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Book Synopsis Treasures of Persian Art After Islam: the Mahboubian Collection by : University of Texas at Austin. University Art Museum
Download or read book Treasures of Persian Art After Islam: the Mahboubian Collection written by University of Texas at Austin. University Art Museum and published by . This book was released on 1970 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Book Synopsis Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set by : Jonathan Bloom
Download or read book Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set written by Jonathan Bloom and published by Oxford University Press. This book was released on 2009-05-14 with total page 1697 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnificent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. In a comprehensive introduction, Vladimir Lukonin, Director of the Oriental Art section of the Hermitage Museum, and his colleague Anatoli Ivanov have broadly documented the major developments of Persian Art: from the first signs of civilisation on the plains of Iran around the 10thcentury BCE through the early 20th century. In the second part of the book they have catalogued Persian Art giving locations, origins, descriptions, and artist biographies where available. Persian Art demonstrates a common theme which runs through the art of the region over the past three millennia. Despite many religious and political upheavals, Persian Art whether in its architecture, sculpture, frescoes, miniatures, porcelain, fabrics, or rugs; whether in the work of the humble craftsmen or the high art of court painters displays the delicate touch and subtle refinement which has had a profound influence on art throughout the world.
Book Synopsis Persian Art by : Vladimir Lukonin
Download or read book Persian Art written by Vladimir Lukonin and published by Parkstone International. This book was released on 2015-09-15 with total page 573 pages. Available in PDF, EPUB and Kindle. Book excerpt: Housed in the Hermitage Museum along with other institutes, libraries, and museums in Russia and the republics of the former Soviet Union are some of the most magnificent treasures of Persian Art. For the most part, many of these works have been lost, but have been catalogued and published here for the first time with an unsurpassed selection of colour plates. In a comprehensive introduction, Vladimir Lukonin, Director of the Oriental Art section of the Hermitage Museum, and his colleague Anatoli Ivanov have broadly documented the major developments of Persian Art: from the first signs of civilisation on the plains of Iran around the 10thcentury BCE through the early 20th century. In the second part of the book they have catalogued Persian Art giving locations, origins, descriptions, and artist biographies where available. Persian Art demonstrates a common theme which runs through the art of the region over the past three millennia. Despite many religious and political upheavals, Persian Art whether in its architecture, sculpture, frescoes, miniatures, porcelain, fabrics, or rugs; whether in the work of the humble craftsmen or the high art of court painters displays the delicate touch and subtle refinement which has had a profound influence on art throughout the world.
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.
Book Synopsis Studies in the Islamic Decorative Arts by : Robert Hillenbrand
Download or read book Studies in the Islamic Decorative Arts written by Robert Hillenbrand and published by Pindar Press. This book was released on 2019-12-31 with total page 531 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.
This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Book Synopsis Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art by : Metropolitan Museum of Art (New York, N.Y.)
Download or read book Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2011 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the great diversity and range of Islamic culture through one of the finest collections in the world. Published to coincide with the historic reopening of the galleries of the Metropolitan Museum's Islamic Art Department, it presents nearly three hundred masterworks created in the rich tradition of the Islamic faith and culture. The Metropolitan's renowned holdings range chronologically from the origins of Islam in the 7th century through the 19th century, and geographically from as far west as Spain to as far east as Southeast Asia.
Shows and describes examples of Persian calligraphy, glass, tile, pottery, lacquer, books, paintings, jewelry, textiles, sculpture, and architecture
Book Synopsis The Arts of Persia by : Ronald W. Ferrier
Download or read book The Arts of Persia written by Ronald W. Ferrier and published by Yale University Press. This book was released on 1989-01-01 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shows and describes examples of Persian calligraphy, glass, tile, pottery, lacquer, books, paintings, jewelry, textiles, sculpture, and architecture
Book Synopsis Essays in Honor of J.M. Rogers by : Gülru Necipoğlu
Download or read book Essays in Honor of J.M. Rogers written by Gülru Necipoğlu and published by BRILL. This book was released on 2004 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt:
This volume offers a wide-ranging account of the Mongols in western and eastern Asia in the aftermath of Genghis Khan’s disruptive invasions of the early thirteenth century, focusing on the significant cultural, social, religious and political changes that followed in their wake.
Book Synopsis Beyond the Legacy of Genghis Khan by : Linda Komaroff
Download or read book Beyond the Legacy of Genghis Khan written by Linda Komaroff and published by BRILL. This book was released on 2019-01-28 with total page 678 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers a wide-ranging account of the Mongols in western and eastern Asia in the aftermath of Genghis Khan’s disruptive invasions of the early thirteenth century, focusing on the significant cultural, social, religious and political changes that followed in their wake.
The Kitāb Naʿt al-Ḥayawān is the earliest of a group of illustrated manuscripts dealing with the characteristics of animals and their medicinal uses. The present study considers both the confluence of textual traditions within this work and the stylistic and iconographic relationships of its illustrations, which make it a key witness to early thirteenth-century Arab painting. After a re-evaluation of previous approaches, emphasis is placed on relating image to text, on stylistic affiliations, and on the modalities of production, supported by technical analyses undertaken for the first time. In elucidating the particular context of this unique manuscript, the study contributes to our understanding of a critical period in the development of Middle Eastern painting and art.
Book Synopsis A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na‘t al-Ḥayawān) in the Ibn Bakhtīshū‘ Tradition by : Anna Contadini
Download or read book A World of Beasts: A Thirteenth-Century Illustrated Arabic Book on Animals (the Kitāb Na‘t al-Ḥayawān) in the Ibn Bakhtīshū‘ Tradition written by Anna Contadini and published by BRILL. This book was released on 2011-11-11 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Kitāb Naʿt al-Ḥayawān is the earliest of a group of illustrated manuscripts dealing with the characteristics of animals and their medicinal uses. The present study considers both the confluence of textual traditions within this work and the stylistic and iconographic relationships of its illustrations, which make it a key witness to early thirteenth-century Arab painting. After a re-evaluation of previous approaches, emphasis is placed on relating image to text, on stylistic affiliations, and on the modalities of production, supported by technical analyses undertaken for the first time. In elucidating the particular context of this unique manuscript, the study contributes to our understanding of a critical period in the development of Middle Eastern painting and art.
The first volume in the series Studies in Persian Cultural History is the edited volume based on the papers from the Second Shahnama round-table, held in 2003 in Cambridge and published by Charles Melville in 2006 (The Centre of Middle Eastern and Islamic Studies, University of Cambridge). This volume brings together a collection of papers exploring many different aspects of the Shahnama, both as literature and as the object of royal patronage. It focuses particularly on the manuscripts in which the poem has been preserved from the thirteenth century onwards, and the relationships between Firdausi's text and the rich variety of the miniature paintings created to illustrate it.
Book Synopsis Shahnama Studies I by : Charles Melville
Download or read book Shahnama Studies I written by Charles Melville and published by BRILL. This book was released on 2024-02-12 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first volume in the series Studies in Persian Cultural History is the edited volume based on the papers from the Second Shahnama round-table, held in 2003 in Cambridge and published by Charles Melville in 2006 (The Centre of Middle Eastern and Islamic Studies, University of Cambridge). This volume brings together a collection of papers exploring many different aspects of the Shahnama, both as literature and as the object of royal patronage. It focuses particularly on the manuscripts in which the poem has been preserved from the thirteenth century onwards, and the relationships between Firdausi's text and the rich variety of the miniature paintings created to illustrate it.
