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This book examines the performance of Greek tragedy in the classical Athenian theatre. David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. The book shows how performance as a whole was organised and, through informative diagrams and accessible analyses, Wiles brings the theatre of Greek tragedy to life.
Book Synopsis Tragedy in Athens by : David Wiles
Download or read book Tragedy in Athens written by David Wiles and published by Cambridge University Press. This book was released on 1999-08-19 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the performance of Greek tragedy in the classical Athenian theatre. David Wiles explores the performance of tragedy as a spatial practice specific to Athenian culture, at once religious and political. After reviewing controversies and archaeological data regarding the fifth-century performance space, Wiles turns to the chorus and shows how dance mapped out the space for the purposes of any given play. The book shows how performance as a whole was organised and, through informative diagrams and accessible analyses, Wiles brings the theatre of Greek tragedy to life.
Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways-- rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.
Book Synopsis Tragedy and Athenian Religion by : Christiane Sourvinou-Inwood
Download or read book Tragedy and Athenian Religion written by Christiane Sourvinou-Inwood and published by Lexington Books. This book was released on 2003 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stemming from Harvard University's Carl Newell Jackson Lectures, Christiane Sourvinou-Inwood's Tragedy and Athenian Religion sets out a radical reexamination of the relationship between Greek tragedy and religion. Based on a reconstruction of the context in which tragedy was generated as a ritual performance during the festival of the City Dionysia, Sourvinou-Inwood shows that religious exploration had been crucial in the emergence of what developed into fifth-century Greek tragedy. A contextual analysis of the perceptions of fifth-century Athenians suggests that the ritual elements clustered in the tragedies of Euripides, Aeschylus, and Sophocles provided a framework for the exploration of religious issues, in a context perceived to be part of a polis ritual. This reassessment of Athenian tragedy is based both on a reconstruction of the Dionysia and the various stages of its development and on a deep textual analysis of fifth-century tragedians. By examining the relationship between fifth-century tragedies and performative context, Tragedy and Athenian Religion presents a groundbreaking view of tragedy as a discourse that explored (among other topics) the problematic religious issues of the time and so ultimately strengthened Athenian religion even at a time of crisis in very complex ways-- rather than, as some simpler modern readings argue, challenging and attacking religion and the gods.
Book Synopsis Tragedy and Myth in Ancient Greece by : Jean-Pierre Vernant
Download or read book Tragedy and Myth in Ancient Greece written by Jean-Pierre Vernant and published by . This book was released on 1981 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:
As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.
Book Synopsis The Cambridge Companion to Greek Tragedy by : P. E. Easterling
Download or read book The Cambridge Companion to Greek Tragedy written by P. E. Easterling and published by Cambridge University Press. This book was released on 1997-10-02 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: As a creative medium, ancient Greek tragedy has had an extraordinarily wide influence: many of the surviving plays are still part of the theatrical repertoire, and texts like Agamemnon, Antigone, and Medea have had a profound effect on Western culture. This Companion is not a conventional introductory textbook but an attempt, by seven distinguished scholars, to present the familiar corpus in the context of modern reading, criticism, and performance of Greek tragedy. There are three main emphases: on tragedy as an institution in the civic life of ancient Athens, on a range of different critical interpretations arising from fresh readings of the texts, and on changing patterns of reception, adaptation, and performance from antiquity to the present. Each chapter can be read independently, but each is linked with the others, and most examples are drawn from the same selection of plays.
The first account of how Athens invented the notion of 'classical' tragedy during the later fourth century BC.
Book Synopsis Lycurgan Athens and the Making of Classical Tragedy by : Johanna Hanink
Download or read book Lycurgan Athens and the Making of Classical Tragedy written by Johanna Hanink and published by Cambridge University Press. This book was released on 2014-06-19 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first account of how Athens invented the notion of 'classical' tragedy during the later fourth century BC.
Athena is recognized as an allegory or representative of Athens in most Athenian public art except in tragedy. Perhaps this is because tragedy is rarely studied as a public art form or, perhaps, because her character is not static in tragedy. Although Athena's characterization changes to fit the needs of a particular drama, her clear connection with justice remains true throughout and suggests that she is always the representative of the city and its institutions. Athens, the city Athena protected, experienced a dramatic transformation in the fifth century: its political institutions, physical landscape, military power and international prestige underwent dynamic change. Athena, its goddess and its symbol, simultaneously transformed as well, although not always for the better. Athena's Justice follows the question of civic identity and ideology in Athenian tragedy, focusing specifically on the link between tragedy and its influence upon identity creation and promotion during the period when Athens was asserting itself as an imperial power. Through examination of tragedies in which Athena appears, this book traces the process by which Athens came to identify itself with its legal system, symbolized by Athena on stage, and then suffered the corruption of that system by the exercise of imperial power. Athena's Justice is essential reading not just for classicists and ancient historians, but for anyone interested in the interaction between art and politics and the process by which human beings in any period seek to shape their identity as a people.
Book Synopsis Athena's Justice by : Rebecca Futo Kennedy
Download or read book Athena's Justice written by Rebecca Futo Kennedy and published by Peter Lang. This book was released on 2009 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Athena is recognized as an allegory or representative of Athens in most Athenian public art except in tragedy. Perhaps this is because tragedy is rarely studied as a public art form or, perhaps, because her character is not static in tragedy. Although Athena's characterization changes to fit the needs of a particular drama, her clear connection with justice remains true throughout and suggests that she is always the representative of the city and its institutions. Athens, the city Athena protected, experienced a dramatic transformation in the fifth century: its political institutions, physical landscape, military power and international prestige underwent dynamic change. Athena, its goddess and its symbol, simultaneously transformed as well, although not always for the better. Athena's Justice follows the question of civic identity and ideology in Athenian tragedy, focusing specifically on the link between tragedy and its influence upon identity creation and promotion during the period when Athens was asserting itself as an imperial power. Through examination of tragedies in which Athena appears, this book traces the process by which Athens came to identify itself with its legal system, symbolized by Athena on stage, and then suffered the corruption of that system by the exercise of imperial power. Athena's Justice is essential reading not just for classicists and ancient historians, but for anyone interested in the interaction between art and politics and the process by which human beings in any period seek to shape their identity as a people.
Book Synopsis Crėüsa, Queen of Athens by : William Whitehead
Download or read book Crėüsa, Queen of Athens written by William Whitehead and published by . This book was released on 1750 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt:
What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.
Book Synopsis Greek Tragedy After the Fifth Century by : Vayos Liapis
Download or read book Greek Tragedy After the Fifth Century written by Vayos Liapis and published by Cambridge University Press. This book was released on 2019 with total page 431 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.
This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life of Sicilian and South Italian 'colonial cities;' theater as a method of cultural self-identification; shared mythological themes in performance texts and theatrical vase-painting; and the reflection and analysis of Sicilian and South Italian theater in the work of Athenian philosophers and playwrights. Together, the essays explore central problems in the study of western Greek theater. By gathering a number of different perspectives and methods, this volume offers the first wide-ranging examination of this hitherto neglected history.
Book Synopsis Theater outside Athens by : Kathryn Bosher
Download or read book Theater outside Athens written by Kathryn Bosher and published by Cambridge University Press. This book was released on 2012-08-02 with total page 493 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life of Sicilian and South Italian 'colonial cities;' theater as a method of cultural self-identification; shared mythological themes in performance texts and theatrical vase-painting; and the reflection and analysis of Sicilian and South Italian theater in the work of Athenian philosophers and playwrights. Together, the essays explore central problems in the study of western Greek theater. By gathering a number of different perspectives and methods, this volume offers the first wide-ranging examination of this hitherto neglected history.
After fending off Persia in the fifth century BCE, Athens assumed a leadership position in the Aegean world. Initially it led the Delian League, a military alliance against the Persians, but eventually the league evolved into an empire with Athens in control and exacting tribute from its former allies. Athenians justified this subjection of their allies by emphasizing their fairness and benevolence towards them, which gave Athens the moral right to lead. But Athenians also believed that the strong rule over the weak and that dominating others allowed them to maintain their own freedom. These conflicting views about Athens’ imperial rule found expression in the theater, and this book probes how the three major playwrights dramatized Athenian imperial ideology. Through close readings of Aeschylus’ Eumenides, Euripides’ Children of Heracles, and Sophocles’ Oedipus at Colonus, as well as other suppliant dramas, Angeliki Tzanetou argues that Athenian tragedy performed an important ideological function by representing Athens as a benevolent and moral ruler that treated foreign suppliants compassionately. She shows how memorable and disenfranchised figures of tragedy, such as Orestes and Oedipus, or the homeless and tyrant-pursued children of Heracles were generously incorporated into the public body of Athens, thus reinforcing Athenians’ sense of their civic magnanimity. This fresh reading of the Athenian suppliant plays deepens our understanding of how Athenians understood their political hegemony and reveals how core Athenian values such as justice, freedom, piety, and respect for the laws intersected with imperial ideology.
Book Synopsis City of Suppliants by : Angeliki Tzanetou
Download or read book City of Suppliants written by Angeliki Tzanetou and published by University of Texas Press. This book was released on 2012-08-01 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt: After fending off Persia in the fifth century BCE, Athens assumed a leadership position in the Aegean world. Initially it led the Delian League, a military alliance against the Persians, but eventually the league evolved into an empire with Athens in control and exacting tribute from its former allies. Athenians justified this subjection of their allies by emphasizing their fairness and benevolence towards them, which gave Athens the moral right to lead. But Athenians also believed that the strong rule over the weak and that dominating others allowed them to maintain their own freedom. These conflicting views about Athens’ imperial rule found expression in the theater, and this book probes how the three major playwrights dramatized Athenian imperial ideology. Through close readings of Aeschylus’ Eumenides, Euripides’ Children of Heracles, and Sophocles’ Oedipus at Colonus, as well as other suppliant dramas, Angeliki Tzanetou argues that Athenian tragedy performed an important ideological function by representing Athens as a benevolent and moral ruler that treated foreign suppliants compassionately. She shows how memorable and disenfranchised figures of tragedy, such as Orestes and Oedipus, or the homeless and tyrant-pursued children of Heracles were generously incorporated into the public body of Athens, thus reinforcing Athenians’ sense of their civic magnanimity. This fresh reading of the Athenian suppliant plays deepens our understanding of how Athenians understood their political hegemony and reveals how core Athenian values such as justice, freedom, piety, and respect for the laws intersected with imperial ideology.
