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The Study and Criticism of Italian Art Volume 2

Author: Bernard Berenson

Publisher: Theclassics.Us

Published: 2013-09

Total Pages: 44

ISBN-13: 9781230251523

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ... RUDIMENTS OF CONNOISSEURSHIP (a Fragment) The materials for the historical study of art are of three kinds: 1. Contemporary documents. 2. Tradition. 3. The works of art themselves. These materials are not presented ready for use. The student is confronted with a quantity of data of every kind supposed to concern his subject, and he cannot accept them all offhand as being of equal value. Examination soon reveals that some of the data offered are suspicious, some doubtful, and others positively apocryphal. He is obliged, therefore, before going further, to sift his materials, separating them into two groups: one immediately and distinctly valuable for his studies; the other not wholly useless, but only of remote and indirect consequence. The process of sifting is different in each of the three kinds of materials dealt with by the student of the history of art. CONTEMPORARY DOCUMENTS--THE DOCUMENT IN ART The contemporary document needs the least sifting. We need only consider its genuineness (forged documents being by no means rare), its correct transcription, and its value as information or evidence. 1n Only the last question is within the strict bounds of the art student's province, the questions of genuineness and text being better dealt with by palaeographists and philologists. Confining ourselves, therefore, to the discussion of the document as information or evidence, we must note that the art student's attitude toward a document is not quite the same as that of the student of general history. To the latter, every treaty or agreement, to take one instance, that he can find, if connected with his subject, is of the greatest importance, even if it never was carried out, and never intended to be, the mere existence of a sketch for an...

Book Synopsis The Study and Criticism of Italian Art Volume 2 by : Bernard Berenson

Download or read book The Study and Criticism of Italian Art Volume 2 written by Bernard Berenson and published by Theclassics.Us. This book was released on 2013-09 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ... RUDIMENTS OF CONNOISSEURSHIP (a Fragment) The materials for the historical study of art are of three kinds: 1. Contemporary documents. 2. Tradition. 3. The works of art themselves. These materials are not presented ready for use. The student is confronted with a quantity of data of every kind supposed to concern his subject, and he cannot accept them all offhand as being of equal value. Examination soon reveals that some of the data offered are suspicious, some doubtful, and others positively apocryphal. He is obliged, therefore, before going further, to sift his materials, separating them into two groups: one immediately and distinctly valuable for his studies; the other not wholly useless, but only of remote and indirect consequence. The process of sifting is different in each of the three kinds of materials dealt with by the student of the history of art. CONTEMPORARY DOCUMENTS--THE DOCUMENT IN ART The contemporary document needs the least sifting. We need only consider its genuineness (forged documents being by no means rare), its correct transcription, and its value as information or evidence. 1n Only the last question is within the strict bounds of the art student's province, the questions of genuineness and text being better dealt with by palaeographists and philologists. Confining ourselves, therefore, to the discussion of the document as information or evidence, we must note that the art student's attitude toward a document is not quite the same as that of the student of general history. To the latter, every treaty or agreement, to take one instance, that he can find, if connected with his subject, is of the greatest importance, even if it never was carried out, and never intended to be, the mere existence of a sketch for an...

The Study and Criticism of Italian Art, Volume 2

Author: Bernard Berenson

Publisher: Palala Press

Published: 2015-11-20

Total Pages: 254

ISBN-13: 9781347033180

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Book Synopsis The Study and Criticism of Italian Art, Volume 2 by : Bernard Berenson

Download or read book The Study and Criticism of Italian Art, Volume 2 written by Bernard Berenson and published by Palala Press. This book was released on 2015-11-20 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The study and criticism of Italian art. 2 (1920)

Author: Bernard Berenson

Publisher:

Published: 1920

Total Pages: 0

ISBN-13:

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Book Synopsis The study and criticism of Italian art. 2 (1920) by : Bernard Berenson

Download or read book The study and criticism of Italian art. 2 (1920) written by Bernard Berenson and published by . This book was released on 1920 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Study and Criticism of Italian Art Second Series

Author: Bernard Berenson

Publisher: Forgotten Books

Published: 2015-06-25

Total Pages: 259

ISBN-13: 9781330198414

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Excerpt from The Study and Criticism of Italian Art Second Series In this volume there are but two papers which require explanation. "A Word for Renaissance Churches" was written more than ten years ago, and published a year or two later. My excuse for reprinting it now is that so few writers, in English at least, have dealt with architecture from the point of view of the aesthetic spectator. Our books on architecture treat of this art in the first place from the builder's, and then from the religious person's standpoint, but, except by accident, never from any other. And yet one who is neither an architect, nor an antiquary, nor a churchman may look at a church; and, although he be none of these time-honoured personages, he nevertheless may enjoy the church with the acuteness of a physical sensation. He will carry the remembrance of it with him, and, reviving his emotion in tranquillity, will delve and delve until he fancies he has had a glimpse into the cause of his pleasure. Being this kind of mere spectator, I spent happy years as a youth, wandering over the length and breadth of Italy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Book Synopsis The Study and Criticism of Italian Art Second Series by : Bernard Berenson

Download or read book The Study and Criticism of Italian Art Second Series written by Bernard Berenson and published by Forgotten Books. This book was released on 2015-06-25 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Study and Criticism of Italian Art Second Series In this volume there are but two papers which require explanation. "A Word for Renaissance Churches" was written more than ten years ago, and published a year or two later. My excuse for reprinting it now is that so few writers, in English at least, have dealt with architecture from the point of view of the aesthetic spectator. Our books on architecture treat of this art in the first place from the builder's, and then from the religious person's standpoint, but, except by accident, never from any other. And yet one who is neither an architect, nor an antiquary, nor a churchman may look at a church; and, although he be none of these time-honoured personages, he nevertheless may enjoy the church with the acuteness of a physical sensation. He will carry the remembrance of it with him, and, reviving his emotion in tranquillity, will delve and delve until he fancies he has had a glimpse into the cause of his pleasure. Being this kind of mere spectator, I spent happy years as a youth, wandering over the length and breadth of Italy. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Study and Criticism of Italian Art

Author: Bernard Berenson

Publisher: Рипол Классик

Published: 1916

Total Pages: 256

ISBN-13:

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Book Synopsis The Study and Criticism of Italian Art by : Bernard Berenson

Download or read book The Study and Criticism of Italian Art written by Bernard Berenson and published by Рипол Классик. This book was released on 1916 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Italian Renaissance Art

Author: Stephen J. Campbell

Publisher:

Published: 2017

Total Pages: 722

ISBN-13: 9780500293348

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A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.

Book Synopsis Italian Renaissance Art by : Stephen J. Campbell

Download or read book Italian Renaissance Art written by Stephen J. Campbell and published by . This book was released on 2017 with total page 722 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new edition--now in two volumes--of the largest and most comprehensive textbook about Italian Renaissance art. Now in its second edition, Italian Renaissance Art presents an updated and even more accessible history. The book has been split into two volumes: the first, covering the period 1300 to 1510; the second, 1490 to 1600. The volumes retain the same innovative decade-by-decade structure as the first edition, and a number of chapters have been revised by the authors to reflect the latest scholarship. The coverage of the Trecento has been expanded, and a new appendix section explains all the key Renaissance art-making techniques, with illustrations and step-by-steps for such processes as lost-wax casting. This book tells the story of art in the great cities of Rome, Florence, and Venice while profiling a range of other centers throughout Italy--including in this edition art from Naples, Padua, and Palermo.

The Study and Criticism of Italian Art

Author: Bernhard Berenson

Publisher:

Published: 1902

Total Pages: 0

ISBN-13:

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Book Synopsis The Study and Criticism of Italian Art by : Bernhard Berenson

Download or read book The Study and Criticism of Italian Art written by Bernhard Berenson and published by . This book was released on 1902 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

The Study and Criticism of Italian Art

Author: Bernhard Berenson

Publisher:

Published: 1927

Total Pages: 155

ISBN-13:

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Book Synopsis The Study and Criticism of Italian Art by : Bernhard Berenson

Download or read book The Study and Criticism of Italian Art written by Bernhard Berenson and published by . This book was released on 1927 with total page 155 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Exhibiting Italian Art in the United States from Futurism to Arte Povera

Author: Raffaele Bedarida

Publisher: Taylor & Francis

Published: 2022-06-28

Total Pages: 320

ISBN-13: 1000595803

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This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.

Book Synopsis Exhibiting Italian Art in the United States from Futurism to Arte Povera by : Raffaele Bedarida

Download or read book Exhibiting Italian Art in the United States from Futurism to Arte Povera written by Raffaele Bedarida and published by Taylor & Francis. This book was released on 2022-06-28 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more nuanced transnational approach. The central thesis is that, beyond the immediate aims of political propaganda and conquering a new market for Italian art, these art exhibitions, publications, and the critical discourse aimed at American audiences all reflected back on their makers: they forced and helped Italians define their own modernity in relation to the world’s new dominant cultural and economic power. The book will be of interest to scholars working in art history, social history, exhibition history, and Italian studies.

The Study and Criticism of Italian Art

Author: Bernard Berenson

Publisher: Nabu Press

Published: 2014-02

Total Pages: 256

ISBN-13: 9781293712955

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Book Synopsis The Study and Criticism of Italian Art by : Bernard Berenson

Download or read book The Study and Criticism of Italian Art written by Bernard Berenson and published by Nabu Press. This book was released on 2014-02 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.