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Book Synopsis The theater and its double by : Antonin Artaud
Download or read book The theater and its double written by Antonin Artaud and published by . This book was released on 1979 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The theater and its double by : Antonin Artaud
Download or read book The theater and its double written by Antonin Artaud and published by . This book was released on 1979 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Book Synopsis The Theater and Its Double by : Antonin Artaud
Download or read book The Theater and Its Double written by Antonin Artaud and published by . This book was released on 1958 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt:
A collection of manifestos originally published in 1938, in which the French artist and philosopher attacks conventional assumptions about the drama, and calls for the influx of irrational material - based on dreams, religion, and emotion - in order to make the theater vital for modern audiences.
Book Synopsis The Theater and Its Double by : Antonin Artaud
Download or read book The Theater and Its Double written by Antonin Artaud and published by Grove Press. This book was released on 1958 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of manifestos originally published in 1938, in which the French artist and philosopher attacks conventional assumptions about the drama, and calls for the influx of irrational material - based on dreams, religion, and emotion - in order to make the theater vital for modern audiences.
Book Synopsis The Theatre and Its Double by : Antonin Artaud
Download or read book The Theatre and Its Double written by Antonin Artaud and published by . This book was released on 2010 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: No Marketing Blurb
This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.
Book Synopsis Theatre of the Book, 1480-1880 by : Julie Stone Peters
Download or read book Theatre of the Book, 1480-1880 written by Julie Stone Peters and published by Oxford University Press, USA. This book was released on 2003 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.
DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div
Book Synopsis Artaud and His Doubles by : Kimberly Jannarone
Download or read book Artaud and His Doubles written by Kimberly Jannarone and published by University of Michigan Press. This book was released on 2012-06-26 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVA radical re-thinking of one of the most canonized figures in theater history, theory, and practice/div
Book Synopsis The Theatre and Its Double by : Antonin Artaud
Download or read book The Theatre and Its Double written by Antonin Artaud and published by John Calder Pub Limited. This book was released on 1993-01-01 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This revised and updated edition contains all of Artaud's key writings on theatre and cinema from 1921 to his death in 1948, including new selections never before in English. Artaud's ideas have inspired the work of Genet, Arrabal, The Living Theatre, Grotowski, Brook, and most of the experimental drama and performance work of recent decades. One of the great daring mapmakers of consciousness in extremis.-Susan Sontag.
Book Synopsis Artaud on Theatre by : Antonin Artaud
Download or read book Artaud on Theatre written by Antonin Artaud and published by Ivan R. Dee Publisher. This book was released on 2004 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This revised and updated edition contains all of Artaud's key writings on theatre and cinema from 1921 to his death in 1948, including new selections never before in English. Artaud's ideas have inspired the work of Genet, Arrabal, The Living Theatre, Grotowski, Brook, and most of the experimental drama and performance work of recent decades. One of the great daring mapmakers of consciousness in extremis.-Susan Sontag.
This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny. Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living...” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?
Book Synopsis The Theatre of Death – The Uncanny in Mimesis by : Mischa Twitchin
Download or read book The Theatre of Death – The Uncanny in Mimesis written by Mischa Twitchin and published by Springer. This book was released on 2016-10-20 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny. Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living...” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?