The Symphony and Symphonic Thinking in Polish Music Since 1956

The Symphony and Symphonic Thinking in Polish Music Since 1956

Author: Beata Boleslawska

Publisher:

Published: 2016

Total Pages:

ISBN-13: 9781409464716

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Book Synopsis The Symphony and Symphonic Thinking in Polish Music Since 1956 by : Beata Boleslawska

Download or read book The Symphony and Symphonic Thinking in Polish Music Since 1956 written by Beata Boleslawska and published by . This book was released on 2016 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:


The Symphony and Symphonic Thinking in Polish Music Since 1956

The Symphony and Symphonic Thinking in Polish Music Since 1956

Author: Beata Bolesławska

Publisher: Routledge

Published: 2019-05-22

Total Pages: 250

ISBN-13: 1317014464

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1956 was a year of transition in Poland, and an important year for Polish music. This year saw the beginning of a political thaw – sometimes called the Polish October – in communist Poland. It was also the year of the establishment of the 'Warsaw Autumn' International Festival of Contemporary Music. This was a time of great artistic ferment in Polish music, which also deeply influenced symphonic thinking. The year 1956 is thus an appropriate starting point for Beata Bolesławska’s study of the contemporary Polish symphonic tradition. Bolesławska investigates the influential Polish avant-garde, illuminating the ways in which new musical means and ideas influenced symphonic music and the genre of the symphony in the music of such important composers as Witold Lutosławski (1913–1994), Henryk Mikołaj Górecki (1933–2010) and Krzysztof Penderecki (b. 1933). Referring to the main elements of the European tradition, as well as examining briefly the symphonic activity in Poland before 1956, the book concentrates on the symphonic writing in the context of avant-garde trends, represented by the so-called 'Polish school of composers', as well as on its later redefinitions proposed by Polish composers up to the present day.


Book Synopsis The Symphony and Symphonic Thinking in Polish Music Since 1956 by : Beata Bolesławska

Download or read book The Symphony and Symphonic Thinking in Polish Music Since 1956 written by Beata Bolesławska and published by Routledge. This book was released on 2019-05-22 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1956 was a year of transition in Poland, and an important year for Polish music. This year saw the beginning of a political thaw – sometimes called the Polish October – in communist Poland. It was also the year of the establishment of the 'Warsaw Autumn' International Festival of Contemporary Music. This was a time of great artistic ferment in Polish music, which also deeply influenced symphonic thinking. The year 1956 is thus an appropriate starting point for Beata Bolesławska’s study of the contemporary Polish symphonic tradition. Bolesławska investigates the influential Polish avant-garde, illuminating the ways in which new musical means and ideas influenced symphonic music and the genre of the symphony in the music of such important composers as Witold Lutosławski (1913–1994), Henryk Mikołaj Górecki (1933–2010) and Krzysztof Penderecki (b. 1933). Referring to the main elements of the European tradition, as well as examining briefly the symphonic activity in Poland before 1956, the book concentrates on the symphonic writing in the context of avant-garde trends, represented by the so-called 'Polish school of composers', as well as on its later redefinitions proposed by Polish composers up to the present day.


The Symphony in Australia, 1960-2020

The Symphony in Australia, 1960-2020

Author: Rhoderick McNeill

Publisher: Taylor & Francis

Published: 2022-08-26

Total Pages: 278

ISBN-13: 1000578623

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The Symphony remained a major orchestral form in Australia between 1960 and 2020, with a body of diverse and interesting symphonies produced during the 1960s and 1970s that defied the widespread modernist trends of serialism, electronic music and indeterminism that seemed harbingers of the symphony’s demise. From the late 1970s onwards, many Australian composers chose to work in styles that admitted modal and tonal melodic and harmonic elements with regular pulse. Major cycles of symphonies by Carl Vine, Brenton Broadstock and Ross Edwards began to appear in the late 1980s. Other prolific symphonists like Paul Paviour (10 symphonies), David Morgan (15 symphonies), Philip Bracanin (11), Peter Tahourdin (5), John Polglase (5) and many others demonstrated a revived interest in the form. This trend continued into the first two decades of the present century with symphonies by Matthew Hindson, Katy Abbott, Stuart Greenbaum, Andrew Schultz, Mark Isaacs and Gordon Kerry. This renewed interest in the symphony reflects similar trends in Britain and the United States. Rhoderick McNeill provides a comprehensive introduction to this large body of music with the aim of making the music and its composers known to concert- goers, music educators and students, conductors and music entrepreneurs.


Book Synopsis The Symphony in Australia, 1960-2020 by : Rhoderick McNeill

Download or read book The Symphony in Australia, 1960-2020 written by Rhoderick McNeill and published by Taylor & Francis. This book was released on 2022-08-26 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Symphony remained a major orchestral form in Australia between 1960 and 2020, with a body of diverse and interesting symphonies produced during the 1960s and 1970s that defied the widespread modernist trends of serialism, electronic music and indeterminism that seemed harbingers of the symphony’s demise. From the late 1970s onwards, many Australian composers chose to work in styles that admitted modal and tonal melodic and harmonic elements with regular pulse. Major cycles of symphonies by Carl Vine, Brenton Broadstock and Ross Edwards began to appear in the late 1980s. Other prolific symphonists like Paul Paviour (10 symphonies), David Morgan (15 symphonies), Philip Bracanin (11), Peter Tahourdin (5), John Polglase (5) and many others demonstrated a revived interest in the form. This trend continued into the first two decades of the present century with symphonies by Matthew Hindson, Katy Abbott, Stuart Greenbaum, Andrew Schultz, Mark Isaacs and Gordon Kerry. This renewed interest in the symphony reflects similar trends in Britain and the United States. Rhoderick McNeill provides a comprehensive introduction to this large body of music with the aim of making the music and its composers known to concert- goers, music educators and students, conductors and music entrepreneurs.


Awangarda

Awangarda

Author: Lisa Cooper Vest

Publisher: University of California Press

Published: 2020-12-01

Total Pages: 280

ISBN-13: 0520344243

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In Awangarda, Lisa Cooper Vest explores how the Polish postwar musical avant-garde framed itself in contrast to its Western European counterparts. Rather than a rejection of the past, the Polish avant-garde movement emerged as a manifestation of national cultural traditions stretching back into the interwar years and even earlier into the nineteenth century. Polish composers, scholars, and political leaders wielded the promise of national progress to broker consensus across generational and ideological divides. Together, they established an avant-garde musical tradition that pushed against the limitations of strict chronological time and instrumentalized discourses of backwardness and forwardness to articulate a Polish road to modernity. This is a history that resists Cold War periodization, opening up new ways of thinking about nations and nationalism in the second half of the twentieth century.


Book Synopsis Awangarda by : Lisa Cooper Vest

Download or read book Awangarda written by Lisa Cooper Vest and published by University of California Press. This book was released on 2020-12-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Awangarda, Lisa Cooper Vest explores how the Polish postwar musical avant-garde framed itself in contrast to its Western European counterparts. Rather than a rejection of the past, the Polish avant-garde movement emerged as a manifestation of national cultural traditions stretching back into the interwar years and even earlier into the nineteenth century. Polish composers, scholars, and political leaders wielded the promise of national progress to broker consensus across generational and ideological divides. Together, they established an avant-garde musical tradition that pushed against the limitations of strict chronological time and instrumentalized discourses of backwardness and forwardness to articulate a Polish road to modernity. This is a history that resists Cold War periodization, opening up new ways of thinking about nations and nationalism in the second half of the twentieth century.


The Orient in Music - Music of the Orient

The Orient in Music - Music of the Orient

Author: Małgorzata Grajter

Publisher: Cambridge Scholars Publishing

Published: 2018-04-18

Total Pages: 239

ISBN-13: 1527510263

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“OM”, a fundamental meditation sound present in the cultures of Buddhism, is a syllable full of philosophical and transcendental meanings. The category of the Orient, as contrasted, antithetical and complementary to the Occident (West) and its culture, appears to be one of the most interesting and long-lasting issues discussed in the humanities. European fascination with Oriental cultures has found multifaceted manifestations in science, art, fashion and beliefs. Music, as an important element of cultural communication, has always been well suited for transitions and inspirations. The relationship between the Orient and Western music encompasses a wide and fascinating scope of problems, a field of various multidimensional influences which brings an opportunity not only to study particular questions, but also to search for universal and fundamental values. This collection of essays is a result of an International Conference titled “OM: Orient in Music – Music of the Orient”, held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, in March 2016. The volume provides insight into the many ways in which the music of the East and West can be understood and treated by both Western and Eastern scholars.


Book Synopsis The Orient in Music - Music of the Orient by : Małgorzata Grajter

Download or read book The Orient in Music - Music of the Orient written by Małgorzata Grajter and published by Cambridge Scholars Publishing. This book was released on 2018-04-18 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: “OM”, a fundamental meditation sound present in the cultures of Buddhism, is a syllable full of philosophical and transcendental meanings. The category of the Orient, as contrasted, antithetical and complementary to the Occident (West) and its culture, appears to be one of the most interesting and long-lasting issues discussed in the humanities. European fascination with Oriental cultures has found multifaceted manifestations in science, art, fashion and beliefs. Music, as an important element of cultural communication, has always been well suited for transitions and inspirations. The relationship between the Orient and Western music encompasses a wide and fascinating scope of problems, a field of various multidimensional influences which brings an opportunity not only to study particular questions, but also to search for universal and fundamental values. This collection of essays is a result of an International Conference titled “OM: Orient in Music – Music of the Orient”, held at the Grażyna and Kiejstut Academy of Music in Łódź, Poland, in March 2016. The volume provides insight into the many ways in which the music of the East and West can be understood and treated by both Western and Eastern scholars.


The Life and Works of Andrzej Panufnik (1914?991)

The Life and Works of Andrzej Panufnik (1914?991)

Author: Beata Boles?awska

Publisher: Routledge

Published: 2017-07-05

Total Pages: 376

ISBN-13: 1351542915

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Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold Lutoslawski, and they performed in caf?around Warsaw. After the war, Panufnik quickly established himself as a leading Polish composer, and as a conductor he played a significant role in the re-establishment of first the Krak?nd then the Warsaw Philharmonic. Although he was considered Poland?s leading composer for some years after the war, Panufnik was subsequently put under intolerable pressure both musically and politically. Frustrated by the continuing rejection of his compositions and the unending political demands inflicted on him by the country?s post-war Communist regime, he made a daring escape to England in 1954. He briefly became Principal Conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. His works were in demand by major figures such as Leopold Stokowski who conducted the first performances of Sinfonia Elegiaca, Katyn Epitaph and Universal Prayer, Yehudi Menuhin who commissioned the Violin Concerto, Seiji Ozawa in Boston and Sir Georg Solti in Chicago who both commissioned symphonies for the centenaries of their famous orchestras; also Mstislav Rostropovich with the London Symphony Orchestra, who together commissioned the Cello Concerto. Beata Boleslawska has written the first book on the life and artistic output of Panufnik, setting his significance alongside the political and cultural scene of twentieth-century Europe. The account of the composer?s life is based on numerous archival documents, as well as the personal accounts contributed by his family and friends. Panufnik?s compositional style and techniques are also analysed. This book will be of interest not only to those devoted


Book Synopsis The Life and Works of Andrzej Panufnik (1914?991) by : Beata Boles?awska

Download or read book The Life and Works of Andrzej Panufnik (1914?991) written by Beata Boles?awska and published by Routledge. This book was released on 2017-07-05 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sir Andrzej Panufnik was born in Warsaw and studied in the newly independent Poland in the 1930s, as well as in Vienna and Paris just before the outbreak of the Second World War. During the German occupation he formed a piano duo with his friend and fellow composer Witold Lutoslawski, and they performed in caf?around Warsaw. After the war, Panufnik quickly established himself as a leading Polish composer, and as a conductor he played a significant role in the re-establishment of first the Krak?nd then the Warsaw Philharmonic. Although he was considered Poland?s leading composer for some years after the war, Panufnik was subsequently put under intolerable pressure both musically and politically. Frustrated by the continuing rejection of his compositions and the unending political demands inflicted on him by the country?s post-war Communist regime, he made a daring escape to England in 1954. He briefly became Principal Conductor of the City of Birmingham Symphony Orchestra, a post he relinquished after two years to devote all his time to composition. His works were in demand by major figures such as Leopold Stokowski who conducted the first performances of Sinfonia Elegiaca, Katyn Epitaph and Universal Prayer, Yehudi Menuhin who commissioned the Violin Concerto, Seiji Ozawa in Boston and Sir Georg Solti in Chicago who both commissioned symphonies for the centenaries of their famous orchestras; also Mstislav Rostropovich with the London Symphony Orchestra, who together commissioned the Cello Concerto. Beata Boleslawska has written the first book on the life and artistic output of Panufnik, setting his significance alongside the political and cultural scene of twentieth-century Europe. The account of the composer?s life is based on numerous archival documents, as well as the personal accounts contributed by his family and friends. Panufnik?s compositional style and techniques are also analysed. This book will be of interest not only to those devoted


The Life and Works of Andrzej Panufnik (1914-1991)

The Life and Works of Andrzej Panufnik (1914-1991)

Author: Beata Boleslawska

Publisher: Routledge

Published: 2020-06-30

Total Pages: 226

ISBN-13: 9780367599249

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Beata BolesÅ'awska presents the first book on the life and artistic output of one Poland's leading composers. The account of the composer's life is based on numerous archival documents as well as the personal accounts contributed by his family and friends. Panufnik's compositional style and techniques are also analysed. This book will be of interes


Book Synopsis The Life and Works of Andrzej Panufnik (1914-1991) by : Beata Boleslawska

Download or read book The Life and Works of Andrzej Panufnik (1914-1991) written by Beata Boleslawska and published by Routledge. This book was released on 2020-06-30 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beata BolesÅ'awska presents the first book on the life and artistic output of one Poland's leading composers. The account of the composer's life is based on numerous archival documents as well as the personal accounts contributed by his family and friends. Panufnik's compositional style and techniques are also analysed. This book will be of interes


The International Cyclopedia of Music and Musicians

The International Cyclopedia of Music and Musicians

Author: Oscar Thompson

Publisher:

Published: 1975

Total Pages: 2506

ISBN-13:

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Book Synopsis The International Cyclopedia of Music and Musicians by : Oscar Thompson

Download or read book The International Cyclopedia of Music and Musicians written by Oscar Thompson and published by . This book was released on 1975 with total page 2506 pages. Available in PDF, EPUB and Kindle. Book excerpt:


A Dictionary for the Modern Conductor

A Dictionary for the Modern Conductor

Author: Emily Freeman Brown

Publisher: Scarecrow Press

Published: 2015-08-20

Total Pages: 433

ISBN-13: 0810884011

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Titles in Dictionaries for the Modern Musician: A Scarecrow Press Music Series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique, major works to key figures. A must-have for any musician’s personal library! Filling a vital need in the rapidly changing and complex field of conducting, A Dictionary for the Modern Conductor is a concise one-volume reference tool that brings together for the first time information covering a broad array of topics essential for today’s conductor to know. Author and conductor Emily Freeman Brown offers easy-to-read definitions of key musical terms, translated foreign terms, examples of usage from orchestral music and practical vocabulary in multiple languages. A Dictionary for the Modern Conductor includes biographies of major conductors and other individual important to the world of modern conducting, emphasizing throughout their contributions to the progress of the conducting professional; critical information on major orchestras, significant ensembles, key institutions and organizations, with a focus on the ways in which they preserve and advance today’s musical life; and practical entries covering baton and rehearsal techniques, bowing terms, information about instruments, voice types and much more. In a series of appendixes, A Dictionary for the Modern Conductor also covers such topics as orchestral works that changed the art and practice of conducting, a short historiography of conducting, a comprehensive bibliography, a look at conducting recitative, and a list of pitches, interval names, rhythmic terms, orchestral and percussion instrument names, and finally translations of all of these categories of information into French, German, Italian, and Spanish. A Dictionary for the Modern Conductor will appeal to aspiring conductors and seasoned professionals. It is an invaluable resource.


Book Synopsis A Dictionary for the Modern Conductor by : Emily Freeman Brown

Download or read book A Dictionary for the Modern Conductor written by Emily Freeman Brown and published by Scarecrow Press. This book was released on 2015-08-20 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Titles in Dictionaries for the Modern Musician: A Scarecrow Press Music Series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique, major works to key figures. A must-have for any musician’s personal library! Filling a vital need in the rapidly changing and complex field of conducting, A Dictionary for the Modern Conductor is a concise one-volume reference tool that brings together for the first time information covering a broad array of topics essential for today’s conductor to know. Author and conductor Emily Freeman Brown offers easy-to-read definitions of key musical terms, translated foreign terms, examples of usage from orchestral music and practical vocabulary in multiple languages. A Dictionary for the Modern Conductor includes biographies of major conductors and other individual important to the world of modern conducting, emphasizing throughout their contributions to the progress of the conducting professional; critical information on major orchestras, significant ensembles, key institutions and organizations, with a focus on the ways in which they preserve and advance today’s musical life; and practical entries covering baton and rehearsal techniques, bowing terms, information about instruments, voice types and much more. In a series of appendixes, A Dictionary for the Modern Conductor also covers such topics as orchestral works that changed the art and practice of conducting, a short historiography of conducting, a comprehensive bibliography, a look at conducting recitative, and a list of pitches, interval names, rhythmic terms, orchestral and percussion instrument names, and finally translations of all of these categories of information into French, German, Italian, and Spanish. A Dictionary for the Modern Conductor will appeal to aspiring conductors and seasoned professionals. It is an invaluable resource.


The Arts in Poland Since 1945

The Arts in Poland Since 1945

Author:

Publisher:

Published: 1970

Total Pages: 62

ISBN-13:

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Book Synopsis The Arts in Poland Since 1945 by :

Download or read book The Arts in Poland Since 1945 written by and published by . This book was released on 1970 with total page 62 pages. Available in PDF, EPUB and Kindle. Book excerpt: