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The Spectre of Sound

Author: Kevin Donnelly

Publisher: Bloomsbury Publishing

Published: 2019-07-25

Total Pages: 192

ISBN-13: 1839020628

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This book is a major new study - dealing with notions of film music as a device that desires to control its audience, using a most powerful thing: emotion. The author emphasises the manipulative and ephemeral character of film music dealing not only with traditional orchestral film music, but also looks at film music's colonisation of television, and discusses pop music in relation to films, and the historical dimensions to ability to possess audiences that have so many important cultural and aesthetic effects. It challenges the dominant but limited conception of film music as restricted to film by looking at its use in television and influence in the world of pop music and the traditional restriction of analysis to 'valued' film music, either from 'name' composers' or from the 'golden era' of Classical Hollywood. Focusing on areas as diverse as horror, pop music in film, ethnic signposting, television drama and the soundtrack without a film- this is an original study which expands the range of writing on the subject.

Book Synopsis The Spectre of Sound by : Kevin Donnelly

Download or read book The Spectre of Sound written by Kevin Donnelly and published by Bloomsbury Publishing. This book was released on 2019-07-25 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a major new study - dealing with notions of film music as a device that desires to control its audience, using a most powerful thing: emotion. The author emphasises the manipulative and ephemeral character of film music dealing not only with traditional orchestral film music, but also looks at film music's colonisation of television, and discusses pop music in relation to films, and the historical dimensions to ability to possess audiences that have so many important cultural and aesthetic effects. It challenges the dominant but limited conception of film music as restricted to film by looking at its use in television and influence in the world of pop music and the traditional restriction of analysis to 'valued' film music, either from 'name' composers' or from the 'golden era' of Classical Hollywood. Focusing on areas as diverse as horror, pop music in film, ethnic signposting, television drama and the soundtrack without a film- this is an original study which expands the range of writing on the subject.

The Spectre of Sound

Author: Kevin J. Donnelly

Publisher:

Published: 2005

Total Pages: 192

ISBN-13:

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Book Synopsis The Spectre of Sound by : Kevin J. Donnelly

Download or read book The Spectre of Sound written by Kevin J. Donnelly and published by . This book was released on 2005 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Occult Aesthetics

Author: K.J. Donnelly

Publisher: Oxford University Press

Published: 2014-02

Total Pages: 273

ISBN-13: 0199773491

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Occult Aesthetics: Synchronization in Sound Film opens up an often-overlooked aspect of audiovisual culture which is crucial to the medium's powerful illusions. Author Kevin Donnelly contends that a film soundtrack's musical qualities can unlock the occult psychology joining sound and image, an effect both esoteric and easily destroyed.

Book Synopsis Occult Aesthetics by : K.J. Donnelly

Download or read book Occult Aesthetics written by K.J. Donnelly and published by Oxford University Press. This book was released on 2014-02 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Occult Aesthetics: Synchronization in Sound Film opens up an often-overlooked aspect of audiovisual culture which is crucial to the medium's powerful illusions. Author Kevin Donnelly contends that a film soundtrack's musical qualities can unlock the occult psychology joining sound and image, an effect both esoteric and easily destroyed.

Music, Sound and Filmmakers

Author: James Wierzbicki

Publisher: Routledge

Published: 2012-08-06

Total Pages: 234

ISBN-13: 1136597018

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Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.

Book Synopsis Music, Sound and Filmmakers by : James Wierzbicki

Download or read book Music, Sound and Filmmakers written by James Wierzbicki and published by Routledge. This book was released on 2012-08-06 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.

The Oxford Handbook of Cinematic Listening

Author: Carlo Cenciarelli

Publisher: Oxford University Press

Published: 2021

Total Pages: 789

ISBN-13: 0190853611

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The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.

Book Synopsis The Oxford Handbook of Cinematic Listening by : Carlo Cenciarelli

Download or read book The Oxford Handbook of Cinematic Listening written by Carlo Cenciarelli and published by Oxford University Press. This book was released on 2021 with total page 789 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.

Listening to Stanley Kubrick

Author: Christine Lee Gengaro

Publisher: Rowman & Littlefield

Published: 2013

Total Pages: 317

ISBN-13: 0810885646

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The musical scores of Stanley Kubrick's films are often praised as being innovative and forward-looking. Despite playing such an important part in his productions, however, the ways in which Kubrick used music to great effect is still somewhat mysterious to many viewers. Although some viewers may know a little about the music in 2001 or A Clockwork Orange, few are aware of the particulars behind the music in Kubrick's other films. In Listening to Stanley Kubrick: The Music in His Films, Christine Lee Gengaro provides an in-depth exploration of the music that was composed for Kubrick's films and places the pre-existent music he utilized into historical context. Gengaro discusses the music in every single work, from Kubrick's first films, including the documentary shorts The Flying Padre and Day of the Fight, through all of his feature films, from Fear and Desire to Eyes Wide Shut. No film is left out; no cue is ignored. Besides closely examining the scores composed by Gerald Fried for Kubrick's early works, Gengaro pays particular attention to five of the director's most provocative and acclaimed films--2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, and Eyes Wide Shut. For each film, she engages the reader by explaining how the music was excerpted (and changed, in some cases), and how the historical facts about a musical piece add layers of meaning--sometimes unintended--to the films. Meant for film lovers, music lovers, and scholars, Listening to Stanley Kubrick is a thoroughly researched examination into the musical elements of one of cinema's most brilliant artists. Appropriate for a cinema studies or music classroom, this volume will also appeal to any fan of Kubrick's films.

Book Synopsis Listening to Stanley Kubrick by : Christine Lee Gengaro

Download or read book Listening to Stanley Kubrick written by Christine Lee Gengaro and published by Rowman & Littlefield. This book was released on 2013 with total page 317 pages. Available in PDF, EPUB and Kindle. Book excerpt: The musical scores of Stanley Kubrick's films are often praised as being innovative and forward-looking. Despite playing such an important part in his productions, however, the ways in which Kubrick used music to great effect is still somewhat mysterious to many viewers. Although some viewers may know a little about the music in 2001 or A Clockwork Orange, few are aware of the particulars behind the music in Kubrick's other films. In Listening to Stanley Kubrick: The Music in His Films, Christine Lee Gengaro provides an in-depth exploration of the music that was composed for Kubrick's films and places the pre-existent music he utilized into historical context. Gengaro discusses the music in every single work, from Kubrick's first films, including the documentary shorts The Flying Padre and Day of the Fight, through all of his feature films, from Fear and Desire to Eyes Wide Shut. No film is left out; no cue is ignored. Besides closely examining the scores composed by Gerald Fried for Kubrick's early works, Gengaro pays particular attention to five of the director's most provocative and acclaimed films--2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, and Eyes Wide Shut. For each film, she engages the reader by explaining how the music was excerpted (and changed, in some cases), and how the historical facts about a musical piece add layers of meaning--sometimes unintended--to the films. Meant for film lovers, music lovers, and scholars, Listening to Stanley Kubrick is a thoroughly researched examination into the musical elements of one of cinema's most brilliant artists. Appropriate for a cinema studies or music classroom, this volume will also appeal to any fan of Kubrick's films.

Callsign: Spectre

Author: Jeff Noecker

Publisher: iUniverse

Published: 2011-04-29

Total Pages: 180

ISBN-13: 1462004849

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Callsign: Spectre is the true story of a young man from a small town in Pennsylvania who grows up and enlists in the United States Air Force at nineteen. Nearly forty years after the fact, Jeff Noecker recounts his combat flight experiences from the Vietnam War flying in an AC-130 Spectre gunship. The story follows him from his initial air force training to being accepted into an unusual Special Operations unit. What sets this story apart from the others that have been written about Vietnam is the Spectre gunship that Noecker flew in on his missions. While the US Air Force was flying hundreds of F-4s, F-105s, B-52s, OV-10s, O-2s, A-7s in Vietnam and Southeast Asia, there were only fourteen AC-130A Spectre gunships in theater and only one squadron that flew them—Noecker’s squadron. There were even fewer than fourteen when the program began in 1968; the first few flew out of a base in Vietnam. The stories contained here resemble a diary, presenting both personal anecdotes of Noecker’s and of stories he heard over the course of his time in service. Some of these may seem a bit farfetched, but Noecker sticks to the facts as much as possible. Unbelievable as some of the stories sound, his tales of his time in the air are unmistakably true. After being "live" for a year, I find that one piece of data was incorrect in the original printing. This has been corrected and a small amount of other data has been added. The corrections appear in the second printing of both hard and soft covers which are available now and will be available in ebook format very soon.

Book Synopsis Callsign: Spectre by : Jeff Noecker

Download or read book Callsign: Spectre written by Jeff Noecker and published by iUniverse. This book was released on 2011-04-29 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Callsign: Spectre is the true story of a young man from a small town in Pennsylvania who grows up and enlists in the United States Air Force at nineteen. Nearly forty years after the fact, Jeff Noecker recounts his combat flight experiences from the Vietnam War flying in an AC-130 Spectre gunship. The story follows him from his initial air force training to being accepted into an unusual Special Operations unit. What sets this story apart from the others that have been written about Vietnam is the Spectre gunship that Noecker flew in on his missions. While the US Air Force was flying hundreds of F-4s, F-105s, B-52s, OV-10s, O-2s, A-7s in Vietnam and Southeast Asia, there were only fourteen AC-130A Spectre gunships in theater and only one squadron that flew them—Noecker’s squadron. There were even fewer than fourteen when the program began in 1968; the first few flew out of a base in Vietnam. The stories contained here resemble a diary, presenting both personal anecdotes of Noecker’s and of stories he heard over the course of his time in service. Some of these may seem a bit farfetched, but Noecker sticks to the facts as much as possible. Unbelievable as some of the stories sound, his tales of his time in the air are unmistakably true. After being "live" for a year, I find that one piece of data was incorrect in the original printing. This has been corrected and a small amount of other data has been added. The corrections appear in the second printing of both hard and soft covers which are available now and will be available in ebook format very soon.

Music in Science Fiction Television

Author: K.J. Donnelly

Publisher: Routledge

Published: 2012-12-12

Total Pages: 250

ISBN-13: 1135124833

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The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds. This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.

Book Synopsis Music in Science Fiction Television by : K.J. Donnelly

Download or read book Music in Science Fiction Television written by K.J. Donnelly and published by Routledge. This book was released on 2012-12-12 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: The music for science fiction television programs, like music for science fiction films, is often highly distinctive, introducing cutting-edge electronic music and soundscapes. There is a highly particular role for sound and music in science fiction, because it regularly has to expand the vistas and imagination of the shows and plays a crucial role in setting up the time and place. Notable for its adoption of electronic instruments and integration of music and effects, science fiction programs explore sonic capabilities offered through the evolution of sound technology and design, which has allowed for the precise control and creation of unique and otherworldly sounds. This collection of essays analyzes the style and context of music and sound design in Science Fiction television. It provides a wide range of in-depth analyses of seminal live-action series such as Doctor Who, The Twilight Zone, and Lost, as well as animated series, such as The Jetsons. With thirteen essays from prominent contributors in the field of music and screen media, this anthology will appeal to students of Music and Media, as well as fans of science fiction television.

Film Music: a Very Short Introduction

Author: Kathryn Kalinak

Publisher: Oxford University Press

Published: 2023

Total Pages: 177

ISBN-13: 0197628036

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"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--

Book Synopsis Film Music: a Very Short Introduction by : Kathryn Kalinak

Download or read book Film Music: a Very Short Introduction written by Kathryn Kalinak and published by Oxford University Press. This book was released on 2023 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--