Theorizing Film Through Contemporary Art

Theorizing Film Through Contemporary Art

Author: Laura Rascaroli

Publisher: Film Culture in Transition

Published: 2020-10-08

Total Pages: 276

ISBN-13: 9789462989467

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As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.


Book Synopsis Theorizing Film Through Contemporary Art by : Laura Rascaroli

Download or read book Theorizing Film Through Contemporary Art written by Laura Rascaroli and published by Film Culture in Transition. This book was released on 2020-10-08 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.


Theorizing Film Through Contemporary Art

Theorizing Film Through Contemporary Art

Author: Jill Murphy

Publisher: Amsterdam University Press

Published: 2020-09-29

Total Pages: 304

ISBN-13: 9048542022

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As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.


Book Synopsis Theorizing Film Through Contemporary Art by : Jill Murphy

Download or read book Theorizing Film Through Contemporary Art written by Jill Murphy and published by Amsterdam University Press. This book was released on 2020-09-29 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.


Exhibiting Cinema in Contemporary Art

Exhibiting Cinema in Contemporary Art

Author: Erika Balsom

Publisher:

Published: 2013-01-01

Total Pages: 256

ISBN-13: 9789089644718

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Once at the margins of the art world, film now occupies a prominent place in museums and galleries. Exhibiting Cinema in Contemporary Art explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art.


Book Synopsis Exhibiting Cinema in Contemporary Art by : Erika Balsom

Download or read book Exhibiting Cinema in Contemporary Art written by Erika Balsom and published by . This book was released on 2013-01-01 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once at the margins of the art world, film now occupies a prominent place in museums and galleries. Exhibiting Cinema in Contemporary Art explores the emergence of cinema as a primary medium of artistic production, offering an in-depth inquiry into its genesis, its defining features, and its ramifications. Erika Balsom also tackles cinema studies' great disciplinary obsession--namely, what cinema was, is, and will become in a digital future. Rich in theoretical reflections and critical analyses, Exhibiting Cinema in Contemporary Art offers insights into the whole history of cinema from the vantage point of today's art.


The Real of Reality: The Realist Turn in Contemporary Film Theory

The Real of Reality: The Realist Turn in Contemporary Film Theory

Author:

Publisher: BRILL

Published: 2021-08-30

Total Pages: 274

ISBN-13: 9004466762

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Reality has become an increasingly prominent topic in contemporary philosophy. The book’s contributors are responding to the challenge to use the philosophically underexplored potential of film to disclose what the editors propose to call “the real of reality.”


Book Synopsis The Real of Reality: The Realist Turn in Contemporary Film Theory by :

Download or read book The Real of Reality: The Realist Turn in Contemporary Film Theory written by and published by BRILL. This book was released on 2021-08-30 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reality has become an increasingly prominent topic in contemporary philosophy. The book’s contributors are responding to the challenge to use the philosophically underexplored potential of film to disclose what the editors propose to call “the real of reality.”


Genre Trouble and Extreme Cinema

Genre Trouble and Extreme Cinema

Author: Troy Bordun

Publisher: Springer

Published: 2017-11-10

Total Pages: 244

ISBN-13: 3319658948

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This volume re-evaluates theories of genre and spectatorship in light of a critic-defined tendency in recent art cinema, coined ‘extreme cinema’. In Genre Trouble and Extreme Cinema, Bordun argues that the films of Mexican director Carlos Reygadas and French director Catherine Breillat expand generic classifications. Bordun contends that their films make it apparent that genre is not established prior to the viewing of a work but is recollected and assembled by spectators in ways that matter for them in both personal and experiential terms. The author deploys contemporary film theories on the senses, both phenomenological and affect theory, and partakes in close readings of the films’ forms and narratives. The book thus adds to the present literature on extreme cinema and film theory, yet sets itself apart by fully deploying genre theory alongside the methodological and stylistic approaches of Stanley Cavell, Vivian Sobchack, Laura U. Marks, and Eugenie Brinkema.


Book Synopsis Genre Trouble and Extreme Cinema by : Troy Bordun

Download or read book Genre Trouble and Extreme Cinema written by Troy Bordun and published by Springer. This book was released on 2017-11-10 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume re-evaluates theories of genre and spectatorship in light of a critic-defined tendency in recent art cinema, coined ‘extreme cinema’. In Genre Trouble and Extreme Cinema, Bordun argues that the films of Mexican director Carlos Reygadas and French director Catherine Breillat expand generic classifications. Bordun contends that their films make it apparent that genre is not established prior to the viewing of a work but is recollected and assembled by spectators in ways that matter for them in both personal and experiential terms. The author deploys contemporary film theories on the senses, both phenomenological and affect theory, and partakes in close readings of the films’ forms and narratives. The book thus adds to the present literature on extreme cinema and film theory, yet sets itself apart by fully deploying genre theory alongside the methodological and stylistic approaches of Stanley Cavell, Vivian Sobchack, Laura U. Marks, and Eugenie Brinkema.


Beyond Critique

Beyond Critique

Author: Pamela Fraser

Publisher: Bloomsbury Publishing USA

Published: 2017-04-06

Total Pages: 233

ISBN-13: 1501323466

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Outgrowth of a panel discussion at the 2013 conference of the College Art Association in New York.


Book Synopsis Beyond Critique by : Pamela Fraser

Download or read book Beyond Critique written by Pamela Fraser and published by Bloomsbury Publishing USA. This book was released on 2017-04-06 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Outgrowth of a panel discussion at the 2013 conference of the College Art Association in New York.


Video Art Theory

Video Art Theory

Author: Helen Westgeest

Publisher: John Wiley & Sons

Published: 2015-03-30

Total Pages: 220

ISBN-13: 1118475488

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Video Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life. A critical investigation of the visual media and selected video artworks which contributes to the understanding of video as a medium in contemporary art The only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video works deal with time, space, representation, and narrative The text has emerged out of the author’s own lectures and seminars on video art Offers a comparative approach which students find especially useful, offering new perspectives


Book Synopsis Video Art Theory by : Helen Westgeest

Download or read book Video Art Theory written by Helen Westgeest and published by John Wiley & Sons. This book was released on 2015-03-30 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Video Art Theory: A Comparative Approach demonstrates how video art functions on the basis of a comparative media approach, providing a crucial understanding of video as a medium in contemporary art and of the visual mediations we encounter in daily life. A critical investigation of the visual media and selected video artworks which contributes to the understanding of video as a medium in contemporary art The only study specifically devoted to theorizing the medium of video from the perspective of prominent characteristics which result from how video works deal with time, space, representation, and narrative The text has emerged out of the author’s own lectures and seminars on video art Offers a comparative approach which students find especially useful, offering new perspectives


Theories of Modern Art

Theories of Modern Art

Author: Herschel Browning Chipp

Publisher: Univ of California Press

Published: 1968

Total Pages: 692

ISBN-13: 9780520014503

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Book Synopsis Theories of Modern Art by : Herschel Browning Chipp

Download or read book Theories of Modern Art written by Herschel Browning Chipp and published by Univ of California Press. This book was released on 1968 with total page 692 pages. Available in PDF, EPUB and Kindle. Book excerpt:


Women Artists, Feminism and the Moving Image

Women Artists, Feminism and the Moving Image

Author: Lucy Reynolds

Publisher: Bloomsbury Publishing

Published: 2019-08-22

Total Pages: 320

ISBN-13: 135011328X

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What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, essays discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons.


Book Synopsis Women Artists, Feminism and the Moving Image by : Lucy Reynolds

Download or read book Women Artists, Feminism and the Moving Image written by Lucy Reynolds and published by Bloomsbury Publishing. This book was released on 2019-08-22 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the significance of gendered identification in relation to artists' moving image? How do women artists grapple with the interlinked narratives of gender discrimination and gender identity in their work? In this groundbreaking book, a diverse range of leading scholars, activists, archivists and artists explore the histories, practices and concerns of women making film and video across the world, from the pioneering German animator Lotte Reiniger, to the influential African American filmmaker Julie Dash and the provocative Scottish contemporary artist Rachel Maclean. Opening with a foreword from the film theorist Laura Mulvey and a poem by the artist film-maker Lis Rhodes, Women Artists, Feminism and the Moving Image traces the legacies of early feminist interventions into the moving image and the ways in which these have been re-configured in the very different context of today. Reflecting and building upon the practices of recuperation that continue to play a vital role in feminist art practice and scholarship, essays discuss topics such as how multiculturalism is linked to experimental and activist film history, the function and nature of the essay film, feminist curatorial practices and much more. This book transports the reader across diverse cultural contexts and geographical contours, addressing complex narratives of subjectivity, representation and labour, while juxtaposing cultures of film, video and visual arts practice often held apart. As the editor, Lucy Reynolds, argues: it is at the point where art, moving image and feminist discourse converge that a rich and dynamic intersection of dialogue and exchange opens up, bringing to attention practices which might fall outside their separate spheres, and offering fresh perspectives and insights on those already established in its histories and canons.


Theatricality and the Arts

Theatricality and the Arts

Author: Richard Rushton

Publisher: Edinburgh University Press

Published: 2024-04-30

Total Pages: 325

ISBN-13: 1399511688

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Theatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and contest such associations. The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic.


Book Synopsis Theatricality and the Arts by : Richard Rushton

Download or read book Theatricality and the Arts written by Richard Rushton and published by Edinburgh University Press. This book was released on 2024-04-30 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and contest such associations. The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic.