Towards a Theory of Musical Reproduction

Towards a Theory of Musical Reproduction

Author: Theodor W. Adorno

Publisher: John Wiley & Sons

Published: 2014-11-05

Total Pages: 304

ISBN-13: 0745694527

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At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.


Book Synopsis Towards a Theory of Musical Reproduction by : Theodor W. Adorno

Download or read book Towards a Theory of Musical Reproduction written by Theodor W. Adorno and published by John Wiley & Sons. This book was released on 2014-11-05 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: At the beginning of his career in the 1920s, Adorno sketched a plan to write a major work on the theory of musical reproduction, a task he returned to time and again throughout his career but never completed. The choice of the word reproduction as opposed to interpretation indicates a primary supposition: that there is a clearly defined musical text whose precision exceeds what is visible on the page, and that the performer has the responsibility to reproduce it as accurately as possible, beyond simply playing what is written. This task, according to Adorno, requires a detailed understanding of all musical parameters in their historical context, and his reflections upon this task lead to a fundamental study of the nature of notation and musical sense. In the various notes and texts brought together in Towards a Theory of Musical Reproduction, one finds Adorno constantly circling around an irresolvable paradox: interpretation can only fail the work, yet only through it can musics true essence be captured. While he at times seems more definite in his pronouncement of a musical scores absolute value just as a book is read silently, not aloud his discourse repeatedly displays his inability to cling to that belief. It is this quality of uncertainty in his reflections that truly indicates the scope of the discourse and its continuing relevance to musical thought and practice today.

Adorno and Performance

Adorno and Performance

Author: W. Daddario

Publisher: Springer

Published: 2014-10-16

Total Pages: 228

ISBN-13: 1137429887

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Adorno and Performance offers the first comprehensive examination of the vital role of performance within the philosophy of Theodor W. Adorno. Capacious in its ramifications for contemporary life, the term 'performance' here unlocks Adorno's dialectical thought process, which aimed at overcoming the stultifying uniformity of instrumental reason.


Book Synopsis Adorno and Performance by : W. Daddario

Download or read book Adorno and Performance written by W. Daddario and published by Springer. This book was released on 2014-10-16 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adorno and Performance offers the first comprehensive examination of the vital role of performance within the philosophy of Theodor W. Adorno. Capacious in its ramifications for contemporary life, the term 'performance' here unlocks Adorno's dialectical thought process, which aimed at overcoming the stultifying uniformity of instrumental reason.

The Oxford Handbook of Critical Improvisation Studies

The Oxford Handbook of Critical Improvisation Studies

Author: George Lewis

Publisher: Oxford University Press

Published: 2016

Total Pages: 601

ISBN-13: 019989292X

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V. 1. Cognitions -- v. 2. Critical theories


Book Synopsis The Oxford Handbook of Critical Improvisation Studies by : George Lewis

Download or read book The Oxford Handbook of Critical Improvisation Studies written by George Lewis and published by Oxford University Press. This book was released on 2016 with total page 601 pages. Available in PDF, EPUB and Kindle. Book excerpt: V. 1. Cognitions -- v. 2. Critical theories

The Oxford Handbook of Critical Improvisation Studies

The Oxford Handbook of Critical Improvisation Studies

Author: George E. Lewis

Publisher: Oxford University Press

Published: 2016-08-22

Total Pages: 640

ISBN-13: 0199892938

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Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.


Book Synopsis The Oxford Handbook of Critical Improvisation Studies by : George E. Lewis

Download or read book The Oxford Handbook of Critical Improvisation Studies written by George E. Lewis and published by Oxford University Press. This book was released on 2016-08-22 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt: Improvisation informs a vast array of human activity, from creative practices in art, dance, music, and literature to everyday conversation and the relationships to natural and built environments that surround and sustain us. The two volumes of the Oxford Handbook of Critical Improvisation Studies gather scholarship on improvisation from an immense range of perspectives, with contributions from more than sixty scholars working in architecture, anthropology, art history, computer science, cognitive science, cultural studies, dance, economics, education, ethnomusicology, film, gender studies, history, linguistics, literary theory, musicology, neuroscience, new media, organizational science, performance studies, philosophy, popular music studies, psychology, science and technology studies, sociology, and sound art, among others.

Musical Revolutions in German Culture

Musical Revolutions in German Culture

Author: M. Hall

Publisher: Springer

Published: 2014-10-23

Total Pages: 214

ISBN-13: 1137449950

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Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.


Book Synopsis Musical Revolutions in German Culture by : M. Hall

Download or read book Musical Revolutions in German Culture written by M. Hall and published by Springer. This book was released on 2014-10-23 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.

The Mediations of Music

The Mediations of Music

Author: Gianmario Borio

Publisher: Taylor & Francis

Published: 2022-08-17

Total Pages: 304

ISBN-13: 1000619125

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Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication – in particular, pedagogy and dissemination through the media. Each of the book’s four parts deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno’s reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno’s Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields.


Book Synopsis The Mediations of Music by : Gianmario Borio

Download or read book The Mediations of Music written by Gianmario Borio and published by Taylor & Francis. This book was released on 2022-08-17 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication – in particular, pedagogy and dissemination through the media. Each of the book’s four parts deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno’s reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno’s Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields.

The Future of Music

The Future of Music

Author: Guerino Mazzola

Publisher: Springer Nature

Published: 2020-03-21

Total Pages: 237

ISBN-13: 3030397092

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The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.


Book Synopsis The Future of Music by : Guerino Mazzola

Download or read book The Future of Music written by Guerino Mazzola and published by Springer Nature. This book was released on 2020-03-21 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.

The Hallelujah Effect

The Hallelujah Effect

Author: Babette Babich

Publisher: Routledge

Published: 2016-03-16

Total Pages: 378

ISBN-13: 1317029550

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This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.


Book Synopsis The Hallelujah Effect by : Babette Babich

Download or read book The Hallelujah Effect written by Babette Babich and published by Routledge. This book was released on 2016-03-16 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. Especially as recorded on YouTube, k.d. lang's interpretation(s) of Cohen's Hallelujah, embody acoustically and visually/viscerally, what Nietzsche named the 'spirit of music'. Today, the working of music is magnified and transformed by recording dynamics and mediated via Facebook exchanges, blog postings and video sites. Given the sexual/religious core of Cohen's Hallelujah, this study poses a phenomenological reading of the objectification of both men and women, raising the question of desire, including gender issues and both homosexual and heterosexual desire. A review of critical thinking about musical performance as 'currency' and consumed commodity takes up Adorno's reading of Benjamin's analysis of the work of art in the age of mechanical reproduction as applied to music/radio/sound and the persistent role of 'recording consciousness'. Ultimately, the question of what Nietzsche called the becoming-human-of-dissonance is explored in terms of both ancient tragedy and Beethoven's striking deployment of dissonance as Nietzsche analyses both as playing with suffering, discontent, and pain itself, a playing for the sake not of language or sense but musically, as joy.

Writing and the Modern Stage

Writing and the Modern Stage

Author: Julia Jarcho

Publisher: Cambridge University Press

Published: 2017-04-18

Total Pages: 287

ISBN-13: 1107132355

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This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.


Book Synopsis Writing and the Modern Stage by : Julia Jarcho

Download or read book Writing and the Modern Stage written by Julia Jarcho and published by Cambridge University Press. This book was released on 2017-04-18 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.

Deep Refrains

Deep Refrains

Author: Michael Gallope

Publisher: University of Chicago Press

Published: 2017-11-14

Total Pages: 348

ISBN-13: 022648369X

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Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to "speak” when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jank�l�vitch, Gilles Deleuze, and F�lix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jank�l�vitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music’s ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.


Book Synopsis Deep Refrains by : Michael Gallope

Download or read book Deep Refrains written by Michael Gallope and published by University of Chicago Press. This book was released on 2017-11-14 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deep Refrains is a wide-ranging investigation of the philosophy of music. Michael Gallope asks what it means for music to "speak” when it is not saying anything in particular. To answer this question, he turns to the writings of some of the most revered thinkers of the twentieth century--Ernst Bloch, Theodor Adorno, Vladimir Jank�l�vitch, Gilles Deleuze, and F�lix Guattari. For these theorists, Gallope argues, the paradox that music is both ineffable and yet harbors deep philosophical wisdoms is fertile ground for thinking outside of conceptual boundaries. It provides the lens for a utopian potentiality that inspires hope (Bloch), an ethical critique of modernity (Adorno), an exemplification of the ephemeral movement of lived time (Jank�l�vitch), and a sonic extension of the syncopated, contrapuntal rhythms of sense and social life (Deleuze and Guattari). Gallope argues that a philosophical engagement with music’s ineffability rarely calls for silence or declarations of the unspeakable. Rather, it asks us to think through the ways in which the impact of music is made to address complex philosophical problems specific to the modern world.