Author: E. R. Pennell
Publisher:
Published: 2015-07-03
Total Pages: 532
ISBN-13: 9781330600474
DOWNLOAD EBOOKExcerpt from The Whistler Journal This book needs no preface or apology or explanation. Each will be found in it. It is the story of the life Whistler lived with us during the three years after he asked us to write it, and the story he told us of the sixty-six previous years of his troubled, triumphal career - the foundation upon which the biography was built up. But in a biography the intimate tone of a journal is not appropriate and only certain portions could be used. We have had both pleasure and pain in recording what he gave us and also what we learned of him from others. For, when we were writing the Authorized Life, we received aid and assistance from every one except his wife's family who had nothing they could have given us save the documents and letters they may possess, if they preserved them. Mr. Freer was the other exception. Now, however, Mr. Lodge, Curator of the Freer Collection, has granted us the permissions we have asked and, with - we hope - the early opening of that Gallery, a large amount of information about Whistler, as well as many of his important works, will be available. Whistler's fame has vastly increased, the commercial value of his work - now the artistic standard - has also vastly increased, and we have done what we could to increase the world's knowledge of Whistler as we knew him. Miss Philip has given her interpretation of him and his wishes. When his Society proposed to honour his memory by a Memorial Exhibition, she was at first willing to help. Then she became sure he did not wish his work in an English Gallery, but not till she had shown it in the International. Later on, there seemed no question that his wishes could not be opposed to her contributing to a small Whistler exhibition at the Tate Gallery, or to her making a special exhibition from her own collection of his paintings and pastels at Obach's. She, and Arthur Studd, who supported her, and who afterwards bequeathed his Whistlers to the British nation, leave us in doubt therefore as to "the master's wishes." Nor is the information, attributed to Miss Philip this year, concerning the printing of the lithographs exhibited at Obach's in London and Keppel's in New York exactly what one would have expected from Whistler. Many besides Freer are dead - saddest to us, William Heinemann, Whistler's true friend and our true friend, killed like so many good men by the war. Richard Canfield is gone and his collection scattered, all save the lithographs which are preserved in the Brooklyn Museum. And Arthur Jerome Eddy who, like Canfield, will live by his portrait. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Book Synopsis The Whistler Journal (Classic Reprint) by : E. R. Pennell
Download or read book The Whistler Journal (Classic Reprint) written by E. R. Pennell and published by . This book was released on 2015-07-03 with total page 532 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from The Whistler Journal This book needs no preface or apology or explanation. Each will be found in it. It is the story of the life Whistler lived with us during the three years after he asked us to write it, and the story he told us of the sixty-six previous years of his troubled, triumphal career - the foundation upon which the biography was built up. But in a biography the intimate tone of a journal is not appropriate and only certain portions could be used. We have had both pleasure and pain in recording what he gave us and also what we learned of him from others. For, when we were writing the Authorized Life, we received aid and assistance from every one except his wife's family who had nothing they could have given us save the documents and letters they may possess, if they preserved them. Mr. Freer was the other exception. Now, however, Mr. Lodge, Curator of the Freer Collection, has granted us the permissions we have asked and, with - we hope - the early opening of that Gallery, a large amount of information about Whistler, as well as many of his important works, will be available. Whistler's fame has vastly increased, the commercial value of his work - now the artistic standard - has also vastly increased, and we have done what we could to increase the world's knowledge of Whistler as we knew him. Miss Philip has given her interpretation of him and his wishes. When his Society proposed to honour his memory by a Memorial Exhibition, she was at first willing to help. Then she became sure he did not wish his work in an English Gallery, but not till she had shown it in the International. Later on, there seemed no question that his wishes could not be opposed to her contributing to a small Whistler exhibition at the Tate Gallery, or to her making a special exhibition from her own collection of his paintings and pastels at Obach's. She, and Arthur Studd, who supported her, and who afterwards bequeathed his Whistlers to the British nation, leave us in doubt therefore as to "the master's wishes." Nor is the information, attributed to Miss Philip this year, concerning the printing of the lithographs exhibited at Obach's in London and Keppel's in New York exactly what one would have expected from Whistler. Many besides Freer are dead - saddest to us, William Heinemann, Whistler's true friend and our true friend, killed like so many good men by the war. Richard Canfield is gone and his collection scattered, all save the lithographs which are preserved in the Brooklyn Museum. And Arthur Jerome Eddy who, like Canfield, will live by his portrait. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
