Timothy Asch and Ethnographic Film

Timothy Asch and Ethnographic Film

Author: E.D Lewis

Publisher: Routledge

Published: 2004-02-24

Total Pages: 322

ISBN-13: 1134336888

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Beautifully illustrated and featuring articles from many of Asch's friends, colleagues, and collaborators as well as an important interview with Asch himself, this is an idea introduction to his work.


Book Synopsis Timothy Asch and Ethnographic Film by : E.D Lewis

Download or read book Timothy Asch and Ethnographic Film written by E.D Lewis and published by Routledge. This book was released on 2004-02-24 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beautifully illustrated and featuring articles from many of Asch's friends, colleagues, and collaborators as well as an important interview with Asch himself, this is an idea introduction to his work.


Beyond observation

Beyond observation

Author: Paul Henley

Publisher: Manchester University Press

Published: 2020-01-20

Total Pages: 405

ISBN-13: 1526131374

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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beyond Observation is structured by the argument that the ‘ethnographicness’ of a film should not be determined by the fact that it is about an exotic culture – the popular view – nor because it has apparently not been authored – a long-standing academic view – but rather because it adheres to the norms of ethnographic practice more generally. On these grounds, the book covers a large number of films made in a broad range of styles across a 120-year period, from the Arctic to Africa, from the cities of China to rural Vermont. Paul Henley discusses films made within reportage, exotic melodrama and travelogue genres in the period before the Second World War, as well as more conventionally ethnographic films made for academic or state-funded educational purposes. The book explores the work of film-makers such as John Marshall, Asen Balikci, Ian Dunlop and Timothy Asch in the post-war period, considering ideas about authorship developed by Jean Rouch, Robert Gardner and Colin Young. It also discusses films authored by indigenous subjects themselves using the new video technology of the 1970s and the ethnographic films that flourished on British television until the 1990s. In the final part of the book, Henley examines the recent work of David and Judith MacDougall and the Harvard Sensory Ethnography Lab, before concluding with an assessmentof a range of films authored in a participatory manner as possible future models.


Book Synopsis Beyond observation by : Paul Henley

Download or read book Beyond observation written by Paul Henley and published by Manchester University Press. This book was released on 2020-01-20 with total page 405 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Beyond Observation is structured by the argument that the ‘ethnographicness’ of a film should not be determined by the fact that it is about an exotic culture – the popular view – nor because it has apparently not been authored – a long-standing academic view – but rather because it adheres to the norms of ethnographic practice more generally. On these grounds, the book covers a large number of films made in a broad range of styles across a 120-year period, from the Arctic to Africa, from the cities of China to rural Vermont. Paul Henley discusses films made within reportage, exotic melodrama and travelogue genres in the period before the Second World War, as well as more conventionally ethnographic films made for academic or state-funded educational purposes. The book explores the work of film-makers such as John Marshall, Asen Balikci, Ian Dunlop and Timothy Asch in the post-war period, considering ideas about authorship developed by Jean Rouch, Robert Gardner and Colin Young. It also discusses films authored by indigenous subjects themselves using the new video technology of the 1970s and the ethnographic films that flourished on British television until the 1990s. In the final part of the book, Henley examines the recent work of David and Judith MacDougall and the Harvard Sensory Ethnography Lab, before concluding with an assessmentof a range of films authored in a participatory manner as possible future models.


American Ethnographic Film and Personal Documentary

American Ethnographic Film and Personal Documentary

Author: Scott MacDonald

Publisher: Univ of California Press

Published: 2013-07-01

Total Pages: 425

ISBN-13: 0520954939

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American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.


Book Synopsis American Ethnographic Film and Personal Documentary by : Scott MacDonald

Download or read book American Ethnographic Film and Personal Documentary written by Scott MacDonald and published by Univ of California Press. This book was released on 2013-07-01 with total page 425 pages. Available in PDF, EPUB and Kindle. Book excerpt: American Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism’s focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.


Ethnographic Film

Ethnographic Film

Author: Karl G. Heider

Publisher:

Published: 1976

Total Pages: 190

ISBN-13:

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Provides history of ethnographic film


Book Synopsis Ethnographic Film by : Karl G. Heider

Download or read book Ethnographic Film written by Karl G. Heider and published by . This book was released on 1976 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides history of ethnographic film


Picturing Culture

Picturing Culture

Author: Jay Ruby

Publisher: University of Chicago Press

Published: 2000-08-15

Total Pages: 358

ISBN-13: 9780226730998

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Here, Jay Ruby—a founder of visual anthropology—distills his thirty-year exploration of the relationship of film and anthropology. Spurred by a conviction that the ideal of an anthropological cinema has not even remotely begun to be realized, Ruby argues that ethnographic filmmakers should generate a set of critical standards analogous to those for written ethnographies. Cinematic artistry and the desire to entertain, he argues, can eclipse the original intention, which is to provide an anthropological representation of the subjects. The book begins with analyses of key filmmakers (Robert Flaherty, Robert Garner, and Tim Asch) who have striven to generate profound statements about human behavior on film. Ruby then discusses the idea of research film, Eric Michaels and indigenous media, the ethics of representation, the nature of ethnography, anthropological knowledge, and film and lays the groundwork for a critical approach to the field that borrows selectively from film, communication, media, and cultural studies. Witty and original, yet intensely theoretical, this collection is a major contribution to the field of visual anthropology.


Book Synopsis Picturing Culture by : Jay Ruby

Download or read book Picturing Culture written by Jay Ruby and published by University of Chicago Press. This book was released on 2000-08-15 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Here, Jay Ruby—a founder of visual anthropology—distills his thirty-year exploration of the relationship of film and anthropology. Spurred by a conviction that the ideal of an anthropological cinema has not even remotely begun to be realized, Ruby argues that ethnographic filmmakers should generate a set of critical standards analogous to those for written ethnographies. Cinematic artistry and the desire to entertain, he argues, can eclipse the original intention, which is to provide an anthropological representation of the subjects. The book begins with analyses of key filmmakers (Robert Flaherty, Robert Garner, and Tim Asch) who have striven to generate profound statements about human behavior on film. Ruby then discusses the idea of research film, Eric Michaels and indigenous media, the ethics of representation, the nature of ethnography, anthropological knowledge, and film and lays the groundwork for a critical approach to the field that borrows selectively from film, communication, media, and cultural studies. Witty and original, yet intensely theoretical, this collection is a major contribution to the field of visual anthropology.


Jero Tapakan: Balinese Healer

Jero Tapakan: Balinese Healer

Author: Linda Connor

Publisher: CUP Archive

Published: 1986-03-31

Total Pages: 308

ISBN-13: 9780521311441

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Jero Tapakan is a popular village spirit medium on the island of Bali, Indonesia. Clients consult her about problems ranging from physical and mental illness to theft and advice on ritual matters. This book is a fascinating case-study of healing in a Southeast Asian society, and is unique because the book is integrated with film of specific patient treatments, as well as of Jero's own reflections on her life and work. Healer Jero, anthropologist Linda Connor, and ethnographic film-makers Timothy Asch and Patsy Asch collaborated in the study and in the production of the book and films, and for the first time a major academic press has produced a video-cassette of films to accompany the book. The result is an unrivalled resource for people interested in alternative medical systems, and is an important and innovative contribution to ethnographic methodology.


Book Synopsis Jero Tapakan: Balinese Healer by : Linda Connor

Download or read book Jero Tapakan: Balinese Healer written by Linda Connor and published by CUP Archive. This book was released on 1986-03-31 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jero Tapakan is a popular village spirit medium on the island of Bali, Indonesia. Clients consult her about problems ranging from physical and mental illness to theft and advice on ritual matters. This book is a fascinating case-study of healing in a Southeast Asian society, and is unique because the book is integrated with film of specific patient treatments, as well as of Jero's own reflections on her life and work. Healer Jero, anthropologist Linda Connor, and ethnographic film-makers Timothy Asch and Patsy Asch collaborated in the study and in the production of the book and films, and for the first time a major academic press has produced a video-cassette of films to accompany the book. The result is an unrivalled resource for people interested in alternative medical systems, and is an important and innovative contribution to ethnographic methodology.


Innovation in Ethnographic Film

Innovation in Ethnographic Film

Author: Peter Loizos

Publisher: University of Chicago Press

Published: 1993-07-15

Total Pages: 244

ISBN-13: 9780226492261

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In the first coprehensive introduction to the nature and development of ethnographic film, Peter Loizos reviews fifty of the most important films made between 1955 and 1985. Going beyond programmatic statements, he analyzes the films themselves, identifying and discussing their contributions to ethnographic documentation. Loizos begins by reviewing works of John Marshall and Timothy Asch in the 1950s and moves through those of Jean Rouch, Robert Gardner, and many more recent filmmakers. He reveals a steady course of innovations along four dimensions: production technology, subject matter, strategies of argument, and ethnographic authentication. His analyses of individual films address questions of realism, authenticity, genre, authorial and subjective voice, and representation of the films' creators as well as their subjects. Innovation in Ethnographic Film, as a systematic and iluminating review of developments in ethnographic film, will be an important resource for the growing number of anthropologists and other scholars who use such films as tools for research and teaching.


Book Synopsis Innovation in Ethnographic Film by : Peter Loizos

Download or read book Innovation in Ethnographic Film written by Peter Loizos and published by University of Chicago Press. This book was released on 1993-07-15 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first coprehensive introduction to the nature and development of ethnographic film, Peter Loizos reviews fifty of the most important films made between 1955 and 1985. Going beyond programmatic statements, he analyzes the films themselves, identifying and discussing their contributions to ethnographic documentation. Loizos begins by reviewing works of John Marshall and Timothy Asch in the 1950s and moves through those of Jean Rouch, Robert Gardner, and many more recent filmmakers. He reveals a steady course of innovations along four dimensions: production technology, subject matter, strategies of argument, and ethnographic authentication. His analyses of individual films address questions of realism, authenticity, genre, authorial and subjective voice, and representation of the films' creators as well as their subjects. Innovation in Ethnographic Film, as a systematic and iluminating review of developments in ethnographic film, will be an important resource for the growing number of anthropologists and other scholars who use such films as tools for research and teaching.


Ethnographic Film

Ethnographic Film

Author: Karl G. Heider

Publisher: University of Texas Press

Published: 2009-04-20

Total Pages: 181

ISBN-13: 0292779399

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From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.


Book Synopsis Ethnographic Film by : Karl G. Heider

Download or read book Ethnographic Film written by Karl G. Heider and published by University of Texas Press. This book was released on 2009-04-20 with total page 181 pages. Available in PDF, EPUB and Kindle. Book excerpt: From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.


Innovation in Ethnographic Film

Innovation in Ethnographic Film

Author: Peter Loizos

Publisher:

Published: 1993

Total Pages: 246

ISBN-13:

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This study is an analysis of recent innovation in ethnographic films during a period of rapid growth and change, written for anthropologists who would pay more systematic attention to films for research or teaching, and for film-makers who would make their films more serviceable to anthropology.


Book Synopsis Innovation in Ethnographic Film by : Peter Loizos

Download or read book Innovation in Ethnographic Film written by Peter Loizos and published by . This book was released on 1993 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study is an analysis of recent innovation in ethnographic films during a period of rapid growth and change, written for anthropologists who would pay more systematic attention to films for research or teaching, and for film-makers who would make their films more serviceable to anthropology.


Principles of Visual Anthropology

Principles of Visual Anthropology

Author: Paul Hockings

Publisher: Walter de Gruyter

Published: 2012-05-18

Total Pages: 592

ISBN-13: 3110290693

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This edition contains 27 articles, written by scholars and film makers who are generally acknowledged as the international authorities in the filed. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.


Book Synopsis Principles of Visual Anthropology by : Paul Hockings

Download or read book Principles of Visual Anthropology written by Paul Hockings and published by Walter de Gruyter. This book was released on 2012-05-18 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: This edition contains 27 articles, written by scholars and film makers who are generally acknowledged as the international authorities in the filed. The book covers ethnographic filming and its relations to the cinema and television; applications of filming to anthropological research, the uses of still photography, archives, and videotape; subdisciplinary applications in ethnography, archeology, bio-anthropology, museology and ethnohistory; and overcoming the funding problems of film production.