The Violence of the Image

The Violence of the Image

Author: Liam Kennedy

Publisher: Routledge

Published: 2020-09-13

Total Pages: 305

ISBN-13: 1000211746

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Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.


Book Synopsis The Violence of the Image by : Liam Kennedy

Download or read book The Violence of the Image written by Liam Kennedy and published by Routledge. This book was released on 2020-09-13 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.

The Cruel Radiance

The Cruel Radiance

Author: Susie Linfield

Publisher: University of Chicago Press

Published: 2012-04-15

Total Pages: 341

ISBN-13: 0226482510

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Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.


Book Synopsis The Cruel Radiance by : Susie Linfield

Download or read book The Cruel Radiance written by Susie Linfield and published by University of Chicago Press. This book was released on 2012-04-15 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.

The Civil Contract of Photography

The Civil Contract of Photography

Author: Ariella Azoulay

Publisher: Princeton University Press

Published: 2021-09-14

Total Pages: 586

ISBN-13: 1935408372

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In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.


Book Synopsis The Civil Contract of Photography by : Ariella Azoulay

Download or read book The Civil Contract of Photography written by Ariella Azoulay and published by Princeton University Press. This book was released on 2021-09-14 with total page 586 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.

Killer Images

Killer Images

Author: Joram ten Brink

Publisher: Columbia University Press

Published: 2013-01-08

Total Pages: 345

ISBN-13: 0231850247

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Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them


Book Synopsis Killer Images by : Joram ten Brink

Download or read book Killer Images written by Joram ten Brink and published by Columbia University Press. This book was released on 2013-01-08 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them

The Violent Image

The Violent Image

Author: Neville Bolt

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780231703161

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Fast-moving, self-perpetuating images of violence have radically changed the nature of insurgency in modern times, and the global media trafficking in these images have fundamentally transformed the act and speed of the exchange among populations. First satellite TV, then laptops and the Internet, and now cellphones and social media, new technologies have revolutionized the act of communication and have collapsed the impediments of time and distance. Rebels who hope to overthrow states and revolutionaries who aim to establish transnational, ideological communities have only to utilize these dynamic technologies to advance their goals. Yet trial and error has also taught a key lesson: in a visual world, the pull of the violent image is more powerful and resonant than the draw of the carefully-crafted word. Neville Bolt dives headfirst into the innovative strategies of today's revolutionaries and their fascinating appropriation of the nineteenth-century practice of "propaganda of the deed," or the political act of violence. No longer is the terrorist act simply a means to push governments to overreact, therefore shredding their legitimacy and credibility. The deed has instead become an efficient tool to initiate a campaign of shock and awe, exposing and exploiting the grievances that underlie communities' fragile ties. Images of 9/11, 7/7, Abu Ghraib, and "collateral damage" are the contemporary weapons of choice. The Violent Image explores the emotional and psychological components of this visual "moment of shock," or the binding of emotive pictures to messages causing popular uprisings. From terrorist groups such as the Fenians and the Taliban to the architects of the ongoing Arab Spring, this study follows insurgents and their manipulation of violent imagery to build narratives and bring social change. Taking advantage of the "war of ideas," new revolutionaries generate surges of support that spread virally through global networks, often so quickly that states are unable to respond in time and kind. This book ultimately asks whether the world has reached a point in which insurgents and populations are driving images and ideas so rapidly that we are already in the grip of a new era of revolutionary politics.


Book Synopsis The Violent Image by : Neville Bolt

Download or read book The Violent Image written by Neville Bolt and published by . This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fast-moving, self-perpetuating images of violence have radically changed the nature of insurgency in modern times, and the global media trafficking in these images have fundamentally transformed the act and speed of the exchange among populations. First satellite TV, then laptops and the Internet, and now cellphones and social media, new technologies have revolutionized the act of communication and have collapsed the impediments of time and distance. Rebels who hope to overthrow states and revolutionaries who aim to establish transnational, ideological communities have only to utilize these dynamic technologies to advance their goals. Yet trial and error has also taught a key lesson: in a visual world, the pull of the violent image is more powerful and resonant than the draw of the carefully-crafted word. Neville Bolt dives headfirst into the innovative strategies of today's revolutionaries and their fascinating appropriation of the nineteenth-century practice of "propaganda of the deed," or the political act of violence. No longer is the terrorist act simply a means to push governments to overreact, therefore shredding their legitimacy and credibility. The deed has instead become an efficient tool to initiate a campaign of shock and awe, exposing and exploiting the grievances that underlie communities' fragile ties. Images of 9/11, 7/7, Abu Ghraib, and "collateral damage" are the contemporary weapons of choice. The Violent Image explores the emotional and psychological components of this visual "moment of shock," or the binding of emotive pictures to messages causing popular uprisings. From terrorist groups such as the Fenians and the Taliban to the architects of the ongoing Arab Spring, this study follows insurgents and their manipulation of violent imagery to build narratives and bring social change. Taking advantage of the "war of ideas," new revolutionaries generate surges of support that spread virally through global networks, often so quickly that states are unable to respond in time and kind. This book ultimately asks whether the world has reached a point in which insurgents and populations are driving images and ideas so rapidly that we are already in the grip of a new era of revolutionary politics.

Carry the Dog

Carry the Dog

Author: Stephanie Gangi

Publisher: Algonquin Books

Published: 2021-11-02

Total Pages: 289

ISBN-13: 1643751271

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"A woman looks back at the events that shaped her life, especially the scandals and family secrets that stand in the way of her making peace with her past"--


Book Synopsis Carry the Dog by : Stephanie Gangi

Download or read book Carry the Dog written by Stephanie Gangi and published by Algonquin Books. This book was released on 2021-11-02 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A woman looks back at the events that shaped her life, especially the scandals and family secrets that stand in the way of her making peace with her past"--

Visual Peace

Visual Peace

Author: Frank Möller

Publisher: Springer

Published: 2013-10-18

Total Pages: 421

ISBN-13: 1137020407

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This book introduces a new research agenda for visual peace research, providing a political analysis of the relationship between visual representations and the politics of violence nationally and internationally. Using a range of genres, from photography to painting, it elaborates on how people can become agents of their own image.


Book Synopsis Visual Peace by : Frank Möller

Download or read book Visual Peace written by Frank Möller and published by Springer. This book was released on 2013-10-18 with total page 421 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book introduces a new research agenda for visual peace research, providing a political analysis of the relationship between visual representations and the politics of violence nationally and internationally. Using a range of genres, from photography to painting, it elaborates on how people can become agents of their own image.

The Public Image

The Public Image

Author: Robert Hariman

Publisher: University of Chicago Press

Published: 2016-11-07

Total Pages: 357

ISBN-13: 022634293X

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In this book, Hariman and Lucaites provide an account of how photojournalism creates a distinctive and valuable way of understanding the modern world, plus example of how the public spectator can think about and with photographs in order to develop that understanding. Coming off the banner success of their No Caption Needed (2007), The Public Image takes that book forward with the express purpose of promoting visual literacy as a civic skill. In the end they aim to enlarge the conceptual scope of photography as a mode of experience, a medium for social thought, and a public art. Public thought needs both good writing and good photography, and this indicates the contemporary shift in talk about photography from what photographs are to a more direct concern with what photographs do. The authors take up a series of Big Issues, such as the recorded image as real and as artifice, the tangle of photography with modernity (here they touch on digitization and globalization), the manner in which the photograph operates as a medium for social thought, the photograph s intimate relationship with warfare, and they conclude with a chapter on the supersaturation of the image world (abundance is an important theme, and characteristic sign of cultural vitality)."


Book Synopsis The Public Image by : Robert Hariman

Download or read book The Public Image written by Robert Hariman and published by University of Chicago Press. This book was released on 2016-11-07 with total page 357 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Hariman and Lucaites provide an account of how photojournalism creates a distinctive and valuable way of understanding the modern world, plus example of how the public spectator can think about and with photographs in order to develop that understanding. Coming off the banner success of their No Caption Needed (2007), The Public Image takes that book forward with the express purpose of promoting visual literacy as a civic skill. In the end they aim to enlarge the conceptual scope of photography as a mode of experience, a medium for social thought, and a public art. Public thought needs both good writing and good photography, and this indicates the contemporary shift in talk about photography from what photographs are to a more direct concern with what photographs do. The authors take up a series of Big Issues, such as the recorded image as real and as artifice, the tangle of photography with modernity (here they touch on digitization and globalization), the manner in which the photograph operates as a medium for social thought, the photograph s intimate relationship with warfare, and they conclude with a chapter on the supersaturation of the image world (abundance is an important theme, and characteristic sign of cultural vitality)."

On Photography

On Photography

Author: Susan Sontag

Publisher:

Published: 1977

Total Pages: 224

ISBN-13:

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Book Synopsis On Photography by : Susan Sontag

Download or read book On Photography written by Susan Sontag and published by . This book was released on 1977 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Violence and Power in Ancient Egypt

Violence and Power in Ancient Egypt

Author: Laurel Bestock

Publisher: Routledge

Published: 2017-10-25

Total Pages: 314

ISBN-13: 1134856261

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Violence and Power in Ancient Egypt examines the use of Egyptian pictures of violence prior to the New Kingdom. Starting with the assertion that making and displaying such images served as a tactic of power, related to but separate from the actual practice of violence, the book explores the development and deployment of this imagery across different contexts. By comparatively utilizing violent images from a variety of other times and cultures, the book asks that we consider not only how Egyptian imagery was related to Egyptian violence, but also why people create pictures of violence and place them where they do, and how such images communicate what to whom. By cataloging and querying Egyptian imagery of violence from different periods and different contexts—royal tombs, divine temples, the landscape, portable objects, and private tombs—Violence and Power highlights the nuances of the relationship between aspects of royal ideology, art, and its audiences in the first half of pharaonic Egyptian history.


Book Synopsis Violence and Power in Ancient Egypt by : Laurel Bestock

Download or read book Violence and Power in Ancient Egypt written by Laurel Bestock and published by Routledge. This book was released on 2017-10-25 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Violence and Power in Ancient Egypt examines the use of Egyptian pictures of violence prior to the New Kingdom. Starting with the assertion that making and displaying such images served as a tactic of power, related to but separate from the actual practice of violence, the book explores the development and deployment of this imagery across different contexts. By comparatively utilizing violent images from a variety of other times and cultures, the book asks that we consider not only how Egyptian imagery was related to Egyptian violence, but also why people create pictures of violence and place them where they do, and how such images communicate what to whom. By cataloging and querying Egyptian imagery of violence from different periods and different contexts—royal tombs, divine temples, the landscape, portable objects, and private tombs—Violence and Power highlights the nuances of the relationship between aspects of royal ideology, art, and its audiences in the first half of pharaonic Egyptian history.