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The Wooden Prince

Author: John Claude Bemis

Publisher: Little, Brown Books for Young Readers

Published: 2016-03-15

Total Pages: 272

ISBN-13: 1484707370

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The automa Pinocchio has always been duty-bound to serve in the floating palace of Venice's emperor. So when Pinocchio finds himself locked in a trunk and delivered to a new master-a wanted criminal and alchemist named Geppetto-he is curious about everything around him. But most curious is the way Pinocchio seems to be changing from a wooden servant into a living, human boy. Before Geppetto and Pinocchio can uncover the mystery surrounding the automa's transformation, Pinocchio is stolen away. Determined to find Geppetto again, Pinocchio begins a harrowing journey across the Empire, where danger in the form of half-beast outlaws and winged airmen abounds for a lost automa. Meanwhile, Princess Lazuli, the daughter of the ruler of a magical kingdom called Abaton, is also on a quest through the emperor's territory. Her father, Prester John, has been captured by the Venetian Empire, and Lazuli is desperate to rescue him. With the emperor's airmen closing in fast, Lazuli learns the only hope for saving her father-and her beloved home-lies in Pinocchio and Geppetto. /DIV In a masterful reimagining of Pinocchio, John Claude Bemis weaves an enchanting, thrilling adventure for middle-grade readers in the first installment in the Out of Abaton duology. Praise for The Wooden Prince "Wow! John Claude Bemis hides new magic in old stories." -Tom Angleberger, New York Times best-selling author of the Origami Yoda seriesDIV "Young readers will find this reimagined adventure an exhilarating and insightful journey." -Kirkus Reviews "Pinocchio gets a new look in this curious, complex novel of betrayal, rebellion, and loyalty. . .the world-building is impressive, and the captivating setting will likely attract fantasy, steampunk, and adventure fans alike." -Bulletin of the Center for Children's Books "Flying lions, fiery salamanders, chimera, sylphs, gnomes, men with wings, and an enormous sea monster all play roles in this fantastical retelling of Pinocchio." -School Library Journal "Pinocchio's growth is sometimes uncomfortable, sometimes heartwarming, and bound to entrance readers." -Booklist

Book Synopsis The Wooden Prince by : John Claude Bemis

Download or read book The Wooden Prince written by John Claude Bemis and published by Little, Brown Books for Young Readers. This book was released on 2016-03-15 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: The automa Pinocchio has always been duty-bound to serve in the floating palace of Venice's emperor. So when Pinocchio finds himself locked in a trunk and delivered to a new master-a wanted criminal and alchemist named Geppetto-he is curious about everything around him. But most curious is the way Pinocchio seems to be changing from a wooden servant into a living, human boy. Before Geppetto and Pinocchio can uncover the mystery surrounding the automa's transformation, Pinocchio is stolen away. Determined to find Geppetto again, Pinocchio begins a harrowing journey across the Empire, where danger in the form of half-beast outlaws and winged airmen abounds for a lost automa. Meanwhile, Princess Lazuli, the daughter of the ruler of a magical kingdom called Abaton, is also on a quest through the emperor's territory. Her father, Prester John, has been captured by the Venetian Empire, and Lazuli is desperate to rescue him. With the emperor's airmen closing in fast, Lazuli learns the only hope for saving her father-and her beloved home-lies in Pinocchio and Geppetto. /DIV In a masterful reimagining of Pinocchio, John Claude Bemis weaves an enchanting, thrilling adventure for middle-grade readers in the first installment in the Out of Abaton duology. Praise for The Wooden Prince "Wow! John Claude Bemis hides new magic in old stories." -Tom Angleberger, New York Times best-selling author of the Origami Yoda seriesDIV "Young readers will find this reimagined adventure an exhilarating and insightful journey." -Kirkus Reviews "Pinocchio gets a new look in this curious, complex novel of betrayal, rebellion, and loyalty. . .the world-building is impressive, and the captivating setting will likely attract fantasy, steampunk, and adventure fans alike." -Bulletin of the Center for Children's Books "Flying lions, fiery salamanders, chimera, sylphs, gnomes, men with wings, and an enormous sea monster all play roles in this fantastical retelling of Pinocchio." -School Library Journal "Pinocchio's growth is sometimes uncomfortable, sometimes heartwarming, and bound to entrance readers." -Booklist

Bartók and the Grotesque

Author: Julie A. Brown

Publisher: Ashgate Publishing, Ltd.

Published: 2007-01-01

Total Pages: 204

ISBN-13: 9780754657774

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In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.

Book Synopsis Bartók and the Grotesque by : Julie A. Brown

Download or read book Bartók and the Grotesque written by Julie A. Brown and published by Ashgate Publishing, Ltd.. This book was released on 2007-01-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.

The Cambridge Companion to Bartók

Author: Amanda Bayley

Publisher: Cambridge University Press

Published: 2001-03-26

Total Pages: 292

ISBN-13: 9780521669580

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This is a wide-ranging and accessible guide to Bartók and his music.

Book Synopsis The Cambridge Companion to Bartók by : Amanda Bayley

Download or read book The Cambridge Companion to Bartók written by Amanda Bayley and published by Cambridge University Press. This book was released on 2001-03-26 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a wide-ranging and accessible guide to Bartók and his music.

Lord of Monsters

Author: John Claude Bemis

Publisher: Little, Brown Books for Young Readers

Published: 2017-03-14

Total Pages: 282

ISBN-13: 1484709470

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Pinocchio can't believe the Moonlit Court is his home! With royal banquets, a regal wardrobe, and a whole new set of rules, Pinocchio has a lot to adjust to in his new life as prester alongside Princess Lazuli. But before they can get comfortable in their thrones, a fancy dinner at the palace is interrupted by an unwelcome guest-a monster! And this isn't just any monster; it's a manticore, a beast that was imprisoned centuries earlier. Desperate to locate the prison and make sure none of its other monsters were able to escape, Lazuli, Pinocchio, and their Celestial Brigade set out to save Abaton from these ancient beings. Their journey requires intelligence, strength, and a dash of the magic only presters control. But when Pinocchio tries to use his powers, they have an unintended effect: he is turning back into a wooden automa. And if he's not careful, he may lose his human form forever. The second book in the Out of Abaton series continues John Claude Bemis's reimagining of Pinocchio in an action-packed adventure that celebrates friendship, tolerance, and the power of being yourself. Praise for The Wooden Prince "Wow! John Claude Bemis hides new magic in old stories." -- Tom Angleberger, New York Times best-selling author of the Origami Yoda series

Book Synopsis Lord of Monsters by : John Claude Bemis

Download or read book Lord of Monsters written by John Claude Bemis and published by Little, Brown Books for Young Readers. This book was released on 2017-03-14 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pinocchio can't believe the Moonlit Court is his home! With royal banquets, a regal wardrobe, and a whole new set of rules, Pinocchio has a lot to adjust to in his new life as prester alongside Princess Lazuli. But before they can get comfortable in their thrones, a fancy dinner at the palace is interrupted by an unwelcome guest-a monster! And this isn't just any monster; it's a manticore, a beast that was imprisoned centuries earlier. Desperate to locate the prison and make sure none of its other monsters were able to escape, Lazuli, Pinocchio, and their Celestial Brigade set out to save Abaton from these ancient beings. Their journey requires intelligence, strength, and a dash of the magic only presters control. But when Pinocchio tries to use his powers, they have an unintended effect: he is turning back into a wooden automa. And if he's not careful, he may lose his human form forever. The second book in the Out of Abaton series continues John Claude Bemis's reimagining of Pinocchio in an action-packed adventure that celebrates friendship, tolerance, and the power of being yourself. Praise for The Wooden Prince "Wow! John Claude Bemis hides new magic in old stories." -- Tom Angleberger, New York Times best-selling author of the Origami Yoda series

Inside Bluebeard's Castle

Author: Carl S. Leafstedt

Publisher: Oxford University Press

Published: 1999-11-04

Total Pages: 255

ISBN-13: 0195355059

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This is the first book-length examination of Bartók's 1911 opera Duke Bluebeard's Castle, one of the twentieth century's enduring operatic works. Writing in an engaging style, Leafstedt adopts an interdisciplinary approach to the opera by introducing, in addition to music-dramatic analysis, a number of topics that are new to the field of Bartók studies. These new areas of critical and scholarly terrain include a detailed literary study of the libretto and a gender-focused analysis of the opera's female character, Judith. Leafstedt begins with a short introductory chapter that places Duke Bluebeard's Castle within the context of Bartók's early composing career, his discovery of folk music, and its impact on his later work. The book goes on to explore the composition's troubled history, its failure to win two early Hungarian opera competitions, and the three versions of the ending that resulted, discussed here in depth for the first time. The core of the book is devoted to the musical and dramatic organization of the opera and offers an analysis of the seven individual door scenes, including a detailed analysis of scene six, the "lake of tears" scene, illustrating the work's complex tonal organization and dramatic structure. A separate chapter places this darkly psychological version of the Bluebeard story within the broader context of European history and literature. Throughout the book, Leafstedt draws on original Hungarian source material, much of it newly translated by the author and available here for the first time in English, and he includes a generous selection of musical examples. Inside Bluebeard's Castle is an ideal starting point for research in twentieth-century music, Hungarian cultural history, and opera studies, as well as an invaluable guide for anyone interested in Bartók's only opera.

Book Synopsis Inside Bluebeard's Castle by : Carl S. Leafstedt

Download or read book Inside Bluebeard's Castle written by Carl S. Leafstedt and published by Oxford University Press. This book was released on 1999-11-04 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book-length examination of Bartók's 1911 opera Duke Bluebeard's Castle, one of the twentieth century's enduring operatic works. Writing in an engaging style, Leafstedt adopts an interdisciplinary approach to the opera by introducing, in addition to music-dramatic analysis, a number of topics that are new to the field of Bartók studies. These new areas of critical and scholarly terrain include a detailed literary study of the libretto and a gender-focused analysis of the opera's female character, Judith. Leafstedt begins with a short introductory chapter that places Duke Bluebeard's Castle within the context of Bartók's early composing career, his discovery of folk music, and its impact on his later work. The book goes on to explore the composition's troubled history, its failure to win two early Hungarian opera competitions, and the three versions of the ending that resulted, discussed here in depth for the first time. The core of the book is devoted to the musical and dramatic organization of the opera and offers an analysis of the seven individual door scenes, including a detailed analysis of scene six, the "lake of tears" scene, illustrating the work's complex tonal organization and dramatic structure. A separate chapter places this darkly psychological version of the Bluebeard story within the broader context of European history and literature. Throughout the book, Leafstedt draws on original Hungarian source material, much of it newly translated by the author and available here for the first time in English, and he includes a generous selection of musical examples. Inside Bluebeard's Castle is an ideal starting point for research in twentieth-century music, Hungarian cultural history, and opera studies, as well as an invaluable guide for anyone interested in Bartók's only opera.

Bartok, Hungary, and the Renewal of Tradition

Author: David E. Schneider

Publisher: Univ of California Press

Published: 2006-11-06

Total Pages: 321

ISBN-13: 0520932056

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It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartók that acknowledges the composer’s debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók’s graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer’s artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartók’s relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.

Book Synopsis Bartok, Hungary, and the Renewal of Tradition by : David E. Schneider

Download or read book Bartok, Hungary, and the Renewal of Tradition written by David E. Schneider and published by Univ of California Press. This book was released on 2006-11-06 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartók that acknowledges the composer’s debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók’s graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer’s artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartók’s relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.

Wooden Prince Op. 13 (grand Suite).

Author: Bela Bartok

Publisher:

Published: 1986

Total Pages:

ISBN-13:

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Book Synopsis Wooden Prince Op. 13 (grand Suite). by : Bela Bartok

Download or read book Wooden Prince Op. 13 (grand Suite). written by Bela Bartok and published by . This book was released on 1986 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Out of Abaton, Book 1 The Wooden Prince (Out of Abaton, Book 1)

Author: John Claude Bemis

Publisher: Disney-Hyperion

Published: 2017-06-06

Total Pages: 0

ISBN-13: 9781484707425

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Book Synopsis Out of Abaton, Book 1 The Wooden Prince (Out of Abaton, Book 1) by : John Claude Bemis

Download or read book Out of Abaton, Book 1 The Wooden Prince (Out of Abaton, Book 1) written by John Claude Bemis and published by Disney-Hyperion. This book was released on 2017-06-06 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The automa Pinocchio has always been duty-bound to serve in the floating palace of Venice's emperor. So when Pinocchio finds himself locked in a trunk and delivered to a new master-a wanted criminal and alchemist named Geppetto-he is curious about everything around him. But most curious is the way Pinocchio seems to be changing from a wooden servant into a living, human boy. Before Geppetto and Pinocchio can uncover the mystery surrounding the automa's transformation, Pinocchio is stolen away. Determined to find Geppetto again, Pinocchio begins a harrowing journey across the Empire, where danger in the form of half-beast outlaws and winged airmen abounds for a lost automa. Meanwhile, Princess Lazuli, the daughter of the ruler of a magical kingdom called Abaton, is also on a quest through the emperor's territory. Her father, Prester John, has been captured by the Venetian Empire, and Lazuli is desperate to rescue him. With the emperor's airmen closing in fast, Lazuli learns the only hope for saving her father-and her beloved home-lies in Pinocchio and Geppetto. In a masterful reimagining of Pinocchio, John Claude Bemis weaves an enchanting, thrilling adventure for middle-grade readers in the first installment in the Out of Abaton duology. Praise for The Wooden Prince "Wow! John Claude Bemis hides new magic in old stories." -Tom Angleberger, New York Times best-selling author of the Origami Yoda series

Stage Works of Bela Bartok

Author: Bela Bartok

Publisher: Alma Books

Published: 2018-01-01

Total Pages: 115

ISBN-13: 071454518X

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A product of Hungary's political ferment at the start of the twentieth century, Bela Bartok's works combine determination to participate in Western art movements coupled with an enthusiasm for the folk traditions of a disappearing world. In this introduction to Bartok's stage works, Julian Grant describes the score for Duke Bluebeard's Castle, a symbolist version of the Bluebeard myth. Included in this volume are also his ballet scenarios and discussions of the choreographic potential and musical qualities of the scores. Ferenc Bonis indicates the appeal for Bartok of the natural world, against the cataclysm of the First World War. Together, these works give an insight into issues of sexuality, humanity and creativity.Contents: Works contained in this volume: Duke Bluebeard's Castle, The Wooden Prince, The Miraculous Mandarin; Images the Self: 'Duke Bluebeard's Castle', Paul Banks; Bartok and 'World Music', Simon Broughton; Annie Miller, Keith Bosley and Peter Sherwood; A Foot in Bluebeard's Door, Julian Grant; Around the Bluebeard Myth, Mike Ashman; A kekszakallu herceg vara: Libretto by Bela Balazs; Duke Bluebeard's Castle: English translation by John Lloyd Davies; 'The Wooden Prince': A Tale for Adults, Ferenc Bonis; A fabol faragott kiralyfi: Scenario by Bela Balazs; The Wooden Prince: English translation by lstvan Farkas; 'The Miraculous Mandarin': The Birth and Vicissitudes of a Masterpiece, Ferenc Bonis; A csodalatos mandarin: Scenario by Menyhert Lengyel; The Miraculous Mandarin: English Translation by lstvan Farkas

Book Synopsis Stage Works of Bela Bartok by : Bela Bartok

Download or read book Stage Works of Bela Bartok written by Bela Bartok and published by Alma Books. This book was released on 2018-01-01 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt: A product of Hungary's political ferment at the start of the twentieth century, Bela Bartok's works combine determination to participate in Western art movements coupled with an enthusiasm for the folk traditions of a disappearing world. In this introduction to Bartok's stage works, Julian Grant describes the score for Duke Bluebeard's Castle, a symbolist version of the Bluebeard myth. Included in this volume are also his ballet scenarios and discussions of the choreographic potential and musical qualities of the scores. Ferenc Bonis indicates the appeal for Bartok of the natural world, against the cataclysm of the First World War. Together, these works give an insight into issues of sexuality, humanity and creativity.Contents: Works contained in this volume: Duke Bluebeard's Castle, The Wooden Prince, The Miraculous Mandarin; Images the Self: 'Duke Bluebeard's Castle', Paul Banks; Bartok and 'World Music', Simon Broughton; Annie Miller, Keith Bosley and Peter Sherwood; A Foot in Bluebeard's Door, Julian Grant; Around the Bluebeard Myth, Mike Ashman; A kekszakallu herceg vara: Libretto by Bela Balazs; Duke Bluebeard's Castle: English translation by John Lloyd Davies; 'The Wooden Prince': A Tale for Adults, Ferenc Bonis; A fabol faragott kiralyfi: Scenario by Bela Balazs; The Wooden Prince: English translation by lstvan Farkas; 'The Miraculous Mandarin': The Birth and Vicissitudes of a Masterpiece, Ferenc Bonis; A csodalatos mandarin: Scenario by Menyhert Lengyel; The Miraculous Mandarin: English Translation by lstvan Farkas

Bartók and the Grotesque

Author: Julie Brown

Publisher: Routledge

Published: 2017-07-05

Total Pages: 192

ISBN-13: 1351574574

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The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Barteveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartas composing.

Book Synopsis Bartók and the Grotesque by : Julie Brown

Download or read book Bartók and the Grotesque written by Julie Brown and published by Routledge. This book was released on 2017-07-05 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Barteveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartas composing.