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The blind photographer cannot see a butterfly perched perfectly still on a flower, a bowl of sweet-smelling fruit, or a child's rattle on a darkened floor, but the mind's eye is sharply focused. How then, do blind or partially sighted people capture such extraordinary images? The photographs in this revelatory book suggest a deeper truth: that blindness is itself a kind of seeing, and that those who can see are often blind to the strangeness and beauty of the world around them. As the blind photographer Evgen Bavcar writes, "Photography must belong to the blind, who in their daily existence have learned to become the masters of camera obscura." Through the photographs of more than fifty blind or partially sighted people from around the world, this exhilarating book—the first to explore this phenomenon in all its vibrancy and diversity—will make you see differently.
Book Synopsis The Blind Photographer by : Julian Rothenstein
Download or read book The Blind Photographer written by Julian Rothenstein and published by Chronicle Books. This book was released on 2016-09-06 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: The blind photographer cannot see a butterfly perched perfectly still on a flower, a bowl of sweet-smelling fruit, or a child's rattle on a darkened floor, but the mind's eye is sharply focused. How then, do blind or partially sighted people capture such extraordinary images? The photographs in this revelatory book suggest a deeper truth: that blindness is itself a kind of seeing, and that those who can see are often blind to the strangeness and beauty of the world around them. As the blind photographer Evgen Bavcar writes, "Photography must belong to the blind, who in their daily existence have learned to become the masters of camera obscura." Through the photographs of more than fifty blind or partially sighted people from around the world, this exhilarating book—the first to explore this phenomenon in all its vibrancy and diversity—will make you see differently.
Completely revised and updated throughout, Bryan Peterson's classic guide to creativity helps photographers visualize their work, and the world, in a whole new light by developing their photographic vision. Fully revised with all new photography, this best-selling guide takes a radical approach to creativity by explaining that it is not an inherent ability but a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that go into not only taking a particular photo, but also provides insights on how to improve upon it--helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs. This revised edition features a complete section on color as a design element and all new photographs to illustrate Peterson's points. Learning to See Creatively is the definitive reference for any photographer looking for a fresh perspective on their work.
Book Synopsis Learning to See Creatively, Third Edition by : Bryan Peterson
Download or read book Learning to See Creatively, Third Edition written by Bryan Peterson and published by Amphoto Books. This book was released on 2015-08-04 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: Completely revised and updated throughout, Bryan Peterson's classic guide to creativity helps photographers visualize their work, and the world, in a whole new light by developing their photographic vision. Fully revised with all new photography, this best-selling guide takes a radical approach to creativity by explaining that it is not an inherent ability but a skill that can be learned and applied. Using inventive photos from his own stunning portfolio, author and veteran photographer Bryan Peterson deconstructs creativity for photographers. He details the basic techniques that go into not only taking a particular photo, but also provides insights on how to improve upon it--helping readers avoid the visual pitfalls and technical dead ends that can lead to dull, uninventive photographs. This revised edition features a complete section on color as a design element and all new photographs to illustrate Peterson's points. Learning to See Creatively is the definitive reference for any photographer looking for a fresh perspective on their work.
I was always the one not in the pictures as I was always taking them. In this life long process I learned the difference between a picture and a photo. A picture is what we take and a photo has a story. One of my greatest photographic thrills is to have people look at me when I'm photographing something, then look in the direction I'm photographing and look back at me. Then they look again at the direction I'm photographing. Seeing the look of what is he doing? What does he see? Fills me with the "What" the juice of my being?" Or to be asked: "How long did it take you to take that photo?" Answer: "All my life!" Or to be told: "I have a camera, I could take that photo." Reply: Great, go, do it, and find this moment for you. You'll enjoy it. This is not a technical book, it's a PHOTOGRAPHY IS FUN book and every photo has a STORY. The equipment doesn't make you a professional or even a good photographer. YOU DO! Technology rules in so much of our world. It answers our questions, computes our math, governs so much of our lives, tells us what month, day, and time it is, has taken society from knowing ones neighbors to not knowing who lives next door, but at the same time it has shrunk our world to bring us closer together in mind, body, and spirit. There is a saying: "We are all one people" and technology has brought that to the forefront more than before. At the same time it has challenged outdoor activities, social contact, and human nature. There are so many technical photography books but none that I know of tell the story of why the photo taken. I want people to learn how to see what others don't, to look for the banquet Mother Natures gives us everyday, to feel the photo, and to become aware of the pure fun and joy of photography.
Book Synopsis Through My Eyes - Why Take That Photo? Be a Part of the Photograph, Not Just the Photographer by : John Madden
Download or read book Through My Eyes - Why Take That Photo? Be a Part of the Photograph, Not Just the Photographer written by John Madden and published by . This book was released on 2015-01-18 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: I was always the one not in the pictures as I was always taking them. In this life long process I learned the difference between a picture and a photo. A picture is what we take and a photo has a story. One of my greatest photographic thrills is to have people look at me when I'm photographing something, then look in the direction I'm photographing and look back at me. Then they look again at the direction I'm photographing. Seeing the look of what is he doing? What does he see? Fills me with the "What" the juice of my being?" Or to be asked: "How long did it take you to take that photo?" Answer: "All my life!" Or to be told: "I have a camera, I could take that photo." Reply: Great, go, do it, and find this moment for you. You'll enjoy it. This is not a technical book, it's a PHOTOGRAPHY IS FUN book and every photo has a STORY. The equipment doesn't make you a professional or even a good photographer. YOU DO! Technology rules in so much of our world. It answers our questions, computes our math, governs so much of our lives, tells us what month, day, and time it is, has taken society from knowing ones neighbors to not knowing who lives next door, but at the same time it has shrunk our world to bring us closer together in mind, body, and spirit. There is a saying: "We are all one people" and technology has brought that to the forefront more than before. At the same time it has challenged outdoor activities, social contact, and human nature. There are so many technical photography books but none that I know of tell the story of why the photo taken. I want people to learn how to see what others don't, to look for the banquet Mother Natures gives us everyday, to feel the photo, and to become aware of the pure fun and joy of photography.
Book Synopsis The Photographer's Eye by : John Szarkowski
Download or read book The Photographer's Eye written by John Szarkowski and published by . This book was released on 1966 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
A painting's technique, color, and perspective may all be excellent, yet the painting will fail unless its composition succeeds. Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art. All the paintings that the author analyzes are illustrated in the text ? 166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail ? balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest. To see how a painting by Czanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors ? the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.
Book Synopsis Composition in Art by : Henry Rankin Poore
Download or read book Composition in Art written by Henry Rankin Poore and published by Courier Corporation. This book was released on 1976-01-01 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: A painting's technique, color, and perspective may all be excellent, yet the painting will fail unless its composition succeeds. Composition is the harmonious arranging of the component parts of a work of art into a unified whole. Henry Poore examines the works of old masters and moderns in this book and uses these examples to explain the principles of compositions in art. All the paintings that the author analyzes are illustrated in the text ? 166 illustrations, including 9 in full color. Thirty-two diagrams by the author accompany his textural discussion of such topics as the importance of balance, entrance and exit, circular observation, angular composition, composition with one or more units, and light and shade. Balance is the most important of these topics, and it is considered in the greatest detail ? balance of the steelyard, vertical and horizontal balance, and so on. A complete index enables the reader to locate his own specific areas of interest. To see how a painting by Czanne, Goya, or Hopper, for example, follows definite principles of composition allows the practicing artist or art student to learn composition from the finest instructors ? the artists themselves. This book is also very useful to the art devotee, who will find his appreciation of the subject greatly enhanced.
Download or read book Dynamic Symmetry written by Jay Hambidge and published by . This book was released on 1920 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Photography written by and published by . This book was released on 1886 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:
When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.
Book Synopsis Photographically Speaking by : David duChemin
Download or read book Photographically Speaking written by David duChemin and published by New Riders. This book was released on 2011-10-11 with total page 375 pages. Available in PDF, EPUB and Kindle. Book excerpt: When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.
Eye of Focus Photography for My Ideas: Marcellous Lovelace / #BIKO70 / #RAYGUN81 / The photos resemble shadows, lights, angles, historical reference and Ideas for documentation memories ... These photographs are just my interpretations of what I see and are not always the best perspective of these same visuals. I compose my thoughts before they are captured and I can only give you what my eye of focus using photography for my ideas. I work on everything from old found pieces of paper, garbage cans, tires, mattresses and used construction material found from torn down buildings. Chicago is such a diversely segregated environment it influences struggle and pain. I love my family! www.marcellouslovelace.com
Book Synopsis Eye of Focus Photography for My Ideas by : Marcellous Lovelace
Download or read book Eye of Focus Photography for My Ideas written by Marcellous Lovelace and published by Lulu.com. This book was released on 2017-10-19 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eye of Focus Photography for My Ideas: Marcellous Lovelace / #BIKO70 / #RAYGUN81 / The photos resemble shadows, lights, angles, historical reference and Ideas for documentation memories ... These photographs are just my interpretations of what I see and are not always the best perspective of these same visuals. I compose my thoughts before they are captured and I can only give you what my eye of focus using photography for my ideas. I work on everything from old found pieces of paper, garbage cans, tires, mattresses and used construction material found from torn down buildings. Chicago is such a diversely segregated environment it influences struggle and pain. I love my family! www.marcellouslovelace.com
Book Synopsis The British Journal of Photography by :
Download or read book The British Journal of Photography written by and published by . This book was released on 1878 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt:
