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This book explores the textured process of rewriting and revising theatrical works in the Spanish-speaking Caribbean as both a material and metaphorical practice. Deftly tracing these themes through community theater groups, ancient Greek theater, religious traditions, and national historical events, Katherine Ford weaves script, performance and final product together with an eye to the social significance of revision. Ultimately, to rewrite and revise is to re-envision and re-imagine stage practices in the twentieth-century Hispanic Caribbean.
Book Synopsis The Theater of Revisions in the Hispanic Caribbean by : Katherine Ford
Download or read book The Theater of Revisions in the Hispanic Caribbean written by Katherine Ford and published by Springer. This book was released on 2017-08-18 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the textured process of rewriting and revising theatrical works in the Spanish-speaking Caribbean as both a material and metaphorical practice. Deftly tracing these themes through community theater groups, ancient Greek theater, religious traditions, and national historical events, Katherine Ford weaves script, performance and final product together with an eye to the social significance of revision. Ultimately, to rewrite and revise is to re-envision and re-imagine stage practices in the twentieth-century Hispanic Caribbean.
The first comprehensive treatment in English of the rich and varied afterlife of classical drama across Latin America, this volume explores the myriad ways in which ancient Greek and Roman texts have been adapted, invoked and re-worked in notable modern theatrical works across North and South America and the Caribbean, while also paying particular attention to the national and local context of each play. A comprehensive introduction provides a critical overview of the varying issues and complexities that arise when studying the afterlife of the European classics in the theatrical stages across this diverse and vast region. Fourteen chapters, divided into three general geographical sub-regions (Southern Cone, Brazil and the Caribbean and North America) present a strong connection to an ancient dramatic source text as well as comment upon important socio-political crises in the modern history of Latin America. The diversity and expertise of the voices in this volume translate into a multi-ranging approach to the topic that encompasses a variety of theoretical and interdisciplinary perspectives from classics, Latin American studies and theatre and performance studies.
Book Synopsis Greeks and Romans on the Latin American Stage by : Rosa Andújar
Download or read book Greeks and Romans on the Latin American Stage written by Rosa Andújar and published by Bloomsbury Publishing. This book was released on 2020-01-09 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive treatment in English of the rich and varied afterlife of classical drama across Latin America, this volume explores the myriad ways in which ancient Greek and Roman texts have been adapted, invoked and re-worked in notable modern theatrical works across North and South America and the Caribbean, while also paying particular attention to the national and local context of each play. A comprehensive introduction provides a critical overview of the varying issues and complexities that arise when studying the afterlife of the European classics in the theatrical stages across this diverse and vast region. Fourteen chapters, divided into three general geographical sub-regions (Southern Cone, Brazil and the Caribbean and North America) present a strong connection to an ancient dramatic source text as well as comment upon important socio-political crises in the modern history of Latin America. The diversity and expertise of the voices in this volume translate into a multi-ranging approach to the topic that encompasses a variety of theoretical and interdisciplinary perspectives from classics, Latin American studies and theatre and performance studies.
The period from the 1970s to the present day has produced an extraordinarily rich and diverse body of Caribbean writing that has been widely acclaimed. Caribbean Literature in Transition, 1970-2020 traces the region's contemporary writings across the established genres of prose, poetry, fiction and drama into emerging areas of creative non-fiction, memoir and speculative fiction with a particular attention on challenging the narrow canon of Anglophone male writers. It maps shifts and continuities between late twentieth century and early twenty-first century Caribbean literature in terms of innovations in literary form and style, the changing role and place of the writer, and shifts in our understandings of what constitutes the political terrain of the literary and its sites of struggle. Whilst reaching across language divides and multiple diasporas, it shows how contemporary Caribbean Literature has focused its attentions on social complexity and ongoing marginalizations in its continued preoccupations with identity, belonging and freedoms.
Book Synopsis Caribbean Literature in Transition, 1970–2020: Volume 3 by : Ronald Cummings
Download or read book Caribbean Literature in Transition, 1970–2020: Volume 3 written by Ronald Cummings and published by Cambridge University Press. This book was released on 2021-01-14 with total page 847 pages. Available in PDF, EPUB and Kindle. Book excerpt: The period from the 1970s to the present day has produced an extraordinarily rich and diverse body of Caribbean writing that has been widely acclaimed. Caribbean Literature in Transition, 1970-2020 traces the region's contemporary writings across the established genres of prose, poetry, fiction and drama into emerging areas of creative non-fiction, memoir and speculative fiction with a particular attention on challenging the narrow canon of Anglophone male writers. It maps shifts and continuities between late twentieth century and early twenty-first century Caribbean literature in terms of innovations in literary form and style, the changing role and place of the writer, and shifts in our understandings of what constitutes the political terrain of the literary and its sites of struggle. Whilst reaching across language divides and multiple diasporas, it shows how contemporary Caribbean Literature has focused its attentions on social complexity and ongoing marginalizations in its continued preoccupations with identity, belonging and freedoms.
A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S. A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.
Book Synopsis A History of Latinx Performing Arts in the U.S. by : Beatriz J. Rizk
Download or read book A History of Latinx Performing Arts in the U.S. written by Beatriz J. Rizk and published by Taylor & Francis. This book was released on 2023-10-10 with total page 621 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S. A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.
Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.
Book Synopsis The Cambridge Guide to African and Caribbean Theatre by : Martin Banham
Download or read book The Cambridge Guide to African and Caribbean Theatre written by Martin Banham and published by Cambridge University Press. This book was released on 1994-08-04 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.
This new three-volume encyclopedia features over 4,000 entries on more than 40 regions in Latin America and the Caribbean from 1920 to the present day.
Book Synopsis Encyclopedia of Contemporary Latin American and Caribbean Cultures by : Daniel Balderston
Download or read book Encyclopedia of Contemporary Latin American and Caribbean Cultures written by Daniel Balderston and published by Taylor & Francis. This book was released on 2000 with total page 687 pages. Available in PDF, EPUB and Kindle. Book excerpt: This new three-volume encyclopedia features over 4,000 entries on more than 40 regions in Latin America and the Caribbean from 1920 to the present day.
Written by a team of international contributors this work contains more than 200 entries on all aspects of literature. It is invaluable for those studying Latin American and/or Caribbean literature and the Spanish/Portuguese languages.
Book Synopsis Encyclopedia of Latin American and Caribbean Literature, 1900-2003 by : Daniel Balderston
Download or read book Encyclopedia of Latin American and Caribbean Literature, 1900-2003 written by Daniel Balderston and published by Psychology Press. This book was released on 2004 with total page 701 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written by a team of international contributors this work contains more than 200 entries on all aspects of literature. It is invaluable for those studying Latin American and/or Caribbean literature and the Spanish/Portuguese languages.
Race and biologized conceptions of ethnicity have been potent factors in the making of the Americas. They remain crucial, even if more ambiguously than before. This collection of essays addresses the workings of ethnicity in the Caribbean, a part of the Americas where, from the early days of empire through today’s post-colonial limbo, this phenomenon has arguably remained in the center of public society as well as private life. These analyses of race and nation-building, increasingly significant in today’s world, are widely pertinent to the study of current and international relations. The ten prominent scholars contributing to this book focus on the significance of ethnicity for social structure and national identity in the Caribbean. Their essays span a period from the initial European colonization right through today’s paradoxical balance sheet of decolonization. They deal with the entire region as well as the significance of the diaspora and the continuing impact of metropolitan linkages. The topics addressed vary from the international repercussions of Haiti’s black revolution through the position of French Caribbean békés and the Barbadian ‘redlegs’ to race in revolutionary Cuba; from Puerto Rican dance etiquette through the Latin American and Caribbean identity essay to the discourse of Dominican nationhood; and from a musée imaginaire in Guyane through Jamaica’s post independence culture to the predicament of Dutch Caribbean decolonization. Taken together, these essays provide a rare and extraordinarily rich comparative perspective to the study of ethnicity as a crucial factor shaping both intimate relations and the public and even international dimension of Caribbean societies.
Book Synopsis Ethnicity in the Caribbean by : Gert Oostindie
Download or read book Ethnicity in the Caribbean written by Gert Oostindie and published by Amsterdam University Press. This book was released on 2005-10-01 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Race and biologized conceptions of ethnicity have been potent factors in the making of the Americas. They remain crucial, even if more ambiguously than before. This collection of essays addresses the workings of ethnicity in the Caribbean, a part of the Americas where, from the early days of empire through today’s post-colonial limbo, this phenomenon has arguably remained in the center of public society as well as private life. These analyses of race and nation-building, increasingly significant in today’s world, are widely pertinent to the study of current and international relations. The ten prominent scholars contributing to this book focus on the significance of ethnicity for social structure and national identity in the Caribbean. Their essays span a period from the initial European colonization right through today’s paradoxical balance sheet of decolonization. They deal with the entire region as well as the significance of the diaspora and the continuing impact of metropolitan linkages. The topics addressed vary from the international repercussions of Haiti’s black revolution through the position of French Caribbean békés and the Barbadian ‘redlegs’ to race in revolutionary Cuba; from Puerto Rican dance etiquette through the Latin American and Caribbean identity essay to the discourse of Dominican nationhood; and from a musée imaginaire in Guyane through Jamaica’s post independence culture to the predicament of Dutch Caribbean decolonization. Taken together, these essays provide a rare and extraordinarily rich comparative perspective to the study of ethnicity as a crucial factor shaping both intimate relations and the public and even international dimension of Caribbean societies.
Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
Book Synopsis Fifty Key Figures in LatinX and Latin American Theatre by : Paola S. Hernández
Download or read book Fifty Key Figures in LatinX and Latin American Theatre written by Paola S. Hernández and published by Routledge. This book was released on 2022-02-25 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty Key Figures in Latinx and Latin American Theatre is a critical introduction to the most influential and innovative theatre practitioners in the Americas, all of whom have been pioneers in changing the field. The chosen artists work through political, racial, gender, class, and geographical divides to expand our understanding of Latin American and Latinx theatre while at the same time offering a space to discuss contested nationalities and histories. Each entry considers the artist’s or collective’s body of work in its historical, cultural, and political context and provides a brief biography and suggestions for further reading. The volume covers artists from the present day to the 1960s—the emergence of a modern theatre that was concerned with Latinx and Latin American themes distancing themselves from an European approach. A deep and enriching resource for the classroom and individual study, this is the first book that any student of Latinx and Latin American theatre should read.
Aquí and Allá: Transnational Dominican Theater and Performance explores how contemporary Dominican theater and performance artists portray a sense of collective belonging shaped by the transnational connections between the homeland and the diaspora. Through close readings of plays and performances produced in the Dominican Republic and the United States in dialogue with theories of theater and performance, migration theory, and literary, cultural, and historical studies, this book situates theater and performance in debates on Dominican history and culture and the impact of migration on the changing character of national identity from end of the twentieth century to the present. By addressing local audiences of island-based and diasporic Dominicans with stories of characters who are shaped by both places, the theatrical performances analyzed in this book operate as a democratizing force on conceptions of Dominican identity and challenge assumptions about citizenship and national belonging. Likewise, the artists’ bi-national perspectives and work methods challenge the paradigms that have traditionally framed Latin(o) American theater studies.
Book Synopsis Aquí and Allá by : Camilla Stevens
Download or read book Aquí and Allá written by Camilla Stevens and published by University of Pittsburgh Press. This book was released on 2019-10-22 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aquí and Allá: Transnational Dominican Theater and Performance explores how contemporary Dominican theater and performance artists portray a sense of collective belonging shaped by the transnational connections between the homeland and the diaspora. Through close readings of plays and performances produced in the Dominican Republic and the United States in dialogue with theories of theater and performance, migration theory, and literary, cultural, and historical studies, this book situates theater and performance in debates on Dominican history and culture and the impact of migration on the changing character of national identity from end of the twentieth century to the present. By addressing local audiences of island-based and diasporic Dominicans with stories of characters who are shaped by both places, the theatrical performances analyzed in this book operate as a democratizing force on conceptions of Dominican identity and challenge assumptions about citizenship and national belonging. Likewise, the artists’ bi-national perspectives and work methods challenge the paradigms that have traditionally framed Latin(o) American theater studies.
