The Unruly Tongue in Early Modern England

The Unruly Tongue in Early Modern England

Author: Nathalie Vienne-Guerrin

Publisher: Rowman & Littlefield

Published: 2012

Total Pages: 301

ISBN-13: 1611474698

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The Unruly Tongue in Early Modern England is a scholarly edition of three early modern treatises on the unruly tongue: Jean de Marconville, A Treatise of the Good and Evell Tounge (ca.1592), William Perkins, A Direction for the Government of the Tongue according to Gods worde (1595), and George Webbe, The Araignement of an unruly Tongue (1619). "The tongue can no man tame" says the Bible (James 3:8), and yet these texts try to tame the tongues of men and tell them how they should rule this little but essential organ and avoid swearing, blaspheming, cursing, lying, flattering, railing, slandering, quarrelling, babbling, jesting, or mocking. This volume excavates the biblical and classical sources in which these early modern texts are embedded and gives a panorama of the sins of the tongue that the Elizabethan society both cultivates and strives to contain. Vienne-Guerrin provides the reader with early modern images of what Erasmus described as a "slippery" and "ambivalent" organ that is both sweet and sour, a source of life and death.


Book Synopsis The Unruly Tongue in Early Modern England by : Nathalie Vienne-Guerrin

Download or read book The Unruly Tongue in Early Modern England written by Nathalie Vienne-Guerrin and published by Rowman & Littlefield. This book was released on 2012 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Unruly Tongue in Early Modern England is a scholarly edition of three early modern treatises on the unruly tongue: Jean de Marconville, A Treatise of the Good and Evell Tounge (ca.1592), William Perkins, A Direction for the Government of the Tongue according to Gods worde (1595), and George Webbe, The Araignement of an unruly Tongue (1619). "The tongue can no man tame" says the Bible (James 3:8), and yet these texts try to tame the tongues of men and tell them how they should rule this little but essential organ and avoid swearing, blaspheming, cursing, lying, flattering, railing, slandering, quarrelling, babbling, jesting, or mocking. This volume excavates the biblical and classical sources in which these early modern texts are embedded and gives a panorama of the sins of the tongue that the Elizabethan society both cultivates and strives to contain. Vienne-Guerrin provides the reader with early modern images of what Erasmus described as a "slippery" and "ambivalent" organ that is both sweet and sour, a source of life and death.


Gender and Song in Early Modern England

Gender and Song in Early Modern England

Author: Leslie C. Dunn

Publisher: Routledge

Published: 2016-04-15

Total Pages: 236

ISBN-13: 1317130480

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Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.


Book Synopsis Gender and Song in Early Modern England by : Leslie C. Dunn

Download or read book Gender and Song in Early Modern England written by Leslie C. Dunn and published by Routledge. This book was released on 2016-04-15 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.


Witchcraft, the Devil, and Emotions in Early Modern England

Witchcraft, the Devil, and Emotions in Early Modern England

Author: Charlotte-Rose Millar

Publisher: Taylor & Francis

Published: 2017-07-14

Total Pages: 243

ISBN-13: 1134769814

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This book represents the first systematic study of the role of the Devil in English witchcraft pamphlets for the entire period of state-sanctioned witchcraft prosecutions (1563-1735). It provides a rereading of English witchcraft, one which moves away from an older historiography which underplays the role of the Devil in English witchcraft and instead highlights the crucial role that the Devil, often in the form of a familiar spirit, took in English witchcraft belief. One of the key ways in which this book explores the role of the Devil is through emotions. Stories of witches were made up of a complex web of emotionally implicated accusers, victims, witnesses, and supposed perpetrators. They reveal a range of emotional experiences that do not just stem from malefic witchcraft but also, and primarily, from a witch’s links with the Devil. This book, then, has two main objectives. First, to suggest that English witchcraft pamphlets challenge our understanding of English witchcraft as a predominantly non-diabolical crime, and second, to highlight how witchcraft narratives emphasized emotions as the primary motivation for witchcraft acts and accusations.


Book Synopsis Witchcraft, the Devil, and Emotions in Early Modern England by : Charlotte-Rose Millar

Download or read book Witchcraft, the Devil, and Emotions in Early Modern England written by Charlotte-Rose Millar and published by Taylor & Francis. This book was released on 2017-07-14 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book represents the first systematic study of the role of the Devil in English witchcraft pamphlets for the entire period of state-sanctioned witchcraft prosecutions (1563-1735). It provides a rereading of English witchcraft, one which moves away from an older historiography which underplays the role of the Devil in English witchcraft and instead highlights the crucial role that the Devil, often in the form of a familiar spirit, took in English witchcraft belief. One of the key ways in which this book explores the role of the Devil is through emotions. Stories of witches were made up of a complex web of emotionally implicated accusers, victims, witnesses, and supposed perpetrators. They reveal a range of emotional experiences that do not just stem from malefic witchcraft but also, and primarily, from a witch’s links with the Devil. This book, then, has two main objectives. First, to suggest that English witchcraft pamphlets challenge our understanding of English witchcraft as a predominantly non-diabolical crime, and second, to highlight how witchcraft narratives emphasized emotions as the primary motivation for witchcraft acts and accusations.


Sounding Otherness in Early Modern Drama and Travel

Sounding Otherness in Early Modern Drama and Travel

Author: Jennifer Linhart Wood

Publisher: Springer

Published: 2019-04-23

Total Pages: 373

ISBN-13: 3030122247

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Sounds are a vital dimension of transcultural encounters in the early modern period. Using the concept of the soundwave as a vibratory, uncanny, and transformative force, Jennifer Linhart Wood examines how sounds of foreign otherness are experienced and interpreted in cross-cultural interactions around the globe. Many of these same sounds are staged in the sonic laboratory of the English theater: rattles were shaken at Whitehall Palace and in Brazil; bells jingled in an English masque and in the New World; the Dallam organ resounded at Topkapı Palace in Istanbul and at King’s College, Cambridge; and the drum thundered across India and throughout London theaters. This book offers a new way to conceptualize intercultural contact by arguing that sounds of otherness enmesh bodies and objects in assemblages formed by sonic events, calibrating foreign otherness with the familiar self on the same frequency of vibration.


Book Synopsis Sounding Otherness in Early Modern Drama and Travel by : Jennifer Linhart Wood

Download or read book Sounding Otherness in Early Modern Drama and Travel written by Jennifer Linhart Wood and published by Springer. This book was released on 2019-04-23 with total page 373 pages. Available in PDF, EPUB and Kindle. Book excerpt: Sounds are a vital dimension of transcultural encounters in the early modern period. Using the concept of the soundwave as a vibratory, uncanny, and transformative force, Jennifer Linhart Wood examines how sounds of foreign otherness are experienced and interpreted in cross-cultural interactions around the globe. Many of these same sounds are staged in the sonic laboratory of the English theater: rattles were shaken at Whitehall Palace and in Brazil; bells jingled in an English masque and in the New World; the Dallam organ resounded at Topkapı Palace in Istanbul and at King’s College, Cambridge; and the drum thundered across India and throughout London theaters. This book offers a new way to conceptualize intercultural contact by arguing that sounds of otherness enmesh bodies and objects in assemblages formed by sonic events, calibrating foreign otherness with the familiar self on the same frequency of vibration.


Lying in Early Modern English Culture

Lying in Early Modern English Culture

Author: Andrew Hadfield

Publisher: Oxford University Press

Published: 2017-09-01

Total Pages: 385

ISBN-13: 0192506587

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Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot. The period is characterised by panic and chaos when few had any idea how religious, cultural, and social life would develop after the traumatic division of Christendom. While many saw the need for a secular power to define the truth others declared that their allegiances belonged elsewhere. Accordingly there was a constant battle between competing authorities for the right to declare what was the truth and so label opponents as liars. Issues of truth and lying were, therefore, a constant feature of everyday life and determined ideas of individual identity, politics, speech, sex, marriage, and social behaviour, as well as philosophy and religion. This book is a cultural history of truth and lying from the 1530s to the 1610s, showing how lying needs to be understood in action as well as in theory. Unlike most histories of lying, it concentrates on a series of particular events reading them in terms of academic theories and more popular notions of lying. The book covers a wide range of material such as the trials of Ann Boleyn and Thomas More, the divorce of Frances Howard, and the murder of Anthony James by Annis and George Dell; works of literature such as Othello, The Faerie Queene, A Mirror for Magistrates, and The Unfortunate Traveller; works of popular culture such as the herring pamphlet of 1597; and major writings by Castiglione, Montaigne, Erasmus, Luther, and Tyndale.


Book Synopsis Lying in Early Modern English Culture by : Andrew Hadfield

Download or read book Lying in Early Modern English Culture written by Andrew Hadfield and published by Oxford University Press. This book was released on 2017-09-01 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lying in Early Modern English Culture is a major study of ideas of truth and falsehood in early modern England from the advent of the Reformation to the aftermath of the failed Gunpowder Plot. The period is characterised by panic and chaos when few had any idea how religious, cultural, and social life would develop after the traumatic division of Christendom. While many saw the need for a secular power to define the truth others declared that their allegiances belonged elsewhere. Accordingly there was a constant battle between competing authorities for the right to declare what was the truth and so label opponents as liars. Issues of truth and lying were, therefore, a constant feature of everyday life and determined ideas of individual identity, politics, speech, sex, marriage, and social behaviour, as well as philosophy and religion. This book is a cultural history of truth and lying from the 1530s to the 1610s, showing how lying needs to be understood in action as well as in theory. Unlike most histories of lying, it concentrates on a series of particular events reading them in terms of academic theories and more popular notions of lying. The book covers a wide range of material such as the trials of Ann Boleyn and Thomas More, the divorce of Frances Howard, and the murder of Anthony James by Annis and George Dell; works of literature such as Othello, The Faerie Queene, A Mirror for Magistrates, and The Unfortunate Traveller; works of popular culture such as the herring pamphlet of 1597; and major writings by Castiglione, Montaigne, Erasmus, Luther, and Tyndale.


Historical Affects and the Early Modern Theater

Historical Affects and the Early Modern Theater

Author: Ronda Arab

Publisher: Routledge

Published: 2015-05-15

Total Pages: 284

ISBN-13: 1317690699

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This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.


Book Synopsis Historical Affects and the Early Modern Theater by : Ronda Arab

Download or read book Historical Affects and the Early Modern Theater written by Ronda Arab and published by Routledge. This book was released on 2015-05-15 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored. This volume brings together these lines of inquiry for the first time, exploring the critical turn to affect in literary studies from a historicist perspective to demonstrate how the early modern theater showcased the productive interconnections between historical contingencies and affective attachments. Considering well-known plays such as Shakespeare’s Antony and Cleopatra and Thomas Dekker’s The Shoemaker’s Holiday together with understudied texts such as court entertainments, and examining topics ranging from dramatic celebrity to women’s political agency to the parental emotion of grief, this volume provides a fresh and at times provocative assessment of the "historical affects"—financial, emotional, and socio-political—that transformed Renaissance theater. Instead of treating history and affect as mutually exclusive theoretical or philosophical contexts, the essays in this volume ask readers to consider how drama emplaces the most personal, unspeakable passions in matrices defined in part by financial exchange, by erotic desire, by gender, by the material body, and by theatricality itself. As it encourages this conversation to take place, the collection provides scholars and students alike with a series of new perspectives, not only on the plays, emotions, and histories discussed in its pages, but also on broader shifts and pressures animating literary studies today.


This Mortal Coil

This Mortal Coil

Author: Fay Bound Alberti

Publisher: Oxford University Press

Published: 2016-06-24

Total Pages: 305

ISBN-13: 0190257822

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How humans have felt and thought about the body-our bodies-has never been static. Rather, it has shifted across times and cultures, taking and losing definition due to any number of forces and trends-philosophical, religious, cultural, technological. Sometimes we imagine our identity purely as an extension of our fleshly self and its assemblage of functions, organs, and appendages, sometimes as something entirely separate and discrete-trapped as opposed to defined by our "mortal coil," as Hamlet frames it in his famous soliloquy. So, too, over time, our ideas about what constitutes the desirable, the healthy, the beautiful, and the whole have remained partial, each an impression formed by its particular moment in time. In this probing and illuminating new book, Fay Bound Alberti deploys the global histories of medicine, pathology, and sensibilities to examine our changing notions of the human body. Each chapter focuses on one part-bones, skin, sexual organs, spine, tongue, heart-revealing the cultural meanings tied to each, the repercussions of these associations, and ultimately the harm that comes of distinguishing mind and body, the parts from the whole, as is so often the case in Western medicine. This Mortal Coil explores many enduring themes: the nature of identity, the relationship between the brain and the heart, and the gendering of our physical and emotional selves. Moving beyond the surface and down to what lies beneath, Bound Alberti provides a rich and fascinating account of the human body, shedding light on the role scientific developments-from medical care to plastic surgery to cloning-play in how we look at and shape ourselves. Bound Alberti's provocative and engrossing book reveals how the mortal coil can be unwound, then looked at as if for the first time.


Book Synopsis This Mortal Coil by : Fay Bound Alberti

Download or read book This Mortal Coil written by Fay Bound Alberti and published by Oxford University Press. This book was released on 2016-06-24 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: How humans have felt and thought about the body-our bodies-has never been static. Rather, it has shifted across times and cultures, taking and losing definition due to any number of forces and trends-philosophical, religious, cultural, technological. Sometimes we imagine our identity purely as an extension of our fleshly self and its assemblage of functions, organs, and appendages, sometimes as something entirely separate and discrete-trapped as opposed to defined by our "mortal coil," as Hamlet frames it in his famous soliloquy. So, too, over time, our ideas about what constitutes the desirable, the healthy, the beautiful, and the whole have remained partial, each an impression formed by its particular moment in time. In this probing and illuminating new book, Fay Bound Alberti deploys the global histories of medicine, pathology, and sensibilities to examine our changing notions of the human body. Each chapter focuses on one part-bones, skin, sexual organs, spine, tongue, heart-revealing the cultural meanings tied to each, the repercussions of these associations, and ultimately the harm that comes of distinguishing mind and body, the parts from the whole, as is so often the case in Western medicine. This Mortal Coil explores many enduring themes: the nature of identity, the relationship between the brain and the heart, and the gendering of our physical and emotional selves. Moving beyond the surface and down to what lies beneath, Bound Alberti provides a rich and fascinating account of the human body, shedding light on the role scientific developments-from medical care to plastic surgery to cloning-play in how we look at and shape ourselves. Bound Alberti's provocative and engrossing book reveals how the mortal coil can be unwound, then looked at as if for the first time.


Plutarch in English, 1528–1603. Volume One: Essays

Plutarch in English, 1528–1603. Volume One: Essays

Author: Fred Schurink

Publisher: MHRA

Published: 2020-12-04

Total Pages: 387

ISBN-13: 1781880530

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Plutarch was one of the most popular classical authors in Renaissance England. These volumes present nine Tudor and Stuart translations from his Essays and Lives with a General Introduction locating these works in the context of Plutarch’s wider influence in early modern England. They offer selections from two of the classics of English Renaissance translation, North’s Lives (1579) and Holland’s Morals (1603): the essays ‘On Reading the Poets’ and ‘Talkativeness’ and the Lives of Demosthenes and Cicero and Caesar. They also include editions of a number of less well-known but equally significant translations of individual Essays and Lives, one available in manuscript alone until now and several not reprinted since the sixteenth century: Thomas Wyatt’s The Quiet of Mind (1528), Thomas Elyot’s The Education or Bringing up of Children (1528–30), Thomas Blundeville’s The Learned Prince (1561), and Henry Parker, Lord Morley’s The Story of Paullus Aemilius (1542–46/7). Detailed annotations trace how translators drew on, and departed from, Greek, Latin, and French editions of Plutarch while introductions to each of the works examine their impact on English Renaissance literature and culture. By presenting a wide range of translations from the Essays and Lives, the volumes bring to light the variety of translation practices and the different social, political, and cultural contexts in which Plutarch was read and translated in Tudor and Stuart England.


Book Synopsis Plutarch in English, 1528–1603. Volume One: Essays by : Fred Schurink

Download or read book Plutarch in English, 1528–1603. Volume One: Essays written by Fred Schurink and published by MHRA. This book was released on 2020-12-04 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Plutarch was one of the most popular classical authors in Renaissance England. These volumes present nine Tudor and Stuart translations from his Essays and Lives with a General Introduction locating these works in the context of Plutarch’s wider influence in early modern England. They offer selections from two of the classics of English Renaissance translation, North’s Lives (1579) and Holland’s Morals (1603): the essays ‘On Reading the Poets’ and ‘Talkativeness’ and the Lives of Demosthenes and Cicero and Caesar. They also include editions of a number of less well-known but equally significant translations of individual Essays and Lives, one available in manuscript alone until now and several not reprinted since the sixteenth century: Thomas Wyatt’s The Quiet of Mind (1528), Thomas Elyot’s The Education or Bringing up of Children (1528–30), Thomas Blundeville’s The Learned Prince (1561), and Henry Parker, Lord Morley’s The Story of Paullus Aemilius (1542–46/7). Detailed annotations trace how translators drew on, and departed from, Greek, Latin, and French editions of Plutarch while introductions to each of the works examine their impact on English Renaissance literature and culture. By presenting a wide range of translations from the Essays and Lives, the volumes bring to light the variety of translation practices and the different social, political, and cultural contexts in which Plutarch was read and translated in Tudor and Stuart England.


Genealogies of Legal Vision

Genealogies of Legal Vision

Author: Peter Goodrich

Publisher: Routledge

Published: 2015-06-05

Total Pages: 365

ISBN-13: 1317683897

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It was the classical task of legal rhetoric to make law both seen and understood. These conjoint goals came to be separated and opposed in modernity and a degree of blindness ensued. Legal reason was increasingly deemed to be a purely textual enterprise. Against this constraint and in furtherance of an incipient visual turn in legal studies, Genealogies of Legal Vision seeks to revive the classical ars iuris and to this end traces the history of regimes of visual control. Law always relied in significant measure upon the use of visual representations, upon pictures, architecture, costume and statuary to convey authority and sovereign norm. Military, religious, administrative and legal insignia found juridical codification and expression in collections of signs of office, in heraldic codes, in genealogical devices, and then finally in the juridical invention in the mid-sixteenth century of the legal emblem book. Genealogies of Legal Vision traces the complex lineage of the legal emblem and argues that the mens emblematica of the humanist lawyers was the inauguration of a visiocratic regime that continues into the multiple new technologies and novel media of contemporary governance. Bringing together leading experts on the history and art of legal emblems this collection provides a ground-breaking account of the long relationship between visibility, meaning and normativity.


Book Synopsis Genealogies of Legal Vision by : Peter Goodrich

Download or read book Genealogies of Legal Vision written by Peter Goodrich and published by Routledge. This book was released on 2015-06-05 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: It was the classical task of legal rhetoric to make law both seen and understood. These conjoint goals came to be separated and opposed in modernity and a degree of blindness ensued. Legal reason was increasingly deemed to be a purely textual enterprise. Against this constraint and in furtherance of an incipient visual turn in legal studies, Genealogies of Legal Vision seeks to revive the classical ars iuris and to this end traces the history of regimes of visual control. Law always relied in significant measure upon the use of visual representations, upon pictures, architecture, costume and statuary to convey authority and sovereign norm. Military, religious, administrative and legal insignia found juridical codification and expression in collections of signs of office, in heraldic codes, in genealogical devices, and then finally in the juridical invention in the mid-sixteenth century of the legal emblem book. Genealogies of Legal Vision traces the complex lineage of the legal emblem and argues that the mens emblematica of the humanist lawyers was the inauguration of a visiocratic regime that continues into the multiple new technologies and novel media of contemporary governance. Bringing together leading experts on the history and art of legal emblems this collection provides a ground-breaking account of the long relationship between visibility, meaning and normativity.


Sacred Violence in Early America

Sacred Violence in Early America

Author: Susan Juster

Publisher: University of Pennsylvania Press

Published: 2016-04-20

Total Pages: 288

ISBN-13: 0812248139

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Susan Juster explores different forms of sacred violence—blood sacrifice, holy war, malediction, and iconoclasm—to uncover how European traditions of ritual violence developed during the Reformation were introduced and ultimately transformed in the New World.


Book Synopsis Sacred Violence in Early America by : Susan Juster

Download or read book Sacred Violence in Early America written by Susan Juster and published by University of Pennsylvania Press. This book was released on 2016-04-20 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Susan Juster explores different forms of sacred violence—blood sacrifice, holy war, malediction, and iconoclasm—to uncover how European traditions of ritual violence developed during the Reformation were introduced and ultimately transformed in the New World.