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This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
Book Synopsis The Tyrant-Slayers of Ancient Athens by : Vincent Azoulay
Download or read book The Tyrant-Slayers of Ancient Athens written by Vincent Azoulay and published by Oxford University Press. This book was released on 2017-10-02 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
Book Synopsis The Tyrant-slayers of Ancient Athens by : Vincent Azoulay
Download or read book The Tyrant-slayers of Ancient Athens written by Vincent Azoulay and published by Oxford University Press. This book was released on 2017 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
Book Synopsis The Tyrant Slayers by : Michael W. Taylor
Download or read book The Tyrant Slayers written by Michael W. Taylor and published by . This book was released on 1981 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The nature of authority and rulership was a central concern in ancient Greece, where the figure of the king or tyrant and the sovereignty associated with him remained a powerful focus of political and philosophical debate even as Classical Athens developed the world's first democracy. This collection of essays examines the extraordinary role that the concept of tyranny played in the cultural and political imagination of Archaic and Classical Greece through the interdisciplinary perspectives provided by internationally known archaeologists, literary critics, and historians. The book ranges historically from the Bronze and early Iron Age to the political theorists and commentators of the middle of the fourth century B.C. and generically across tragedy, comedy, historiography, and philosophy. While offering individual and sometimes differing perspectives, the essays tackle several common themes: the construction of authority and of constitutional models, the importance of religion and ritual, the crucial role of wealth, and the autonomy of the individual. Moreover, the essays with an Athenian focus shed new light on the vexed question of whether it was possible for Athenians to think of themselves as tyrannical in any way. As a whole, the collection presents a nuanced survey of how competing ideologies and desires, operating through the complex associations of the image of tyranny, struggled for predominance in ancient cities and their citizens.
Book Synopsis Popular Tyranny by : Kathryn A. Morgan
Download or read book Popular Tyranny written by Kathryn A. Morgan and published by University of Texas Press. This book was released on 2013-10-11 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nature of authority and rulership was a central concern in ancient Greece, where the figure of the king or tyrant and the sovereignty associated with him remained a powerful focus of political and philosophical debate even as Classical Athens developed the world's first democracy. This collection of essays examines the extraordinary role that the concept of tyranny played in the cultural and political imagination of Archaic and Classical Greece through the interdisciplinary perspectives provided by internationally known archaeologists, literary critics, and historians. The book ranges historically from the Bronze and early Iron Age to the political theorists and commentators of the middle of the fourth century B.C. and generically across tragedy, comedy, historiography, and philosophy. While offering individual and sometimes differing perspectives, the essays tackle several common themes: the construction of authority and of constitutional models, the importance of religion and ritual, the crucial role of wealth, and the autonomy of the individual. Moreover, the essays with an Athenian focus shed new light on the vexed question of whether it was possible for Athenians to think of themselves as tyrannical in any way. As a whole, the collection presents a nuanced survey of how competing ideologies and desires, operating through the complex associations of the image of tyranny, struggled for predominance in ancient cities and their citizens.
*Includes pictures *Includes ancient accounts of the tyrants *Includes a bibliography for further reading "States are as the men are; they grow out of human characters. Like State, like man." - Plato, The Republic Tyranny in ancient Greece was not a phenomenon limited to any particular period. Tyrants could be found in power throughout Greece, ruling poleis from the 7th century B.C. right through to the 2nd century B.C., when Roman domination effectively put an end to this form of government throughout the Hellenistic world. That said, the heyday of tyranny was undoubtedly the 7th and 6th centuries B.C., and it is in this period, known as the "Age of Tyrants," that large numbers of tyrannies arose, particularly in the Peloponnese. The "Age of Tyrants" ended on the Greek mainland with the expulsion of the Peisistratidai in 510 B.C., but it continued in other parts of the Greek world, particularly in the Greek cities of Sicily, where tyranny did not finally end until the removal of Dionysius II of Syracuse in 344 B.C. In Asia Minor, tyranny survived the Persian conquest until the days of the Roman conquest. The governments of the majority of the Greek states in the Archaic and Classical periods were in the hands of local aristocrats, and it is a modern preoccupation with the Athenian democracy or Sparta's unique system that has tended to obscure this fact. Oligarchy was the norm, and political power derived from wealth and birth. As the wealth of city states grew, so, too, did the number of citizens who, despite personal wealth, found themselves outside the very limited aristocratic elite that conspired to maintain the political power of the few. These disenfranchised "new" men came, more and more, to resent their lack of political influence, and this dissatisfaction was fueled by the increasing use of the hoplite as the main weapon of the period, which brought all male citizens closer to each other and emphasized the interdependence that existed between individuals. The sense of camaraderie engendered a growing understanding of the potential power of the armed citizen. With that realization came the emergence of individuals who were not prepared to accept the status quo but instead were willing to exploit the discontent and the power of the citizen body to seize power for themselves. Aristotle noted that tyrants generally combined the role of a general with that of a popular leader, demagogos. To the ruling elites such a usurper was known as turannos or tyrant. The Age of Tyrants: The History of the Early Tyrants in Ancient Greece looks at the various people, places, and reigns during a crucial part of Ancient Greek history. Along with pictures depicting important people, places, and events, you will learn about tyrants in Greece like never before.
Book Synopsis The Age of Tyrants by : Charles River Charles River Editors
Download or read book The Age of Tyrants written by Charles River Charles River Editors and published by Createspace Independent Publishing Platform. This book was released on 2018-02-02 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: *Includes pictures *Includes ancient accounts of the tyrants *Includes a bibliography for further reading "States are as the men are; they grow out of human characters. Like State, like man." - Plato, The Republic Tyranny in ancient Greece was not a phenomenon limited to any particular period. Tyrants could be found in power throughout Greece, ruling poleis from the 7th century B.C. right through to the 2nd century B.C., when Roman domination effectively put an end to this form of government throughout the Hellenistic world. That said, the heyday of tyranny was undoubtedly the 7th and 6th centuries B.C., and it is in this period, known as the "Age of Tyrants," that large numbers of tyrannies arose, particularly in the Peloponnese. The "Age of Tyrants" ended on the Greek mainland with the expulsion of the Peisistratidai in 510 B.C., but it continued in other parts of the Greek world, particularly in the Greek cities of Sicily, where tyranny did not finally end until the removal of Dionysius II of Syracuse in 344 B.C. In Asia Minor, tyranny survived the Persian conquest until the days of the Roman conquest. The governments of the majority of the Greek states in the Archaic and Classical periods were in the hands of local aristocrats, and it is a modern preoccupation with the Athenian democracy or Sparta's unique system that has tended to obscure this fact. Oligarchy was the norm, and political power derived from wealth and birth. As the wealth of city states grew, so, too, did the number of citizens who, despite personal wealth, found themselves outside the very limited aristocratic elite that conspired to maintain the political power of the few. These disenfranchised "new" men came, more and more, to resent their lack of political influence, and this dissatisfaction was fueled by the increasing use of the hoplite as the main weapon of the period, which brought all male citizens closer to each other and emphasized the interdependence that existed between individuals. The sense of camaraderie engendered a growing understanding of the potential power of the armed citizen. With that realization came the emergence of individuals who were not prepared to accept the status quo but instead were willing to exploit the discontent and the power of the citizen body to seize power for themselves. Aristotle noted that tyrants generally combined the role of a general with that of a popular leader, demagogos. To the ruling elites such a usurper was known as turannos or tyrant. The Age of Tyrants: The History of the Early Tyrants in Ancient Greece looks at the various people, places, and reigns during a crucial part of Ancient Greek history. Along with pictures depicting important people, places, and events, you will learn about tyrants in Greece like never before.
Resistance to the tyrant was an essential stage in the development of the Greek city-state. In this richly insightful book, James F. McGlew examines the significance of changes in the Greek political vocabulary that came about as a result of the history of ancient tyrants. Surveying a vast range of historical and literary sources, McGlew looks closely at discourse concerning Greek tyranny as well as at the nature of the tyrants' power and the constraints on power implicit in that discourse. Archaic tyrants, he shows, characteristically represented themselves as agents of justice. Taking their self-representation not as an ideological veil concealing the nature of tyranny but as its conceptual definition, he attempts to show that, although the language of reform gave tyrants unprecedented political freedom, it also marked their powers as temporary. Tyranny took shape, McGlew maintains, through discursive complicity between the tyrant and his subjects, who presumably accepted his self-definition but also learned from him the language and methods of resistance. The tyrant's subjects learned to resist him as they learned to obey him, but when they rejected him they did so in such a way as to preserve for themselves the distinctive political freedoms that he enjoyed. Providing a new framework for understanding ancient tyranny, this book will be read with great interest by classicists, political scientists, and ancient and modern historians alike.
Book Synopsis Tyranny and Political Culture in Ancient Greece by : James F. McGlew
Download or read book Tyranny and Political Culture in Ancient Greece written by James F. McGlew and published by Cornell University Press. This book was released on 2018-09-05 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Resistance to the tyrant was an essential stage in the development of the Greek city-state. In this richly insightful book, James F. McGlew examines the significance of changes in the Greek political vocabulary that came about as a result of the history of ancient tyrants. Surveying a vast range of historical and literary sources, McGlew looks closely at discourse concerning Greek tyranny as well as at the nature of the tyrants' power and the constraints on power implicit in that discourse. Archaic tyrants, he shows, characteristically represented themselves as agents of justice. Taking their self-representation not as an ideological veil concealing the nature of tyranny but as its conceptual definition, he attempts to show that, although the language of reform gave tyrants unprecedented political freedom, it also marked their powers as temporary. Tyranny took shape, McGlew maintains, through discursive complicity between the tyrant and his subjects, who presumably accepted his self-definition but also learned from him the language and methods of resistance. The tyrant's subjects learned to resist him as they learned to obey him, but when they rejected him they did so in such a way as to preserve for themselves the distinctive political freedoms that he enjoyed. Providing a new framework for understanding ancient tyranny, this book will be read with great interest by classicists, political scientists, and ancient and modern historians alike.
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Book Synopsis Classical Art by : Caroline Vout
Download or read book Classical Art written by Caroline Vout and published by Princeton University Press. This book was released on 2018-05-29 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
Book Synopsis The Tyrant-Slayers of Ancient Athens by : Vincent Azoulay
Download or read book The Tyrant-Slayers of Ancient Athens written by Vincent Azoulay and published by Oxford University Press. This book was released on 2017-10-02 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This investigation relies on a rash bet: to write the biography of two of the most famous statues in Antiquity, the Tyrannicides. Representing the murderers of the tyrant Hipparchus in full action, these statues erected on the Agora of Athens have been in turn worshipped, outraged, and imitated. They have known hours of glory and moments of hardships, which have transformed them into true icons of Athenian democracy. The subject of this book is the remarkable story of this group statue and the ever-changing significance of its tyrant-slaying subjects. The first part of this book, in six chapters, tells the story of the murder of Hipparchus and of the statues of the two tyrannicides from the end of the sixth century to the aftermath of the restoration of democracy in 403. The second part, in three chapters, chronicles the fate and influence of the statues from the fourth century to the end of the Roman Empire. These chapters are followed by an epilogue that reveals new life for the statues in modern art and culture, including how Nazi Germany and the Soviet Union made use of their iconography. By tracing the long trajectory of the tyrannicides-in deed and art-Azoulay provides a rich and fascinating microhistory that will be of interest to readers of classical art and history.
First Published in 1956 The Greek Tyrants is concerned primarily with an early period of Greek history, when the aristocracies which ruled in the eighth and seventh centuries were losing control of their cities and were very often overthrown by a tyranny, which in its turn gave way to the oligarchies and democracies of the classical period. The tyrants who seized power from time to time in various cities of Greece are analogous to the dictators of our own day and represented for the Greeks a political problem which is still topical: whether it is ever advantageous for a State to concentrate power in the hands of an individual. Those early tyrannies are an important phase of Greek political development: the author discusses here the various military, economic, political, and social factors of the situation which produce them. The book thus forms an introduction to the central period of Greek political history and will be of interest to scholars and researchers of political thought, ancient history, and Greek philosophy.
Book Synopsis The Greek Tyrants by : A. Andrewes
Download or read book The Greek Tyrants written by A. Andrewes and published by Taylor & Francis. This book was released on 2023-10-27 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1956 The Greek Tyrants is concerned primarily with an early period of Greek history, when the aristocracies which ruled in the eighth and seventh centuries were losing control of their cities and were very often overthrown by a tyranny, which in its turn gave way to the oligarchies and democracies of the classical period. The tyrants who seized power from time to time in various cities of Greece are analogous to the dictators of our own day and represented for the Greeks a political problem which is still topical: whether it is ever advantageous for a State to concentrate power in the hands of an individual. Those early tyrannies are an important phase of Greek political development: the author discusses here the various military, economic, political, and social factors of the situation which produce them. The book thus forms an introduction to the central period of Greek political history and will be of interest to scholars and researchers of political thought, ancient history, and Greek philosophy.
"The ancient Greeks developed their own very specific ethos of art appreciation, advocating a rational involvement with art. This book explores why the ancient Greeks started to write art history and how the writing of art history transformed the social functions of art in the Greek world. It looks at the invention of the genre of portraiture, and the social uses to which portraits were put in the city state. Later chapters explore how artists sought to enhance their status by writing theoretical treatises and producing works of art intended for purely aesthetic contemplation which ultimately gave rise to the writing of art history and to the development of art collecting. The study, which is illustrated throughout and which draws on contemporary perspectives in the sociology of art, will prompt the student of classical art to rethink fundamental assumptions on Greek art and its cultural and social implications."--BOOK JACKET.
Book Synopsis The Invention of Art History in Ancient Greece by : Jeremy Tanner
Download or read book The Invention of Art History in Ancient Greece written by Jeremy Tanner and published by Cambridge University Press. This book was released on 2006-03-23 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The ancient Greeks developed their own very specific ethos of art appreciation, advocating a rational involvement with art. This book explores why the ancient Greeks started to write art history and how the writing of art history transformed the social functions of art in the Greek world. It looks at the invention of the genre of portraiture, and the social uses to which portraits were put in the city state. Later chapters explore how artists sought to enhance their status by writing theoretical treatises and producing works of art intended for purely aesthetic contemplation which ultimately gave rise to the writing of art history and to the development of art collecting. The study, which is illustrated throughout and which draws on contemporary perspectives in the sociology of art, will prompt the student of classical art to rethink fundamental assumptions on Greek art and its cultural and social implications."--BOOK JACKET.
