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The essays in this volume use a humanistic viewpoint to explore the evolution and significance of the vampire in literature from the Romantic era to the millennium."--BOOK JACKET.
Book Synopsis The Blood is the Life by : Leonard G. Heldreth
Download or read book The Blood is the Life written by Leonard G. Heldreth and published by Popular Press. This book was released on 1999 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume use a humanistic viewpoint to explore the evolution and significance of the vampire in literature from the Romantic era to the millennium."--BOOK JACKET.
Vampires have always fascinated and frightened, and now their reach goes beyond horror-flick fans. Teens the world over have fallen under the spell of these mysterious, blood-sucking, and oh-so-alluring beings! From Buffy to Twilight, vampire fans have gotten smarter and savvier, and this is the book for them. Learn how vampires live, how they avoid capture, and why they're so darn attractive. Also trace the history of vampire lore--in literature, movies, and on television--from the woods of Transylvania to the modern-day high school. Chock full of info and insight, each gorgeous page will draw in readers of every age, with innovative styling, never-before-seen imagery, and deliciously wicked design. Perhaps this enticing tome is best read while wearing a garlic necklace . . .
Book Synopsis The Vampire Book by : DK
Download or read book The Vampire Book written by DK and published by Penguin. This book was released on 2009-09-21 with total page 95 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vampires have always fascinated and frightened, and now their reach goes beyond horror-flick fans. Teens the world over have fallen under the spell of these mysterious, blood-sucking, and oh-so-alluring beings! From Buffy to Twilight, vampire fans have gotten smarter and savvier, and this is the book for them. Learn how vampires live, how they avoid capture, and why they're so darn attractive. Also trace the history of vampire lore--in literature, movies, and on television--from the woods of Transylvania to the modern-day high school. Chock full of info and insight, each gorgeous page will draw in readers of every age, with innovative styling, never-before-seen imagery, and deliciously wicked design. Perhaps this enticing tome is best read while wearing a garlic necklace . . .
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
Book Synopsis Dracula by : Bram Stoker
Download or read book Dracula written by Bram Stoker and published by Random House Books for Young Readers. This book was released on 1982-04-12 with total page 97 pages. Available in PDF, EPUB and Kindle. Book excerpt: String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, CaitlÃn R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
Book Synopsis The Mammoth Book of Vampire Stories by Women by : Stephen Jones
Download or read book The Mammoth Book of Vampire Stories by Women written by Stephen Jones and published by Simon and Schuster. This book was released on 2017-10-10 with total page 584 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, CaitlÃn R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
Prominent examples from contemporary vampire literature expose a desire to re-evaluate and re-work the long-standing, folkloristic interpretation of the vampire as the immortal undead. This book explores the "new vampire" as a literary trope, offering a comprehensive critical analysis of vampires in contemporary popular literature and demonstrating how they engage with essential cultural preoccupations, anxieties, and desires. Drawing from cultural materialism, anthropology, psychoanalysis, literary criticism, gender studies, and postmodern thought, Piatti-Farnell re-frames the concept of the vampire in relation to a distinctly twenty-first century brand of Gothic imagination, highlighting important aesthetic, conceptual, and cultural changes that have affected the literary genre in the post-2000 era. She places the contemporary literary vampire within the wider popular culture scope, also building critical connections with issues of fandom and readership. In reworking the formulaic elements of the vampiric tradition — and experimenting with genre-bending techniques — this book shows how authors such as J.R. Ward, Stephanie Meyers, Charlaine Harris, and Anne Rice have allowed vampires to be moulded into enigmatic figures who sustain a vivid conceptual debt to contemporary consumer and popular culture. This book highlights the changes — conceptual, political and aesthetic — that vampires have undergone in the past decade, simultaneously addressing how these changes in "vampire identity" impact on the definition of the Gothic as a whole.
Book Synopsis The Vampire in Contemporary Popular Literature by : Lorna Piatti-Farnell
Download or read book The Vampire in Contemporary Popular Literature written by Lorna Piatti-Farnell and published by Routledge. This book was released on 2013-11-07 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Prominent examples from contemporary vampire literature expose a desire to re-evaluate and re-work the long-standing, folkloristic interpretation of the vampire as the immortal undead. This book explores the "new vampire" as a literary trope, offering a comprehensive critical analysis of vampires in contemporary popular literature and demonstrating how they engage with essential cultural preoccupations, anxieties, and desires. Drawing from cultural materialism, anthropology, psychoanalysis, literary criticism, gender studies, and postmodern thought, Piatti-Farnell re-frames the concept of the vampire in relation to a distinctly twenty-first century brand of Gothic imagination, highlighting important aesthetic, conceptual, and cultural changes that have affected the literary genre in the post-2000 era. She places the contemporary literary vampire within the wider popular culture scope, also building critical connections with issues of fandom and readership. In reworking the formulaic elements of the vampiric tradition — and experimenting with genre-bending techniques — this book shows how authors such as J.R. Ward, Stephanie Meyers, Charlaine Harris, and Anne Rice have allowed vampires to be moulded into enigmatic figures who sustain a vivid conceptual debt to contemporary consumer and popular culture. This book highlights the changes — conceptual, political and aesthetic — that vampires have undergone in the past decade, simultaneously addressing how these changes in "vampire identity" impact on the definition of the Gothic as a whole.
Book Synopsis The Vampire Chronicles by : Anne Rice
Download or read book The Vampire Chronicles written by Anne Rice and published by . This book was released on 2017-10-31 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Vampires have haunted humankind's nightmares for thousands of years but it was only about 200 years ago that they first appeared in works of literature. The undead have been a staple of fiction ever since and are likely to continue their hold on the reading public's imagination for years to come.
Book Synopsis Vampires in Literature by : Kris Hirschmann
Download or read book Vampires in Literature written by Kris Hirschmann and published by Capstone. This book was released on 2011 with total page 80 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vampires have haunted humankind's nightmares for thousands of years but it was only about 200 years ago that they first appeared in works of literature. The undead have been a staple of fiction ever since and are likely to continue their hold on the reading public's imagination for years to come.
In this International Book Awards anthology finalist, the best vampire short stories from the first half of the 19th century are unearthed from long forgotten journals and magazines. They are collected for the first time in this groundbreaking book on the origins of vampire lore. Watch the book trailer: www.AndrewBarger.com/bestvampirestories1800.html The cradle of all vampire short stories in the English language is the first half of the 19th century. Andrew Barger combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, Andrew found the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu. As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including story backgrounds, author photos and a foreword titled "With Teeth." The ground-breaking stories are: 1819 The Vampyre - John Polidori (1795-1821) 1823 Wake Not the Dead - Ernst Raupach 1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870) 1839 Strange Event in the Life of Schalken the Painter - Joseph Sheridan le Fanu (1814-1873) 1826 Pepopukin in Corsica - Arthur Young (1741-1820) 1819 The Black Vampyre: A Legend of Saint Domingo - Robert Sands (1799-1832) 1836 Clarimonde - Théophile Gautier (1811-1872)
Book Synopsis The Best Vampire Stories 1800-1849 by : Joseph Le Fanu
Download or read book The Best Vampire Stories 1800-1849 written by Joseph Le Fanu and published by Bottletree Books LLC. This book was released on 2012-02 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this International Book Awards anthology finalist, the best vampire short stories from the first half of the 19th century are unearthed from long forgotten journals and magazines. They are collected for the first time in this groundbreaking book on the origins of vampire lore. Watch the book trailer: www.AndrewBarger.com/bestvampirestories1800.html The cradle of all vampire short stories in the English language is the first half of the 19th century. Andrew Barger combed forgotten journals and mysterious texts to collect the very best vintage vampire stories from this crucial period in vampire literature. In doing so, Andrew found the second and third vampire stories originally published in the English language, neither printed since their first publication nearly 200 years ago. Also included is the first vampire story originally written in English by John Polidori after a dare with Lord Byron and Mary Shelley. The book contains the first vampire story by an American who was a graduate of Columbia Law School. The book further includes the first vampire stories by an Englishman and German, including the only vampire stories by such renowned authors as Alexander Dumas, Théophile Gautier and Joseph le Fanu. As readers have come to expect from Andrew, he has added his scholarly touch to this collection by including story backgrounds, author photos and a foreword titled "With Teeth." The ground-breaking stories are: 1819 The Vampyre - John Polidori (1795-1821) 1823 Wake Not the Dead - Ernst Raupach 1848 The Vampire of the Carpathian Mountains - Alexander Dumas (1802-1870) 1839 Strange Event in the Life of Schalken the Painter - Joseph Sheridan le Fanu (1814-1873) 1826 Pepopukin in Corsica - Arthur Young (1741-1820) 1819 The Black Vampyre: A Legend of Saint Domingo - Robert Sands (1799-1832) 1836 Clarimonde - Théophile Gautier (1811-1872)
The long and distinguished tradition of the literary vampire began in Germany during the Age of Enlightenment. German literature was the first to adapt the vampire figure from central European folklore and superstition and give it literary form. Despite these German origins, scholarly attention devoted to literary vampires has consistently focused on a select set of sources: British and French literature, Bram Stoker’s Dracula, and the phenomenon of the vampire superstition in general. While there have been many illuminating studies of pre-literary vampires and vampires that have already been firmly established as literary figures, the story of the crucial moment of transition from folkloric figure to literary subject has not yet been told. In The Origins of the Literary Vampire Heide Crawford redirects scholarly attention to the body of German poetry and prose where vampire folklore becomes vampire literature. This book focuses on the adaptation of the vampire superstition from central European folklore by German poets in the 18th and early 19th centuries for an audience that had become increasingly interested in superstition and occult phenomena in an Age of Enlightenment. In addition to establishing that the origins of the literary vampire in 18th and 19th century German poetry and prose were informed by the stories and reports of vampires from Central Europe, Crawford argues that the German poets who adapted this figure from superstition for their creative work immediately molded it into a metaphor for contemporary cultural anxieties and fears—a connection that would inspire horror literature in general and the traits of the literary vampire in particular for the 19th century and beyond. Contemporary culture has exhibited a marked fascination with eroticized and politicized applications of the vampire. This volume traces these erotic motifs, common political motifs and others to the first vampire poems that were written by German poets. Consequently, this book answers three central questions: What were the origins of the literary vampire; how was the vampire of folklore and superstition adapted for literature; and how did German poets contribute to the development of the vampire and Gothic horror literature? By answering these and other questions, The Origins of the Literary Vampire explains how the literary vampire became the ubiquitous horror figure it is today.
Book Synopsis The Origins of the Literary Vampire by : Heide Crawford
Download or read book The Origins of the Literary Vampire written by Heide Crawford and published by Rowman & Littlefield. This book was released on 2016-08-30 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: The long and distinguished tradition of the literary vampire began in Germany during the Age of Enlightenment. German literature was the first to adapt the vampire figure from central European folklore and superstition and give it literary form. Despite these German origins, scholarly attention devoted to literary vampires has consistently focused on a select set of sources: British and French literature, Bram Stoker’s Dracula, and the phenomenon of the vampire superstition in general. While there have been many illuminating studies of pre-literary vampires and vampires that have already been firmly established as literary figures, the story of the crucial moment of transition from folkloric figure to literary subject has not yet been told. In The Origins of the Literary Vampire Heide Crawford redirects scholarly attention to the body of German poetry and prose where vampire folklore becomes vampire literature. This book focuses on the adaptation of the vampire superstition from central European folklore by German poets in the 18th and early 19th centuries for an audience that had become increasingly interested in superstition and occult phenomena in an Age of Enlightenment. In addition to establishing that the origins of the literary vampire in 18th and 19th century German poetry and prose were informed by the stories and reports of vampires from Central Europe, Crawford argues that the German poets who adapted this figure from superstition for their creative work immediately molded it into a metaphor for contemporary cultural anxieties and fears—a connection that would inspire horror literature in general and the traits of the literary vampire in particular for the 19th century and beyond. Contemporary culture has exhibited a marked fascination with eroticized and politicized applications of the vampire. This volume traces these erotic motifs, common political motifs and others to the first vampire poems that were written by German poets. Consequently, this book answers three central questions: What were the origins of the literary vampire; how was the vampire of folklore and superstition adapted for literature; and how did German poets contribute to the development of the vampire and Gothic horror literature? By answering these and other questions, The Origins of the Literary Vampire explains how the literary vampire became the ubiquitous horror figure it is today.
Prominent examples from contemporary vampire literature expose a desire to re-evaluate and re-work the long-standing, folkloristic interpretation of the vampire as the immortal undead. This book explores the "new vampire" as a literary trope, offering a comprehensive critical analysis of vampires in contemporary popular literature and demonstrating how they engage with essential cultural preoccupations, anxieties, and desires. Drawing from cultural materialism, anthropology, psychoanalysis, literary criticism, gender studies, and postmodern thought, Piatti-Farnell re-frames the concept of the vampire in relation to a distinctly twenty-first century brand of Gothic imagination, highlighting important aesthetic, conceptual, and cultural changes that have affected the literary genre in the post-2000 era. She places the contemporary literary vampire within the wider popular culture scope, also building critical connections with issues of fandom and readership. In reworking the formulaic elements of the vampiric tradition — and experimenting with genre-bending techniques — this book shows how authors such as J.R. Ward, Stephanie Meyers, Charlaine Harris, and Anne Rice have allowed vampires to be moulded into enigmatic figures who sustain a vivid conceptual debt to contemporary consumer and popular culture. This book highlights the changes — conceptual, political and aesthetic — that vampires have undergone in the past decade, simultaneously addressing how these changes in "vampire identity" impact on the definition of the Gothic as a whole.
Book Synopsis The Vampire in Contemporary Popular Literature by : Lorna Piatti-Farnell
Download or read book The Vampire in Contemporary Popular Literature written by Lorna Piatti-Farnell and published by Routledge. This book was released on 2013-11-07 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Prominent examples from contemporary vampire literature expose a desire to re-evaluate and re-work the long-standing, folkloristic interpretation of the vampire as the immortal undead. This book explores the "new vampire" as a literary trope, offering a comprehensive critical analysis of vampires in contemporary popular literature and demonstrating how they engage with essential cultural preoccupations, anxieties, and desires. Drawing from cultural materialism, anthropology, psychoanalysis, literary criticism, gender studies, and postmodern thought, Piatti-Farnell re-frames the concept of the vampire in relation to a distinctly twenty-first century brand of Gothic imagination, highlighting important aesthetic, conceptual, and cultural changes that have affected the literary genre in the post-2000 era. She places the contemporary literary vampire within the wider popular culture scope, also building critical connections with issues of fandom and readership. In reworking the formulaic elements of the vampiric tradition — and experimenting with genre-bending techniques — this book shows how authors such as J.R. Ward, Stephanie Meyers, Charlaine Harris, and Anne Rice have allowed vampires to be moulded into enigmatic figures who sustain a vivid conceptual debt to contemporary consumer and popular culture. This book highlights the changes — conceptual, political and aesthetic — that vampires have undergone in the past decade, simultaneously addressing how these changes in "vampire identity" impact on the definition of the Gothic as a whole.
