Author: Samuel B. Grimson

Publisher: Forgotten Books

Published: 2019-02-11

Total Pages: 166

ISBN-13: 9780365457589

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Excerpt from Modern Violin-Playing Well, the strict and truthful answer to this query is that, first of all, nobody is born with a divine gift of violin-playing any more than he is born with a divine gift of walking, or of talking the language of his own parents. He has to learn all three. About once in a hundred thousand times it happens that a player hits on the correct mechanical procedure by accident, just as about once in a hundred thousand times an engineer might guess the tensions of his steel bridge correctly. The engineer can only repeat his success by the miracle of a second lucky guess. In that respect the violinist has the advantage over him. When once he has hit on the right method, he recognizes its value by its artistic results. He tests it; and finds that, with him, it always works. That gives him the one thing for which he is searching - personal security on his instrument. The physical why and wherefore of the matter never crosses his mind. But observe the vast difference between the two cases from the teacher's point of view! N 0 one, out of a lunatic asylum, would ap point the guessing engineer to a university chair of engineering. The violinist, on the other hand, though he is certain to have all the artist's distaste for definition and all the artist's confusion as between means and sensation, is immediately labelled genius. N ow, so long as he remains in the genius-business, there is not one word to be said against him. But as soon as that cap is stuck on his head, he becomes a potent money-drawing attraction as a teacher. And there the trouble begins. He collects a great many expensive pupils, who come to learn the mysteries of his art. In the class-room they all stand round him, open-mouthed with the words How is it done? And he has not the remotest idea of any satisfactory answer to these terribly searching words. He may Show them how, of course. He may play the actual passage under discussion. If it comes off the first time, all he can answer to their question is, Like that. If it doesn't come off the first or second time, he has to try again, blaming his bow or perhaps the weather for his earlier failures. And even if he plays the passage finally - nay, even if he plays it finally with the most perfect and con summate art - his pupils have learned nothing technically. After the exhibition, one can only say that he differs from them in that he can play the passage sometimes, and they can not. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Download or read book Modern Violin-Playing (Classic Reprint) written by Samuel B. Grimson and published by Forgotten Books. This book was released on 2019-02-11 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Modern Violin-Playing Well, the strict and truthful answer to this query is that, first of all, nobody is born with a divine gift of violin-playing any more than he is born with a divine gift of walking, or of talking the language of his own parents. He has to learn all three. About once in a hundred thousand times it happens that a player hits on the correct mechanical procedure by accident, just as about once in a hundred thousand times an engineer might guess the tensions of his steel bridge correctly. The engineer can only repeat his success by the miracle of a second lucky guess. In that respect the violinist has the advantage over him. When once he has hit on the right method, he recognizes its value by its artistic results. He tests it; and finds that, with him, it always works. That gives him the one thing for which he is searching - personal security on his instrument. The physical why and wherefore of the matter never crosses his mind. But observe the vast difference between the two cases from the teacher's point of view! N 0 one, out of a lunatic asylum, would ap point the guessing engineer to a university chair of engineering. The violinist, on the other hand, though he is certain to have all the artist's distaste for definition and all the artist's confusion as between means and sensation, is immediately labelled genius. N ow, so long as he remains in the genius-business, there is not one word to be said against him. But as soon as that cap is stuck on his head, he becomes a potent money-drawing attraction as a teacher. And there the trouble begins. He collects a great many expensive pupils, who come to learn the mysteries of his art. In the class-room they all stand round him, open-mouthed with the words How is it done? And he has not the remotest idea of any satisfactory answer to these terribly searching words. He may Show them how, of course. He may play the actual passage under discussion. If it comes off the first time, all he can answer to their question is, Like that. If it doesn't come off the first or second time, he has to try again, blaming his bow or perhaps the weather for his earlier failures. And even if he plays the passage finally - nay, even if he plays it finally with the most perfect and con summate art - his pupils have learned nothing technically. After the exhibition, one can only say that he differs from them in that he can play the passage sometimes, and they can not. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.