliatory war, of racially motivated genocide, of the AIDS epidemic, have made the work of mourning a subject of widespread interest and debate. Patricia Rae is Head of the Department of English at Queen's University.
John D. Kerkering's study examines the literary history of racial and national identity in nineteenth-century America. Kerkering argues that writers such as DuBois, Lanier, Simms, and Scott used poetic effects to assert the distinctiveness of certain groups in a diffuse social landscape. Kerkering explores poetry's formal properties, its sound effects, as they intersect with the issues of race and nation. He shows how formal effects, ranging from meter and rhythm to alliteration and melody, provide these writers with evidence of a collective identity, whether national or racial. Through this shared reliance on formal literary effects, national and racial identities, Kerkering shows, are related elements of a single literary history. This is the story of how poetic effects helped to define national identities in Anglo-America as a step toward helping to define racial identities within the United States. This highly original study will command a wide audience of Americanists.
Book Synopsis The Poetics of National and Racial Identity in Nineteenth-Century American Literature by : John D. Kerkering
Download or read book The Poetics of National and Racial Identity in Nineteenth-Century American Literature written by John D. Kerkering and published by Cambridge University Press. This book was released on 2003-12-11 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: John D. Kerkering's study examines the literary history of racial and national identity in nineteenth-century America. Kerkering argues that writers such as DuBois, Lanier, Simms, and Scott used poetic effects to assert the distinctiveness of certain groups in a diffuse social landscape. Kerkering explores poetry's formal properties, its sound effects, as they intersect with the issues of race and nation. He shows how formal effects, ranging from meter and rhythm to alliteration and melody, provide these writers with evidence of a collective identity, whether national or racial. Through this shared reliance on formal literary effects, national and racial identities, Kerkering shows, are related elements of a single literary history. This is the story of how poetic effects helped to define national identities in Anglo-America as a step toward helping to define racial identities within the United States. This highly original study will command a wide audience of Americanists.
"A faith in the God of the Bible and an association with the institutional church have had a positive influence on the African American community, and were key in the survival of the slave experience in America," says psychologist and professor Dr. Lee June. This book traces the history of Christianity among African Americans and the development of the "Black Church"-those denominations created by, created for, and stewarded by African Americans. He examines the role the church has played politically and psychologically as well as spiritually in the lives of African Americans. This comprehensive psychological and spiritual look at an historic institution will be a valuable tool for both pastors and seminary professors.
Book Synopsis Yet With A Steady Beat by : Lee June, PhD
Download or read book Yet With A Steady Beat written by Lee June, PhD and published by Moody Publishers. This book was released on 2008-02-01 with total page 153 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A faith in the God of the Bible and an association with the institutional church have had a positive influence on the African American community, and were key in the survival of the slave experience in America," says psychologist and professor Dr. Lee June. This book traces the history of Christianity among African Americans and the development of the "Black Church"-those denominations created by, created for, and stewarded by African Americans. He examines the role the church has played politically and psychologically as well as spiritually in the lives of African Americans. This comprehensive psychological and spiritual look at an historic institution will be a valuable tool for both pastors and seminary professors.
Between 1891 and 1920 more than 18 million immigrants entered the United States. While many Americans responded to this influx by proposing immigration restriction or large-scale "Americanization" campaigns, a few others, figures such as Jane Addams and John Dewey, adopted the image of the melting pot to oppose such measures. These Progressives imagined assimilation as a multidirectional process, in which both native-born and immigrants contributed their cultural gifts to a communal fund. Melting-Pot Modernism reveals the richly aesthetic nature of assimilation at the turn of the twentieth century, focusing on questions of the individual's relation to culture, the protection of vulnerable populations, the sharing of cultural heritages, and the far-reaching effects of free-market thinking. By tracing the melting-pot impulse toward merging and cross-fertilization through the writings of Henry James, James Weldon Johnson, Willa Cather, and Gertrude Stein, as well as through the autobiography, sociology, and social commentary of their era, Sarah Wilson makes a new connection between the ideological ferment of the Progressive era and the literary experimentation of modernism. Wilson puts literary analysis at the service of intellectual history, showing that literary modes of thought and expression both shaped and were shaped by debates over cultural assimilation. Exploring the depth and nuance of an earlier moment's commitment to cultural inclusiveness, Melting-Pot Modernism gives new meaning to American struggles to imaginatively encompass difference—and to the central place of literary interpretation in understanding such struggles.
Book Synopsis Melting-Pot Modernism by : Sarah Wilson
Download or read book Melting-Pot Modernism written by Sarah Wilson and published by Cornell University Press. This book was released on 2011-03-15 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1891 and 1920 more than 18 million immigrants entered the United States. While many Americans responded to this influx by proposing immigration restriction or large-scale "Americanization" campaigns, a few others, figures such as Jane Addams and John Dewey, adopted the image of the melting pot to oppose such measures. These Progressives imagined assimilation as a multidirectional process, in which both native-born and immigrants contributed their cultural gifts to a communal fund. Melting-Pot Modernism reveals the richly aesthetic nature of assimilation at the turn of the twentieth century, focusing on questions of the individual's relation to culture, the protection of vulnerable populations, the sharing of cultural heritages, and the far-reaching effects of free-market thinking. By tracing the melting-pot impulse toward merging and cross-fertilization through the writings of Henry James, James Weldon Johnson, Willa Cather, and Gertrude Stein, as well as through the autobiography, sociology, and social commentary of their era, Sarah Wilson makes a new connection between the ideological ferment of the Progressive era and the literary experimentation of modernism. Wilson puts literary analysis at the service of intellectual history, showing that literary modes of thought and expression both shaped and were shaped by debates over cultural assimilation. Exploring the depth and nuance of an earlier moment's commitment to cultural inclusiveness, Melting-Pot Modernism gives new meaning to American struggles to imaginatively encompass difference—and to the central place of literary interpretation in understanding such struggles.
In 2000, the United States census allowed respondents for the first time to tick a box marked “African American” in the race category. The new option marked official recognition of a term that had been gaining currency for some decades. Africa has always played a role in black identity, but it was in the tumultuous period between the two world wars that black Americans first began to embrace a modern African American identity. Following the great migration of black southerners to northern cities after World War I, the search for roots and for meaningful affiliations became subjects of debate and display in a growing black public sphere. Throwing off the legacy of slavery and segregation, black intellectuals, activists, and organizations sought a prouder past in ancient Egypt and forged links to contemporary Africa. In plays, pageants, dance, music, film, literature, and the visual arts, they aimed to give stature and solidity to the American black community through a new awareness of the African past and the international black world. Their consciousness of a dual identity anticipated the hyphenated identities of new immigrants in the years after World War II, and an emerging sense of what it means to be a modern American.
Book Synopsis Becoming African Americans by : Clare Corbould
Download or read book Becoming African Americans written by Clare Corbould and published by Harvard University Press. This book was released on 2009-03-31 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 2000, the United States census allowed respondents for the first time to tick a box marked “African American” in the race category. The new option marked official recognition of a term that had been gaining currency for some decades. Africa has always played a role in black identity, but it was in the tumultuous period between the two world wars that black Americans first began to embrace a modern African American identity. Following the great migration of black southerners to northern cities after World War I, the search for roots and for meaningful affiliations became subjects of debate and display in a growing black public sphere. Throwing off the legacy of slavery and segregation, black intellectuals, activists, and organizations sought a prouder past in ancient Egypt and forged links to contemporary Africa. In plays, pageants, dance, music, film, literature, and the visual arts, they aimed to give stature and solidity to the American black community through a new awareness of the African past and the international black world. Their consciousness of a dual identity anticipated the hyphenated identities of new immigrants in the years after World War II, and an emerging sense of what it means to be a modern American.
Alphabetically-arranged entries from O to T that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century.
Book Synopsis Encyclopedia of African American History, 1896 to the Present: O-T by : Paul Finkelman
Download or read book Encyclopedia of African American History, 1896 to the Present: O-T written by Paul Finkelman and published by . This book was released on 2009 with total page 2637 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alphabetically-arranged entries from O to T that explores significant events, major persons, organizations, and political and social movements in African-American history from 1896 to the twenty-first-century.
Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural "mixing" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a culturally amalgamated, boundary-crossing form of expression that reflects and defines modern American identities.
Book Synopsis Beyond the Sound Barrier by : Kristin K Henson
Download or read book Beyond the Sound Barrier written by Kristin K Henson and published by Routledge. This book was released on 2013-12-16 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural "mixing" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a culturally amalgamated, boundary-crossing form of expression that reflects and defines modern American identities.
Suffragists recognized that the media played an essential role in the women's suffrage movement and the public's understanding of it. From parades to going to jail for voting, activists played to the mass media of their day. They also created an energetic niche media of suffragist journalism and publications. This collection offers new research on media issues related to the women's suffrage movement. Contributors incorporate media theory, historiography, and innovative approaches to social movements while discussing the vexed relationship between the media and debates over suffrage. Aiming to correct past oversights, the essays explore overlooked topics such as coverage by African American and Mormon-oriented media, media portrayals of black women in the movement, suffragist rhetorical strategies, elites within the movement, suffrage as part of broader campaigns for social transformation, and the influence views of white masculinity had on press coverage. Contributors: Maurine H. Beasley, Sherilyn Cox Bennion, Jinx C. Broussard, Teri Finneman, Kathy Roberts Forde, Linda M. Grasso, Carolyn Kitch, Brooke Kroeger, Linda J. Lumsden, Jane Marcellus, Jane Rhodes, Linda Steiner, and Robin Sundaramoorthy
Book Synopsis Front Pages, Front Lines by : Linda Steiner
Download or read book Front Pages, Front Lines written by Linda Steiner and published by University of Illinois Press. This book was released on 2020-03-09 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Suffragists recognized that the media played an essential role in the women's suffrage movement and the public's understanding of it. From parades to going to jail for voting, activists played to the mass media of their day. They also created an energetic niche media of suffragist journalism and publications. This collection offers new research on media issues related to the women's suffrage movement. Contributors incorporate media theory, historiography, and innovative approaches to social movements while discussing the vexed relationship between the media and debates over suffrage. Aiming to correct past oversights, the essays explore overlooked topics such as coverage by African American and Mormon-oriented media, media portrayals of black women in the movement, suffragist rhetorical strategies, elites within the movement, suffrage as part of broader campaigns for social transformation, and the influence views of white masculinity had on press coverage. Contributors: Maurine H. Beasley, Sherilyn Cox Bennion, Jinx C. Broussard, Teri Finneman, Kathy Roberts Forde, Linda M. Grasso, Carolyn Kitch, Brooke Kroeger, Linda J. Lumsden, Jane Marcellus, Jane Rhodes, Linda Steiner, and Robin Sundaramoorthy
