The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries

The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries

Author: Adrian Hsia

Publisher: Chinese University Press

Published: 1998

Total Pages: 420

ISBN-13: 9789622016088

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The Vision of China is the first book on China as it came to be reflected in English literature. As such, it also offers the first comprehensive study of the image of China in Western literature. Featuring essays by prominent Chinese scholars such as Qian Zongshu, Fan Cunzhong, and Chen Shouyi, it complements such works as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literature des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).Together with William W. Appleton's A Cycle of Cathay: The Chinese Vogue in England during the 17th and 18th Centuries (1951) and Raymond Dawson's The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), the book studies the last phase of the Chinese mode in England. Some of the articles collected here actually inspired Appleton's study, at least in part.As a contemporary volume on the construct of China, The Vision of China can readily be considered the companion study to Edward Said's envisioned Orient in Orientalism (1979), to Tzvetan Todorov's Africa in Nous et les autres: la reflection francaise sur la diversite humaine (1989), and Gauri Viswanathan's Masks of Conquest: Literary Study and British Rule in India (1989).


Book Synopsis The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries by : Adrian Hsia

Download or read book The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries written by Adrian Hsia and published by Chinese University Press. This book was released on 1998 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Vision of China is the first book on China as it came to be reflected in English literature. As such, it also offers the first comprehensive study of the image of China in Western literature. Featuring essays by prominent Chinese scholars such as Qian Zongshu, Fan Cunzhong, and Chen Shouyi, it complements such works as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literature des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).Together with William W. Appleton's A Cycle of Cathay: The Chinese Vogue in England during the 17th and 18th Centuries (1951) and Raymond Dawson's The Chinese Chameleon: An Analysis of European Conceptions of Chinese Civilization (1967), the book studies the last phase of the Chinese mode in England. Some of the articles collected here actually inspired Appleton's study, at least in part.As a contemporary volume on the construct of China, The Vision of China can readily be considered the companion study to Edward Said's envisioned Orient in Orientalism (1979), to Tzvetan Todorov's Africa in Nous et les autres: la reflection francaise sur la diversite humaine (1989), and Gauri Viswanathan's Masks of Conquest: Literary Study and British Rule in India (1989).


Pagodas in Play

Pagodas in Play

Author: Adrienne Ward

Publisher: Bucknell University Press

Published: 2010

Total Pages: 233

ISBN-13: 0838756964

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Pagodas in Play analyzes the treatment of China in the imaginative and spectacular world of eighteenth-century Italian opera. It shows how Italians used perceptions of Chinese culture to address local and transnational developments, particularly Enlightenment and secular reform initiatives. Its focus on the texts and performance practices of opera, an entertainment form accessible to a wide public, reveals cultural operations and identities harder to detect in non-fictional reformist writings, the texts traditionally privileged to explain Italian mediations of Enlightenment ideas. In its close reading of nine libretti of the most salient Settecento operas treating China (opere serie and opere buffe by authors including Metastasio, Zeno, Goldoni and Lorenzi), Pagodas in Play differentiates Italian iterations of Chinese culture from French and English counterparts. It further challenges certain tenets of orientalism, showing how it operates when nationalist and/or colonialist projects are absent, and how orientalist practices in eighteenth-century Italy exhibit early on the complexity some scholars locate only in the twentieth century. Adrienne Ward teaches Italian literature and culture at the University of Virginia.


Book Synopsis Pagodas in Play by : Adrienne Ward

Download or read book Pagodas in Play written by Adrienne Ward and published by Bucknell University Press. This book was released on 2010 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pagodas in Play analyzes the treatment of China in the imaginative and spectacular world of eighteenth-century Italian opera. It shows how Italians used perceptions of Chinese culture to address local and transnational developments, particularly Enlightenment and secular reform initiatives. Its focus on the texts and performance practices of opera, an entertainment form accessible to a wide public, reveals cultural operations and identities harder to detect in non-fictional reformist writings, the texts traditionally privileged to explain Italian mediations of Enlightenment ideas. In its close reading of nine libretti of the most salient Settecento operas treating China (opere serie and opere buffe by authors including Metastasio, Zeno, Goldoni and Lorenzi), Pagodas in Play differentiates Italian iterations of Chinese culture from French and English counterparts. It further challenges certain tenets of orientalism, showing how it operates when nationalist and/or colonialist projects are absent, and how orientalist practices in eighteenth-century Italy exhibit early on the complexity some scholars locate only in the twentieth century. Adrienne Ward teaches Italian literature and culture at the University of Virginia.


China and the Writing of English Literary Modernity, 1690–1770

China and the Writing of English Literary Modernity, 1690–1770

Author: Eun Kyung Min

Publisher: Cambridge University Press

Published: 2018-04-19

Total Pages: 291

ISBN-13: 1108421938

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Argues that eighteenth-century literature defined itself as 'English' and 'modern' by engaging with debates about Chinese history and culture.


Book Synopsis China and the Writing of English Literary Modernity, 1690–1770 by : Eun Kyung Min

Download or read book China and the Writing of English Literary Modernity, 1690–1770 written by Eun Kyung Min and published by Cambridge University Press. This book was released on 2018-04-19 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: Argues that eighteenth-century literature defined itself as 'English' and 'modern' by engaging with debates about Chinese history and culture.


The Chinese Impact upon English Renaissance Literature

The Chinese Impact upon English Renaissance Literature

Author: Mingjun Lu

Publisher: Routledge

Published: 2016-03-09

Total Pages: 248

ISBN-13: 1317038495

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The Chinese Impact upon English Renaissance Literature examines how English writers responded to the cultural shock caused by the first substantial encounter between China and Western Europe. Author Mingjun Lu explores how Donne and Milton came to be aware of England’s participation in ’the race for the Far East’ launched by Spain and Portugal, and how this new global awareness shaped their conceptions of cultural pluralism. Drawing on globalization theory, a framework that proves useful to help us rethink the literary world of Renaissance England in terms of global maritime networks, Lu proposes the concept of ’liberal cosmopolitanism’ to study early modern English engagement with the other. The advanced culture of the Chinese, Lu argues, inculcated in Donne and Milton a respect for difference and a cosmopolitan curiosity that ultimately led both authors to reflect in profound and previously unexamined ways upon their Eurocentric and monotheistic assumptions. The liberal cosmopolitan model not only opens Renaissance literary texts to globalization theory but also initiates a new way of thinking about the early modern encounter with the other beyond the conventional colonial/postcolonial, nationalist, and Orientalist frameworks. By pushing East-West contact back to the period in 1570s-1670s, Lu’s work uncovers some hitherto unrecognized Chinese elements in Western culture and their shaping influence upon English literary imagination.


Book Synopsis The Chinese Impact upon English Renaissance Literature by : Mingjun Lu

Download or read book The Chinese Impact upon English Renaissance Literature written by Mingjun Lu and published by Routledge. This book was released on 2016-03-09 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Chinese Impact upon English Renaissance Literature examines how English writers responded to the cultural shock caused by the first substantial encounter between China and Western Europe. Author Mingjun Lu explores how Donne and Milton came to be aware of England’s participation in ’the race for the Far East’ launched by Spain and Portugal, and how this new global awareness shaped their conceptions of cultural pluralism. Drawing on globalization theory, a framework that proves useful to help us rethink the literary world of Renaissance England in terms of global maritime networks, Lu proposes the concept of ’liberal cosmopolitanism’ to study early modern English engagement with the other. The advanced culture of the Chinese, Lu argues, inculcated in Donne and Milton a respect for difference and a cosmopolitan curiosity that ultimately led both authors to reflect in profound and previously unexamined ways upon their Eurocentric and monotheistic assumptions. The liberal cosmopolitan model not only opens Renaissance literary texts to globalization theory but also initiates a new way of thinking about the early modern encounter with the other beyond the conventional colonial/postcolonial, nationalist, and Orientalist frameworks. By pushing East-West contact back to the period in 1570s-1670s, Lu’s work uncovers some hitherto unrecognized Chinese elements in Western culture and their shaping influence upon English literary imagination.


Handbook of Christianity in China

Handbook of Christianity in China

Author: Nicolas Standaert

Publisher: BRILL

Published: 2019-01-04

Total Pages: 992

ISBN-13: 9004391851

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Who were the main actors in propagating Christianity in China? Where did Christian communities settle? What discussions were held in China, concerning Christianity? These, and many other, questions are answered in this reference work, which is divided in a systematic part and analytical articles. This handbook represents a true reference guide to the reception of Christianity in pre-1800 China. It presents to the reader, in comprehensive fashion, all current knowledge of Christianity in China, and guides him through the main Chinese and Western sources, bibliographies and archives. The scope of the volume is broad and covers a wide range of topics, such as theology, philosophy, astronomy, mathematics, medicine, cannon, botany, art, music, and more.


Book Synopsis Handbook of Christianity in China by : Nicolas Standaert

Download or read book Handbook of Christianity in China written by Nicolas Standaert and published by BRILL. This book was released on 2019-01-04 with total page 992 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who were the main actors in propagating Christianity in China? Where did Christian communities settle? What discussions were held in China, concerning Christianity? These, and many other, questions are answered in this reference work, which is divided in a systematic part and analytical articles. This handbook represents a true reference guide to the reception of Christianity in pre-1800 China. It presents to the reader, in comprehensive fashion, all current knowledge of Christianity in China, and guides him through the main Chinese and Western sources, bibliographies and archives. The scope of the volume is broad and covers a wide range of topics, such as theology, philosophy, astronomy, mathematics, medicine, cannon, botany, art, music, and more.


China and the Writing of English Literary Modernity, 1690–1770

China and the Writing of English Literary Modernity, 1690–1770

Author: Eun Kyung Min

Publisher: Cambridge University Press

Published: 2018-04-19

Total Pages: 292

ISBN-13: 1108390021

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This book explores how a modern English literary identity was forged by its notions of other traditions and histories, in particular those of China. The theorizing and writing of English literary modernity took place in the midst of the famous quarrel between the Ancients and the Moderns. Eun Kyung Min argues that this quarrel was in part a debate about the value of Chinese culture and that a complex cultural awareness of China shaped the development of a 'national' literature in seventeenth- and eighteenth-century England by pushing to new limits questions of comparative cultural value and identity. Writers including Defoe, Addison, Goldsmith, and Percy wrote China into genres such as the novel, the periodical paper, the pseudo-letter in the newspaper, and anthologized collections of 'antique' English poetry, inventing new formal strategies to engage in this wide-ranging debate about what defined modern English identity.


Book Synopsis China and the Writing of English Literary Modernity, 1690–1770 by : Eun Kyung Min

Download or read book China and the Writing of English Literary Modernity, 1690–1770 written by Eun Kyung Min and published by Cambridge University Press. This book was released on 2018-04-19 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores how a modern English literary identity was forged by its notions of other traditions and histories, in particular those of China. The theorizing and writing of English literary modernity took place in the midst of the famous quarrel between the Ancients and the Moderns. Eun Kyung Min argues that this quarrel was in part a debate about the value of Chinese culture and that a complex cultural awareness of China shaped the development of a 'national' literature in seventeenth- and eighteenth-century England by pushing to new limits questions of comparative cultural value and identity. Writers including Defoe, Addison, Goldsmith, and Percy wrote China into genres such as the novel, the periodical paper, the pseudo-letter in the newspaper, and anthologized collections of 'antique' English poetry, inventing new formal strategies to engage in this wide-ranging debate about what defined modern English identity.


Classical Chinese Literature: From antiquity to the Tang dynasty

Classical Chinese Literature: From antiquity to the Tang dynasty

Author: John Minford

Publisher: Columbia University Press

Published: 2002

Total Pages: 1252

ISBN-13: 9780231096775

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Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.


Book Synopsis Classical Chinese Literature: From antiquity to the Tang dynasty by : John Minford

Download or read book Classical Chinese Literature: From antiquity to the Tang dynasty written by John Minford and published by Columbia University Press. This book was released on 2002 with total page 1252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.


China’s Literary Cosmopolitans

China’s Literary Cosmopolitans

Author: Christopher Rea

Publisher: BRILL

Published: 2015-07-28

Total Pages: 273

ISBN-13: 9004299971

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China’s Literary Cosmopolitans offers a comprehensive introduction to the literary oeuvres of Qian Zhongshu (1910-98) and Yang Jiang (b. 1911). It assesses their novels, essays, stories, poetry, plays, translations, and criticism, and discusses their reception as two of the most important Chinese scholar-writers of the twentieth century. In addition to re-evaluating this married couple’s intertwined literary careers, the book also explains why they have come to represent such influential models of Chinese literary cosmopolitanism. Uncommonly well-versed in Western languages and literatures, Qian and Yang chose to live in China and write in Chinese. China’s Literary Cosmopolitans argues for their artistic importance while analyzing their works against the modern cultural imperative that Chinese literature be worldly. Christopher Rea (Ph.D., Columbia) is Associate Professor of Asian Studies at the University of British Columbia. He is the author of The Age of Irreverence: A New History of Laughter in China (California, 2015), co-editor of The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia, 1900-65 (ubc Press, 2015), and editor of Humans, Beasts, and Ghosts: Stories and Essays by Qian Zhongshu(Columbia, 2011).


Book Synopsis China’s Literary Cosmopolitans by : Christopher Rea

Download or read book China’s Literary Cosmopolitans written by Christopher Rea and published by BRILL. This book was released on 2015-07-28 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: China’s Literary Cosmopolitans offers a comprehensive introduction to the literary oeuvres of Qian Zhongshu (1910-98) and Yang Jiang (b. 1911). It assesses their novels, essays, stories, poetry, plays, translations, and criticism, and discusses their reception as two of the most important Chinese scholar-writers of the twentieth century. In addition to re-evaluating this married couple’s intertwined literary careers, the book also explains why they have come to represent such influential models of Chinese literary cosmopolitanism. Uncommonly well-versed in Western languages and literatures, Qian and Yang chose to live in China and write in Chinese. China’s Literary Cosmopolitans argues for their artistic importance while analyzing their works against the modern cultural imperative that Chinese literature be worldly. Christopher Rea (Ph.D., Columbia) is Associate Professor of Asian Studies at the University of British Columbia. He is the author of The Age of Irreverence: A New History of Laughter in China (California, 2015), co-editor of The Business of Culture: Cultural Entrepreneurs in China and Southeast Asia, 1900-65 (ubc Press, 2015), and editor of Humans, Beasts, and Ghosts: Stories and Essays by Qian Zhongshu(Columbia, 2011).


This House Is Not a Home: European Everyday Life in Canton and Macao 1730–1830

This House Is Not a Home: European Everyday Life in Canton and Macao 1730–1830

Author: Lisa Hellman

Publisher: BRILL

Published: 2018-10-16

Total Pages: 334

ISBN-13: 9004384545

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In This House is not a Home, Lisa Hellman offers the first study of European everyday life in Canton and Macao. Using the Swedish East India Company as a focus, she explores how domesticity was conditioned by the Chinese authorities.


Book Synopsis This House Is Not a Home: European Everyday Life in Canton and Macao 1730–1830 by : Lisa Hellman

Download or read book This House Is Not a Home: European Everyday Life in Canton and Macao 1730–1830 written by Lisa Hellman and published by BRILL. This book was released on 2018-10-16 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In This House is not a Home, Lisa Hellman offers the first study of European everyday life in Canton and Macao. Using the Swedish East India Company as a focus, she explores how domesticity was conditioned by the Chinese authorities.


Forging Romantic China

Forging Romantic China

Author: Peter J. Kitson

Publisher: Cambridge University Press

Published: 2013-11-21

Total Pages:

ISBN-13: 1107513375

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The first major cultural study to focus exclusively on this decisive period in modern British-Chinese relations. Based on extensive archival investigations, Peter J. Kitson shows how British knowledge of China was constructed from the writings and translations of a diverse range of missionaries, diplomats, travellers, traders, and literary men and women during the Romantic period. The new perceptions of China that it gave rise to were mediated via a dynamic print culture to a diverse range of poets, novelists, essayists, dramatists and reviewers, including Jane Austen, Thomas Percy, William Jones, S. T. Coleridge, George Colman, Robert Southey, Charles Lamb, William and Dorothy Wordsworth and others, informing new British understandings and imaginings of China on the eve of the Opium War of 1839–42. Kitson aims to restore China to its true global presence in our understandings of the culture and literature of Britain in the late eighteenth and early nineteenth centuries.


Book Synopsis Forging Romantic China by : Peter J. Kitson

Download or read book Forging Romantic China written by Peter J. Kitson and published by Cambridge University Press. This book was released on 2013-11-21 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The first major cultural study to focus exclusively on this decisive period in modern British-Chinese relations. Based on extensive archival investigations, Peter J. Kitson shows how British knowledge of China was constructed from the writings and translations of a diverse range of missionaries, diplomats, travellers, traders, and literary men and women during the Romantic period. The new perceptions of China that it gave rise to were mediated via a dynamic print culture to a diverse range of poets, novelists, essayists, dramatists and reviewers, including Jane Austen, Thomas Percy, William Jones, S. T. Coleridge, George Colman, Robert Southey, Charles Lamb, William and Dorothy Wordsworth and others, informing new British understandings and imaginings of China on the eve of the Opium War of 1839–42. Kitson aims to restore China to its true global presence in our understandings of the culture and literature of Britain in the late eighteenth and early nineteenth centuries.