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Kathryn Ambrose offers a new literary critical approach to the Woman Question in nineteenth-century English, German and Russian literature, based on feminist theory, post-structuralism and the semiotics of barriers.
Book Synopsis The Woman Question in Nineteenth-Century English, German and Russian Literature by : Kathryn L. Ambrose
Download or read book The Woman Question in Nineteenth-Century English, German and Russian Literature written by Kathryn L. Ambrose and published by BRILL. This book was released on 2015-09-29 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kathryn Ambrose offers a new literary critical approach to the Woman Question in nineteenth-century English, German and Russian literature, based on feminist theory, post-structuralism and the semiotics of barriers.
Mandelker's revisionist analysis begins with the contention that Anna Karenina rejects the textual conventions of realism and the stereo-typical representation of women, especially in Victorian English fiction. In Anna Karenina, Tolstoy uses the theme of art and visual representation to articulate an aesthetics freed from gender bias and class discrimination.
Book Synopsis Framing Anna Karenina by : Amy Mandelker
Download or read book Framing Anna Karenina written by Amy Mandelker and published by Ohio State University Press. This book was released on 1993 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mandelker's revisionist analysis begins with the contention that Anna Karenina rejects the textual conventions of realism and the stereo-typical representation of women, especially in Victorian English fiction. In Anna Karenina, Tolstoy uses the theme of art and visual representation to articulate an aesthetics freed from gender bias and class discrimination.
"This collection of essays examines the lives of women across Russia--from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia--discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic presence in Russia's culture and society"--Publisher's description.
Book Synopsis Women in Nineteenth-Century Russia by : Wendy Rosslyn
Download or read book Women in Nineteenth-Century Russia written by Wendy Rosslyn and published by Open Book Publishers. This book was released on 2012 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This collection of essays examines the lives of women across Russia--from wealthy noblewomen in St Petersburg to desperately poor peasants in Siberia--discussing their interaction with the Church and the law, and their rich contribution to music, art, literature and theatre. It shows how women struggled for greater autonomy and, both individually and collectively, developed a dynamic presence in Russia's culture and society"--Publisher's description.
Assesses the relevance of the works of Fontane, perhaps the foremost German novelist between Goethe and Mann, for the twenty-first century.
Book Synopsis Fontane in the Twenty-First Century by : John B. Lyon
Download or read book Fontane in the Twenty-First Century written by John B. Lyon and published by Camden House (NY). This book was released on 2019 with total page 267 pages. Available in PDF, EPUB and Kindle. Book excerpt: Assesses the relevance of the works of Fontane, perhaps the foremost German novelist between Goethe and Mann, for the twenty-first century.
A 1996 overview of key issues in Russian women's writing and of important representations of women by men, from 1600 onwards.
Book Synopsis Gender and Russian Literature by : Rosalind J. Marsh
Download or read book Gender and Russian Literature written by Rosalind J. Marsh and published by Cambridge University Press. This book was released on 1996-03-28 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: A 1996 overview of key issues in Russian women's writing and of important representations of women by men, from 1600 onwards.
This is the first book dedicated to literary and cultural scholars’ engagement with mobilities scholarship. As such, the volume both advances new theoretical approaches to the study of culture and furthers the recent “humanities turn” in mobilities studies. The book’s scholarship is deeply informed by cultural geography’s vision of a mobilised reconceptualisation of space and place, but also by the contribution of literary scholars in articulating questions of travel, technologies of transport, (post)colonialism and migration through a close engagement with textual materials. A comprehensive introduction maps pre-histories and emerging directions of this exciting interdisciplinary endeavor while taking up the theoretical and methodological challenges of the burgeoning subfield. Contributions range across geographical and disciplinary boundaries to address questions of embodied subjectivities, mobility and the nation, geopolitics of migration, and mobilities futures.
Book Synopsis Mobilities, Literature, Culture by : Marian Aguiar
Download or read book Mobilities, Literature, Culture written by Marian Aguiar and published by Springer Nature. This book was released on 2019-09-25 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book dedicated to literary and cultural scholars’ engagement with mobilities scholarship. As such, the volume both advances new theoretical approaches to the study of culture and furthers the recent “humanities turn” in mobilities studies. The book’s scholarship is deeply informed by cultural geography’s vision of a mobilised reconceptualisation of space and place, but also by the contribution of literary scholars in articulating questions of travel, technologies of transport, (post)colonialism and migration through a close engagement with textual materials. A comprehensive introduction maps pre-histories and emerging directions of this exciting interdisciplinary endeavor while taking up the theoretical and methodological challenges of the burgeoning subfield. Contributions range across geographical and disciplinary boundaries to address questions of embodied subjectivities, mobility and the nation, geopolitics of migration, and mobilities futures.
In Russia, gothic fiction is often seen as an aside – a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature’s engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre’s function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.
Book Synopsis Writing Fear by : Katherine Bowers
Download or read book Writing Fear written by Katherine Bowers and published by University of Toronto Press. This book was released on 2022-03-01 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Russia, gothic fiction is often seen as an aside – a literary curiosity that experienced a brief heyday and then disappeared. In fact, its legacy is much more enduring, persisting within later Russian literary movements. Writing Fear explores Russian literature’s engagement with the gothic by analysing the practices of borrowing and adaptation. Katherine Bowers shows how these practices shaped literary realism from its romantic beginnings through the big novels of the 1860s and 1870s to its transformation during the modernist period. Bowers traces the development of gothic realism with an emphasis on the affective power of fear. She then investigates the hybrid genre’s function in a series of case studies focused on literary texts that address social and political issues such as urban life, the woman question, revolutionary terrorism, and the decline of the family. By mapping the myriad ways political and cultural anxiety take shape via the gothic mode in the age of realism, Writing Fear challenges the conventional literary history of nineteenth-century Russia.
Gender-oriented studies of 19th-century Russian literature have struggled with how to determine the feminism or misogyny of particular authors. This book argues that in order to make this determination, we need to engage with the poetics of the text rather than rely on the author's stated views. By focusing on the character type of the ward, or young female dependent, this book examines the narrative strategies used by such writers as Pushkin, Zhukova, Tolstoy, Herzen, and Dostoevsky to represent socially marginal women in their works. Drawing on the theories of Bakhtin, the volume analyzes the degree to which female characters are presented as subjects who actively think and perceive, rather than as passive objects who are thought of and perceived by men. In a polyphonic novel, authors enter into dialogic relationships with their characters; they depict them as unfinalizable persons, unfathomable and unpredictable, capable of the full range of human activity and emotion. The extent to which this polyphony incorporates women's voices is an accurate gauge of the feminism or misogyny of individual writers.
Book Synopsis Representing the Marginal Woman in Nineteenth-Century Russian Literature by : Svetlana Grenier
Download or read book Representing the Marginal Woman in Nineteenth-Century Russian Literature written by Svetlana Grenier and published by Praeger. This book was released on 2001 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gender-oriented studies of 19th-century Russian literature have struggled with how to determine the feminism or misogyny of particular authors. This book argues that in order to make this determination, we need to engage with the poetics of the text rather than rely on the author's stated views. By focusing on the character type of the ward, or young female dependent, this book examines the narrative strategies used by such writers as Pushkin, Zhukova, Tolstoy, Herzen, and Dostoevsky to represent socially marginal women in their works. Drawing on the theories of Bakhtin, the volume analyzes the degree to which female characters are presented as subjects who actively think and perceive, rather than as passive objects who are thought of and perceived by men. In a polyphonic novel, authors enter into dialogic relationships with their characters; they depict them as unfinalizable persons, unfathomable and unpredictable, capable of the full range of human activity and emotion. The extent to which this polyphony incorporates women's voices is an accurate gauge of the feminism or misogyny of individual writers.
Winner of the Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures (Awarded by the MLA) With an innovative approach that combines material media history, media theory, and literary poetics, this book reconstructs the great German writer Theodor Fontane's creative process. Petra McGillen follows Fontane into the engine room of his text production. Analyzing a wealth of unexplored archival evidence--which includes a collection of the author's 67 extant notebooks, along with an array of other "paper tools," such as cardboard boxes, envelopes, and slips--McGillen demonstrates how Fontane compiled his realist prose works. That is, he assembled them from premediated sources, literally with scissors and glue, in an extraordinarily inorganic and radically intertextual manner that turned "writing" into a process of ongoing remix. By exploring the far-reaching implications of Fontane's creative practices for our understanding of his authorship, originality, and poetics, this book opens up a completely new way to think about his works and, by extension, 19th-century literary realism. This conceptualization of authors' notebooks as creative tools makes a substantial contribution to scholarship on the history of writing media in several disciplines, from German studies and literary studies to media history, and to our understanding of the relationship between mass media and literary creativity in the late 19th century.
Book Synopsis The Fontane Workshop by : Petra S. McGillen
Download or read book The Fontane Workshop written by Petra S. McGillen and published by Bloomsbury Publishing USA. This book was released on 2019-07-25 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures (Awarded by the MLA) With an innovative approach that combines material media history, media theory, and literary poetics, this book reconstructs the great German writer Theodor Fontane's creative process. Petra McGillen follows Fontane into the engine room of his text production. Analyzing a wealth of unexplored archival evidence--which includes a collection of the author's 67 extant notebooks, along with an array of other "paper tools," such as cardboard boxes, envelopes, and slips--McGillen demonstrates how Fontane compiled his realist prose works. That is, he assembled them from premediated sources, literally with scissors and glue, in an extraordinarily inorganic and radically intertextual manner that turned "writing" into a process of ongoing remix. By exploring the far-reaching implications of Fontane's creative practices for our understanding of his authorship, originality, and poetics, this book opens up a completely new way to think about his works and, by extension, 19th-century literary realism. This conceptualization of authors' notebooks as creative tools makes a substantial contribution to scholarship on the history of writing media in several disciplines, from German studies and literary studies to media history, and to our understanding of the relationship between mass media and literary creativity in the late 19th century.
Book Synopsis The Woman Question by : Elizabeth K. Helsinger
Download or read book The Woman Question written by Elizabeth K. Helsinger and published by Manchester University Press. This book was released on 1983 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt:
