Theory for Theatre Studies: Light

Theory for Theatre Studies: Light

Author: Dean Wilcox

Publisher: Methuen Drama

Published: 2024-09-19

Total Pages: 0

ISBN-13: 1350374768

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Examining the theories behind stage lighting practice to help students learn to analyze the aesthetic and critical impacts of light in performance, this book traces the development of lighting practice, focusing on important developmental shifts in technology and aesthetics from the classical period to the modern era. Key to this study is the shift in the modern era toward the production objective of a synthesis of elements, including text, actor, movement, light, sound, set and costume within the performance. It also explores the contribution of "New Stagecraft" theorists and designers Adolphe Appia, Edward Gordon Craig and Robert Edmond Jones, alongside the work of other designers and theorists. Case studies include Loïe Fuller's combination of light, dance, movement and costume, Robert Wilson's Einstein on the Beach, and Japanese director Tadashi Suzuki's The Trojan Women. Case studies also examine the use of light in non-theatrical areas, focusing on phenomenology, community engagement and the evolution of contemporary technology. These include the installation work of James Turrell and Refik Anadol, the Winston Salem Light Project, and David Byrne's American Utopia. This study addresses the gap between theory and practice by concentrating on major innovations in the field. A companion website features links to images, chapter summaries, questions and further resources for study.


Book Synopsis Theory for Theatre Studies: Light by : Dean Wilcox

Download or read book Theory for Theatre Studies: Light written by Dean Wilcox and published by Methuen Drama. This book was released on 2024-09-19 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the theories behind stage lighting practice to help students learn to analyze the aesthetic and critical impacts of light in performance, this book traces the development of lighting practice, focusing on important developmental shifts in technology and aesthetics from the classical period to the modern era. Key to this study is the shift in the modern era toward the production objective of a synthesis of elements, including text, actor, movement, light, sound, set and costume within the performance. It also explores the contribution of "New Stagecraft" theorists and designers Adolphe Appia, Edward Gordon Craig and Robert Edmond Jones, alongside the work of other designers and theorists. Case studies include Loïe Fuller's combination of light, dance, movement and costume, Robert Wilson's Einstein on the Beach, and Japanese director Tadashi Suzuki's The Trojan Women. Case studies also examine the use of light in non-theatrical areas, focusing on phenomenology, community engagement and the evolution of contemporary technology. These include the installation work of James Turrell and Refik Anadol, the Winston Salem Light Project, and David Byrne's American Utopia. This study addresses the gap between theory and practice by concentrating on major innovations in the field. A companion website features links to images, chapter summaries, questions and further resources for study.

Theory for Theatre Studies: Light

Theory for Theatre Studies: Light

Author: Dean Wilcox

Publisher: Bloomsbury Publishing

Published: 2024-06-27

Total Pages: 185

ISBN-13: 1350374784

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What properties of light can be manipulated for aesthetic effect? What role does the perception of the audience play in how stage information is received and processed? How do changes in technology affect methods or approaches to design and practice? This book is designed to introduce key ideas about light and to generate questions and perspectives that will encourage readers to explore light in the theatre more fully in their own critical and creative practices. Examining the theories behind stage lighting practice to help students learn to analyse the aesthetic and critical impacts of light in performance, this book traces the development of lighting practice by focusing on important shifts in technology and aesthetics from the classical period to the modern era. Central to this study are ideas developed by 'New Stagecraft' theorists and designers Adolphe Appia, Edward Gordon Craig and Robert Edmond Jones. Case studies include semiotic approaches to Loïe Fuller's combination of light, movement and costume, Robert Wilson's Einstein on the Beach and Tadashi Suzuki's The Trojan Women. Further case studies including the installation work of James Turrell and Refik Anadol, the Winston Salem Light Project and David Byrne's American Utopia, examine the use of light in theatrical and non-theatrical spaces by focusing on phenomenology, community engagement and the evolution of lighting technology. A companion website features links to images, chapter summaries, questions and further resources for study.


Book Synopsis Theory for Theatre Studies: Light by : Dean Wilcox

Download or read book Theory for Theatre Studies: Light written by Dean Wilcox and published by Bloomsbury Publishing. This book was released on 2024-06-27 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: What properties of light can be manipulated for aesthetic effect? What role does the perception of the audience play in how stage information is received and processed? How do changes in technology affect methods or approaches to design and practice? This book is designed to introduce key ideas about light and to generate questions and perspectives that will encourage readers to explore light in the theatre more fully in their own critical and creative practices. Examining the theories behind stage lighting practice to help students learn to analyse the aesthetic and critical impacts of light in performance, this book traces the development of lighting practice by focusing on important shifts in technology and aesthetics from the classical period to the modern era. Central to this study are ideas developed by 'New Stagecraft' theorists and designers Adolphe Appia, Edward Gordon Craig and Robert Edmond Jones. Case studies include semiotic approaches to Loïe Fuller's combination of light, movement and costume, Robert Wilson's Einstein on the Beach and Tadashi Suzuki's The Trojan Women. Further case studies including the installation work of James Turrell and Refik Anadol, the Winston Salem Light Project and David Byrne's American Utopia, examine the use of light in theatrical and non-theatrical spaces by focusing on phenomenology, community engagement and the evolution of lighting technology. A companion website features links to images, chapter summaries, questions and further resources for study.

Theory for Theatre Studies: Movement

Theory for Theatre Studies: Movement

Author: Rachel Fensham

Publisher: Bloomsbury Publishing

Published: 2021-01-28

Total Pages: 209

ISBN-13: 1350026387

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How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.


Book Synopsis Theory for Theatre Studies: Movement by : Rachel Fensham

Download or read book Theory for Theatre Studies: Movement written by Rachel Fensham and published by Bloomsbury Publishing. This book was released on 2021-01-28 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.

Theory for Theatre Studies: Bodies

Theory for Theatre Studies: Bodies

Author: Soyica Diggs Colbert

Publisher: Bloomsbury Publishing

Published: 2021-09-09

Total Pages: 177

ISBN-13: 1474246338

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How does theatre shape the body and perceptions of it? How do bodies on stage challenge audience assumptions about material evidence and the truth? Theory for Theatre Studies: Bodies responds to these questions by examining how theatre participates in and informs theories of the body in performance, race, queer, disability, trans, gender, and new media studies. Throughout the 20th century, theories of the body have shifted from understanding the body as irrefutable material evidence of race, sex, and gender, to a social construction constituted in language. In the same period, theatre has struggled with representing ideas through live bodies while calling into question assumptions about the body. This volume demonstrates how theatre contributes to understanding the historical, contemporary and burgeoning theories of the body. It explores how theories of the body inform debates about labor conditions and spatial configurations. Theatre allows performers to shift an audience's understandings of the shape of the bodies on stage, possibly producing a reflexive dynamic for consideration of bodies offstage as well. In addition, casting choices in the theatre, most recently and popularly in Hamilton, question how certain bodies are “cast” in social, historical, and philosophical roles. Through an analysis of contemporary case studies, including The Balcony, Angels in America, and Father Comes Home from the Wars, this volume examines how the theatre theorizes bodies. Online resources are also available to accompany this book.


Book Synopsis Theory for Theatre Studies: Bodies by : Soyica Diggs Colbert

Download or read book Theory for Theatre Studies: Bodies written by Soyica Diggs Colbert and published by Bloomsbury Publishing. This book was released on 2021-09-09 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: How does theatre shape the body and perceptions of it? How do bodies on stage challenge audience assumptions about material evidence and the truth? Theory for Theatre Studies: Bodies responds to these questions by examining how theatre participates in and informs theories of the body in performance, race, queer, disability, trans, gender, and new media studies. Throughout the 20th century, theories of the body have shifted from understanding the body as irrefutable material evidence of race, sex, and gender, to a social construction constituted in language. In the same period, theatre has struggled with representing ideas through live bodies while calling into question assumptions about the body. This volume demonstrates how theatre contributes to understanding the historical, contemporary and burgeoning theories of the body. It explores how theories of the body inform debates about labor conditions and spatial configurations. Theatre allows performers to shift an audience's understandings of the shape of the bodies on stage, possibly producing a reflexive dynamic for consideration of bodies offstage as well. In addition, casting choices in the theatre, most recently and popularly in Hamilton, question how certain bodies are “cast” in social, historical, and philosophical roles. Through an analysis of contemporary case studies, including The Balcony, Angels in America, and Father Comes Home from the Wars, this volume examines how the theatre theorizes bodies. Online resources are also available to accompany this book.

Generating Theatre Meaning

Generating Theatre Meaning

Author: Eli Rozik

Publisher: Liverpool University Press

Published: 2007-12-01

Total Pages: 399

ISBN-13: 1802071326

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Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.


Book Synopsis Generating Theatre Meaning by : Eli Rozik

Download or read book Generating Theatre Meaning written by Eli Rozik and published by Liverpool University Press. This book was released on 2007-12-01 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offers a theory and methodology of performance analysis as an alternative to traditional play-analysis. This book carries an underlying theme that theatre performance is a descriptive text generated by the theatre medium and that the process of generating meaning takes place in the actual encounter between a theatre performance and the spectator.

Theatre Arts Monthly

Theatre Arts Monthly

Author:

Publisher:

Published: 1926

Total Pages: 454

ISBN-13:

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Book Synopsis Theatre Arts Monthly by :

Download or read book Theatre Arts Monthly written by and published by . This book was released on 1926 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Theatre Arts Magazine

Theatre Arts Magazine

Author:

Publisher:

Published: 1926

Total Pages: 916

ISBN-13:

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Book Synopsis Theatre Arts Magazine by :

Download or read book Theatre Arts Magazine written by and published by . This book was released on 1926 with total page 916 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Theatre Arts Magazine

Theatre Arts Magazine

Author: Sheldon Cheney

Publisher:

Published: 1926

Total Pages: 500

ISBN-13:

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Book Synopsis Theatre Arts Magazine by : Sheldon Cheney

Download or read book Theatre Arts Magazine written by Sheldon Cheney and published by . This book was released on 1926 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Theatre Studies: The Basics

Theatre Studies: The Basics

Author: Robert Leach

Publisher: Routledge

Published: 2013-07-18

Total Pages: 226

ISBN-13: 1135021058

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Now in a second edition, Theatre Studies: The Basics is a fully updated guide to the wonderful world of theatre. The practical and theoretical dimensions of theatre – from acting to audience – are woven together throughout to provide an integrated introduction to the study of drama, theatre and performance. Topics covered include: dramatic genres, from tragedy to political documentary theories of performance the history of the theatre in the West acting, directing and scenography With a glossary, chapter summaries and suggestions for further reading throughout, Theatre Studies: the Basics remains the ideal starting point for anyone new to the subject.


Book Synopsis Theatre Studies: The Basics by : Robert Leach

Download or read book Theatre Studies: The Basics written by Robert Leach and published by Routledge. This book was released on 2013-07-18 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now in a second edition, Theatre Studies: The Basics is a fully updated guide to the wonderful world of theatre. The practical and theoretical dimensions of theatre – from acting to audience – are woven together throughout to provide an integrated introduction to the study of drama, theatre and performance. Topics covered include: dramatic genres, from tragedy to political documentary theories of performance the history of the theatre in the West acting, directing and scenography With a glossary, chapter summaries and suggestions for further reading throughout, Theatre Studies: the Basics remains the ideal starting point for anyone new to the subject.

The Art of Light on Stage

The Art of Light on Stage

Author: Yaron Abulafia

Publisher: Routledge

Published: 2015-07-16

Total Pages: 325

ISBN-13: 1317429702

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The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these new directions be viewed within the context of lighting design history? The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder. This ground-breaking book will be required reading for anyone concerned with the future of performance.


Book Synopsis The Art of Light on Stage by : Yaron Abulafia

Download or read book The Art of Light on Stage written by Yaron Abulafia and published by Routledge. This book was released on 2015-07-16 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Art of Light on Stage is the first history of theatre lighting design to bring the story right up to date. In this extraordinary volume, award-winning designer Yaron Abulafia explores the poetics of light, charting the evolution of lighting design against the background of contemporary performance. The book looks at the material and the conceptual; the technological and the transcendental. Never before has theatre design been so vividly and excitingly illuminated. The book examines the evolution of lighting design in contemporary theatre through an exploration of two fundamental issues: 1. What gave rise to the new directions in lighting design in contemporary theatre? 2. How can these new directions be viewed within the context of lighting design history? The study then focuses on the phenomenological and semiotic aspects of the medium for light – the role of light as a performer, as the medium of visual perception and as a stimulus for imaginative representations – in selected contemporary theatre productions by Robert Wilson, Romeo Castellucci, Heiner Goebbels, Jossi Wieler and David Zinder. This ground-breaking book will be required reading for anyone concerned with the future of performance.