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A consideration of the metaphor of water in religious literature, especially in relation to women.
Book Synopsis Transformative Waters in Late-medieval Literature by : Hetta Elizabeth Howes
Download or read book Transformative Waters in Late-medieval Literature written by Hetta Elizabeth Howes and published by Boydell & Brewer. This book was released on 2021 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: A consideration of the metaphor of water in religious literature, especially in relation to women.
This book uncovers the tremendous importance of water for European medieval literature, focusing on a large number of writers and poets. Water proves to be highly meaningful in religious, literary, and factual narratives insofar as it emerges as a central catalyst to bring about epiphany and epistemological and spiritual illumination.
Book Synopsis Water in Medieval Literature by : Albrecht Classen
Download or read book Water in Medieval Literature written by Albrecht Classen and published by Lexington Books. This book was released on 2017-08-15 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book uncovers the tremendous importance of water for European medieval literature, focusing on a large number of writers and poets. Water proves to be highly meaningful in religious, literary, and factual narratives insofar as it emerges as a central catalyst to bring about epiphany and epistemological and spiritual illumination.
A spectacular, vivid, groundbreaking work of history which takes us into the minds and lives of medieval women. What was life really like for women in the medieval period? How did they think about sex, death and God? Could they live independent lives? And how can we hear the stories of women from this period? Few women had the luxury of writing down their thoughts and feelings during medieval times. But remarkably, there are at least four extraordinary women who did. Those women were: Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife. Four women, writing hundreds of years ago, long before feminism existed - yet in their own ways these four, very different writers pushed back against the misogyny of the period. Each of them broke new ground in women's writing and left us incredible insights into the world of medieval life and politics. Hetta Howes has spent her working life uncovering these women's stories to give us a valuable and unique historical insight that challenges what we hold to be common knowledge about medieval women in Europe. Women did earn money, they could live independent lives, and they thought, loved, fought and suffered just as we do today. Poet, Mystic, Widow, Wife paints a portrait of the world in which these women lived, and the ways their lives speak to us in the present.
Book Synopsis Poet, Mystic, Widow, Wife by : Hetta Howes
Download or read book Poet, Mystic, Widow, Wife written by Hetta Howes and published by Bloomsbury Publishing. This book was released on 2024-10-24 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A spectacular, vivid, groundbreaking work of history which takes us into the minds and lives of medieval women. What was life really like for women in the medieval period? How did they think about sex, death and God? Could they live independent lives? And how can we hear the stories of women from this period? Few women had the luxury of writing down their thoughts and feelings during medieval times. But remarkably, there are at least four extraordinary women who did. Those women were: Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife. Four women, writing hundreds of years ago, long before feminism existed - yet in their own ways these four, very different writers pushed back against the misogyny of the period. Each of them broke new ground in women's writing and left us incredible insights into the world of medieval life and politics. Hetta Howes has spent her working life uncovering these women's stories to give us a valuable and unique historical insight that challenges what we hold to be common knowledge about medieval women in Europe. Women did earn money, they could live independent lives, and they thought, loved, fought and suffered just as we do today. Poet, Mystic, Widow, Wife paints a portrait of the world in which these women lived, and the ways their lives speak to us in the present.
This collection explores some of the many ways in which sanctity was closely intertwined with the development of literary strategies across a range of writings in late medieval Britain. Rather than looking for clues in religious practices in order to explain such changes, or reading literature for information about sanctity, these essays consider the ways in which sanctity - as concept and as theme - allowed writers to articulate and to develop further their 'craft' in specific ways. While scholars in recent years have turned once more to questions of literary form and technique, the kinds of writings considered in this collection - writings that were immensely popular in their own time - have not attracted the same amount of attention as more secular forms. The collection as a whole offers new insights for scholars interested in form, style, poetics, literary history and aesthetics, by considering sanctity first and foremost as literature
Book Synopsis Sanctity as literature in late medieval Britain by : Anke Bernau
Download or read book Sanctity as literature in late medieval Britain written by Anke Bernau and published by Manchester University Press. This book was released on 2015-05-01 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection explores some of the many ways in which sanctity was closely intertwined with the development of literary strategies across a range of writings in late medieval Britain. Rather than looking for clues in religious practices in order to explain such changes, or reading literature for information about sanctity, these essays consider the ways in which sanctity - as concept and as theme - allowed writers to articulate and to develop further their 'craft' in specific ways. While scholars in recent years have turned once more to questions of literary form and technique, the kinds of writings considered in this collection - writings that were immensely popular in their own time - have not attracted the same amount of attention as more secular forms. The collection as a whole offers new insights for scholars interested in form, style, poetics, literary history and aesthetics, by considering sanctity first and foremost as literature
Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.For millennia, women have spoken and read through cloth. The literature and art of the Middle Ages are replete with images of women working cloth, wielding spindles, distaffs, and needles, or sitting at their looms. Yet they have been little explored. Drawing upon the burgeoning field of medieval textile studies, as well as contemporary theories of gender, materiality, and eco-criticism, this study illustrates how textiles provide a hermeneutical alternative to the patriarchally-dominated written word. It puts forward the argument that women's devotion during this period was a "fabricated" phenomenon, a mode of spirituality and religious exegesis expressed, devised, and practised through cloth. Centred on four icons of female devotion (Eve, Mary, St Veronica, and - of course - Christ), the book explores a broad range of narratives from across the rich tapestry of medieval English literature, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.
Book Synopsis Female Devotion and Textile Imagery in Medieval English Literature by : Anna McKay
Download or read book Female Devotion and Textile Imagery in Medieval English Literature written by Anna McKay and published by Boydell & Brewer. This book was released on 2024-03-05 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncovers the female voices, lived experiences, and spiritual insights encoded by the imagery of textiles in the Middle Ages.For millennia, women have spoken and read through cloth. The literature and art of the Middle Ages are replete with images of women working cloth, wielding spindles, distaffs, and needles, or sitting at their looms. Yet they have been little explored. Drawing upon the burgeoning field of medieval textile studies, as well as contemporary theories of gender, materiality, and eco-criticism, this study illustrates how textiles provide a hermeneutical alternative to the patriarchally-dominated written word. It puts forward the argument that women's devotion during this period was a "fabricated" phenomenon, a mode of spirituality and religious exegesis expressed, devised, and practised through cloth. Centred on four icons of female devotion (Eve, Mary, St Veronica, and - of course - Christ), the book explores a broad range of narratives from across the rich tapestry of medieval English literature, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.ture, from the fields of Piers Plowman to the late medieval Morte D'arthur; the devotions of Margery Kempe to the visionary experiences of Julian of Norwich; Gervase of Tilbury's fabulous Otia Imperialia to the anchoritic guidance literature of the Middle Ages; and the innumerable (and oft-forgotten) lives of Christ, prayers, legends, and miracle tales in between.
This book is first in its field to analyze how disability and gender both thematically and formally operate within late medieval popular literature. Reading romance, conduct manuals, and spiritual autobiography, it proposes a 'gendered model' for exploring the processes by which differences like gender and disability get coded as deviant.
Book Synopsis Women and Disability in Medieval Literature by : T. Pearman
Download or read book Women and Disability in Medieval Literature written by T. Pearman and published by Springer. This book was released on 2010-11-14 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is first in its field to analyze how disability and gender both thematically and formally operate within late medieval popular literature. Reading romance, conduct manuals, and spiritual autobiography, it proposes a 'gendered model' for exploring the processes by which differences like gender and disability get coded as deviant.
This book enhances our understanding of the exquisitely beautiful, fourteenth-century, Middle English dream vision poem Pearl. Situating the study in the contexts of medieval literary criticism and contemporary genre theory, Beal argues that the poet intended Pearl to be read at four levels of meaning and in four corresponding genres: literally, an elegy; spiritually, an allegory; morally, a consolation; and anagogically, a revelation. The book addresses cruxes and scholarly debates about the poem’s genre and meaning, including key questions that have been unresolved in Pearl studies for over a century: * What is the nature of the relationship between the Dreamer and the Maiden? * What is the significance of allusions to Ovidian love stories and the use of liturgical time in the poem? * How does avian symbolism, like that of the central symbol of the pearl, develop, transform, and add meaning throughout the dream vision? * What is the nature of God portrayed in the poem, and how does the portrayal of the Maiden’s intimate relationship to God, her spiritual marriage to the Lamb, connect to the poet’s purpose in writing? Noting that the poem is open to many interpretations, Beal also considers folktale genre patterns in Pearl, including those drawn from parable, fable, and fairy-tale. The conclusion considers Pearl in the light of modern psychological theories of grieving and trauma. This book makes a compelling case for re-reading Pearl and recognizing the poem’s signifying power. Given the ongoing possibility of new interpretations, it will appeal to those who specialize in Pearl as well as scholars of Middle English, Medieval Literature, Genre Theory, and Literature and Religion.
Book Synopsis The Signifying Power of Pearl by : Jane Beal
Download or read book The Signifying Power of Pearl written by Jane Beal and published by Routledge. This book was released on 2016-12-08 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book enhances our understanding of the exquisitely beautiful, fourteenth-century, Middle English dream vision poem Pearl. Situating the study in the contexts of medieval literary criticism and contemporary genre theory, Beal argues that the poet intended Pearl to be read at four levels of meaning and in four corresponding genres: literally, an elegy; spiritually, an allegory; morally, a consolation; and anagogically, a revelation. The book addresses cruxes and scholarly debates about the poem’s genre and meaning, including key questions that have been unresolved in Pearl studies for over a century: * What is the nature of the relationship between the Dreamer and the Maiden? * What is the significance of allusions to Ovidian love stories and the use of liturgical time in the poem? * How does avian symbolism, like that of the central symbol of the pearl, develop, transform, and add meaning throughout the dream vision? * What is the nature of God portrayed in the poem, and how does the portrayal of the Maiden’s intimate relationship to God, her spiritual marriage to the Lamb, connect to the poet’s purpose in writing? Noting that the poem is open to many interpretations, Beal also considers folktale genre patterns in Pearl, including those drawn from parable, fable, and fairy-tale. The conclusion considers Pearl in the light of modern psychological theories of grieving and trauma. This book makes a compelling case for re-reading Pearl and recognizing the poem’s signifying power. Given the ongoing possibility of new interpretations, it will appeal to those who specialize in Pearl as well as scholars of Middle English, Medieval Literature, Genre Theory, and Literature and Religion.
My dissertation uncovers the ways that medieval literature both shares a physiological vocabulary with medieval English medicine and extends it. I argue that medieval romances, devotional prose tracts, and dramatic works all use a specifically physiological language to represent transformative miracles. At the same time that these texts use this vocabulary, however, they also do what medicine cannot: medieval literature, I argue, complicates and extends its physiological background in order to represent religious identities, mark religious difference, and explain the inextricability of physical and spiritual life. To establish an intellectual context for my analysis, I examine the earliest known academic medical treatise written in English: the Liber Uricrisiarum (c. 1379) by Dominican friar, Henry Daniel. Danielâ s treatise serves not as a singular source for the medical ideas discussed here but rather as a contemporary intertext that shares a physiological language with literature and that intersects with medieval literary culture in its distinctly vernacular style. The succeeding chapters focus on the role of blood in providing physical form and conferring religious identity in the anonymous King of Tars, Julian of Norwichâ s Revelation of Love, and the N-Town Nativity play. These works collectively demonstrate a desire on the part of late medieval writers to negotiate the shifting relationship between the body, religion, and the English language. Ultimately, I reconceptualize our understanding of late medieval intellectual culture, showing that medical works have relevance beyond a strictly professional or curative context and that literary works, in their physiological and symbolic representations of blood, combine medical and theological discourses in greater detail than scholarship has acknowledged previously.
Book Synopsis The Seat of the Soul by : Sarah Star
Download or read book The Seat of the Soul written by Sarah Star and published by . This book was released on 2016 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: My dissertation uncovers the ways that medieval literature both shares a physiological vocabulary with medieval English medicine and extends it. I argue that medieval romances, devotional prose tracts, and dramatic works all use a specifically physiological language to represent transformative miracles. At the same time that these texts use this vocabulary, however, they also do what medicine cannot: medieval literature, I argue, complicates and extends its physiological background in order to represent religious identities, mark religious difference, and explain the inextricability of physical and spiritual life. To establish an intellectual context for my analysis, I examine the earliest known academic medical treatise written in English: the Liber Uricrisiarum (c. 1379) by Dominican friar, Henry Daniel. Danielâ s treatise serves not as a singular source for the medical ideas discussed here but rather as a contemporary intertext that shares a physiological language with literature and that intersects with medieval literary culture in its distinctly vernacular style. The succeeding chapters focus on the role of blood in providing physical form and conferring religious identity in the anonymous King of Tars, Julian of Norwichâ s Revelation of Love, and the N-Town Nativity play. These works collectively demonstrate a desire on the part of late medieval writers to negotiate the shifting relationship between the body, religion, and the English language. Ultimately, I reconceptualize our understanding of late medieval intellectual culture, showing that medical works have relevance beyond a strictly professional or curative context and that literary works, in their physiological and symbolic representations of blood, combine medical and theological discourses in greater detail than scholarship has acknowledged previously.
In pursuing how fourteenth-century English texts engage with philosophical, intellectual, and theological questions, the work of Denise N. Baker has powerfully shaped the field of medieval studies. This collection honors Baker's legacy as a scholar and teacher by taking a fresh approach to the most salient literary, mystical, and devotional works written in late medieval England. The contributors examine a variety of foundational texts ranging from Piers Plowman and The Canterbury Tales to The Cloud of Unknowing and Julian of Norwich's Showings. Their analyses offer new insights into medieval literature and culture by examining the intricacies of vice and virtue, the connections between gender and literary form, and the ethical potential of social formations. Additionally, the volume attests to the wider influence of fourteenth-century literature. Not only do the contributors explore how medieval writers make their own claims of memorialization, but they also analyze later iterations of Middle English writing in the context of nineteenth- and twentieth-century print culture. Featuring chapters by both early scholars and those at the later stages of their careers, this volume celebrates the impact of Baker's scholarship over the past four decades. At the same time, this book offers an incisive inquiry into many of the most debated issues and texts in studies of late medieval England.
Book Synopsis New Directions in Medieval Mystical and Devotional Literature by : Amy N. Vines
Download or read book New Directions in Medieval Mystical and Devotional Literature written by Amy N. Vines and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In pursuing how fourteenth-century English texts engage with philosophical, intellectual, and theological questions, the work of Denise N. Baker has powerfully shaped the field of medieval studies. This collection honors Baker's legacy as a scholar and teacher by taking a fresh approach to the most salient literary, mystical, and devotional works written in late medieval England. The contributors examine a variety of foundational texts ranging from Piers Plowman and The Canterbury Tales to The Cloud of Unknowing and Julian of Norwich's Showings. Their analyses offer new insights into medieval literature and culture by examining the intricacies of vice and virtue, the connections between gender and literary form, and the ethical potential of social formations. Additionally, the volume attests to the wider influence of fourteenth-century literature. Not only do the contributors explore how medieval writers make their own claims of memorialization, but they also analyze later iterations of Middle English writing in the context of nineteenth- and twentieth-century print culture. Featuring chapters by both early scholars and those at the later stages of their careers, this volume celebrates the impact of Baker's scholarship over the past four decades. At the same time, this book offers an incisive inquiry into many of the most debated issues and texts in studies of late medieval England.
Book Synopsis Worlds Upside-down by : Deborah Margaret Sabadash
Download or read book Worlds Upside-down written by Deborah Margaret Sabadash and published by . This book was released on 1993 with total page 516 pages. Available in PDF, EPUB and Kindle. Book excerpt:
