Download The Shakespearean Metaphor full books in PDF, epub, and Kindle. Read online The Shakespearean Metaphor ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Cover -- Half Title -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Dedication -- Table of Contents -- Acknowledgements -- Introduction -- 1 Richard III: Player and King -- 2 King John: Some Bastards Too -- 3 Romeo and Juliet: The Sonnet-World of Verona -- 4 Henry V: The Reason Why -- 5 'To say one': An essay on Hamlet -- 6 Troilus and Cressida: Tempus edax rerum -- 7 Sexual Imagery in Coriolanus -- 8 The Tempest -- Notes -- Index
Book Synopsis The Shakespearean Metaphor by : Peter Razzell
Download or read book The Shakespearean Metaphor written by Peter Razzell and published by . This book was released on 2016-08-11 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Half Title -- Title Page -- Copyright Page -- Original Title Page -- Original Copyright Page -- Dedication -- Table of Contents -- Acknowledgements -- Introduction -- 1 Richard III: Player and King -- 2 King John: Some Bastards Too -- 3 Romeo and Juliet: The Sonnet-World of Verona -- 4 Henry V: The Reason Why -- 5 'To say one': An essay on Hamlet -- 6 Troilus and Cressida: Tempus edax rerum -- 7 Sexual Imagery in Coriolanus -- 8 The Tempest -- Notes -- Index
Metaphor and Shakespearean Drama explores the fruitful and potentially unruly nature of metaphorical utterances in Shakespearean drama, with analyses of Othello , Titus Andronicus , King Henry IV Part 1 , Macbeth , Hamlet , and The Tempest.
Book Synopsis Metaphor and Shakespearean Drama by : M. Fahey
Download or read book Metaphor and Shakespearean Drama written by M. Fahey and published by Springer. This book was released on 2011-08-31 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Metaphor and Shakespearean Drama explores the fruitful and potentially unruly nature of metaphorical utterances in Shakespearean drama, with analyses of Othello , Titus Andronicus , King Henry IV Part 1 , Macbeth , Hamlet , and The Tempest.
Book Synopsis The Shakespearean Metaphor by : Ralph Berry
Download or read book The Shakespearean Metaphor written by Ralph Berry and published by Springer. This book was released on 1978-06-17 with total page 133 pages. Available in PDF, EPUB and Kindle. Book excerpt:
'Names as Metaphors in Shakespeare’s Comedies' presents a comprehensive study of names in Shakespeare’s comedies. Although names are used in daily speech as simple designators, often with minimal regard for semantic or phonological suggestiveness, their coinage is always based on analogy. They are words (i.e., signs) borrowed from previous referents and contexts, and applied to new referents. Thus, in the literary use of language, names are figurative inventions and have measurable thematic significance: they evoke an association of attributes between two or more referents, contextualize each work of literature within its time, and reflect the artistic development of the writer. In the introduction, Smith describes the literary use of names as creative choices that show the indebtedness of authors to previous literature, as well as their imaginative descriptions (etymologically and phonologically) of memorable character types, and their references to cultural phenomena that make their names meaningful to their contemporary readers and audience. This book presents fourteen essays demonstrating the analytical models explained in the introduction. These essays focus on Shakespeare’s comedies as presented in the First Folio. They do not follow the chronological order of their composition; instead, the individual essays give special attention to differences between the plays that suggest Shakespeare’s artistic development, including the varied sources of his borrowings, the differences between his etymological and phonological coinages, the frequency and types of his topical references, and his use of epithets and generics. This book will appeal to Shakespeare students and scholars at all levels, particularly those who are keen on studying his comedies. This study will also be relevant for researchers and graduate students interested in onomastics. He can be reached at [email protected].
Book Synopsis Names as Metaphors in Shakespeare’s Comedies by : Grant W. Smith
Download or read book Names as Metaphors in Shakespeare’s Comedies written by Grant W. Smith and published by Vernon Press. This book was released on 2021-09-07 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Names as Metaphors in Shakespeare’s Comedies' presents a comprehensive study of names in Shakespeare’s comedies. Although names are used in daily speech as simple designators, often with minimal regard for semantic or phonological suggestiveness, their coinage is always based on analogy. They are words (i.e., signs) borrowed from previous referents and contexts, and applied to new referents. Thus, in the literary use of language, names are figurative inventions and have measurable thematic significance: they evoke an association of attributes between two or more referents, contextualize each work of literature within its time, and reflect the artistic development of the writer. In the introduction, Smith describes the literary use of names as creative choices that show the indebtedness of authors to previous literature, as well as their imaginative descriptions (etymologically and phonologically) of memorable character types, and their references to cultural phenomena that make their names meaningful to their contemporary readers and audience. This book presents fourteen essays demonstrating the analytical models explained in the introduction. These essays focus on Shakespeare’s comedies as presented in the First Folio. They do not follow the chronological order of their composition; instead, the individual essays give special attention to differences between the plays that suggest Shakespeare’s artistic development, including the varied sources of his borrowings, the differences between his etymological and phonological coinages, the frequency and types of his topical references, and his use of epithets and generics. This book will appeal to Shakespeare students and scholars at all levels, particularly those who are keen on studying his comedies. This study will also be relevant for researchers and graduate students interested in onomastics. He can be reached at [email protected].
Book Synopsis Dream in Shakespeare by : Marjorie Garber
Download or read book Dream in Shakespeare written by Marjorie Garber and published by Yale University Press. This book was released on 2013-08-06 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt:
First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure — the extent to which a certain metaphoric idea informs and organises the drama. These studies turn constantly to the relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, King John, Henry V, Romeo and Juliet, Troilus and Cressida, and Coriolanus. They also provide a key to The Tempest which is analysed in terms of power and possession — the dominant motif.
Book Synopsis Routledge Revivals: The Shakespearean Metaphor (1990) by : Ralph Berry
Download or read book Routledge Revivals: The Shakespearean Metaphor (1990) written by Ralph Berry and published by Routledge. This book was released on 2016-10-04 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1978, this book represents a study of the ways in which Shakespeare exploits the possibilities of metaphor. In a series of studies ranging from the early to the mature Shakespeare, the author concentrates on metaphor as a controlling structure — the extent to which a certain metaphoric idea informs and organises the drama. These studies turn constantly to the relations between symbol and metaphor, literal and figurative, and examine key plays such as Richard III, King John, Henry V, Romeo and Juliet, Troilus and Cressida, and Coriolanus. They also provide a key to The Tempest which is analysed in terms of power and possession — the dominant motif.
Download or read book Shakespeare written by Ann Thompson and published by . This book was released on 1987 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis Shakespeare and the Allegory of Evil by : Bernard Spivack
Download or read book Shakespeare and the Allegory of Evil written by Bernard Spivack and published by New York, Columbia University Press. This book was released on 1958 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
A metadramatic study of nine of Shakespeare's plays, focusing on aesthetic metaphors created by the union of the playwright, actor-character, and audience.
Book Synopsis When the Theater Turns to Itself by : Sidney Homan
Download or read book When the Theater Turns to Itself written by Sidney Homan and published by Bucknell University Press. This book was released on 1981 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: A metadramatic study of nine of Shakespeare's plays, focusing on aesthetic metaphors created by the union of the playwright, actor-character, and audience.
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Tubingen (Neuphilologie), course: Understanding Utterances, language: English, abstract: For many people it seems that the application and analysis of metaphors only belongs to the field of literary studies. There are, however, such a large number of metaphorical expressions and lexicalized, so-called “frozen metaphors” in both German and English that the importance of metaphors exceeds by far their poetic usage. For Grice, metaphors result from the flouting of the first maxim (Quality) – that of not saying what one believes to be false. Metaphorical expressions hence provoke a search for the intended speaker meaning because of the obvious discrepancy between the proposition expressed by the utterance and the “falseness” of its content. This “falseness”, however, is not always clear to see. Take, for example, the metaphor “no man is an island”. It is obviously metaphorical in both content and meaning and one could deduce a whole range of weak implicatures from it but it is in no way “literally false”. Considering that Grice labelled tropes and figures of speech (such as tautology, irony and metaphor) as cases of “maxim exploitation” , it seems reasonable to analyse a text which allows for a maximum of maxim exploitation and whose author is responsible for a large number of frozen metaphors in English: What makes Shakespeare (to name just one example) extraordinary is the way he exploited this ordinary aspect of communication so that a single line or phrase triggers the discovery of a whole array of implicatures. The centre of this paper will thus be a linguistic analysis of metaphors and implicatures in Shakespeare’s play Much Ado about Nothing.
Book Synopsis Metaphors and implicatures in Shakespeare’s "Much Ado about Nothing" by : Achim Binder
Download or read book Metaphors and implicatures in Shakespeare’s "Much Ado about Nothing" written by Achim Binder and published by GRIN Verlag. This book was released on 2008-08-05 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Tubingen (Neuphilologie), course: Understanding Utterances, language: English, abstract: For many people it seems that the application and analysis of metaphors only belongs to the field of literary studies. There are, however, such a large number of metaphorical expressions and lexicalized, so-called “frozen metaphors” in both German and English that the importance of metaphors exceeds by far their poetic usage. For Grice, metaphors result from the flouting of the first maxim (Quality) – that of not saying what one believes to be false. Metaphorical expressions hence provoke a search for the intended speaker meaning because of the obvious discrepancy between the proposition expressed by the utterance and the “falseness” of its content. This “falseness”, however, is not always clear to see. Take, for example, the metaphor “no man is an island”. It is obviously metaphorical in both content and meaning and one could deduce a whole range of weak implicatures from it but it is in no way “literally false”. Considering that Grice labelled tropes and figures of speech (such as tautology, irony and metaphor) as cases of “maxim exploitation” , it seems reasonable to analyse a text which allows for a maximum of maxim exploitation and whose author is responsible for a large number of frozen metaphors in English: What makes Shakespeare (to name just one example) extraordinary is the way he exploited this ordinary aspect of communication so that a single line or phrase triggers the discovery of a whole array of implicatures. The centre of this paper will thus be a linguistic analysis of metaphors and implicatures in Shakespeare’s play Much Ado about Nothing.
